DoNArTNeWs

John Williams, Mountain Big Top, acrylic, ink, flashe on panel, Best in Show Absolutely Abstract 2010 @ The Philadelphia Sketch Club.

Click the thumb-nail below for a closer look.

The selection of ninety-eight art works by jurors David Foss and Michael Gallagher for The Philadelphia Sketch Club’s Absolutely Abstract 2010 exhibit is engaging, exciting and challenging.  The range of interpretations runs through almost any media you can think of - Kyle Margiotta’s, Ribbon, pencil drawing takes basic materials and elevates them to an alternate reality, Rik Viola’s painting is a triumph in context and Mina Smith-Segal suggests surrealism, impressionism, brutalism, naive primitive-ism…all modern and contemporary styles but stretching the envelop of the popular view of abstraction.

DoN Brewer, light beings (Sid & Nancy), digital photograph, archival ink-jet print, 2008.  This is the third consecutive year DoN Brewer’s photographs have been included in the Philadelphia Sketch Club’s annual Absolutely Abstract show, this year’s piece is named after the tragic punk lovers Sid Vicious & Nancy Spungen who he once saw shopping in Fiorucci’s in NYC in the 70s.

Rodney Miller, Ring Droppings, digital print on canvas.  Fall under the spell of the fractal-like inter-twined rings in Miller’s ultra-trippy contemplation on color, shape and depth of field - go see the real thing at The Philadelphia Sketch Club on the Avenue of the Artists, Camac Street in Center City Philadelphia.

Photos by DoN.

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine @ The Art Institute of Philadelphia Grad Show at The Philadelphia Sketch Club.

Carly Valentine’s black and white photography looked gorgeous mounted on the historic walls of the venerable Philadelphia Sketch Club Gallery on Camac Street.  Four times a year the club hosts the grads of AI to show their work in the gallery with a gala party; a great reason to dress up and have a drink.  Valentine’s deeply narrative work, mostly self portraits, nod to modern art with Magritte-like compositions, beaux arts frames and costumes from another era.  The rich blacks, creamy ecru and dreamy metaphors filled books, the walls over the fire place and the entire “winners wall” of the gallery.  Carly was unaware of the historic significance of exhibiting in America’s oldest art club, her grandmother, DoN’s good friend Jeannette Walsh, was long time president of the Regional Art Association in Clementon, NJ (the foundation of DoN’s art career), who was a fine artist in her own right, as well as a blue grass musician and entertainer.  Jean would be so proud to know Carly is excelling not just in fine art and photography but in being a really nice person, a trait no school can ever teach.

Gabriela Girova @ The Philadelphia Sketch Club.

John Moore’s painterly photographs combine natural elements with ethereal industrial constructs creeping into the composition.  The grad show at PSC was very gratifying with a focus on business, including business cards, book arts, web sites and unique presentation for their photography, information useful for art students emerging into a competitive market.  DoN appreciated that Moore bucked the trend and “forgot” his cards, DoN wrote his name on another grad’s card.  The graduates had a crash course in installing a show at The Sketch Club which concurrently has Phillustration 2010 running, they had to take down a complete show, install a new one, then re-hang the first show in the same order - welcome to the art world!

Tamara Brown

Tamara Brown’s carved books with photo emulsion images inside the books are fabulously evocative and transmogrifying, combining text and technique in a unique mash up.  LoVe iT!

Susan Barnes, North End Dunes, oil.

The Annual Members Exhibition of the Philadelphia Sketch Club at Newman Galleries on Walnut Street is a wonderful introduction to the many fine artists who belong to America’s oldest art club.  The swirly mix of styles, techniques and ideas is evocative of the Philly art community in microcosm; the mezzanine and third floor gallery holds a heady mix of contemporary art by masters, newbies, wannabes of all ages celebrating the first decade of the 21st Century.

Edna Santiago, Museum Stroll, acrylic on plexiglass.

 Garth Herrick, Red Barn, 11:00 AM at Beaver Farm and Donald Meyer, Study (Structure) Hosta Series, egg tempera.

Linda Townshend, Holstein, oil on canvas.

Karen McDonnell, Wisdom, mixed media.  Karen  e-mails DoN phone pics of stickers of this little guy in public spaces, her contribution to the Philly art scene by introducing graffiti style into the mix of traditional media is like when photography put it’s foot in the door.  The silver spray paint gives a glamorous luster to the surface of the canvas as if dressed up for the special day when all the artists show their best work.

The 2010 Members Exhibition of The Philadelphia Sketch Club @ Newman Galleries with 156 works by as many Philadelphia area fine artists runs through 6/9/2010.

