DoNArTNeWs

This year DoN got to know Dr. Deb Miller of the Da Vinci Art Alliance; Miller is a driving force behind the production of themed art shows for the gallery at the Da Vinci Art Alliance, Smile Gallery, Bartram’s Garden Gallery, the Black Box Gallery @ The Lantern Theater and more.  This year art exhibits included Envisioning Hamlet, Darwin & Carnivorous Plants, Windows on the World, Heroines & Harlots.. collaborations with The Lantern Theater, Bartrams Garden, Smile Gallery & more.  As a result of these concept shows DoN won more awards for art this year than in all previous years of entering shows.  Dr. Deb always takes an extra moment to praise the artist when presenting awards, tells an anecdote about the work, shares tidbits about her life in Andy Warhol’s circle and makes sure all the artists even though they may not win anything, feel special, that it’s worth all the time & effort to produce art.  Twice, Dr. Deb has whispered in DoN’s ear during award ceremonies that she thought he should have won first prize instead of honorable mention - DoN bets Dr. Debbie says that to all the boys.

On the move - Dr. Miller makes sure the audience moves through the gallery and presents awards by the art work instead of from a fixed spot as many other juried shows do.  Her gregarious banter and knowledgeable comments always are educational, informative and frank.

Dr. Deb Miller @ Bartram’s Garden Gallery.

DoN in awe of Dr. Deb’s comments on his “Botanical Print” @ Bartram’s Garden Gallery.  Actually, Dr. Deb always makes sure DoN say a few words about his work and she always gets jurors to speak about their decisions.

Dr. Debra Miller, Liz Niklus, Alden Cole, David Foss & Ona Kalstein @ Da Vinci Art Alliance.  The board at the Da Vinci Art Alliance performs an essential function in the Philly art community, providing a creative outlet, a great social network and a vibrant array of shows, lectures and parties.

Dr. Deb Miller presenting DoN with an award for his digital photograph called, Denmark, for the Envisioning Hamlet Show @ The Black Box Gallery in the Lantern Theater.  DoN recently eves-dropped David Foss and heard there will be continuing collaborations with the Lantern Theater and the International Opera Theater - coolness!

Dr. Debra Miller gives a great lecture about Andy Warhol, here she’s presenting her talk @ The Fleisher Art Memorial.

Philly Art Stars @ the Windows on the World opening @ Smile Gallery.  That’s the back of Liz Niklus‘ head, Dr. Deb, Lilliana Didovic & Betsy Alexander, that was a great show, in fact the three winners are having their show at the gallery next month.

Photographer Jon Naar with Dr. Debra @ Photosynthesis 2008 @ Da Vinci Art Alliance.

Thanks to Dr. Debra Miller and the entire board of the Da Vinci Art Alliance for providing such an outstanding platform for artists to exercise their creative muscles.  DoN can’t wait to see what 2010 has in store at the venerable art alliance.

The November issue of Philadelphia Magazine had an article called “Five Artists Who Will Make You Rich” by curator extraordinaire Eileen Tognini.  What a task?  DoN is familiar with four of the five artists the esteemed curator gleaned and couldn’t agree more but it made him wonder who he might choose if he could only pick five.

Karl Olsen with model/artist Arthur Ostroff @ the MCGOPA show last Fall.  Olsen is driven to achieve a level of technique, style, originality that is fiercely determined, tenacious yet warmly accessible - everyone loves impressionism but Olsen’s squishy brushwork has a darker undercurrent of emotion like a 21st Century Otto Dix, Olsen exposes the hurt, apprehension & fear of life during war-time preserving a moment of great change in our history.  Photo courtesy of Karl Olsen.

Brooke Hine was one of Tognini’s picks to make you rich.  DoN finds that just spending time with Brooke makes him feel richer; Hine is warm, empathic, vivacious, sharing, curious and extraordinarily creative - some of her ceramic sculpture incorporate cat whiskers, so poetic.  Her ancient/future ceramic concoctions ooze a dystopian narrative of archeological digs in our own future world or some inter-planetary find by an ancient space visitor.  Bones, spines, claws, spikes, hairs, curves and swirls all meld into interchangeable narratives - spooky yet fun.

