DoNArTNeWs

While you’re visiting Center City this weekend to celebrate Memorial Day consider dropping in the Coffee Bar @ 17th & Locust to see DoN’s show of photographs titled “light beings” presented by The Center for Emerging Visual Artists - their gallery @ 15th & Locust is uber-cool.  And Bonte’s Waffle Cafe’ @ 17th & Sansom is hosting Photographic Society of Philadelphia’s solo artist show of Alan Richter photos.  The Photo Society & CFEVA both tirelessly promote photography as an art form and Philly photographers as artists with on-going shows and promotion; without organizations like these the Philly art scene is a much tougher field to navigate.  And somehow photography and coffee just go great together.

light being (JRR Tolkien), digital photograph by DoN Brewer @ The Coffee Bar, 17th & Locust in The Radisson Warwick Hotel through the end of July 2010.

Tetsugo Hyakutake @ Fleisher Art Memorial’s Wind Challenge #3.

When DoN first walked into the gallery he thought, “that’s a picture I wish I’d taken.”  The glowing industrial plants looks just like the one on I95 on the way to Trenton but Hyakutake shot most of the photos in Japan.  Many of the photos have a very Philadelphia vibe, especially the panoramic prints of bridges & highways and industrial sights, the effect is disorienting like you could be anywhere in the world.

Tetsugo Hyakutake is returning to Japan this Summer after a very successful career in professional photography in NYC & Philly’s Gallery 339 on Pine Street.  Tetsugo captures the aggressive industrialization of the Asian landscape with stunning prints displayed in a variety of styles, the prints hanging like scrolls on metal rods are very cool & contemporary, the transfixingly intense detail of the landscapes is lucid, clear and transporting.

Tetsugo Hyakutake @ Wind Challenge #3, Fleisher Art Memorial.

Photos by DoNBrewerPhotography.

Karl Richard Olsen took home the Gold Medal in the Plastic Club’s Members’ Medals Show for “Norge“, graphite & pastel.  Check out the perfect hoop earring, a simple shape created with confidant strokes, anchoring the image in a time, place, personality, style… it’s amazing how charcoal & pastel can look so liquidy & fluid. Olsen has a major installation for MCGOPA @ The Inquirer Building in Conshohocken.

Robert Bohne won the Dorothy Invernizzi Guinn Memorial Prize for his masterpiece, “Crustacean Feast“.  The award honors realist paintings because Dorothy didn’t get abstract art and this oil painting is a timeless example of atmospheric naturalism of the highest achievement.  As an artist, when viewing a painting which speaks of years of observation, practice, study, patience & wisdom, it leaves a sensation of living forever, feasting in the moment and leaving a mark on the world.

DoN Brewer, Denmark, photograph, Marie Samohod, Night Still Life, acrylic, Morris Klein, Washington Square, photograph and Eileen Eckstein, Finger Painting, photograph.

Tom McCobb, Adirondack Tea Party, oil.

Burton Greenspan, Albert, oil.  Honorable Mention Award for The Plastic Club’s Members’ Medals Show.

The Members’ Medals Show presents 130 artworks throughout three gallery spaces, Alan Klawans explained that volunteers organize and hang the show; the organic mix of paintings, drawings, photos & mixed media often is brilliant with quirky juxtapositions, DoN is confused by the placement of Syd Torchio’s Art Porn, Take 3, a fantastical painting with a grown up fun-house vibe that gets a bit lost in the dim hall, the best view is from the stairs.

Brenna K. Murphy @ Wind Challenge Exhibitions #3, Fleisher Art Memorial.

Brenna’s installation @ The Fleisher Art Memorial is part drawing, part conceptual art, part performance art, part photography & part crafting like a recipe for 21st Century modern art.  Murphy uses human hair to draw on the walls, sews hair into her photographs and over time will wash the hairs off the wall to put in the bowls on the floor, an idea she came up with when she was de-installing her last show.

Brenna K. Murphy draws onto the photograph by sewing hair into the paper, creating an illusion of a documentary photo, DoN thought she had installed huge drawings of furniture like the ones in the gallery.

