DoNArTNeWs

4th Generation, Janelle Adamska, acrylic scrim/screenprint and burn-out.  Janelle told DoN she uses a wood burning tool to burn out the negative space of the design totally time-tripping DoN back to the old Sears Dream Book with the cool wood-burning tools, remember the smell?  The artist fell in love with a borrowed tool so a friend gave her one of her own, Adamska’s scene-stealing piece sure isn’t like drawing a horse head into a piece of pine.

Tic-Tac-Toe, Beverly Godfrey, tapestry, 2009.

Text, Leslie Haas, paper.  This simple paper construct is such a great meme with little scrolls stuffed in a box like memories of futures passed crammed with lots of overlapping narratives and keepsakes.  Sweet.

Margin Notes, Pat depaula Klein, hand stitched with cotton floss.

Sorry, DoN doesn’t have the artist’s name for these super-kawaii postcards like old fashioned pot holders with stitched cliche’ greetings.

Pondering the Possibilities, Francine Strauss, quilted mixed media wall hanging.

Pop Can Patchwork, Caroline J. Maw-Dies, pop can labels, nails, wood in traditional patchwork/quilt/basket-weave pattern, 2009.  Like tramp art of old this collage of metal embodies that home-spun crazy quilt vibe of the DIY movement, instead of bottle top ropes or toothpick clocks Pop Can Patchwork is informed by invasive advertising and cultural collapse.  Maw-Dies represents the 21st Century Gleaner, recycling and re-purposing detritus into modern beauty and contemporary design.

Saturday evening Kathryn Pannepacker, curator of the TeXt/TeXtiLe, a Philagrafika event, held a pot luck dinner and movie party @ Da Vinci Art Alliance with a great turn out of artists, good food and chummy conversation.  The homey comfortable-ness of the event, lively with old and new friends, is sure to become a tradition - it’s a great way to get people to come see an art show.  The movie was about the current DIY scene across the country featuring artists working in art & crafts and “making a living” - DoN flashed back to December’s First Friday, it was freezing and wet out and 2nd Street had maybe a hundred kids trying to sell paintings, T-shirts, hats, fudge…while the movie was fast paced, very informative and offered insight into successful models for art business’, there’s still an underlying sense of a new kind of tactic to simply survive the Great Recession by one’s own means.

Today while walking KaTy the ArT DoG & Lady Doofus, the St. Bernard/Chihuahua mix, through Rittenhouse Square, DoN spotted a tree wearing a colorful crocheted legging - a secret crafter mafia tagging style with fiber instead of stickers or spray paint.  Obey!

Jessica Barber, Bonifacio, monotype/oil pastels @ Gallery Twenty-Two’s Making An Impression show featuring prints by Jessica Barber & Alison Altergott.  Prints is a bit of a misnomer in this show, both artists use printing as part of their process but expand the barriers into writing, drawing, collage and painting.  DoN LoVeS this print which looks very much like a Star Trek Ferengi.

DoN asked Jessica if she created this piece in Madrid because it feels so immediate and plein air, as if she set up her plates & inks right there in the cafe.  Actually the artist worked from a photo she took while on a trip to Alice’s annual painting retreat in Majorca with friends from the Plastic Club.  Jessica said club president, Bob Jackson allowed her to work late at night in the wonderful print shop “down stairs”, allowing her to create these rich, saturated images which she had framed at Liberty Art & Framing with non-glare glass.  Immediacy, tension and vitality exude from the paper with a fresh, active style only the rigorous lithograph process produces.

Jessica Barber explained to DoN she uses a new non-toxic form lithographic process using plastic sheets which the artist applies different resists for the ink, Jessica used non-conventional mark-making tools to develop her images including Sharpies, she said, “ink loves the donor”.

Jessica Barber @ the opening of her collaborative show @ Gallery Twenty-Two.  Second Friday for people in cars was frustratingly frantic, west Center City traffic was snarled because of the snow and the South Street bridge being out but DoN walked, easily strolling past cars with “Bad Romance” blasting in his iPod; Jessica was stuck on a bus trying to get to her own opening, arriving safely - fashionably late!

Alison Altergott @ Twenty-Two Gallery.  DoN asked about the girls in Alison’s prints, old dress patterns from the 50s & 20s because of the resonance of the strong feminine ideal of the home-maker.  DoN thought a feminist home-maker is a contradiction in terms but Alison defended the mystique as a commentary on what we’ve lost compared to the way families live now.  Alison Altergott combines handwriting, collage, paint and printing to develop these densely signified images about the ideals of growing up.