Bob Jackson’s ball point pen figure studies on typing paper are like finding the perfect seashell on the beach or a crystal you want to keep while rock-hounding or that great antique find at a Paris flea market.  Jackson’s drawings are expressive and technically precise yet his use of lowly materials raises up ordinary paper to a higher plain because of the lines of ink Bob streams across the page with abandon, lyricism and grace.  Jackson is President of the Plastic Club where you can buy his drawings for around 20 bucks.

Karen McDonnell & Tony Cortosi collaborate on each of their hand-drawn, hand-cut stencil spray-paint paintings skewering modern icons, historic figures and art world figure-heads with equal levels or irony, respect, sarcasm, awe and cultural awareness from punk, pop & hip-hop to Shakespeare to Foxy Brown.  Their mash-ups are a comment on our time bringing a skate-punk anarchistic rock mentality to the gallery setting without giving up on street-cred integrity.

Eileen Tognini picked Rachel Constantine because she personifies the quintessential PAFA school of atmospheric realism presenting realistic, emotionally charged, technically accomplished paintings and deservedly so, Rachel’s work is absolute perfection.  But, DoN would include Paul DuSold in his time capsule of 21st Century art investment; DuSold’s paintings are ripe with vivid life brought into the realm of the sublime.  A simple wrapped loaf conveys a story deep with realness, a flower lives only for the moment before fading to obscurity, the portrait a glimpse into a model’s inner thoughts or the patron’s aspirations - Paul DuSold is a modern painter working with techniques passed down through the ages.

Eileen Eckstein, Balloons, photograph, DoN Brewer, light being (Mama Cass), photograph, Laura Pritchard, Portrait, mixed media, Dorothy Roschen, Red, White and Green, relief tiles and Alan Klawans, Milan, archival pigment print @ The Plastic Club’s Red, White and Green exhibit.

DoN Brewer Photography

light being (Mama Cass) $150.00 light being (Kurt Cobain) $150.00

Michael Guinn, 12th Street Still Life, oil.

3rd Honorable Mention Lois Schlachter, My Brother’s Keeper, acrylic, Alden Cole, Good Vibrations, mixed media and Honorable Mention Morris Klein, Love Park, photograph.  Juror Rich Harrington has a great eye and excellent taste considering that the theme was ambiguous in that the three title colors had to be used but not exclusively; Harrington chose works who fully met the criteria such as Dorothy Roschen’s wall sculpture in blatant red, white and green squares for 2nd prize and Peter Petraglia’s trippy undersea fantasy in a subtle palette for First Prize to Lois Schlachter’s wildly imaginative abstraction with what seems like millions of colors.

Tracy Landman, Reflections on Stewart, oil, Patricia Wilson-Schmid, Catching the Light, and Lucy Roehm, Radish Trio, color pencil @ The Plastic Club’s Red White & Green exhibit.

The theme is Red, White & Green which one would think should conjure Holiday Cheer but @ The Plastic Club the art is edgy, sarcastic, goth, even scary like Hunter Thompson meets Charles Addams meets Salvador Dali.  Some of the work is literal and literate like Roehm’s Radish Trio and some is out and out transcendental like Jake Smith’s Merry Fish Mess.  Above: Anders Hansen, Shiva, ink, graphite & charcoal, First Prize Peter Petraglia, Tubulars, pen & ink, Marie Davis Samohod, Funerary Portrait, mixed media and Karen Frank, Totem and Taboo, Acrylic.

DoN is honored to be exhibited along with such wonderful artists as those in the Plastic Club, their shows are always challenging, pushing the envelop, breaking rules yet there’s no stress, the only expectation is making art.  And when the art is all hanging together it feels really good to be an artist rubbing shoulders with some of the best in town.  A cool thing about writing this blog is that when DoN took the photos he didn’t know that he was shooting the work of some of his best friends, the Plastic Club uses a number system for labeling, it’s kind of like doing your own blind jury-ing and then finding out you picked only your friends such as Lois, Pat, Mike, Alan, Alden, Eileen, Dorothy, Morris, Anders…

Jake Smith, Merry Fish Mess, acrylic and Theodore J. Amick, Untitled, oil.

Merry Fish Mess, everybody!

Judy Engle @ Da Vinci Art Alliance.  If Eileen Tognini says packing tape art is in - then DoN says listen to her!  If you can’t afford a Mark Khaisman before his packing tape drawings increase in value, then buy Engles layered clear tape collage @ Da Vinci Art Alliance for under $200.00 - in real life this small piece is 3D and deep, with layers and layers of tiny bits of color.  Another great steal-able idea.

