DoNArTNeWs

Through My Window, Da Vinci Art Alliance Members Traveling Art Show now in Millville, NJ Arts District in the Riverfront Renaissance Center for the Arts through 7 - 10 -2010

Carol Wisker with her award winning mixed media creation, Machine: War Games Series, when the show first opened at Smile Gallery, Carol won Best in Show.  The huge gallery space at RRCA is a wonderful opportunity to see most of the original show hanging together again.  3rd Friday in Millville was really fun with live entertainment tucked into every park, alley and plaza including a glee club performance!!!  The creative vibe of the monthly event with art shows, restaurants and shops welcome visitors warmly with small town ambiance and upscale art.

Ona Kalstein, Through My Window @ Riverfront Renaissance Center for the Arts.

Ted Warchal @ Riverfront Renaissance Center for the Arts special exhibit, Through My Window, A Da Vinci Art Alliance Members Exhibit.  Ted, Ona & DoN are members of the Board of Directors of Da Vinci, thanks to all the artists & volunteers who arranged for the art to show up on time and to Dr. Debra Miller & David Foss for the expert installation, the RRCA is a wonderful exhibition space.

David Foss & Nicole Koenitzer.

Betsy Alexander’s Sci-Fi homage drew some teenage geeks into the gallery who seemed mesmerized at the depth of knowledge in the obscure references.  Burnell Yow! told DoN he was hesitant when Betsy voiced her encyclopedic idea - but beam me up!

DoN Brewer’s drawing of Paris rooftops is paired perfectly with Lilliana Didovic’s Boathouse Row painting.

The concept pf Through My Window is that more than 20 artists were offered a window to do whatever they wanted with, the result is a uniquely Philadelphian art perspective: Bobbie Adams, Betsy Alexander, Jesse Best, DoN Brewer, Rachel Citrino. Alden Cole. Lilliana Didovic, Jerry di Falco, David Foss, Carl Johnson, Ona Kalstein, Nicole Koenitzer, Gail Kotel, Rikard Larma, Lee Muslin, Liz Nicklus, Kathryn Pannepacker, Michael Shane Simmons, Mike Sweeney, Ted Warchal, Carol Wisker & Burnell Yow!

Photos by DoNBrewerPhotography.

Susan Barnes, North End Dunes, oil.

The Annual Members Exhibition of the Philadelphia Sketch Club at Newman Galleries on Walnut Street is a wonderful introduction to the many fine artists who belong to America’s oldest art club.  The swirly mix of styles, techniques and ideas is evocative of the Philly art community in microcosm; the mezzanine and third floor gallery holds a heady mix of contemporary art by masters, newbies, wannabes of all ages celebrating the first decade of the 21st Century.

Edna Santiago, Museum Stroll, acrylic on plexiglass.

 Garth Herrick, Red Barn, 11:00 AM at Beaver Farm and Donald Meyer, Study (Structure) Hosta Series, egg tempera.

Linda Townshend, Holstein, oil on canvas.

Idaherma Williams, No Masks, archival pigment print.

Karen McDonnell, Wisdom, mixed media.  Karen  e-mails DoN phone pics of stickers of this little guy in public spaces, her contribution to the Philly art scene by introducing graffiti style into the mix of traditional media is like when photography put it’s foot in the door.  The silver spray paint gives a glamorous luster to the surface of the canvas as if dressed up for the special day when all the artists show their best work.

The 2010 Members Exhibition of The Philadelphia Sketch Club @ Newman Galleries with 156 works by as many Philadelphia area fine artists runs through 6/9/2010.

Photos by DoNBrewerPhotography.

Grotesque Profile / Dean’s Song, Michael DiPrinzio @ Da Vinci Art Alliance.

Michael DiPrinzio encourages his son, Dean, age 5, to grab some art supplies and work with his Dad in the studio while he creates his abstract expressionist /naive primitivist paintings.  Unlike the Philly Dad who let’s his kid swig beer at a ball game, DiPrinzio is familiarizing Dean with the arts and culture of all kinds - Dean was a cool art star at the opening, drawing and posing for pictures.  DiPrinzio the Younger’s work was hung on clothes pins scattered around the gallery among DiPrinzio the Elder’s paintings.  Seeing familiar household objects and surfaces incorporated into DiPrinzio’s dream-scapes plucks on childhood nerves like time traveling back to a younger day when a clothes-pin was the coolest thing ever.

Michael DiPrinzio, Give Thanks, A Heart Felt Toast @ Da Vinci Art Gallery in South Philly.

