DoNArTNeWs

Brenna K. Murphy @ Wind Challenge Exhibitions #3, Fleisher Art Memorial.

Brenna’s installation @ The Fleisher Art Memorial is part drawing, part conceptual art, part performance art, part photography & part crafting like a recipe for 21st Century modern art.  Murphy uses human hair to draw on the walls, sews hair into her photographs and over time will wash the hairs off the wall to put in the bowls on the floor, an idea she came up with when she was de-installing her last show.

Brenna K. Murphy draws onto the photograph by sewing hair into the paper, creating an illusion of a documentary photo, DoN thought she had installed huge drawings of furniture like the ones in the gallery.

Detail of hair drawing on the wall @ Fleisher Art Memorial by Brenna K. Murphy - DoN had to do some Photoshop magic to get the delicate lines to appear for the web, in real life the stray strands are poetic and serene.

Human hair wall drawing of a dresser with a small bowl on the floor, each Wednesday Brenna plans to wash off some of the hair and put it in the bowls.  Brenna Murphy’s drawings are loaded like meme bombs filled with memory, loss, dreams, beauty, ritual, divinity all playing out on long stands on hair.  Filaments of the imagination.

Jacob Koestler ,Window, Rochester, NY, photograph, 2010.

Jacob Koestler lives in Johnstown, PA. near Pittsburgh where he is a member of a shared art space called 709 Railroad Street, his photographs are included in a group show at the Center for Emerging Visual Artists, his second time showing in Philly.  Three years ago Koestler’s work was included in the first collabo with Pittsburgh Center for the Arts in the space on Rittenhouse Square.  In Selection From Cluster, the photographer was invited by Amie Potsic to include the group of photos based on a revenge dream narrative where a rich boy who wants to be a rock star inherits the perfect secluded mansion in Rochester, NY, equipped with all required to live the life of the privileged, surrounded by collaborators, a dream home for him in contrast to the suburban dream home his own father is building for himself.  The series is like a metaphor for art killing the father, each generation must claim their own turf.

Michael Sherwin, True North, pigment prints mounted to steel.  The series of prints explore fuzzy animism & techno-geek virtuosity - mounting the prints on steel is very cool, calculated & hard yet amorphous and squirmy like finding ancient artifacts from Mars.

“This exhibition exchange is part of an ongoing collaboration by CFEVA and PF/PCA Created in order to strengthen the artistic dialogue between Pittsburgh and Philadelphia. Cluster was originally presented at The Pittsburgh Center for the Arts and curated by Adam Welch. The Philadelphia presentation of this exhibition was curated by Amie Potsic. Participating artists: Dee Briggs, Connie Cantor, Nayda Collazo-Llorens, Kyle Houser, Ben Kehoe, Jacob Koestler, Michael Sherwin, Lenore Thomas.”  CFEVA Website.

Dee Briggs

The steel draws lines of shadows in the alcove @ CFEVA Gallery, as the airy shape slowly rotated the play of light & dark created a living drawing.  DoN observed people dreamily staring, imagining how they could clear out their living room to make space for Dee Briggs sculpture - the artists website is cool, too.  CFEVA  @ 15th & Locust Sts.

Nayda Collazo-Llorens, Test 32, gesso, ink & pigmented marker on canvas.  The large drawing is engrossing like looking at a Chuck Close.  Little blobby shapes coalesce and entwine, connecting dots in the brain, melding mind maps spread out across the canvas like an alien landscape, coordinates marks each other trying to signal and cooperate with all elements to capture your attention.  DoN loves marker art.

Selection From Cluster is a unique opportunity to view art from PA’s other big city - Jacob Koestler described to DoN a vibrant downtown art scene/district in Pittsburgh with a fun First Friday.  Thanks to CFEVA for opening the lines of communication with artists across PA.

While Alan Klawans, the Exhibitions Chair of The Plastic Club, awarded honors for the excellent Black & White show, DoN observed sunlight creeping across Vetiado # 48, a mixed media painting by Louisa Velben.  The painting glittered as if diamonds are embedded in the surface but the illusion was shiny paint bubbles in the thickly painted and swirled liquid.

Pulled From The Darkness, Erik Melendez, charcoal.

Karl Richard Olsen, Portrait, graphite. Bill Meyers, of PSoP, volunteer posed at the Plastic Club, the likeness is striking yet loose and free.

Rebecca Miller, Overrripe: Compost 3, graphite.  Miller is completing the Master program @ PAFA, studying with the extraordinary Scott Noel; this piece was created by drawing on gessoed board, draw with graphite, layer watered gesso over the drawing, let dry, draw some more…the result is an award winning drawing.  Miller also took home a prize the same day from The Philadelphia Sketch Club for an oil painting.  Seeing young new talent emerging from local art schools with the skill of masters participating in the grass roots arts movement in Philly is extremely satisfying.

