DoNArTNeWs

Grotesque Profile / Dean’s Song, Michael DiPrinzio @ Da Vinci Art Alliance.

Michael DiPrinzio encourages his son, Dean, age 5, to grab some art supplies and work with his Dad in the studio while he creates his abstract expressionist /naive primitivist paintings.  Unlike the Philly Dad who let’s his kid swig beer at a ball game, DiPrinzio is familiarizing Dean with the arts and culture of all kinds - Dean was a cool art star at the opening, drawing and posing for pictures.  DiPrinzio the Younger’s work was hung on clothes pins scattered around the gallery among DiPrinzio the Elder’s paintings.  Seeing familiar household objects and surfaces incorporated into DiPrinzio’s dream-scapes plucks on childhood nerves like time traveling back to a younger day when a clothes-pin was the coolest thing ever.

Michael DiPrinzio, Give Thanks, A Heart Felt Toast @ Da Vinci Art Gallery in South Philly.

Michael DiPrinzio, Year of the Rat @ Da Vinci Art Alliance. 

Dinosaur by Dean DiPrinzio, crayon on ceiling tile.  Having a kid’s art perspective bouncing off the adult abstractions creates a vibration between childish mark-making and child-like abandon.

With Dali-esque coloration, Michael DiPrinzio gets down & dirty with this large scale mixed media painting, the paint battles across the canvas, mixing like a wacko fractal model.

Learn more about the DiPrinzio family project @ the Da Vinci Art Alliance website including info on Daniel DiPrinzio’s novel, “New U“.

Untitled, Michael DiPrinzio @ Da Vinci Art Alliance @ 7th & Catharine Streets.  The gallery is a hidden gem in South Philly, offering artists the opportunity to have one-person or group shows along with themed members only exhibits throughout the year.  Just a few blocks from The Italian Market, Da Vinci Art Alliance offers contemporary art in a lovely town-house gallery across the street from Fleisher Art Memorial.

Photos by DoNBrewerPhotography.com

Coulter Watt, A Bag of Fun, oil on board @ Newman Galleries on Walnut Street.

Newman Galleries is the 2nd oldest continuously family owned art gallery in America, the collection the Newman family has amassed is amazing.  Terry Newman is hosting a holiday art sale, offering terrific deals on paintings; DoN began dreaming of decorating an awesome beach house or a glamorous new condo with the perfectly eclectic work of art to match with decor - there is so much to look at, it’s hard to imagine what to put where.  Terry suggests trying taking favorites home on a trial basis to find that perfect piece that expresses your lifestyle, their website has a fantastic database to explore.

Abraham P. Hankins, Picture on a Blackboard, oil on canvas.  The third floor gallery is a cool respite from the street filled with desirable works of art.  Newman Gallery will be hosting The Philadelphia Sketch Club’s Annual Member’s Exhibition June 12th, 2010.

Ethel F. Betts Bains, House and Garden, 1923, oil on canvas, @ Newman Galleries.

Photos by DoNBrewerPhotography.

Robin Hotchkiss, To The Opera, oil on wood @ A Show of Hands, Salon des Amis in Malvern.

Robin Hotchkiss organized the theme show about hands, the quirky gallery near Valley Forge has a broad array of art by Philly regional artists.  Divine & To the Opera, oil on wood by Robin Hotchkiss - the sculpted ceramic hands are by Markels Roberts.

Robin Hotchkiss, From the Past, oil over antique painting, Ellen Benson, Springtime Divas, mixed media and Ann Keech, found object assemblage @ Salon des Amis.

Alden Cole, Magic Hans, oil on canvas @ A Show of Hands at Salon des Amis.

The Sunday afternoon opening drew Shoshka, Alden & DoN out to the tiny gallery on the hillside near Valley Forge to see A Show of Hands at Salon des Amis, a themed group art show of art focusing on hands - drawings, paintings, photos, sculptures, jewelry, hats…each artists’ unique approach expands and illuminates how important the image of hands are in popular culture.

Photos by DoNBrewerMultimedia.

Valerie Carroll, Spot @ Twenty-Two Gallery.

