DoNArTNeWs

Michael Guinn, Chinatown Street, ink @ Philadelphia Images: Places, People and Objects, The Plastic Club on Camac Street.  Mike, a former club president, was presented with the Jurors Award; Guinn was elated saying, “This is the first award I’ve ever received from the club!“  Board members are ineligible for prizes, even though they take on the biggest burden of work - Mike Guinn continues to provide essential support and guidance to the historic art space.  A video is in production attempting to tell the story of the historic art club.

Leroy Fourney, Cherry Street Looking West, oil - 3rd Prize award winner, this small painting pack a lot of information and sense of place on a small panel.  The Philadelphia Images show at the Plastic Club is a must see experience with images of Philly from many unexpected perspectives.

Eileen Eckstein’s photograph, Mummer Witch, not only captures the spirit of the season but the essence of the exhibition with this painterly image - and she won Honorable Mention.  Eileen Eckstein is the president of the Photographic Society of Philadelphia.

Duck Crossing, Morris Klein, photograph, remembers a moment in time that has probably ended forever, the quaint image tells a story which begins with Summer fun and is finished in the viewers mind with unbelievable tragedy.  Morris Klein is the vice president of the Photographic Society of Philadelphia.

Photos by DoN.

Arists ask DoN about art show opportunities frequently, here are some heady themes to get your creative juices flowing:

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition:

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition

Off the Wall Gallery @ Dirty Franks - Call for Entries for DEJA VU: ART AND MEMORY, our upcoming Sixth Annual Juried Exhibition Prospectus

Da Vinci Art Alliance

Picturing

The Decameron

An awards exhibition of Da Vinci Art Alliance @ Smile Galleryfeaturing art inspired by International Opera Theater’s new  production of Boccaccio’s Decameron

Picturing the Decameron Da Vinci Art Alliance Prospectus

 For artists interested in participating in the November Da Vinci @ Smile show based on our collaboration with International Opera Theater’s production of Boccaccio’s Decameron (prospectus attached), here’s a list of the scenes Karen Saillant will feature (with references to the day, story numbers in the book):

Prologue, Florence, Calandrino
I, 1:  Ciappelletto di Prato - evil notary
IX, 1:  Federigo and his Falcon - poor knight
VIII, 3:  Maso del Saggio and the Enchantment of Calandrino - lapidary
IV, 1:  Ghismunda and the Heart in a Goblet - princess of Salerno
IX, 2:  The Habit of Mother Usimbalda
V, 8:  The Wedding of Nastagio degli Onesti
X, 10:  Griselda and the Marquis of Saluzzo
Postlude, Calandrino

Please note:  you can submit up to 3 entries; depending on the number of entries received, we will do our best to install all works.

Decamero

world premiere

Based on Decamerone by Giovanni Boccaccio

Music: Efrain Amaya, Michael Djupstrom, Daniel Shapiro,

Adam Silverman, Tony Solitro, Thomas Whitman, Ya- Jhu Yang,

Libretto: Karen Saillant

Italian Translation: Tommaso Sabbatini

November 12 and 13 at 8 PM

November 14 at 3 PM

The Prince Music Theater

ACT I Prologue;

Calandrino (who comes out of his giant costume, which consists of large pieces of fabric with scribbling all over them) speaks to the audience about The Plague and implores all of the individuals sitting in front of him to leave the premises immediately because The Plague is killing everyone!! (Gavoccioli-the name of the large boils that appear on the body as a result of The Plague)

Calandrino narrates in English

·         First Day: First Story- Thomas Whitman, composer
The scoundrel Ser Cepperello manages to pass himself off as a virtuous man during his last confession. After his death, he is remembered as Saint Ciappelletto and people pray to him for favors and believe him capable of performing miracles.

Calandrino narrates in English

·         Fifth Day: Ninth Tale
A young gentleman by the name of Federigo falls in love with a beautiful lady named Monna Giovanna. He spends large amounts of money trying to gain her attention but she remains indifferent to his love. Eventually he loses everything and is forced to live in poverty in a little farm with only his beloved pet falcon for company. Meanwhile Monna Giovanna’s husband dies and her son falls very ill. The sick child asks his mother to get him Federigo’s falcon. She goes to visit Federigo to ask for the falcon. As she arrives at Federigo’s house, he is very distressed to see her and not having any food in the house to offer her  and not knowing the cause of her visit, Federigo kills his falcon and makes it into a meal for his beloved lady. After dinner Monna Giovanna reveals the reason for her visit. Federigo is devastated that he cannot help her and she has to leave empty-handed. Monna Giovanna’s son dies. After a period of mourning, Monna Giovanna, who is rich and still young and beautiful, rewards Federigo’s loyalty by marrying him.