Alison Altergott, Heartstrings, 1 of 2 prints @ Gallery Twenty-Two.

Photos by DoNBrewerMultimedia Photography.

Lilliana Didovic LoVeS Philly!  DoN inquired what the Best of 5 means?  The artist explained the hidden, deeper enigma of the number 5 - 16 years ago when her son Gordon was only 5 he had a liver transplant, on the same date 5 years ago (both happened on her birthday, February 23), he had an emergency surgery-open trache in order to be on ventilator and doctors put him in induced coma. Iimagine you must trust the expertise of others to heal the one you love.  Five years ago just that happened to Lilliana, the doctors and hospitals in Philly came through for her family with futuristic expertise, Gordon is in his early twenties now.  A miracle.  While she handed the life of her son over to the doctors, Lilliana returned to painting, a skill she practiced in her former home in Sarajevo-Bosnia.  She and her husband escaped from the war there in the 90s and emigrated to the US with their young son, painting was not a priority but suddenly art returned to her world and helped heal her during the unimaginably stressful process which began five years ago.

Now she paints because she loves it, producing exuberant modernist paintings in a style which is recognizably Lilliana, DoN knows people who collect Didovic’s art cards, frame them and give as gifts - DoN LoVeS steal-able art ideas.

Lilliana Didovic @ Smile Gallery on 22nd Street.

Red Untitled II, acrylic on canvas, Lilliana Didovic.

5 is fabulous!  Bold color, iconic imagery, glittering sparkles and energetic compositions represent love, hope and power, Lilliana’s art transmits happy peacefulness with a touch of rock n’ roll wildness not moribund hopelessness.  Didovic lives in the moment, her 2010 paintings are heroic in scale, molten color fields in cool blues and hot reds hung in pairs, one wall is covered with a zillion miniature city-scapes with glimmering crystals representing the lights of our great city.  The gallery @ Smile on 22nd St. is a great showcase for Didovic’s five year time trip though love, life and the pursuit of happiness.  Lilliana LoVeS Philly - Back at ya, Girl!

Lilliana Didovic @ Smile Gallery.

Photography by DoNBrewerMultimedia.

Trina Mansfield, Eiffel Tower, quilted fabric collage @ The Cosmopolitan Club.

Trina Mansfield is a multi-media artist working primarily in fabrics but she also takes the photographs, plots the designs on the computer then pieces together elaborate “quilts”.

Trina Mansfield’s labels for her exhibition @ The Cosmopolitan Club are truly exceptional - hand-written notes in pencil with tiny sketches like getting a nice letter from a friend.

Trina Mansfield @ The Cosmopolitan Club.

DoN LoVeS quilts and fabric art (he watches all those geeky sewing shows on TV), maybe because there’s an emotional link to Grandma’s crazy quilts from childhood.  Mansfield’s quilts are painterly and impressionistic, even though the concept is based on crazy quilts these designs are exceptionally lucid and lush with witty contrasts and meticulous details.

P. J. Smalley, Girl on Toilet, oil/digital print @ The Plastic Club.

Donna P. Collins, Our Love Dissolved, photograph.

Donna P. Collins, One Way Out, photograph.

Julianna Struck, Untitled, oil @ The Plastic Club New Members Exhibition 2010.

Karen Frank, Effervesence, acrylic.

New Member Exhibition 2010 @ The Plastic Club.  Corel Topel, Baby #1, pen & ink, Armand Scavo, 101 Walnut Street #1, photograph and Karen Freeman, Modiglianni Girl, ink.

Serena Perrone, Dreaming of Flying Fish, oil/charcoal/graphite.

Welcome to the 24 new members of the Plastic Club; the current show is super-strong with technical virtuosity, broad variety of styles, big personalities and aspirational contemporary ideas from established and new members of the Philly Art Community.

When DoN entered the Cosmopolitan Club on Latimer Street to see the Karl Olsen exhibit the first thing he did was take his hat off, it’s that kind of place.  Quiet and plush it feels like a set from a Ginger Rogers movie with soft tones, tufted fabrics and multi-tiered rooms and a reception area where DoN pictured a Judy Holiday type answering the phone, “Good Evening, Cosmopolitan Club.”  The historic space is the perfect space to show Karl Olsen’s metropolitan style, artistic swagger and consummate artistry.