Michael DiPrinzio, Year of the Rat @ Da Vinci Art Alliance. 

Dinosaur by Dean DiPrinzio, crayon on ceiling tile.  Having a kid’s art perspective bouncing off the adult abstractions creates a vibration between childish mark-making and child-like abandon.

With Dali-esque coloration, Michael DiPrinzio gets down & dirty with this large scale mixed media painting, the paint battles across the canvas, mixing like a wacko fractal model.

Learn more about the DiPrinzio family project @ the Da Vinci Art Alliance website including info on Daniel DiPrinzio’s novel, “New U“.

Untitled, Michael DiPrinzio @ Da Vinci Art Alliance @ 7th & Catharine Streets.  The gallery is a hidden gem in South Philly, offering artists the opportunity to have one-person or group shows along with themed members only exhibits throughout the year.  Just a few blocks from The Italian Market, Da Vinci Art Alliance offers contemporary art in a lovely town-house gallery across the street from Fleisher Art Memorial.

Photos by DoNBrewerPhotography.com

Valerie Carroll, Spot @ Twenty-Two Gallery.

Valerie Carroll’s animistic portraits of cats & dogs practically growl with aggression, daring DoN to stare down scary faces like monsters in a dream.  Sometimes when DoN looks into KaTy the ArT DoGs eyes he feels a connection with her like some extrasensory perception mind meld is happening, Carroll’s paintings tap into that same vibe.  Carroll’s animal portraits are classic mise en scene animal portraits yet brutalist and difficult like a great punk rock song.

Valerie Carroll, Rub-a-Dub, A Man in a Tub, oil on canvas.

Valerie Carroll explained how she first got this impression of the bathing man while out West but finished the painting back East.  The painting pulses with emotion, the man’s facial expression roils with desperation, the luxury of a bath too sad to believe, a beard grown wild, a rusted basin a momentary respite from the New Great Depression.

Valerie Carroll,  Man in a Pink Shirt, oil on canvas.  Light & Despair @ Twenty-Two Gallery.

Adrienne Jenkins, Jamie, oil on canvas @ Twenty-Two Gallery.

Shawn Murray, Twenty-Two Gallery’s mastermind, warned Adrienne Jenkins that portraits are a hard sell but her paintings of twenty-somethings reveal such a current state of being for young people - harried, a bit grim, self absorbed like characters from a William Faulkner novel set in the future - that it makes DoN glad she ignored his advice, the portraits are so painterly they don’t read as so specific.

Twenty-Two Gallery’s co-curator , Diane Podolsky, has the balls to mix up impressionist still life paintings with stylized portraits and crazed pet paintings & makes it work like some museum show of the history of modern art; paintings just never go out of style.

Valerie Carroll & Adrienne Jenkins at the opening of their show, Light and Despair @ Twenty-Two Gallery during West Center City’s Second Friday art crawl.  The two artists paint together at Wayne Art Center , sharing studio space and creating a kind of cross-pollination of painting styles.  With 25 or so paintings, this is a big show for two artists but Adrienne Jenkins is preparing for her solo show next year for the same space; the two artists have joined the artist collective and you can meet them this Sunday afternoon at Twenty-Two Gallery, 236 South 22nd Street.

Photos by DoNBrewerPhotography.

James Dean Erickson, Portrait of Douglass Carr, oil on board.  The model in cap & hoddie can be found wheel-chair bound outside St. John’s, a diabetic, a friend recommended the artist invite him into the studio to pose at the Pennsylvania Academy of Fine Art.  James relayed to DoN, “Portraiture can be a vehicle for therapy, highlights the dignity of the individual, and be a channel for excitement and energy.”

Rachel Constantine, Fifteen, oil.  The title says it all.

Richard Coach, The Fish of Delos.

Like time traveling to a lost and ancient city, this painting could be anywhere in time and space.  Seething with hunger for life, referencing work, culture, taste, serving up skills acquired with trial & error, the exquisite painting and substantial frame is right here in Philly in America’s oldest art club, the Philadelphia Sketch Club.

Kyle Margiotta, Blow, oil.  This would be a great picture for a house with kids, imagine how this masterful painting would elevate the taste of growing minds, simple mark-making telling long stories playing out like fairytales, set in the real world, incredulous expressions speaking volumes.

Mark Brough Goodson, Tom Csaszar/Eye of the Critic and Neysa Grassi/Eye of the Critic.

