DoNArTNeWs

Susan Benarcik installed thousands of toothpicks on the walls of the CFEVA Gallery @ 15th & Locust Streets as part of Sculpting Nature, a three person show of CFEVA Career Development Program Fellows .  Benarcik’s wooden installation wraps around a corner paired with hanging tear-drop shaped sculptures made from white wire hangers, some of which were rusted from hanging in a private garden (hmm…do the initials E.T. come to mind?).

Susan Benarcik’s wire sculptures are light and airy yet angsty and filled with emotion casting shadows of doubt in the gallery’s alcove.

Susan Benarcik @ Sculpting Nature.

R. Noel Shaak’s pen, ink & marker drawings are goth & Goethe mash-ups each telling an entire movies worth of narrative like some steam-punk Gorey for 2010.

John Woodin talked about how his vineyard photos are actually Long Island and not some exotic European country.  The large scale photographs have a strange geometry, formal compositions drawn from informal resources like walking through a warm East Coast forest in summer.  DoN knew the photos were Woodin before he knew they were Woodin, that’s style.

The cohesive show is an amalgam of styles each somehow tuned into the concept of nature changed by the gaze of people, Benarcik’s sculptures energize the room, Shaak’s drawings whisper weird secrets and Woodin’s photos traverse space and time.

John Woodin @ Sculpting Nature in the Center for Emerging Visual Artists Gallery through 9/2/2010.

DoN Brewer

CFEVA Introduction 2012
Blick Art Materials

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Karl Olsen lights the subject of an impromptu critique of Yeoun Lee’s paintings during the monthly Salon des Plastiques @ The Plastic Club on the Avenue of the Artists.  Lee took up the challenge from a previous meeting to bring out a few paintings on the sweltering Summer evening to stand up to the observations of Anders Hanson, Bob Jackson, Mike Quinn, Alan Klawens - the guys behind the on-going series of exhibitions at one of Philly’s premier artist clubs.  DoN couldn’t help to harken back to the days when air conditioning was a dream yet to be realized.  Yeoun explained the cosmological influence on her current work with light being represented by a subtle rainbow of color.

Yeoun Lee @ The Plastic Club’s Salon.

The Casual Summer Show @ The Plastic Club showcases artist favorites.

Members of the Plastic Club are showing works not directed by a theme allowing for a salon like diversity of styles and medium; curators Alan Klawans and Bob Jackson filled the main galleries with a spectrum of light and color.

Marlise M. Tkaczuk, 3 Big Monkeys, silk screen in The Casual Show.  The Plastic Club has long represented printmaking with a great print room and print shows; Marlise’s confrontational funky monkeys are part clever and engaging, jumping off the wall.  Check the clubs website for info and links to events.

 I Was Here, DoN Brewer, digital photograph @ Da Vinci Art Alliance’s Apocalypse Soon: 2012.

With money bombs, pandemics, oil spills, World War III fresh in our consciousness and the 2nd Wave Depression looming, Apocalyse Soon: 2012 is prescient, nihilistic funk-a-rama drama.  Curator Dr Deb Miller and Juror & Awards Judge, Elin Danien, Consulting Scholar, University of Pennsylvania Museum of Archaeology and Anthropology gleaned a strange harvest of occult dreamscapes, blob-a-zoid sculptures and paranoid visions of the end of the future.

“I know it’s the last day on earth
We’ll be together while the planet dies
I know it’s the last day on earth
We’ll never say goodbye”

Marilyn Manson - The Last Day on Earth

Curator’s Tour, Lecture, and Opening Awards Reception:  Sunday, August 8, 1pm-4 pm(doors open at 12:30)

Brujo de la Mancha, Mexican Identity in the XXIst Century
Debra Miller, PowerPoint lecture, Calendar Cycles of Creation and Destruction in Pre-Columbian Art
Debra Miller, Curator’s tour, Apocalypse Soon:  2012

Photo by DoN Brewer.

Ona Kalstein by her three entries in the Envisioning Henry IV, Part 1  in the Black Box Gallery @ St. Stevens Theater @ 10th & Ludlow Sts, Lantern Theater Company.  Ona designed images signified with memes, language and typography in a trio of drawings; child-like blood drops spurt from the cracked crown, a “garment made of blood” is saturated with droplets while the King wails and blood soaks the pea fields of the Battle of Shrewsbury with red tear-drops, the simple shapes communicating on multiple levels.  Ona designs hippy-style typography into the image as if they are pages in a coloring book for kids with sophisticated adult language.

June Blumberg’s exuberant composition of the hard partying gang hanging around Prince Hal are a buffoonish bunch of clowns - thuggish, scary clowns with swords and big smiles.  Blumberg won an honorable mention for her painting from the jury committee…the naive primitivism & quirky composition is fun but not jokey.

Alden Cole attended Lantern Theater Company’s Art Director, Charles McMann’s, lecture @ Da Vinci Art Alliance in late February since the play had everyone scratching their heads, Henry IV, Part 1 is not one of Shakespeare’s better known plays, and the lecture sent Cole into an exploration of the Seven Deadly Sins and how they relate to the characters in the play - Hal is slovenly, Falstaff is corpulent and Hotspur is haughty - all based on self-portraits.  To develop the composition Alden acts out the facial expressions, photographs himself, composes the scene in Photoshop then paints in oils on an enormous canvas.  Acedia Luxuria Superbia.