Valerie Carroll’s animistic portraits of cats & dogs practically growl with aggression, daring DoN to stare down scary faces like monsters in a dream.  Sometimes when DoN looks into KaTy the ArT DoGs eyes he feels a connection with her like some extrasensory perception mind meld is happening, Carroll’s paintings tap into that same vibe.  Carroll’s animal portraits are classic mise en scene animal portraits yet brutalist and difficult like a great punk rock song.

Valerie Carroll, Rub-a-Dub, A Man in a Tub, oil on canvas.

Valerie Carroll explained how she first got this impression of the bathing man while out West but finished the painting back East.  The painting pulses with emotion, the man’s facial expression roils with desperation, the luxury of a bath too sad to believe, a beard grown wild, a rusted basin a momentary respite from the New Great Depression.

Valerie Carroll,  Man in a Pink Shirt, oil on canvas.  Light & Despair @ Twenty-Two Gallery.

Adrienne Jenkins, Jamie, oil on canvas @ Twenty-Two Gallery.

Shawn Murray, Twenty-Two Gallery’s mastermind, warned Adrienne Jenkins that portraits are a hard sell but her paintings of twenty-somethings reveal such a current state of being for young people - harried, a bit grim, self absorbed like characters from a William Faulkner novel set in the future - that it makes DoN glad she ignored his advice, the portraits are so painterly they don’t read as so specific.

Twenty-Two Gallery’s co-curator , Diane Podolsky, has the balls to mix up impressionist still life paintings with stylized portraits and crazed pet paintings & makes it work like some museum show of the history of modern art; paintings just never go out of style.

Valerie Carroll & Adrienne Jenkins at the opening of their show, Light and Despair @ Twenty-Two Gallery during West Center City’s Second Friday art crawl.  The two artists paint together at Wayne Art Center , sharing studio space and creating a kind of cross-pollination of painting styles.  With 25 or so paintings, this is a big show for two artists but Adrienne Jenkins is preparing for her solo show next year for the same space; the two artists have joined the artist collective and you can meet them this Sunday afternoon at Twenty-Two Gallery, 236 South 22nd Street.

Photos by DoNBrewerPhotography.

Tetsugo Hyakutake @ Fleisher Art Memorial’s Wind Challenge #3.

When DoN first walked into the gallery he thought, “that’s a picture I wish I’d taken.”  The glowing industrial plants looks just like the one on I95 on the way to Trenton but Hyakutake shot most of the photos in Japan.  Many of the photos have a very Philadelphia vibe, especially the panoramic prints of bridges & highways and industrial sights, the effect is disorienting like you could be anywhere in the world.

Tetsugo Hyakutake is returning to Japan this Summer after a very successful career in professional photography in NYC & Philly’s Gallery 339 on Pine Street.  Tetsugo captures the aggressive industrialization of the Asian landscape with stunning prints displayed in a variety of styles, the prints hanging like scrolls on metal rods are very cool & contemporary, the transfixingly intense detail of the landscapes is lucid, clear and transporting.

Tetsugo Hyakutake @ Wind Challenge #3, Fleisher Art Memorial.

Photos by DoNBrewerPhotography.

Listening In, Brittany Papale @ UArts, Broad & Pine Streets.

Nostalgia simply oozes from the dual pay phones installed outside UArts, harking back to the late days of public access to affordable communications.  DoN recalls the uproar when a 3 minute local call jumped from a dime to 25 cents - now, public phones are rare, cell phones so pervasive that young people can’t imagine a wired world with huge, magnificent switches manned by teams of technicians opening and closing connections.  Listening In allows you to eves-drop on private conversations in a very public setting.  “Stop phonin’, stop phonin’, I don’t wanna think anymore - I got my head & my heart on the dancefloor.”  Lady Gaga.

“My piece consists of two eye charts arranged in a V, with one facing north and the other south.  Since the eye chart always corresponds to a certain distance from which to view it, I have not only blown up the eye chart 10X but scaled up the optimal viewing distance proportionally.“

Justin Rubich, artist.

The continuing series of sculptures presented in the niches of the temple @ Pine & Broad Streets is always a nice surprise with thoughtful, contemporary installations casually placed right out on the street which really forces the artist to think about the environment of the sculpture.  The quest to be creative yet use materials that the artist won’t be totally devastated if something is damaged has resulted in works made from plastic milk crates, wire & broken glass, cellophane…so far the only damage DoN has noticed has been weather related.  Philly LoVeS ArT!!!