Alden Cole, Dancing in the Dark, pencil and Leroy Fornoy, Night Bus, oil.  Pairing these two graphic pieces is genius - Cole’s trippy Starlings dance ecstatically and Fornoy’s painting has a Manga skate-punk nihilist vibe.

One of the great aspects of this show is the variety of media displayed, now that photography is accepted in  the art circles as a legitimate art form, many Photographic Society of Philadelphia members have the opportunity to show with their work along side traditional media - some photographers even entered paintings!

Arthur Ostroff, Floreal Ancienne, ink jet print.

Riikka Salo, Windows to Spruce, photograph.

Lois Schlachter, Exhibitions Chair of The Philadelphia Sketch Club, and Alan Klawans, Exhibitions Chair of The Plastic Club, at the Black & White Show.  The Philadelphia Sketch Club opened their 147th Annual Exhibitions of Small Oil Paintings the same afternoon - between the two art clubs there are over 300 new art works by contemporary Philadelphia area artists to see.  The juxtaposition of two strong theme shows is visually and psychologically invigorating, one show is limited to size and medium, the other limited to no color, the problem-solving and creativity of the artists is inspiring, entertaining and lucid.

Photography by DoNBrewerPhotography.

James Dean Erickson, Portrait of Douglass Carr, oil on board.  The model in cap & hoddie can be found wheel-chair bound outside St. John’s, a diabetic, a friend recommended the artist invite him into the studio to pose at the Pennsylvania Academy of Fine Art.  James relayed to DoN, “Portraiture can be a vehicle for therapy, highlights the dignity of the individual, and be a channel for excitement and energy.”

Rachel Constantine, Fifteen, oil.  The title says it all.

Richard Coach, The Fish of Delos.

Like time traveling to a lost and ancient city, this painting could be anywhere in time and space.  Seething with hunger for life, referencing work, culture, taste, serving up skills acquired with trial & error, the exquisite painting and substantial frame is right here in Philly in America’s oldest art club, the Philadelphia Sketch Club.

Kyle Margiotta, Blow, oil.  This would be a great picture for a house with kids, imagine how this masterful painting would elevate the taste of growing minds, simple mark-making telling long stories playing out like fairytales, set in the real world, incredulous expressions speaking volumes.

Mark Brough Goodson, Tom Csaszar/Eye of the Critic and Neysa Grassi/Eye of the Critic.

The pair of pairs of eyes, attractive and expressive, are superb examples of how small paintings capture moments in time, filled with emotions, thought and empathy in a medium which will last for centuries.  Hundreds of years from now the oil paintings being produced now will still transmit stories from our time, the present, to the future, their past.

DoN overheard a man say, “Why don’t they say where these places are?”  DoN pointed out the title does name a place, “Snow Melt, Sand Island“, by Sandra Corpora, it just doesn’t give GPS coordinates.  The man asked DoN what he liked about the painting? “The restraint of using the one thick pure white stroke of paint to represent the most distant point in the painting.”  He looked hard @ DoN & disappeared into the crowd.

147th Annual Exhibition of Small Oil Paintings is through April 24th with 170 of the best oil paintings in the city hanging together, continuing a long history of excellence in contemporary oil painting.

Ona Kalstein by her three entries in the Envisioning Henry IV, Part 1  in the Black Box Gallery @ St. Stevens Theater @ 10th & Ludlow Sts, Lantern Theater Company.  Ona designed images signified with memes, language and typography in a trio of drawings; child-like blood drops spurt from the cracked crown, a “garment made of blood” is saturated with droplets while the King wails and blood soaks the pea fields of the Battle of Shrewsbury with red tear-drops, the simple shapes communicating on multiple levels.  Ona designs hippy-style typography into the image as if they are pages in a coloring book for kids with sophisticated adult language.

June Blumberg’s exuberant composition of the hard partying gang hanging around Prince Hal are a buffoonish bunch of clowns - thuggish, scary clowns with swords and big smiles.  Blumberg won an honorable mention for her painting from the jury committee…the naive primitivism & quirky composition is fun but not jokey.

Alden Cole attended Lantern Theater Company’s Art Director, Charles McMann’s, lecture @ Da Vinci Art Alliance in late February since the play had everyone scratching their heads, Henry IV, Part 1 is not one of Shakespeare’s better known plays, and the lecture sent Cole into an exploration of the Seven Deadly Sins and how they relate to the characters in the play - Hal is slovenly, Falstaff is corpulent and Hotspur is haughty - all based on self-portraits.  To develop the composition Alden acts out the facial expressions, photographs himself, composes the scene in Photoshop then paints in oils on an enormous canvas.  Acedia Luxuria Superbia.