The gallery walls in the Cosmopolitan Club are 20′ long panels framed with moulding, a chic presentation space for ongoing exhibits of fine art. Currently Karl Olsen is showing a selection of art works from his vast stash of images created in various media from lino-cut prints to paintings to pastels, each piece special since Karl had to winnow out a group which is representative of his style with drawings, paintings and prints.  Olsen is a role model for DoN with his dedication to proficiency to many modes of communication through image making; sometimes Karl will contentedly draw quick figure studies in linoleum block with sharp tools next he’s scrawling broad swathes of color with soft pastels on huge sheets of fine paper then perhaps a wet, juicy painting always with an eye on finding an image he believes signifies his vision of art.

 Karl Olsen @ The Cosmopolitan Club.

DoN loves watching Karl Olsen work, he is very intense and focused on creating movement, emotional contact, energetic mark-making, lucid dream states - you can watch him drift off into an alpha state and let the universal energy pass through him onto the surface.  Olsen monitors workshops @ The Plastic Club and until recently held weekly gatherings at his own studio but Olsen is taking time now to do his own thing and the result is really innovative, exciting art evocative of another era yet really cool and contemporary.

Karl Olsen, Olga, oil on panel @ The Cosmopolitan Club.  DoN has been in the presence of Olga before, she always makes a powerful impact on a room, but at the Cosmopolitan Club, a proper woman’s club of high esteem, Olga is able to fully express the story of an artist’s struggle to a achieve a level of virtuosity she knew the painter held all along.  Olga represents modern sensibilities with bold color and urgent brushwork yet feels timeless with an impressionist style time-tripping to centuries passed.

Karl Olsen @ The Cosmopolitan Club.

Bruce Gast @ The Dumpster Divers Gallery on South Street.

Like some alien tribal mask collection, Bruce Gast’s found object constructions tell the story of an art collector from a galaxy far, far away who loves to capture and mount the heads of his trophies from space safaris.  Each piece has a personality from another dimension, tapping into race memory and cell consciousness like some wacko Venus of Willendorf on a moon of Jupiter.

Bruce Gast @ The Dumpster Divers on South Street.

The November issue of Philadelphia Magazine had an article called “Five Artists Who Will Make You Rich” by curator extraordinaire Eileen Tognini.  What a task?  DoN is familiar with four of the five artists the esteemed curator gleaned and couldn’t agree more but it made him wonder who he might choose if he could only pick five.

Karl Olsen with model/artist Arthur Ostroff @ the MCGOPA show last Fall.  Olsen is driven to achieve a level of technique, style, originality that is fiercely determined, tenacious yet warmly accessible - everyone loves impressionism but Olsen’s squishy brushwork has a darker undercurrent of emotion like a 21st Century Otto Dix, Olsen exposes the hurt, apprehension & fear of life during war-time preserving a moment of great change in our history.  Photo courtesy of Karl Olsen.

Brooke Hine was one of Tognini’s picks to make you rich.  DoN finds that just spending time with Brooke makes him feel richer; Hine is warm, empathic, vivacious, sharing, curious and extraordinarily creative - some of her ceramic sculpture incorporate cat whiskers, so poetic.  Her ancient/future ceramic concoctions ooze a dystopian narrative of archeological digs in our own future world or some inter-planetary find by an ancient space visitor.  Bones, spines, claws, spikes, hairs, curves and swirls all meld into interchangeable narratives - spooky yet fun.

Bob Jackson’s ball point pen figure studies on typing paper are like finding the perfect seashell on the beach or a crystal you want to keep while rock-hounding or that great antique find at a Paris flea market.  Jackson’s drawings are expressive and technically precise yet his use of lowly materials raises up ordinary paper to a higher plain because of the lines of ink Bob streams across the page with abandon, lyricism and grace.  Jackson is President of the Plastic Club where you can buy his drawings for around 20 bucks.

Karen McDonnell & Tony Cortosi collaborate on each of their hand-drawn, hand-cut stencil spray-paint paintings skewering modern icons, historic figures and art world figure-heads with equal levels or irony, respect, sarcasm, awe and cultural awareness from punk, pop & hip-hop to Shakespeare to Foxy Brown.  Their mash-ups are a comment on our time bringing a skate-punk anarchistic rock mentality to the gallery setting without giving up on street-cred integrity.

Eileen Tognini picked Rachel Constantine because she personifies the quintessential PAFA school of atmospheric realism presenting realistic, emotionally charged, technically accomplished paintings and deservedly so, Rachel’s work is absolute perfection.  But, DoN would include Paul DuSold in his time capsule of 21st Century art investment; DuSold’s paintings are ripe with vivid life brought into the realm of the sublime.  A simple wrapped loaf conveys a story deep with realness, a flower lives only for the moment before fading to obscurity, the portrait a glimpse into a model’s inner thoughts or the patron’s aspirations - Paul DuSold is a modern painter working with techniques passed down through the ages.