Calandrino narrates in English.

·         Eighth Day, Third Story

Calandrino overhears the lapidary, Maso del Saggio, talking to himself about a place where mountains are made of parmesan cheese and vines are hanging with sausages. Calandrino is enchanted with the idea of visiting this place and is especially determined when he learns about the stone called The Heliotrope that it will make him invisible. He shares the story of the heliotrope with his friends Buffalmacco and Bruno and they continue the ruse as they pellet him with stones all the way home from The Mungone River.

Calandrino narrates in English

·         Fourth Day, First TaleTancredi, Prince of Salerno and father of Ghismunda, slays his daughter’s lover, Guiscardo, and sends her the heart of her lover in a golden cup: Chismunda pours upon it a poisonous distillation, which she drinks and dies.

ACT I

Ninth Day, Second Tale
An abbess rises in haste and in the dark, with intent to surprise an accused nun in bed with her lover: thinking to put on her veil, she puts on instead the breeches of a priest that she has with her. The nun, after pointing out her abbess’s head covering, is acquitted by the abbess. The abbess extols the virtues of love and thenceforth allows all members of the order to find it easier to meet with those interactions which bring them to greater love.

Calandrino narrates in English

Fifth Day: Eighth Story
Wealthy Nastagio degli Onest is in love with a lady of noble lineage who despises him. Discouraged, Nastagio leaves town and, in the wilderness, witnesses the frightening scene of a young woman who is chased down by a knight and murdered by having her back slit open and all of her organs pulled out of her and throw to wild dogs. The knight explains to Nastagio that they are both souls in torment, doomed to repeat the scene for years. The deed is part of his punishment for his having committed suicide in despair at being rejected by the lady. The lady in turn is punished for her pride and cruelty in rejecting the love of the knight. Nastagio has the idea of making arrangements to have his beloved witness the scene. Once she sees the naked woman murdered for her cruel and cold heart, she changes her mind about Nastagio and agrees to be his wife.

Calandrino narrates in English

·         Tenth Day: Tenth Story
The nobleman Gualtieri marries Griselda, a peasant woman. At first he treats her well but then decides to test her obedience. He speaks to her abusively and takes away their two infant children, suggesting to her that they are to be killed (in reality, they are taken to Bologna and raised by friends). Griselda bears this with patience. Her husband then expresses his wish to divorce Griselda and sends her back to her father’s peasant house. Pretending to be making arrangements for his new wedding, Gualtieri calls back Griselda and orders her to take care of all the preparations, including the welcoming of the new bride and her brother. Putting up with it all, Griselda obeys and graciously receives the beautiful young woman. Gualtieri then reveals the truth and announces that the supposed bride and her brother are really their own children, now nineteen and twenty years old. Griselda is congratulated on her heroic patience and obedience and welcomed back as the lady of the home.

Prologue: Calandrino returns to book, admonishing everyone to be attentive and leave town as quickly as possible.

Main Issues of Decameron Opera:

• Main colors will be red, black and white (but Artist should not limit themselves to these colors if they do not want to.
• literal and symbolic meaning of The Plague
• The Plague as symbol for the healing that can take place after a great tragedy
• Condition and direction of society in the late Middle Ages and early Renaissance and as it speaks to us today
• SYMBOLS:
• Apple, its seeds, especially the center of the apple, known as the pentacle
• Blood Stone: Heliotrope, known as the bloodstone.
• Land of Bengodi (similar to idyllic land of Cockaigne )
• Stories as “mirrors” of vices and virtues
  
• literature as medicine for healing society
• costumes modern, with taste of Middle Ages
• emergence of playful, light-hearted, human, and humane view of life after a great traged-
• critique of human vices marked by understanding and humor rather than heavy moralizing.
• hypocrisy of religious and moral authorities; superstitions and the gullibility of people.
• Beauty, pleasure, love, laughter and play as privileged values
• carpe diem ethos of work
• mixing of people from different social levels and classes;
  
• more egalitarian society where merit is based on actions and character,rather than birth or inherited wealth

Both of these long running art spaces have track records for attendance, participation and recognition in Philadelphia - support your local art galleries by entering the shows, visiting the galleries and volunteering to help produce these events.  Thanks to Dr. Deb Miller of DVAA and Jody Sweitzer @ Dirty Franks for their efforts!