Judy Engles, photograph.

DoN LoVeS how DVAA displays art - Judy Engle’s photo paired with DoN’s digital print is so elegant and thoughtful, the pieces really work together.  DoN was inspired to print “Autum Oak“, a digital photograph from a few years ago after seeing Amie Potsic’s tree photos @ Area 919 - the most expensive of DoN’s Under $200.00 entries is $129.00.

Lilliana Didovic, Alden Cole & Karl Johnson @ Da Vinci Art Alliance’s Under $200 show.  The DVAA always has such terrific, fun events, even though it was a snowy night, plenty of artists showed up to party - the board is to be commended on their careful attention to detail and making everyone comfortable and welcome.

Francine Strauss @ Da Vinci Art Alliance’s Under $200.00

Gerard Di Falco, etching @ Da Vinci Art Alliance.

Leon Rainbow @ DVAA - he not only produces these funky paintings, Rainbow provides web design services to the esteemed organization.  DoN is grateful for the publicity the links provide, the slide-show of member’s art on the website is cool.

Karen McDonnell & Tony Cortosi collaborate on these stencil & spray-paint images replete with peeling paint, drippy spray, coarse edges and mashed up cultural icons - the Carmen has such a skate punk sneer mixed with Hollywood glamor - Grrrl!.

 Karen McDonnell, Tony Cortosi & Ray Costello @ Da Vinci Art Alliance’s Under $200.00 opening party.

Photographer, Bill Myers @ Da Vinci Art Alliance.  Bill is also an active member of the Photographic Society of Philadelphia; Myers creates photo montage with clashing images mushed into contextual morphs - incredible.There are some really great art bargains for sale at the Da Vinci Art Alliance’s Under $200.00 show.  You can own a David Foss for $100, an Art Ostroff for a Benjamin or so…the Lee Muslin prints are gorgeous, an incredible Dexiang Qian for exactly $200.00!?!  The art show itself is amazing - all the participating members really put in memorable, desirable pieces and James Warhola signed his book Uncle Andy’s Cats;  he took a moment with each autograph to draw a kitty in the front pages and engaged everyone in a personal way - Warhola signed books for 3 hours!  He was still signing books when DoN left.

The Mysterious Distance Between Men of Means, Jed Mauger Williams @ 2424 York Street.

Jed Mauger Williams paintings are in the antechamber of 2424 York Street, the location of the immense Skybox Gallery.  Williams is showing ten works based on themes of his quest for the human figure, pop & mythological and different forms of spirituality.  Manipulating symbols, assigning them spectacular color, signifying icons with saturated layers of various media in tumultuous abandon, Jed makes extraordinary images that are extravagantly engaging.  Even his presentation was deliberately skewed, absurd and charged with a weird cultural angst like some retrofitted beat/pop/rap artist from the past, maybe Paris or Philly, quirky yet hip, kind of ugly beautiful and strange.

Jed M. Williams - semi-abstract pop images seethe with multiple personalities, modern memes & contemporary style.  Williams’ gallery & studio is @ 6th & Bainbridge but DoN loves how ballsy Jed was in working his way into the hot new art center in Fishtown.

Greeting From My Home Planet, Jed Williams.

Pop references and graffiti vibes permeate Williams’ paintings yet a darker narrative creates disturbance and tension.  One day DoN picked Jed up @ The PMA, he had a friend deliver returned art work to the gift shop for him to pick up, this way his work was inside the museum like Ray Johnson mailing art to MOMA because he knew they cataloged everything.

Amy Schmidt, Toy Soldier @ Area 919, 919 North 5th Street, a survey of the past year of exhibitions.  From a distance the content of this image is clear, a young masked rebel with a gun but up close - break me off a toy soldier.  The collage is a huge collection of tiny war toys: plastic soldiers, tanks, planes, bugs, dolls, animals…the subtext is powerful in what Amy Potsic called “the political room”.

The art work collected in the newly refurbished back gallery is all politically motivated from TODT’s, Camera (an old camera with a fetus trapped inside created in 1980, still relevant considering the current debate concerning abortion), to Abby Schmidt’s Tank (encaustic made from melted crayons on a light box depicting children looking back at an approaching tank) to Potsic’s own photographs commenting on Chinese oppression of it’s people.  DoN likes arguing about difficult art and this show really pissed him off.