Lilliana Didovic, Lilliana Didovic & David Foss @ Envisioning Henry IV, Part 1.  Didovic painted abstract weapons and Foss layered and destroyed paint to visualize wounded flesh, the metaphors and significations are not forced but real.  The exhibition is loosely divided between “abstract” and “representational” art, like a battle of the art styles, David’s painting is visceral and scarred like a mutilated warrior and Lilliana’s gentle coloration is a contradiction in terms - beautiful weapons.

Mina Smith-Segal with her award winning painting, the brutalist watercolor truly captures the tension & fear of battle.

Hal by DoN, oil on canvas.  Photo by Morris Klein.  DoN Brewer used a variety of media to draw from such as fitness magazines, hairy bear blogs and Google to find inspiration for a new painting based on the play, after being creatively blocked around painting, having a theme to work inspired DoN to paint again.  DoN saw Hal through Jersey Shore eyes with “the situation” and “GTL” representing the young prince, the hairy bear as Falstaff and a leather bar of conspirators based on a painting by John Cawse.

Envisioning Henry IV, Part 1 in the Black Box Theater in the Saint Steven’s Theater is running in conjunction with the Lantern Theater Company’s production of the Shakespeare historical play.

2010 Philadelphia Open Studio Tours -  pdf

Register @ http://www.philaopenstudios.com/Opportunities.aspx

Alden Cole @ Galleria Deptford - Deptford Municipal Building, 1011 Cooper Street, Woodbury NJ.

While Alden installed his fantastical display of luminaries he was constantly stopped by the flow of visitors to the lobby of the Deptford Municipal Building, everyone wants to know what they are or they have a story about one of the components or their grandmother had a lamp just like that.  Cole takes memories, shakes them up in his mind, recombining the pieces into objects with the logic of dreams; people are drawn to the glowing objects, filled with little stories, overflowing with light and love.  And people are drawn towards him to find out how he figures this out and if he wants their grandmothers old lamps or why didn’t they think of that?  Alden has a story for each luminary and a moment for each admirer.

Stars Stairway, in Alden Cole’s gallery/studio in South Philly.

Starlings Under Glass #4, oil on glass, Alden Cole @ The Plastic Club, Red White & Green Show.

Memento Mori #1, marker, Alden Cole @ Conscious World of Art.  Alden is influenced by Nicholas Roerich and Mati Klarwein - Roerich was the first artist to win a Nobel Peace Prize and Klarwein created the famous Santana album cover.  Alden Cole’s art brings people together, his art works the room like a good conversation, creating a buzz, upping the voltage with voodoo god-heads & peaceful warriors.  Alden’s Starlings series taps into a deeply seated symbol pattern recognition with his sprightly characters playing out human emotions and exhibitionism in a playful accessible way.  James Warhola just acquired one of Alden Cole’s pieces at the Da Vinci Art Alliance’s current show.

Starlings #2 & Delicious, shown here @ The Plastic Club, now available @ Dumpster Divers Gallery, 734 South Street.  Don’t worry, be happy.  Alden Cole currently has work available at the Deptford Municipal Building Galleria Deptford (psst…really great prices, big selection), The Plastic Club’s Red, White & Green show, the Da Vinci Art Alliance Under $200, SOTA on Pine Street, Home & Planet in Bethlehem, the Dumpster Divers Gallery on South Street and @ The Conscious World Art of Alden Cole Gallery/Museum.

DoN LoVeS this photo with Alden Cole’s Light Beings and DoN’s “light being (Rick Selvin)” @ Galleria Deptford.

Niki Bombshell @ The Beauty Shop Cafe, 20th & Fitzwater Street.

Niki Bombshell, Hands, oil & ink on canvas board, 9.5 x 12.5″.

Niki Bombshell, Word Vomit, ink & pencil on paper.

Niki Bombshell, Outline (Purple), ink on canvas.

Niki Bombshell @ The Beauty Shop Cafe.

The Beauty Shop continues their history of promoting exciting new artists; the current show by artist/illustrator/designer Niki Bombshell combines brutalist abstract expressionism, naive primitivist drawings and bold drippy paintings.  Unframed and tacked to the walls, the works are real eye-catchers and very reasonably priced.  DoN especially enjoyed the sloppy hand-written labels and the total lack of self consciousness in presentation; you can tell the artist loves splashing paint, layering images, ripping the edges and moving on to the next project.  And, oh yeah, the coffee is great - The Beauty Shop Cafe has totally transformed the neighborhood from a place to avoid to a destination for hipsters, moms and geeks - thanks Jon!

Christian “Patch”ell, self-promo @ Philadelphia Sketch Club’s Phillustration ‘09.

Rich Harrington gathered the region’s finest illustrators to participate in the Philadelphia Sketch Club’s annual illustration show - Philly is a hub of creative talent called on to promote products, tell stories, illuminate text and create memorable images.  With almost 100 images in the sunny upstairs gallery the exhibition was informative and amusing.

Hal Taylor, Riki- Tiki-Tavi, book.

Philadelphia Sketch Club’s Phillustration 2009.