Eileen Eckstein, Balloons, photograph, DoN Brewer, light being (Mama Cass), photograph, Laura Pritchard, Portrait, mixed media, Dorothy Roschen, Red, White and Green, relief tiles and Alan Klawans, Milan, archival pigment print @ The Plastic Club’s Red, White and Green exhibit.

DoN Brewer Photography

light being (Mama Cass) $150.00 light being (Kurt Cobain) $150.00

Michael Guinn, 12th Street Still Life, oil.

3rd Honorable Mention Lois Schlachter, My Brother’s Keeper, acrylic, Alden Cole, Good Vibrations, mixed media and Honorable Mention Morris Klein, Love Park, photograph.  Juror Rich Harrington has a great eye and excellent taste considering that the theme was ambiguous in that the three title colors had to be used but not exclusively; Harrington chose works who fully met the criteria such as Dorothy Roschen’s wall sculpture in blatant red, white and green squares for 2nd prize and Peter Petraglia’s trippy undersea fantasy in a subtle palette for First Prize to Lois Schlachter’s wildly imaginative abstraction with what seems like millions of colors.

Tracy Landman, Reflections on Stewart, oil, Patricia Wilson-Schmid, Catching the Light, and Lucy Roehm, Radish Trio, color pencil @ The Plastic Club’s Red White & Green exhibit.

The theme is Red, White & Green which one would think should conjure Holiday Cheer but @ The Plastic Club the art is edgy, sarcastic, goth, even scary like Hunter Thompson meets Charles Addams meets Salvador Dali.  Some of the work is literal and literate like Roehm’s Radish Trio and some is out and out transcendental like Jake Smith’s Merry Fish Mess.  Above: Anders Hansen, Shiva, ink, graphite & charcoal, First Prize Peter Petraglia, Tubulars, pen & ink, Marie Davis Samohod, Funerary Portrait, mixed media and Karen Frank, Totem and Taboo, Acrylic.

DoN is honored to be exhibited along with such wonderful artists as those in the Plastic Club, their shows are always challenging, pushing the envelop, breaking rules yet there’s no stress, the only expectation is making art.  And when the art is all hanging together it feels really good to be an artist rubbing shoulders with some of the best in town.  A cool thing about writing this blog is that when DoN took the photos he didn’t know that he was shooting the work of some of his best friends, the Plastic Club uses a number system for labeling, it’s kind of like doing your own blind jury-ing and then finding out you picked only your friends such as Lois, Pat, Mike, Alan, Alden, Eileen, Dorothy, Morris, Anders…

Jake Smith, Merry Fish Mess, acrylic and Theodore J. Amick, Untitled, oil.

Merry Fish Mess, everybody!

Crocheted abstractions from Rachel Udell @ The Various & Sundry Group Exhibit in the Skybox Gallery, 2424 York Street.

Hana Cho, photography @ The Skybox.

The group show at the Skybox had a carnival air as 50 artists and their friends mingled in the huge space called the Skybox Gallery, part of a new artist studio complex at 2424 York Street.  Some of the work was a bit on the creepy/grotesque side with nods to horror flicks, HR Giger and Manga but a lot of the work by the young artists was thoughtful and hopeful.

As the 2424 website states, “Located in Fishtown at the corner of York and Gaul streets, right off of I-95, and convenient to public transportation, 2424 Studios consists of over 100 work studios and/or office suites that range from 350 to over 6,000 square feet. The rents start at $399 per month and units are now available! Also located within 2424 Studios is the “Skybox,” an unparalleled and climate controlled event space of over 6,200 feet that is for tenants’ use, for community use and for rent to the public. 2424 Studios is now open to the public so please feel free to come by any time to take a look. If you are interested in leasing options, please contact Jessica at 215-284-8804.

It’s interesting how the arts community moves into neighborhoods, transforming them into desirable destinations to visit and live; it’s almost become cliche to take a downtrodden district like Fishtown and restore the area to a creative, affordable, vibrant place to live and work.  2424 York Street is anchoring new development, drawing a younger crowd and offering affordable studio/office space for artists as they get pushed out of neighborhoods they helped to revive - think Manyunk, Old City, South Street, Northern Liberties even Walnut Street used to be lined with galleries.  The neighborhood where 2424 York Street is situated also has other art galleries such as High Wireand Proximity, it’s definitely worth the trip to Fishtown to check out the fringe of the Philadelphia art scene.