Photos by DoNBrewerPhotography.

While Alan Klawans, the Exhibitions Chair of The Plastic Club, awarded honors for the excellent Black & White show, DoN observed sunlight creeping across Vetiado # 48, a mixed media painting by Louisa Velben.  The painting glittered as if diamonds are embedded in the surface but the illusion was shiny paint bubbles in the thickly painted and swirled liquid.

Pulled From The Darkness, Erik Melendez, charcoal.

Karl Richard Olsen, Portrait, graphite. Bill Meyers, of PSoP, volunteer posed at the Plastic Club, the likeness is striking yet loose and free.

Rebecca Miller, Overrripe: Compost 3, graphite.  Miller is completing the Master program @ PAFA, studying with the extraordinary Scott Noel; this piece was created by drawing on gessoed board, draw with graphite, layer watered gesso over the drawing, let dry, draw some more…the result is an award winning drawing.  Miller also took home a prize the same day from The Philadelphia Sketch Club for an oil painting.  Seeing young new talent emerging from local art schools with the skill of masters participating in the grass roots arts movement in Philly is extremely satisfying.

Alden Cole, Dancing in the Dark, pencil and Leroy Fornoy, Night Bus, oil.  Pairing these two graphic pieces is genius - Cole’s trippy Starlings dance ecstatically and Fornoy’s painting has a Manga skate-punk nihilist vibe.

One of the great aspects of this show is the variety of media displayed, now that photography is accepted in  the art circles as a legitimate art form, many Photographic Society of Philadelphia members have the opportunity to show with their work along side traditional media - some photographers even entered paintings!

Arthur Ostroff, Floreal Ancienne, ink jet print.

Riikka Salo, Windows to Spruce, photograph.

Lois Schlachter, Exhibitions Chair of The Philadelphia Sketch Club, and Alan Klawans, Exhibitions Chair of The Plastic Club, at the Black & White Show.  The Philadelphia Sketch Club opened their 147th Annual Exhibitions of Small Oil Paintings the same afternoon - between the two art clubs there are over 300 new art works by contemporary Philadelphia area artists to see.  The juxtaposition of two strong theme shows is visually and psychologically invigorating, one show is limited to size and medium, the other limited to no color, the problem-solving and creativity of the artists is inspiring, entertaining and lucid.

Photography by DoNBrewerPhotography.

James Dean Erickson, Portrait of Douglass Carr, oil on board.  The model in cap & hoddie can be found wheel-chair bound outside St. John’s, a diabetic, a friend recommended the artist invite him into the studio to pose at the Pennsylvania Academy of Fine Art.  James relayed to DoN, “Portraiture can be a vehicle for therapy, highlights the dignity of the individual, and be a channel for excitement and energy.”

Rachel Constantine, Fifteen, oil.  The title says it all.

Richard Coach, The Fish of Delos.

Like time traveling to a lost and ancient city, this painting could be anywhere in time and space.  Seething with hunger for life, referencing work, culture, taste, serving up skills acquired with trial & error, the exquisite painting and substantial frame is right here in Philly in America’s oldest art club, the Philadelphia Sketch Club.

Kyle Margiotta, Blow, oil.  This would be a great picture for a house with kids, imagine how this masterful painting would elevate the taste of growing minds, simple mark-making telling long stories playing out like fairytales, set in the real world, incredulous expressions speaking volumes.

Mark Brough Goodson, Tom Csaszar/Eye of the Critic and Neysa Grassi/Eye of the Critic.

The pair of pairs of eyes, attractive and expressive, are superb examples of how small paintings capture moments in time, filled with emotions, thought and empathy in a medium which will last for centuries.  Hundreds of years from now the oil paintings being produced now will still transmit stories from our time, the present, to the future, their past.

DoN overheard a man say, “Why don’t they say where these places are?”  DoN pointed out the title does name a place, “Snow Melt, Sand Island“, by Sandra Corpora, it just doesn’t give GPS coordinates.  The man asked DoN what he liked about the painting? “The restraint of using the one thick pure white stroke of paint to represent the most distant point in the painting.”  He looked hard @ DoN & disappeared into the crowd.

147th Annual Exhibition of Small Oil Paintings is through April 24th with 170 of the best oil paintings in the city hanging together, continuing a long history of excellence in contemporary oil painting.

DoN Brewer @ his artist reception.  All event photos by Peter Prusinowski.