Abby Schmidt, Fossil Fooled @ Area 919.  This piece is not so easily read but it’s all plastic dinosaurs - plastic is made from oil, oil is made from dinosaurs, dinosaurs are dead.

Abby Schmidt, Jessica, melted crayons on light box.  Schmidt mixes her own colors by melting crayons together to create “flesh” tones creating a new take on everlasting encaustic.  The subject is fat babies being fed, the look in their eyes is frantic, as if they know they’ve already eaten too much - Mom, please stop!

Abby Schmidt, Jessica, melted crayons.  There are three of these big baby portraits hanging together, heroic in size, extreme close-ups of glowing skin shines with the light of “health” - a strong condemnation of America’s obsession with food and never-ending quest for satisfaction.

Amy Potsic, Made in China - Female Adoption, Made in China - One Child Limit, Made in China - Reproductive Rights & Made in China - Population Control, archival pigment print, each 24″ x 48″.

Amy Potsic, Made in China - Exile, archival pigment print.  Potsic’s Made in China series is based on traditional scrolls but are actually all shot around town.  Amy is a world traveler but came to the conclusion that Philly is a world class city and began shooting photographs as if she were in a foreign land.  The aspect ratio of the camera dictated the scroll design, the content is traditional appearing Chinese imagery but is actually trees found locally, each representing the four seasons, each photo dedicated to forms of Chinese oppression and how America kowtows to the huge market even though they are literally plowing down traditional villages to build high-rise apartment with no concern for preserving history or up-rooting villagers.  Hey, even Disneyland now has a franchise for Beijing.  The photographs are luxurious and rich with crisp detail, saturated color and beautiful composition, if you did not know how angry Amy is about religious oppression in Tibet you would think these were an homage instead of condemnation.

Mark Khaisman, packing tape on light box @ Area 919.

Mark Khaisman uses tape to create “drawings” of Baroque and Rococo furniture found in Sotheby catalogs.  The furniture is, of course, for rich people only and if you actually owned it you would never sit in it or write on it, you would probably put a velvet rope around it - that’s what makes Khaisman’s drawings use of lowly plastic tape so appealing and intriguing.  A former stained glass artist, Mark confidently twists and folds the tape into curvy lines, layering tape to create density and depth, transforming something so cheap into something precious and desirable.

TODT is an artist collective that have been working together (more or less) for 30 years, even though the member artists have individual names, they prefer to be known only as TODT.  The group is primarily interested in the future and science, the above piece was developed in the early 80s, before computers, using a light-box they found on the street, the Marilyn is also a found object, the combination is truly prescient considering the current “green” trend, the use of electronics and light and mixed metaphor collage, très au courant yet timeless.  TODT’s resume includes the Whitney Biennial, the Venice Biennial, and many gallery & museum shows going back to 1979.

TODT, Eye Tower @ Area 919.  This light sculpture was created for a gallery who fronted the funds to develop over a dozen pieces but the gallerist took off with nine of them, luckily several were saved along with material to make more.  The staring eyeballs signaled the oncoming onslaught of oppressive mass surveillance of hidden watchmen cataloging our every move from trafffic lights to toll booths; a local real estate mangement office even has a camera just in case renters get pissed off and don’t pay up.

13 Months has plenty more to see with photos by John Rosser, furniture by Luis Montoya, Anthony Angelicola, Mike Parsell & Daniel Petraitis plus antiques and objects of desire.  In just 13 months, Area 919 has established itself as an art force to be reckoned with.

The 14th Annual Art Ability Exhibition & Sale at Bryn Mawr Rehab Hospital’s Patron’s Preview Party on November 7th was a sensational event kicking off the extensive art show featuring more than 400 art works by 128 artists from 23 states and 10 countries.  The hospital on Paoli Pike is an excellent venue with high, long walls, a fine hanging system, great lighting providing a wonderful stroll or roll along a meandering path to wander and take in the wide array of fine art.

Photographer Linda Fry Goschke was honored with the catalog cove, a beatific portrait of a “Crested Caracara“, a raptor she spent time with in a bird sanctuary.  The photograph is poignant, strong and sensitive; at first glance it appears to be a painting with golden light brushing the elegant bird’s feathers, the dark head contrasting the ochre beak and the glint of disinterest in the eye, a perfect metaphor for the theme of the exhibit.