Scott Kip’s installation of sculptures represents the past, present & future; the center sculpture with s a step stool has the shadow of clockworks rotating and when you look through the hole someone at a sculpture at the other end of the room can see your eye.  Each piece is a meticulously constructed models create wonderful optical illusions of abstract art reminiscent to Albers, Indiana and Grooms.  The left side of the gallery is the future and the right is the past - from the future the view is confusing, the past you may find another eye looking back at you.

Scott Kip’s center sculpture projects the shadow of time in the center of a frail super-structure.  Scott told DoN it took more than a year to complete the project of hard woods and that he was inspired by the writing of T.S. Eliot. The result is ineffable.

Scott Kipp @ Wind Challenge #3, Fleisher Art Memorial.

Scott Kip

“I make model scale structures out of wood, each lit directly from above.  The structures are designed around the path light takes through them, both the light from above and the possible sight lines of the viewer.  The work is a meditation on how perspective affects our understanding of the relationships between things and the idea that life (the space between birth and death) is a place.”

“…Picked his bones in whispers. As he rose and fell he passed the stages of his age and youth entering the whirlpool.”

Death By Water, T.S.Eliot

Photos by DoNBrewerPhotography

Karl Richard Olsen took home the Gold Medal in the Plastic Club’s Members’ Medals Show for “Norge“, graphite & pastel.  Check out the perfect hoop earring, a simple shape created with confidant strokes, anchoring the image in a time, place, personality, style… it’s amazing how charcoal & pastel can look so liquidy & fluid. Olsen has a major installation for MCGOPA @ The Inquirer Building in Conshohocken.

Robert Bohne won the Dorothy Invernizzi Guinn Memorial Prize for his masterpiece, “Crustacean Feast“.  The award honors realist paintings because Dorothy didn’t get abstract art and this oil painting is a timeless example of atmospheric naturalism of the highest achievement.  As an artist, when viewing a painting which speaks of years of observation, practice, study, patience & wisdom, it leaves a sensation of living forever, feasting in the moment and leaving a mark on the world.

DoN Brewer, Denmark, photograph, Marie Samohod, Night Still Life, acrylic, Morris Klein, Washington Square, photograph and Eileen Eckstein, Finger Painting, photograph.

Tom McCobb, Adirondack Tea Party, oil.

Burton Greenspan, Albert, oil.  Honorable Mention Award for The Plastic Club’s Members’ Medals Show.

The Members’ Medals Show presents 130 artworks throughout three gallery spaces, Alan Klawans explained that volunteers organize and hang the show; the organic mix of paintings, drawings, photos & mixed media often is brilliant with quirky juxtapositions, DoN is confused by the placement of Syd Torchio’s Art Porn, Take 3, a fantastical painting with a grown up fun-house vibe that gets a bit lost in the dim hall, the best view is from the stairs.

Brenna K. Murphy @ Wind Challenge Exhibitions #3, Fleisher Art Memorial.

Brenna’s installation @ The Fleisher Art Memorial is part drawing, part conceptual art, part performance art, part photography & part crafting like a recipe for 21st Century modern art.  Murphy uses human hair to draw on the walls, sews hair into her photographs and over time will wash the hairs off the wall to put in the bowls on the floor, an idea she came up with when she was de-installing her last show.

Brenna K. Murphy draws onto the photograph by sewing hair into the paper, creating an illusion of a documentary photo, DoN thought she had installed huge drawings of furniture like the ones in the gallery.

Detail of hair drawing on the wall @ Fleisher Art Memorial by Brenna K. Murphy - DoN had to do some Photoshop magic to get the delicate lines to appear for the web, in real life the stray strands are poetic and serene.

Human hair wall drawing of a dresser with a small bowl on the floor, each Wednesday Brenna plans to wash off some of the hair and put it in the bowls.  Brenna Murphy’s drawings are loaded like meme bombs filled with memory, loss, dreams, beauty, ritual, divinity all playing out on long stands on hair.  Filaments of the imagination.