Lilliana Didovic, Lilliana Didovic & David Foss @ Envisioning Henry IV, Part 1.  Didovic painted abstract weapons and Foss layered and destroyed paint to visualize wounded flesh, the metaphors and significations are not forced but real.  The exhibition is loosely divided between “abstract” and “representational” art, like a battle of the art styles, David’s painting is visceral and scarred like a mutilated warrior and Lilliana’s gentle coloration is a contradiction in terms - beautiful weapons.

Mina Smith-Segal with her award winning painting, the brutalist watercolor truly captures the tension & fear of battle.

Hal by DoN, oil on canvas.  Photo by Morris Klein.  DoN Brewer used a variety of media to draw from such as fitness magazines, hairy bear blogs and Google to find inspiration for a new painting based on the play, after being creatively blocked around painting, having a theme to work inspired DoN to paint again.  DoN saw Hal through Jersey Shore eyes with “the situation” and “GTL” representing the young prince, the hairy bear as Falstaff and a leather bar of conspirators based on a painting by John Cawse.

Envisioning Henry IV, Part 1 in the Black Box Theater in the Saint Steven’s Theater is running in conjunction with the Lantern Theater Company’s production of the Shakespeare historical play.

DoN Brewer @ his artist reception.  All event photos by Peter Prusinowski.

The Center for Emerging Visual Artists hosted an artist reception for DoN Brewer and the Philadelphia Art-erati turned out in full force - friends & colleagues from the past, present & future converged on the Coffee Bar @ 17th & Locust to support DoN’s explorations into photography.  Amie Potsic of CFEVA (& fellow photographer) and Ann Koivunen worked with the Coffee Bar to have a POST (Philadelphia Open Studio Tours) artist show in their recently remodeled cafe - the buttery walls and excellent lighting is so satisfying and easy on the eyes the photos have never looked better - and out of 30 artists the team presented, they picked DoN.  What an incredible honor & pleasure to represent Philadelphia Artists in the venerable Warwick Hotel, a landmark & planetary crossroad; DoN overheard languages from all over the world, it is so gratifying to have the work stand on it’s own, this being the largest collection of DoN’s “light being” series to date.

Muralist David Guinn, his Dad & Plastic Club former President Mike Guinn, the back of Ted Warschal’s head, Cynthia Arkin (manager of The Plastic Club website), UArts’ Regina Barthmeier, DoN, Ona Kalstein and Rob Stauffer (Rob mounted, matted and framed most of the show, his outstanding presentation skills enhances the work immeasurably) @ the Artist Reception for “light beings“.

Enhabitues of the Philly art scene, Regina & Lisa lounge below light being (Thelma) @ the artist reception for DoN Brewer’s light beings show @ The Coffee Bar - these intrepid art crawlers have been extremely supportive of DoN’s career and have been present at almost every art event important to his reputation.  Having friends be there when you need them is so important to an artists ego - Merci!

Ann Koivunen of The Center for Emerging Visual Artists manages the Philadelphia Open Studio Tours submissions (going on now) and took DoN’s feeble attempt at image size accuracy and created the terrific transparent labels, a beautiful bio book and documentation - Thank you Ann for your patience!

light being (Leo Seeger), DoN Brewer @ The Coffee Bar, The Radisson Warwick Hotel through July 2010.  This image has appeared in several art shows from the Philadelphia Sketch Club’s Absolutely Abstract Show to The University of Princeton Medical Center’s ArtFirst show to The Beauty Shop Cafe @ 20th & Fitzwater - DoN LoVeS it when people start seeing “light beings” in the wild.

Thanks to Shoshana Aron, Alden Cole & Les Howard for helping hang the show, Rob Stauffer for framing and the Center for Emerging Visual Artists for their tireless support of artists in Philadelphia.  DoN will be announcing an artist talk date soon.

Special thanks to Peter Prusinowski for photographing the event and his support and friendship, it’s such a good feeling to be recognized as an artist by peers - Philadelphia XOXO.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.

light being (Diana), DoN Brewer, digital photograph.

light being (Carl Sagan), DoNBrewerMultimedia Photography @ The Radisson Warwick Hotel, The Coffee Bar.

light beings (May & Andy), DoN Brewer, digital photograph.