Goschke told DoN that in order to capture her images she had to wait for new technology to catch up with her vision - the lustrous flower photograph is actually created on a flat-bed scanner, then enhanced with Photoshop.

Linda Fry Goschke, Barred Owl, photograph @ Art Ability.

Sal Panasci was commissioned by Bryn Mawr Rehab to create the design for a mural leading to the admissions center, formally along stark hallway to what could be an uncomfortable experience.

Now, the hallway is a colorful, exuberant scene welcomes people to what may be an extended stay to rehabilitate the body, mind and spirit.  Panasci’s painting was transformed into wallpaper creating a warm, sunny vista.

Sal Panasci, Late Autumn Palette, oil.

Ken Smith, Blue Flower, photograph pigment ink on paper on board, encaustic.  Smith’s serene composition won honorable mention, The Mary Armitage Green Memorial Award presented by Heather and Damien Lubeski, the wax finish means the print will survive for a very long time.

Michael Jameson, Charlois Bull, oil painting on birch panel

Sheryl Yeager, pastels.  DoN talked with Sheryl about her inspiration for the delightful pig and zebra pastels, she explained that she portrays lots of different animals because they make her feel free, at one with God & nature and the art heals her past.  A self described high functioning autistic, her most popular drawings are of elephants and she’s more than willing to accommodate her customer base.  This is Sheryl Yeager’s 5th year with Art Ability, she has been accepted into the Pastel Society of Little Rock and has exhibited her work at the Andrews Art Museum in North Carolina.

The big fish are by Arnie Segal, the drawing is by Mari Newman, Dick Wexelblat created the menagerie and won honorable mention for Fine Crafts presented by Sal & Linda Panasci, the sculpture in the right forefront is by blind artist Tara Arlene Innmon.  This tableau is very popular with visitors with the vibrant animal forms delighting the eye and lifting the spirit.

Arnold Segal was a true art star at the Art Ability Patron Preview, selling most of his collection of sculptures and earning commissions - a mixed media artist, Segal uses plaster, paper mache and electronics to enliven his sculptures which often have hidden surprises.

Liam Kennedy, Dreams, bronze, winner of 2nd prize for sculpture, the Sarah Hair Shearer Memorial Award.

Kathy Harris, Double Self Portrait & Winter Bride.  Harris created the portraits from life masks - the double self portrait is from 30 years ago and the Winter Bride is a recent mask.  Kathy told DoN that the younger version is dreaming of the future and the elder shows aging through time, either way she’s beautiful with a wonderful spirit and wicked wit, we had the best time chatting about her career making paintings, ceramic tiles and pipes.

Michael Tavani, Winter in Chadds Ford, oil.

Jack Beverland, Happy Trails, acrylic & plastic.

Clif Anderson, The Last Rose, oil.  Clif told DoN this was literally the last rose in his garden last November.

Beverly Strohecker-Yablin, Favorite Teacup, oil.

David Gerbstadt is one of the famous Philadelphia Dumpster Divers, his mixed media paintings are super-pop, perfect for a hipster’s pad or austere modern interior.  DoN was recently in the Dumpster Diver gallery on South Street and a patron bought 27 of his $1.00 drawings as Christmas gifts.

Marilyn Lavins, 40th Anniversary 1969-2009, Moon Landing, collage.

Photography by Jim Knisley @ Art Ability.

Gregory Gans, Spirit Over Waters, photograph, winner 3rd Prize for photography, The Denise Fraunfelter Memorial Award.

Photography @ Art Ability Exhibit in Bryn Mawr Rehab.

Gregory Gans, Forest Cathedral, photograph.  DoN had the opportunity to chat with Greg’s biggest fan, his wife, who offers constant support and encouragement and agrees with DoN that if you don’t have something nice to say don’t say anything.  Gans’ has been a working photographer for 45 years, creating hundreds of images - now many of his photos have Biblical & spiritual references reflecting his faith and strength to battle the epileptic seizures he endures after having a benign brain tumor removed.

