DoNArTNeWs

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine’s black and white photography looked gorgeous mounted on the historic walls of the venerable Philadelphia Sketch Club Gallery on Camac Street.  Four times a year the club hosts the grads of AI to show their work in the gallery with a gala party; a great reason to dress up and have a drink.  Valentine’s deeply narrative work, mostly self portraits, nod to modern art with Magritte-like compositions, beaux arts frames and costumes from another era.  The rich blacks, creamy ecru and dreamy metaphors filled books, the walls over the fire place and the entire “winners wall” of the gallery.  Carly was unaware of the historic significance of exhibiting in America’s oldest art club, her grandmother, DoN’s good friend Jeannette Walsh, was long time president of the Regional Art Association in Clementon, NJ (the foundation of DoN’s art career), who was a fine artist in her own right, as well as a blue grass musician and entertainer.  Jean would be so proud to know Carly is excelling not just in fine art and photography but in being a really nice person, a trait no school can ever teach.

Gabriela Girova @ The Philadelphia Sketch Club.

John Moore’s painterly photographs combine natural elements with ethereal industrial constructs creeping into the composition.  The grad show at PSC was very gratifying with a focus on business, including business cards, book arts, web sites and unique presentation for their photography, information useful for art students emerging into a competitive market.  DoN appreciated that Moore bucked the trend and “forgot” his cards, DoN wrote his name on another grad’s card.  The graduates had a crash course in installing a show at The Sketch Club which concurrently has Phillustration 2010 running, they had to take down a complete show, install a new one, then re-hang the first show in the same order - welcome to the art world!

Tamara Brown

Tamara Brown’s carved books with photo emulsion images inside the books are fabulously evocative and transmogrifying, combining text and technique in a unique mash up.  LoVe iT!

Tetsugo Hyakutake @ Fleisher Art Memorial’s Wind Challenge #3.

When DoN first walked into the gallery he thought, “that’s a picture I wish I’d taken.”  The glowing industrial plants looks just like the one on I95 on the way to Trenton but Hyakutake shot most of the photos in Japan.  Many of the photos have a very Philadelphia vibe, especially the panoramic prints of bridges & highways and industrial sights, the effect is disorienting like you could be anywhere in the world.

Tetsugo Hyakutake is returning to Japan this Summer after a very successful career in professional photography in NYC & Philly’s Gallery 339 on Pine Street.  Tetsugo captures the aggressive industrialization of the Asian landscape with stunning prints displayed in a variety of styles, the prints hanging like scrolls on metal rods are very cool & contemporary, the transfixingly intense detail of the landscapes is lucid, clear and transporting.

Tetsugo Hyakutake @ Wind Challenge #3, Fleisher Art Memorial.

Photos by DoNBrewerPhotography.

Scott Kip’s installation of sculptures represents the past, present & future; the center sculpture with s a step stool has the shadow of clockworks rotating and when you look through the hole someone at a sculpture at the other end of the room can see your eye.  Each piece is a meticulously constructed models create wonderful optical illusions of abstract art reminiscent to Albers, Indiana and Grooms.  The left side of the gallery is the future and the right is the past - from the future the view is confusing, the past you may find another eye looking back at you.

Scott Kip’s center sculpture projects the shadow of time in the center of a frail super-structure.  Scott told DoN it took more than a year to complete the project of hard woods and that he was inspired by the writing of T.S. Eliot. The result is ineffable.

Scott Kipp @ Wind Challenge #3, Fleisher Art Memorial.

Scott Kip

“I make model scale structures out of wood, each lit directly from above.  The structures are designed around the path light takes through them, both the light from above and the possible sight lines of the viewer.  The work is a meditation on how perspective affects our understanding of the relationships between things and the idea that life (the space between birth and death) is a place.”

“…Picked his bones in whispers. As he rose and fell he passed the stages of his age and youth entering the whirlpool.”

Death By Water, T.S.Eliot

Photos by DoNBrewerPhotography

Karl Richard Olsen took home the Gold Medal in the Plastic Club’s Members’ Medals Show for “Norge“, graphite & pastel.  Check out the perfect hoop earring, a simple shape created with confidant strokes, anchoring the image in a time, place, personality, style… it’s amazing how charcoal & pastel can look so liquidy & fluid. Olsen has a major installation for MCGOPA @ The Inquirer Building in Conshohocken.

Robert Bohne won the Dorothy Invernizzi Guinn Memorial Prize for his masterpiece, “Crustacean Feast“.  The award honors realist paintings because Dorothy didn’t get abstract art and this oil painting is a timeless example of atmospheric naturalism of the highest achievement.  As an artist, when viewing a painting which speaks of years of observation, practice, study, patience & wisdom, it leaves a sensation of living forever, feasting in the moment and leaving a mark on the world.

DoN Brewer, Denmark, photograph, Marie Samohod, Night Still Life, acrylic, Morris Klein, Washington Square, photograph and Eileen Eckstein, Finger Painting, photograph.

Tom McCobb, Adirondack Tea Party, oil.

Burton Greenspan, Albert, oil.  Honorable Mention Award for The Plastic Club’s Members’ Medals Show.