Center for Emerging Visual Artists

 Artist, Career Development Program Fellowship

Organization: The Center for Emerging Visual Artists

Job Categories:Curatorial, Education, Marketing & Public Relations, Philadelphia County (PA), Artist Development & Residencies, Foundations/Fellowships, Visual Arts

Free two-year fellowship in the Career Development Program at The Center for Emerging Visual Artists. The Center for Emerging Visual Artists strives to provide the essential support services and programs emerging artists need to build sustainable careers. Our Career Development Program Fellowship offers a select group of talented artists the following: a two-year fellowship period and lifelong alumni affiliation, group exhibitions around the region and beyond, a three person show in the second year of the fellowship, professional development workshops, mentorship, community, volunteer opportunities, individual career counseling, and alumni solo exhibitions and travel grants.

To Apply:Eligibility requirements include the following: Applicants cannot be full-time students. Applicants must live within 100 miles of CFEVA (all of New York City and boroughs included). Applicants cannot have a contractual agreement with a commercial gallery or gallery representation. For the online application and further eligibility requirements, go to http://www.cfeva.org/cfeva_programs_career.aspx  For more information, contact Amie Potsic, Director of the Career Development Program at The Center for Emerging Visual Artists, 1521 Locust Street, Lower Level, Philadelphia, PA 19102, 215-546-7775 x 12, amie@cfeva.org, www.cfeva.org.

Deadline: 11/01/2010

Good Luck!

LoVe

DoN

Roz Bloom, Divided by Seven, mixed media and Bobbie Adams, The Seven Signs, ink @ The Noyes Museum of Art in Hammonton, NJ.

Liz Nicklus, The Mick, mixed media.  Liz mixes media & metaphors with this clever assemblage, a memento mori mashed up with meme Micky Mantle, the narrative vibrates with liveness and death.  Nicklus, a Da Vinci board member is an a accomplished muralist and educator, her determination and drive is inspiring.

Seven, a Da Vinci Art Alliance event @ The Noyes Museum of Art in Hammonton, NJ is a wonderful symbiotic relationship between a contemporary art space looking for work to show and a grass roots community art group of the stature of the South Philly art collective known as Da Vinci.  The significance of the number 7 is explored in a myriad of media in the naturally lit large gallery, the opening night party was attended by board members of Stockton College, Noyes Museum Executive Director Michael Cagno, assistant to the director Brittany McPherson, Da Vinci board members and artists with the comfortable setting buzzing with conversation.

Seven, Da Vinci Art Alliance @ Noyes Museum of Art - Rex Sexton, Peter Seidel, Gerald DiFalco.

Alden Cole sandwiched between Carol Wisker’s 3D mixed media sculpture, Yemaya Oqqutte:Goddess of the Seven Seas and Cole’s own epic painting, Burning Men, oil on canvas.

With the success of the Noyes Museum of Art in Hammonton, NJ, Stockton College is planning to expand into a nearby building with enough room for workshops, offices and galleries, Michael Cagno, executive director of Noyes told DoN he hopes to continue the relationship with Da Vinci Art Alliance with future events

Photos by DoN.

Shag Tapestries, $100,00 @ Arts Street Textile Studio: handmade by the homeless,  Art on South Street initiative master-minded by visionary artist Isaiah Zagar of the Magic Garden.  Fantastic galleries have opened up along South Street including the Art Street Textile Studio, an ongoing weaving project begun in a homeless shelter where people were taught to weave on a loom as well as crochet, knit, sew and embroider; the administrators found the activity therapeutic and many of the weavers have followed the program even after the shelter project was complete.  Now on South Street the team has a beautiful storefront where people can come in and see the looms and the fabulous results.

Arts Street Textile Studio: handmade by the homeless, 6th & South Streets, Philly.  Hours of operation are Wednesday through Sunday from  3:00 to 8:00PM. For more information please contact: Kathryn Pannepacker via email: kpannepacker@gmail.com or phone 215.769.1016. Leslie Sudock via email: la.sudock@verizon.net or phone  215.735.3978.