The pair of pairs of eyes, attractive and expressive, are superb examples of how small paintings capture moments in time, filled with emotions, thought and empathy in a medium which will last for centuries.  Hundreds of years from now the oil paintings being produced now will still transmit stories from our time, the present, to the future, their past.

DoN overheard a man say, “Why don’t they say where these places are?”  DoN pointed out the title does name a place, “Snow Melt, Sand Island“, by Sandra Corpora, it just doesn’t give GPS coordinates.  The man asked DoN what he liked about the painting? “The restraint of using the one thick pure white stroke of paint to represent the most distant point in the painting.”  He looked hard @ DoN & disappeared into the crowd.

147th Annual Exhibition of Small Oil Paintings is through April 24th with 170 of the best oil paintings in the city hanging together, continuing a long history of excellence in contemporary oil painting.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.

Steven L. Spathelf created a mural sensation in Dunedin, Florida when the long-time muralist started painting oranges on garage doors late at night ala graffiti tagging or Obey stickers.  Soon the artist started noticing signs on garage doors asking for an orange to be painted there; the community recognized his contribution to the reputation of the art enclave in North Tampa and commissioned the “Welcome to Dunedin” mural.  Currently, Spathelf is working on undersea scene murals for a children’s hospital and managing the artist studios at 608 Vine Avenue, an art center with gallery/studio space for local artists similar to Spring Garden Studios in Philly, The Goggleworks in Reading or the Banana Factory in Bethlehem.

Mural by Steven L. Spathelf, Dunedin, Florid.  The artist is working on three separate panels simultaneously to be stretched and framed for exhibition in a children’s hospital.  Steven & DoN chatted about how important and calming art is for kids (and grown-ups) who are being wheeled into hospital exam rooms.  Spathelf is very familiar with Philly’s Mural Arts Program since he’s done private and public murals in Florida for decades, it’s not surprising Philly has a good reputation for public art.

Steven L. Spathelf’s studio in Dunedin, Florida housed on the second floor of an office building with many solo and shared studios throughout the large art space.  The art scene in Dunedin is integrated into the community just as much as the Baseball Spring Training season with Second Friday events, lectures and art events happening though out the village.

Steven L. Spathelf of Sterling Art Studios, 668 Vine Ave., Dunedin, Florida.

The Dunedin Fine Art Center is the hub of the art scene with workshops, galleries and exhibits in a modern, thoughtful art center designed to draw the community together with art.  The center has galleries for special shows, faculty exhibits and most importantly student show spaces with professional lighting and installation.

DoN regrets he doesn’t have the artist info on this piece but it reminded him so much of work by the Philadelphia Dumpster Divers with the use of old bundt pans, their memetic nostalgia vibrating with the wacko sculpture.  Visiting the art center in Dunedin really made DoN homesick but a studio/gallery near the Gulf of Mexico is really attractive.  The artists DoN spoke with all praised the support they’ve received from the public and their community; art is the glue that holds a town together, creating conversation, developing personalities and opening lines of communication.

Jo Schmidt, 3 Feathered Friends, acrylic @ Dunedin Fine Art Center.

Mary E. Haas, The Dream, stone @ The Dunedin Fine Art Center.

Barbara Kampe, Tu Jest Przyjemny Widok, acrylic and Carol Y. Bardes, Incan Kitchen, colored pencil in the hall of the Dunedin Fine Art Center.  The art center used all viable space to exhibit art without seeming crammed.

Student gallery @ Dunedin Fine Art Center.

Carol Ann Loven, River Rock, fiber and Stephen Decaire, In The Drink, mosaic @ The Dunedin Fine Art Center.

Bill Renc of The Painted Fish Gallery  paints dreamy tropical landscapes from plein air and memory as well as managing a large gallery & frame business.  It’s a wonder the gregarious artist gets any work done since he’s more than willing to chat with all the customers wandering through; even though it was a Monday afternoon there was steady foot traffic through the art district.

That’s Bill Renc on the left, his colorful painting of the quirky Dunedin street signs is available as print and cards, the informative and fun sign posts point in all directions at once.  The variety of interesting and colorful object, especially all the bright color which feels so alien to DoN’s city eyes, comment on the lifestyle of the Tampa Bay area.

Bill Renc of The Painted Fish Gallery in Dunedin Florida.

Ira Burhans ceramics at Clay and Paper Gallery of Art are award-winning collectibles with avid clients, the ceramicist sells his work wholesale!  Yet also manages a lovely gallery and interacts with his collectors.  Burhans was familiar with the Philly art scene since he comes to trade shows here but the warmth and clear light of Dunedin is a great place to make art.  The gallery represents about 25 local artists as well as Ira’s beautiful pots.  If you’re ever in Tampa, DoN recommends visiting this enclave of art culture in the midst of beach life, it’s a great mix.