The Members’ Medals Show presents 130 artworks throughout three gallery spaces, Alan Klawans explained that volunteers organize and hang the show; the organic mix of paintings, drawings, photos & mixed media often is brilliant with quirky juxtapositions, DoN is confused by the placement of Syd Torchio’s Art Porn, Take 3, a fantastical painting with a grown up fun-house vibe that gets a bit lost in the dim hall, the best view is from the stairs.

Brenna K. Murphy @ Wind Challenge Exhibitions #3, Fleisher Art Memorial.

Brenna’s installation @ The Fleisher Art Memorial is part drawing, part conceptual art, part performance art, part photography & part crafting like a recipe for 21st Century modern art.  Murphy uses human hair to draw on the walls, sews hair into her photographs and over time will wash the hairs off the wall to put in the bowls on the floor, an idea she came up with when she was de-installing her last show.

Brenna K. Murphy draws onto the photograph by sewing hair into the paper, creating an illusion of a documentary photo, DoN thought she had installed huge drawings of furniture like the ones in the gallery.

Detail of hair drawing on the wall @ Fleisher Art Memorial by Brenna K. Murphy - DoN had to do some Photoshop magic to get the delicate lines to appear for the web, in real life the stray strands are poetic and serene.

Human hair wall drawing of a dresser with a small bowl on the floor, each Wednesday Brenna plans to wash off some of the hair and put it in the bowls.  Brenna Murphy’s drawings are loaded like meme bombs filled with memory, loss, dreams, beauty, ritual, divinity all playing out on long stands on hair.  Filaments of the imagination.

On a cold, sunny early January afternoon, Miss Shirleen surprised Shoshka & DoN with tickets to The Barnes Foundation in Merion, PA.  Just a quick drive to the mansion from the plateau, the guards greeted us and pointed to a parking spot and soon we were wandering the fabulous rooms filled with French Impressionist masterworks, African sculptures and antiquities.

The main hall is the social hub with visitors absorbing and discussing in hushed tones the eccentric array of masterpieces.  Quickly splitting up, the three of us gravitated to lush Monet’s, an oddly hung Seurat or a small Cezanne and soon DoN found himself alone in a room with one of Van Gogh’s famous Postman portraits hung clumsily in the corner.  DoN moved in closer and closer, studying the brushwork, observing color-ways, admiring the pattern of the floral wallpaper in the background, the Postman’s eyes staring straight into DoN’s.  When DoN was about a foot from the painting he felt a tap on the shoulder, jumping like an armadillo, DoN was smilingly admonished by a pretty guard, he had wandered over the black electric tape line, the only barrier between DoN & Vincent.

After about ten minutes a few more visitors joined DoN so he moved on to the next gallery and again had one-on-one time with an Heironymus Bosch, it seems unreal that such an iconic object is so accessible, the phantasmagoria playing out across the canvas like a fever dream.  There’s a Soutine which DoN used to think was ugly and seemed to suck the oxygen out of the room but over time the skewed, garish sailor boy has transmuted into a signification of the meaning of painting.  Toulous Lautrec’s “A Montrouge” is so incredibly beautiful that everything else in the room becomes a supporting player.

DoN doesn’t understand why the Barnes is moving to the Parkway even though it will be within walking distance for many more people.  The commute to the current location is simple, the wacko presentation of art & utilitarian craft in a Main Line mansion is a unique experience and, oh yeah, it breaks Barnes’ last will & testament, beside the fact that the place was practically empty on a Saturday afternoon.  Is there really an audience for the quirky mix of art & industry removed from it’s original locale?  DoN recommends you schedule your visit asap - it’s a trip.

Ashley Pigford & Troy Richards, Vanishing Point combines computer graphics, motion sensors and robotics in the Information Translated exhibit in the University of Delaware’s art department adjunct gallery in the Crane Arts Center curated by Anthony Vega.

Troy Richards, The Hoarders II - Information Translated @ Crane Arts Center.

The University of Delaware faculty exhibit, Information Translated, is a futuristic trip into an art world where video projectors follow the actors around the room on a robotic platform (a movie called Knock by Lance Winn & Toronto artist Simone Jones), Legos and computers work in conjunction with movement and sound to create an experience design and normal appearing prints reveal underlying messages as if a computer memory kernel has exploded.  The show restores DoN’s appreciation of how video can be incorporated into an art show without seeming like a knock-off of Warhol.  By utilizing off-the-shelf components combined into innovative new forms, the UD faculty have created an inspirational, aspirational show that is sure to trigger new neural pathways for UD art students.  The space is an adjunct gallery for University of Delaware artists to display their work away from campus in the heart of one of Philly’s vibrant, emerging art centers.  The downstairs space is especially exciting with several video/robot installations that excite the eye and confuse the senses.  Check out the UD website for a statement about the show, but really, this show has to be seen to be believed.

UArts is hosting a series of sculpture “events” in the niches on the facade of the temple @ Broad & Pine Streets. A recent piece was made of string and actually stayed put.

A Drawing Marathon was recently held in the Great Hall @ UArts. DoN is featured in the UArts alumni news magazine Edge, there is a full page story with photos. Chris Garvin, the director of the Multimedia department @ UArts is also featured in the same issue. Pretty cool!