This guy isn’t homeless but he was being instructed by Robert,”the only homeless guy left in the group.”  Sparkles, one of the artists, was out front encouraging people into the packed gallery on the hot Autumn night to see the cool looms and good folks.  When DoN got home from the event, the beautiful hand-loomed scarf he bought for only $20.00 is signed,”Robert.”

Even when the project was homeless itself, for a while they were a living installation in the Free Library, this simple loom was placed near food distribution points for homeless people and weavers would continue making the fabric, the device was never damaged by vandals, simply chained to a bike rack.

Hand loomed winter scarves @ Arts Street Textile Studio: handmade by the homeless. Hours of operation are Wednesday through Sunday from  3:00 to 8:00PM. For more information please contact: Kathryn Pannepacker via email: kpannepacker@gmail.com or phone 215.769.1016. Leslie Sudock via email: la.sudock@verizon.net or phone  215.735.3978.

Charles Cushing @ Rittenhouse Square Fine Art Festival, mid September 2010.

The Rittenhouse Square Fine Art Festival attracts artists and collectors to the famous park in Center City, the perimeter lined with white tents each artist displaying their collection in the late Summer heat.  DoN talked with Philly favorite, fine artist Charles Cushing about the large scale painting attracting crowds to his booth - he worked on the oil painting over several months creating a nose-bleed view of the ball park all the way down town.

The Philly Fall art scene explodes this weekend with Philadelphia Open Studio Tours, Photography 2010 @ The Philadelphia Sketch Club, Philadelphia Images @ The Plastic Club and DoN Brewer’s one-person show, Dark Matter, @ Bonte’s Cafe, 17th & Sansom Sts., a Photographic Society of Philadelphia event- this is the weekend to plan your art crawl carefully to experience the unique, open, accessible art world embedded in Philadelphia culture.  And the Phillies clinch fourth straight playoff berth - Go Phillies!

Photo by DoN, 2010.

Kodak Digital Cameras

Morris Klein, Giovanni’s Room, photograph.

Mina Smith-Segal, Giovanni’s Room, watercolor.

Inspired by an art show at the William Way Gay Community Center of gay hang-outs which are no longer around - remember the Allegro?  The art power couple, Mina leads a workshop at the Philadelphia Sketch Club and Morris is VP of the Photographic Society of Philadelphia, decided to create an art show of 12 locations in the modern day Gayborhood of Philly with Mina creating paintings and Morris shooting photos of the same location such as Woodies, Sisters, Giovanni’s Room and more.  Mina’s liquidy paintings paired with Morris’ filter-ific watercolor-like photos capture the essence of the famous gay district.  Bet you didn’t know there’s along history of Philly being in the forefront of the gay civil rights movement - the first gay civil rights march was held in Philly and an historic marker is at Independence Mall to prove it.

The HIV Clinic, Mina Smith-Segal & Morris Klein.

Woodies Bar, Mina Smith-Segal, watercolor.

Woodies Bar, Morris Klein, photograph.

The staff at 12th Street Coffee told DoN this is the best art show they’ve had to date, with 24 images this is truly an historic exhibit commemorating Philly’s famous gay neighborhood.  Located next to the 12th Street Gym it’s a great spot to take in the art, sip some coffee and check out the hot boys coming and going from the gym.  Thanks Mina & Morris, your idea is inspiring, brave and beautiful.

Pat Wilson-Schmid works at being an artist full time, a tireless volunteer, and art advocate; the Philadelphia Sketch Club relies on Pat because she always makes the extra effort to keep the team on task.

Edna Santiago told DoN the painting is an uncle who moved to Philly to raise his family, she said he would be proud to know his visage is being shown in City Hall.  The acrylic on plastic painting is unique, confounding and bold, the narrative takes us to a time and place that is old Philadelphia yet very contemporary and urban, the passages of dark and light are deeply moving.  Chicken Louis, acrylic on plexiglass, Edna Santiago.

Piety Choi, Manna, mixed media on canvas.  The splashy painting paired with the intensely decorative tile work mixes time lines, metaphors and ideas on what is beautiful in contemporary culture.  Choi continues to surprise, inspire and challenge the Philly art-erati to step up their game, her works continuously win awards and draw people together to talk.

 P.J. Foster, Unexpected Journey, acrylic & egg shell @ The Philadelphia Sketch Club Member Exhibition @ Art in City Hall.

Art in City Hall featuring the Philadelphia Sketch Club’s 150 Anniversary members show is the oldest art club in America’s first show at the world famous City Hall and it’s 20 year old public art in City Hall program.  The shown is immense with hundreds of art works by many of Philly’s best artists.