The Coffee Bar at The Radisson Warwick Hotel @ 17th & Locust Streets in Philly is spotlighting fourteen photographs from DoN’s series titled “light beings“, February 26th through July 30th, 2010.  Strictly landscape, the images of reflections on urban surfaces seem mysterious or manipulated, the photographs evoke thoughts of what we may become - beings of light traveling at unimaginable speeds in all directions of the universe at once.

DoN was contacted by Amy Potsic of the Center for Emerging Visual Artists inquiring if he could mount a one person show with only two weeks notice?  Duh?  Amy and Ann Koivunen selected 14 images out of twenty-two, Rob Stauffer helped DoN with framing, custom mats & non-glare glass, Shoshka, Aldy & Les helped install the show - art is hard work, man!  You have to know math!?!  The Coffee Bar space is fabu, good light, great Einstein coffee, yummy food and it’s a bar at night!  How cool is that?

Artist Reception: April 7, 2010, 5-7PM.

Photos by DoNBrewerMultimedia Photography.

Alice Meyer Wallace in the Down Stairs Members Gallery @ The Plastic Club.

Alice Meyer Wallace, Mina Smith-Segal, the photo is Bonnie Schorske’s are featured artists in the Members Gallery; the next five member artists to show in the delightful space were drawn from a hat by a small boy with an unusually large head during the awards ceremony for the current Small Worlds exhibition.

Bonnie Schorske, photographs in the Down Stairs Members Gallery @ The Plastic Club on the Avenue of the Artists.

The Plastic Club hosts the monthly Photographic Society of Philadelphia meetings, art-aholic Salons hosted by the inimitable Anders Hanson (Jody Sweitzer announced a joint Plastic Club/Sketch Club/Avenue of the Artists show @ Off the Wall Gallery in Dirty Frank’s Bar), daily workshops and Bob Jackson makes dinner the last Friday of the month for the starving artists who gather at the club to draw and paint.  The next show is a black and white theme - interesting.

Sibylie Pfaffenbichler, Sailor on Leave, oil.  The artist explained to DoN her inspiration came from the forties and the famous images of sailors returning home.  The painting is so exuberant, vibrant and distinctive it really makes you wonder why we don’t dance in the street when our soldiers make it home.  Pfaffenbichler is chair of The Philadelphia Sketch Club’s Annual Flower Show.

Paul Davis Jones, Enigma, acrylic.

Gail Morison-Hall, The Burning Bush, mixed media & Elise Arnold, Untitled One, acrylic.  With 199 works of art, Small World @ The Plastic Club would have been even bigger if more artists understood that presentation is half the battle, the exhibitions committee refused several pieces (DoN spotted a few suspect entries who passed muster).

Nick Brown, Orange Juice Cup & Mug, stone ware.  Brown brings unfired pottery to life study workshops at The Plastic Club and sketches directly onto the clay, often you can hear him scratching grooves into the design to prevent the glaze from spreading when applied.  The resultant objects are like ancient vessels found at an acheological dig - future meets ancient.

Lee Mamaluy, Popping Blooms, oil, Kathryn Russo, At Ease, mixed media and Jeanne Chesterton, Dots, oil.

Robert Stauffer’s photograph, Thorazine Can Kill The Human Spirit, with broken glass in a mirror lined shadow-box frame is like a history of modern art all mushed up like DuChamp meets Warhol meets Ansel Adams.  The broken glass reads like disaster, the desert scene feels like being stranded and the infinite reflections on all sides have secret hidden images to uncover.

 Alden Cole, Now n Then #3, Mother & Child, wax/clay, 2010 & 1964.

Bob Makoid, Avian Capers,markers.  Makoid told DoN this drawing is extra special to him because his kids surprised him by having the design made into a stained glass window.

Michele Jenkins, New Glasses, oil.  DoN LoVeS this painting!  Timeless, super-fun, nostalgic, funny, happy and executed with aplomb.

Anders Hansen, Earth Goddess, ink/watercolor, Lois Schlachter, Queen of the Night, acrylic and Joseph De Fay, The Cafe’, ink-jet print.

Lois Schlachter, Balloon Release, acrylic.  DoN appreciates Lois’ combination of real & unreal, abstract & illustrative, signs & significations - cool.

Alan Clawans, Small Shed, photograph, DoN Brewer, light being (Farrah Fawcett), photograph (it’s not DoNArTNeWs without some DoN news), Sylvia Schreiber, White Flower, acrylic, Susan Wierzbicki, Saim, acrylic and Elise Arnold, Cats, acrylic.  DoN is so pleased to have his entries placed so strategically in the beginning, #3, and the end, #196 - the magic of 3.

Photos by DoNBrewerMultimedia Photography.