The Center for Emerging Visual Artists hosted an artist reception for DoN Brewer and the Philadelphia Art-erati turned out in full force - friends & colleagues from the past, present & future converged on the Coffee Bar @ 17th & Locust to support DoN’s explorations into photography.  Amie Potsic of CFEVA (& fellow photographer) and Ann Koivunen worked with the Coffee Bar to have a POST (Philadelphia Open Studio Tours) artist show in their recently remodeled cafe - the buttery walls and excellent lighting is so satisfying and easy on the eyes the photos have never looked better - and out of 30 artists the team presented, they picked DoN.  What an incredible honor & pleasure to represent Philadelphia Artists in the venerable Warwick Hotel, a landmark & planetary crossroad; DoN overheard languages from all over the world, it is so gratifying to have the work stand on it’s own, this being the largest collection of DoN’s “light being” series to date.

Muralist David Guinn, his Dad & Plastic Club former President Mike Guinn, the back of Ted Warschal’s head, Cynthia Arkin (manager of The Plastic Club website), UArts’ Regina Barthmeier, DoN, Ona Kalstein and Rob Stauffer (Rob mounted, matted and framed most of the show, his outstanding presentation skills enhances the work immeasurably) @ the Artist Reception for “light beings“.

Enhabitues of the Philly art scene, Regina & Lisa lounge below light being (Thelma) @ the artist reception for DoN Brewer’s light beings show @ The Coffee Bar - these intrepid art crawlers have been extremely supportive of DoN’s career and have been present at almost every art event important to his reputation.  Having friends be there when you need them is so important to an artists ego - Merci!

Ann Koivunen of The Center for Emerging Visual Artists manages the Philadelphia Open Studio Tours submissions (going on now) and took DoN’s feeble attempt at image size accuracy and created the terrific transparent labels, a beautiful bio book and documentation - Thank you Ann for your patience!

light being (Leo Seeger), DoN Brewer @ The Coffee Bar, The Radisson Warwick Hotel through July 2010.  This image has appeared in several art shows from the Philadelphia Sketch Club’s Absolutely Abstract Show to The University of Princeton Medical Center’s ArtFirst show to The Beauty Shop Cafe @ 20th & Fitzwater - DoN LoVeS it when people start seeing “light beings” in the wild.

Thanks to Shoshana Aron, Alden Cole & Les Howard for helping hang the show, Rob Stauffer for framing and the Center for Emerging Visual Artists for their tireless support of artists in Philadelphia.  DoN will be announcing an artist talk date soon.

Special thanks to Peter Prusinowski for photographing the event and his support and friendship, it’s such a good feeling to be recognized as an artist by peers - Philadelphia XOXO.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.

More than 150 small artworks in many different media are arrayed around the historic gallery space of the Philadelphia Sketch Club on the Avenue of the Artists, Camac Street.  Miniatures represents the work of more than 60 area artists from Betsy Alexander of Ravenswing Studio, Dumpster Diver extraordinaire Alden Cole and Da Vinci Art Alliance board member Lilliana Didovic to esteemed club members such as Karen McDonnell & Tony Cortosi, Dr. Doris Peltzman and first prize winner Michael Kuncevich, one of the club’s elders.  Second prize was awarded to Susan J. Donmoyer  for an extraordinary drawing.  Even though DoN was a co-chair of the show, he has to say - the show is extraordinary with really exciting work by great Philly artists.  Thanks to everyone who helped pull it off - if you’ve ever organized a show, you know what a time suck it is.  A special thank you to Laura Guzzo, 3nd prize winner, for acting as docent & sales associate.

Laura Guzzo @ Miniatures in PSC Gallery.

Stephan Iwanczuk, silver print.  Steve is chair of Miniatures.

Clockwise - Lilliana Didovic, Deborah Horsting, Parimalasri Vairapandi & Vincent Docktor.  Vince is part of the the three-person show in the PSC Stewart Room.

Betsy Alexander’s Alaska paintings capture the expansiveness of the great wilderness in tiny squares.  Bold color choice, graphic decisions and simplicity transport the viewer to a foreign landscape at once welcoming and strange.  Betsy is also an original Dumpster Diver and was recently featured on the Today show with her famous piano playing cat, Nora.

Monique Lazard, oil @ PSC Miniatures.

Dr. Doris Peltzman, Giovanni’s Table, oil.  Doris has had several one-person show’s in Wilmington’s prestigious Carspecken Scott Gallery, has sold out shows at Artist House, consistently wins top awards and today is gallery sitting at the club - stop in and visit her and Reta Sweeney.

Alden Cole, Dancing with the Stars, drawing @ PSC Miniatures.

Clockwise - Linda Hibbs, Elizabeth Breakell, Elizabeth MacDonald, Marlene Craig, Dorothy Roschen & Lucy Roehm.

DoN entered a digital picture frame with 20 views of Paris roof tops - the prospectus said any medium!