Detail of hair drawing on the wall @ Fleisher Art Memorial by Brenna K. Murphy - DoN had to do some Photoshop magic to get the delicate lines to appear for the web, in real life the stray strands are poetic and serene.

Human hair wall drawing of a dresser with a small bowl on the floor, each Wednesday Brenna plans to wash off some of the hair and put it in the bowls.  Brenna Murphy’s drawings are loaded like meme bombs filled with memory, loss, dreams, beauty, ritual, divinity all playing out on long stands on hair.  Filaments of the imagination.

The image above is a digital photo of a projected “Magic Lantern” glass slide that was digitally scanned which DoN compressed for viewing on the web, a long way for a photo to travel.  April 14th, 2010 The Geographic Society Of Philadelphia invited members of The Photographic Society of Philadelphia to view glass slides of a travelogue through Japan by Charles R. Pancoast, an early member of PSoP, from the beginning of the 20th Century in Franklin Hall @ The Franklin Institute.

The invitation only viewing of the slides, not seen since the 1960s, was hosted by Senior Curator of Collections, John V. Alvin, who explained the origins of glass slide projections with the “Magic Lantern” and guided our tour of absolutely exquisite, engrossing, detailed, immediate, gloriously colorful photographs of life, architecture, landscape and fashion in early 1900s Japan.

Example of a “Magic Lantern” projector which allowed glass slides with hand-colored positive photographs to be projected on a wall in the dark with light from a candle.  Magic Lantern shows became a popular form of public entertainment before the advent of electricity and entrepreneurs could purchase a lantern with a set of slides and booklets which allowed them to present guided travelogues, traveling town to town putting on shows like the tour GSoP & PSoP members viewed at The Franklin Institute.

This beautiful image is of a dancer performing in a pagoda displays the beauty, grace, architecture, aesthetics, and quality of life in pre-war Japan as well as exhibiting the high quality of Pancoast’s photography loaded with immediacy, gorgeous composition and technical virtuosity.  Charles Pancoast operated a successful glass slide development business, producing his own slides as well as other photographers, he became a member of the Photographic Society of Philadelphia in 1877, serving as secretary and participating in the  photography section of the Franklin Institute.

This slide is of “The Polar Stars”, Captain Roald Amundsen, Sir Ernest H. Shackleton and Rear Admiral Robert E. Peary in a historic meeting of the famous polar explorers at The Franklin Institute.  The Photographic Society has a long relationship with The Franklin Institute, DoN picked up an invitation to a PSoP meeting at 1305 Arch St, June 20th, 1888 - the conversation was about “the reproduction of negatives” and ” a new developer - Hydroxylamine and Pyro” - PSoP, the 2nd oldest photography club in the world, still holds monthly meetings at The Plastic Club on Camac Street, continuing the long conversation about photography which has been going on in Philly since the beginning of the development of this “magical” technology.

While Alan Klawans, the Exhibitions Chair of The Plastic Club, awarded honors for the excellent Black & White show, DoN observed sunlight creeping across Vetiado # 48, a mixed media painting by Louisa Velben.  The painting glittered as if diamonds are embedded in the surface but the illusion was shiny paint bubbles in the thickly painted and swirled liquid.

Pulled From The Darkness, Erik Melendez, charcoal.

Karl Richard Olsen, Portrait, graphite. Bill Meyers, of PSoP, volunteer posed at the Plastic Club, the likeness is striking yet loose and free.

Rebecca Miller, Overrripe: Compost 3, graphite.  Miller is completing the Master program @ PAFA, studying with the extraordinary Scott Noel; this piece was created by drawing on gessoed board, draw with graphite, layer watered gesso over the drawing, let dry, draw some more…the result is an award winning drawing.  Miller also took home a prize the same day from The Philadelphia Sketch Club for an oil painting.  Seeing young new talent emerging from local art schools with the skill of masters participating in the grass roots arts movement in Philly is extremely satisfying.