Sibylie Pfaffenbichler, Sailor on Leave, oil.  The artist explained to DoN her inspiration came from the forties and the famous images of sailors returning home.  The painting is so exuberant, vibrant and distinctive it really makes you wonder why we don’t dance in the street when our soldiers make it home.  Pfaffenbichler is chair of The Philadelphia Sketch Club’s Annual Flower Show.

Paul Davis Jones, Enigma, acrylic.

Gail Morison-Hall, The Burning Bush, mixed media & Elise Arnold, Untitled One, acrylic.  With 199 works of art, Small World @ The Plastic Club would have been even bigger if more artists understood that presentation is half the battle, the exhibitions committee refused several pieces (DoN spotted a few suspect entries who passed muster).

Nick Brown, Orange Juice Cup & Mug, stone ware.  Brown brings unfired pottery to life study workshops at The Plastic Club and sketches directly onto the clay, often you can hear him scratching grooves into the design to prevent the glaze from spreading when applied.  The resultant objects are like ancient vessels found at an acheological dig - future meets ancient.

Lee Mamaluy, Popping Blooms, oil, Kathryn Russo, At Ease, mixed media and Jeanne Chesterton, Dots, oil.

Robert Stauffer’s photograph, Thorazine Can Kill The Human Spirit, with broken glass in a mirror lined shadow-box frame is like a history of modern art all mushed up like DuChamp meets Warhol meets Ansel Adams.  The broken glass reads like disaster, the desert scene feels like being stranded and the infinite reflections on all sides have secret hidden images to uncover.

 Alden Cole, Now n Then #3, Mother & Child, wax/clay, 2010 & 1964.

Bob Makoid, Avian Capers,markers.  Makoid told DoN this drawing is extra special to him because his kids surprised him by having the design made into a stained glass window.

Michele Jenkins, New Glasses, oil.  DoN LoVeS this painting!  Timeless, super-fun, nostalgic, funny, happy and executed with aplomb.

Anders Hansen, Earth Goddess, ink/watercolor, Lois Schlachter, Queen of the Night, acrylic and Joseph De Fay, The Cafe’, ink-jet print.

Lois Schlachter, Balloon Release, acrylic.  DoN appreciates Lois’ combination of real & unreal, abstract & illustrative, signs & significations - cool.

Alan Clawans, Small Shed, photograph, DoN Brewer, light being (Farrah Fawcett), photograph (it’s not DoNArTNeWs without some DoN news), Sylvia Schreiber, White Flower, acrylic, Susan Wierzbicki, Saim, acrylic and Elise Arnold, Cats, acrylic.  DoN is so pleased to have his entries placed so strategically in the beginning, #3, and the end, #196 - the magic of 3.

Photos by DoNBrewerMultimedia Photography.

Ed Bronstein is an artist member of Gallery 22 owned & curated by Shawn Murray and is probably Philly’s most prolific plein air artist.  It’s a wonder he gets any painting done though, since he is so gregarious and popular that when he’s painting outdoors people (DoN included) stop to talk.  The collection of 46 paintings at Gallery 22 attests to Ed’s drive to get the job done; many of the paintings are totally plein air but some, like the dog paintings, are completed in the studio.  Bronstein sometimes also works from memory in the studio after beginning a painting in the field, he is so familiar with the territory he could probably create a Philly scene with no reference material at all.

Ed Bronstein @ Gallery 22.  Ed told DoN that usually he has to paint the doggie portraits from photographs since as we know dogs don’t stay still for very long, even when they’re sleeping.  Ed captured many of these dog images at the Schuykill River Park also known as the dog socialization area - one of KaTy the ArT Dog & Lady Doofie’s favorite spots to hang out.

Scenes of Philadelphia by Ed Bronstein @ Gallery 22.  DoN recognized the view from Bartram’s Garden in the lower painting since he sat in the same spot but tried to paint out the oil tanks, focusing on the trees.  Bronstein saw the sculptural beauty and urban aesthetic of the oil tanks and captured the scene with bold color and swift brush strokes.

Ed Bronstein started this painting in Fitler Square but then worked on it for months in the studio.  Libby Rosoff of The Art Blog commented on how hot the colors are compared to the plein air works.  Ed will be having a meet and greet in the gallery soon, check their website for dates & time.