Photos by DoN.

The image above is a digital photo of a projected “Magic Lantern” glass slide that was digitally scanned which DoN compressed for viewing on the web, a long way for a photo to travel.  April 14th, 2010 The Geographic Society Of Philadelphia invited members of The Photographic Society of Philadelphia to view glass slides of a travelogue through Japan by Charles R. Pancoast, an early member of PSoP, from the beginning of the 20th Century in Franklin Hall @ The Franklin Institute.

The invitation only viewing of the slides, not seen since the 1960s, was hosted by Senior Curator of Collections, John V. Alvin, who explained the origins of glass slide projections with the “Magic Lantern” and guided our tour of absolutely exquisite, engrossing, detailed, immediate, gloriously colorful photographs of life, architecture, landscape and fashion in early 1900s Japan.

Example of a “Magic Lantern” projector which allowed glass slides with hand-colored positive photographs to be projected on a wall in the dark with light from a candle.  Magic Lantern shows became a popular form of public entertainment before the advent of electricity and entrepreneurs could purchase a lantern with a set of slides and booklets which allowed them to present guided travelogues, traveling town to town putting on shows like the tour GSoP & PSoP members viewed at The Franklin Institute.

This beautiful image is of a dancer performing in a pagoda displays the beauty, grace, architecture, aesthetics, and quality of life in pre-war Japan as well as exhibiting the high quality of Pancoast’s photography loaded with immediacy, gorgeous composition and technical virtuosity.  Charles Pancoast operated a successful glass slide development business, producing his own slides as well as other photographers, he became a member of the Photographic Society of Philadelphia in 1877, serving as secretary and participating in the  photography section of the Franklin Institute.

This slide is of “The Polar Stars”, Captain Roald Amundsen, Sir Ernest H. Shackleton and Rear Admiral Robert E. Peary in a historic meeting of the famous polar explorers at The Franklin Institute.  The Photographic Society has a long relationship with The Franklin Institute, DoN picked up an invitation to a PSoP meeting at 1305 Arch St, June 20th, 1888 - the conversation was about “the reproduction of negatives” and ” a new developer - Hydroxylamine and Pyro” - PSoP, the 2nd oldest photography club in the world, still holds monthly meetings at The Plastic Club on Camac Street, continuing the long conversation about photography which has been going on in Philly since the beginning of the development of this “magical” technology.

James Dean Erickson, Portrait of Douglass Carr, oil on board.  The model in cap & hoddie can be found wheel-chair bound outside St. John’s, a diabetic, a friend recommended the artist invite him into the studio to pose at the Pennsylvania Academy of Fine Art.  James relayed to DoN, “Portraiture can be a vehicle for therapy, highlights the dignity of the individual, and be a channel for excitement and energy.”

Rachel Constantine, Fifteen, oil.  The title says it all.

Richard Coach, The Fish of Delos.

Like time traveling to a lost and ancient city, this painting could be anywhere in time and space.  Seething with hunger for life, referencing work, culture, taste, serving up skills acquired with trial & error, the exquisite painting and substantial frame is right here in Philly in America’s oldest art club, the Philadelphia Sketch Club.

Kyle Margiotta, Blow, oil.  This would be a great picture for a house with kids, imagine how this masterful painting would elevate the taste of growing minds, simple mark-making telling long stories playing out like fairytales, set in the real world, incredulous expressions speaking volumes.

Mark Brough Goodson, Tom Csaszar/Eye of the Critic and Neysa Grassi/Eye of the Critic.

The pair of pairs of eyes, attractive and expressive, are superb examples of how small paintings capture moments in time, filled with emotions, thought and empathy in a medium which will last for centuries.  Hundreds of years from now the oil paintings being produced now will still transmit stories from our time, the present, to the future, their past.

DoN overheard a man say, “Why don’t they say where these places are?”  DoN pointed out the title does name a place, “Snow Melt, Sand Island“, by Sandra Corpora, it just doesn’t give GPS coordinates.  The man asked DoN what he liked about the painting? “The restraint of using the one thick pure white stroke of paint to represent the most distant point in the painting.”  He looked hard @ DoN & disappeared into the crowd.

147th Annual Exhibition of Small Oil Paintings is through April 24th with 170 of the best oil paintings in the city hanging together, continuing a long history of excellence in contemporary oil painting.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.