Alden Cole, Dancing in the Dark, pencil and Leroy Fornoy, Night Bus, oil.  Pairing these two graphic pieces is genius - Cole’s trippy Starlings dance ecstatically and Fornoy’s painting has a Manga skate-punk nihilist vibe.

One of the great aspects of this show is the variety of media displayed, now that photography is accepted in  the art circles as a legitimate art form, many Photographic Society of Philadelphia members have the opportunity to show with their work along side traditional media - some photographers even entered paintings!

Arthur Ostroff, Floreal Ancienne, ink jet print.

Riikka Salo, Windows to Spruce, photograph.

Lois Schlachter, Exhibitions Chair of The Philadelphia Sketch Club, and Alan Klawans, Exhibitions Chair of The Plastic Club, at the Black & White Show.  The Philadelphia Sketch Club opened their 147th Annual Exhibitions of Small Oil Paintings the same afternoon - between the two art clubs there are over 300 new art works by contemporary Philadelphia area artists to see.  The juxtaposition of two strong theme shows is visually and psychologically invigorating, one show is limited to size and medium, the other limited to no color, the problem-solving and creativity of the artists is inspiring, entertaining and lucid.

Photography by DoNBrewerPhotography.

2010 Philadelphia Open Studio Tours -  pdf

Register @ http://www.philaopenstudios.com/Opportunities.aspx

DoN Brewer @ his artist reception.  All event photos by Peter Prusinowski.

The Center for Emerging Visual Artists hosted an artist reception for DoN Brewer and the Philadelphia Art-erati turned out in full force - friends & colleagues from the past, present & future converged on the Coffee Bar @ 17th & Locust to support DoN’s explorations into photography.  Amie Potsic of CFEVA (& fellow photographer) and Ann Koivunen worked with the Coffee Bar to have a POST (Philadelphia Open Studio Tours) artist show in their recently remodeled cafe - the buttery walls and excellent lighting is so satisfying and easy on the eyes the photos have never looked better - and out of 30 artists the team presented, they picked DoN.  What an incredible honor & pleasure to represent Philadelphia Artists in the venerable Warwick Hotel, a landmark & planetary crossroad; DoN overheard languages from all over the world, it is so gratifying to have the work stand on it’s own, this being the largest collection of DoN’s “light being” series to date.

Muralist David Guinn, his Dad & Plastic Club former President Mike Guinn, the back of Ted Warschal’s head, Cynthia Arkin (manager of The Plastic Club website), UArts’ Regina Barthmeier, DoN, Ona Kalstein and Rob Stauffer (Rob mounted, matted and framed most of the show, his outstanding presentation skills enhances the work immeasurably) @ the Artist Reception for “light beings“.

Enhabitues of the Philly art scene, Regina & Lisa lounge below light being (Thelma) @ the artist reception for DoN Brewer’s light beings show @ The Coffee Bar - these intrepid art crawlers have been extremely supportive of DoN’s career and have been present at almost every art event important to his reputation.  Having friends be there when you need them is so important to an artists ego - Merci!

Ann Koivunen of The Center for Emerging Visual Artists manages the Philadelphia Open Studio Tours submissions (going on now) and took DoN’s feeble attempt at image size accuracy and created the terrific transparent labels, a beautiful bio book and documentation - Thank you Ann for your patience!

light being (Leo Seeger), DoN Brewer @ The Coffee Bar, The Radisson Warwick Hotel through July 2010.  This image has appeared in several art shows from the Philadelphia Sketch Club’s Absolutely Abstract Show to The University of Princeton Medical Center’s ArtFirst show to The Beauty Shop Cafe @ 20th & Fitzwater - DoN LoVeS it when people start seeing “light beings” in the wild.

Thanks to Shoshana Aron, Alden Cole & Les Howard for helping hang the show, Rob Stauffer for framing and the Center for Emerging Visual Artists for their tireless support of artists in Philadelphia.  DoN will be announcing an artist talk date soon.

Special thanks to Peter Prusinowski for photographing the event and his support and friendship, it’s such a good feeling to be recognized as an artist by peers - Philadelphia XOXO.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.