The Art Ability show has so much to see it’s impossible for DoN to share it all - Evan Gozali’s brilliant digital Asian style scroll is transcendental, Elizabeth Core’s imaginative large painting, Christine Severson’s jewelry…the point is that even though the art is all created by artists with disabilities there are no boundaries, no style, no medium that is exempt from an artist with the will to create from painting to drawing, photography to sculpture, fine art to crafts, an artist is an artist even if they have to hold the brush with their mouth, work from a wheelchair, try to hold steady until the tremor passes or struggle to articulate because the words won’t come.

DoN was so happy to see so many red dots indicating sales - 80% goes to the artist and the remainder is used to improve the facilities to aid people who need rehabilitation everything else is provided by volunteers including the wonderful sales team.  DoN had the pleasure of meeting Ellie Pfautz, a volunteer sales rep who absolutely loves Bryn Mawr Rehab since they helped her recover from a brain aneurysm; the two of us marveled at the new Lokomat suite - a robot which helps train muscles & nerves by reminding the body of motor pathways, building new neural networks and strengthening the body without manual manipulation by a technician.  To see a short video clip - click here.

Lokomat Robot @ Bryn Mawr Rehab Hospital

Zach Osif, Iraq III (Lindsy Lohan), oil on canvas @ F.U.E.L.  Shoshanna & DoN chatted with Zach Osif regarding his inspiration for the portrait of Lindsy’s infamous mug shot and he responded that his work is a result of flirtatious dalliances on the internet.  His plan was to do a series of paintings about the Iraq war but found that TV & the web are more saturated with images of pop princesses than war heroes.  DoN noticed that this week TV news headlines included “wife allergic to husbands sperm” and “plastic surgery for penis enlargement” as if seeing flag-draped coffins and grieving wives are not enough to draw viewers.  But there is a subtext of pin-up girls and soldiers going back to Betty Grable & Marilyn Monroe to be found in the heroically large paintings.

Zach Osif, Dalliances.  Shoshanna recognized the model as Kim Kardashian in Playboy- uh, DoN did not.

Zach Osif, Made in U.S.A., oil on canvas.

DoN did not get to interview Xavier Schipani about her trans-cultural drawings incorporating tribal, ethnic, sexual, mythical, middle eastern and samurai imagery yet the impact was indelible and inscrutable.  The wacko poodle cut-outs around the perimeter of the room are super-kawaii!

More than 150 small artworks in many different media are arrayed around the historic gallery space of the Philadelphia Sketch Club on the Avenue of the Artists, Camac Street.  Miniatures represents the work of more than 60 area artists from Betsy Alexander of Ravenswing Studio, Dumpster Diver extraordinaire Alden Cole and Da Vinci Art Alliance board member Lilliana Didovic to esteemed club members such as Karen McDonnell & Tony Cortosi, Dr. Doris Peltzman and first prize winner Michael Kuncevich, one of the club’s elders.  Second prize was awarded to Susan J. Donmoyer  for an extraordinary drawing.  Even though DoN was a co-chair of the show, he has to say - the show is extraordinary with really exciting work by great Philly artists.  Thanks to everyone who helped pull it off - if you’ve ever organized a show, you know what a time suck it is.  A special thank you to Laura Guzzo, 3nd prize winner, for acting as docent & sales associate.

Laura Guzzo @ Miniatures in PSC Gallery.

Stephan Iwanczuk, silver print.  Steve is chair of Miniatures.

Clockwise - Lilliana Didovic, Deborah Horsting, Parimalasri Vairapandi & Vincent Docktor.  Vince is part of the the three-person show in the PSC Stewart Room.

Betsy Alexander’s Alaska paintings capture the expansiveness of the great wilderness in tiny squares.  Bold color choice, graphic decisions and simplicity transport the viewer to a foreign landscape at once welcoming and strange.  Betsy is also an original Dumpster Diver and was recently featured on the Today show with her famous piano playing cat, Nora.

Monique Lazard, oil @ PSC Miniatures.

Dr. Doris Peltzman, Giovanni’s Table, oil.  Doris has had several one-person show’s in Wilmington’s prestigious Carspecken Scott Gallery, has sold out shows at Artist House, consistently wins top awards and today is gallery sitting at the club - stop in and visit her and Reta Sweeney.

Alden Cole, Dancing with the Stars, drawing @ PSC Miniatures.

Clockwise - Linda Hibbs, Elizabeth Breakell, Elizabeth MacDonald, Marlene Craig, Dorothy Roschen & Lucy Roehm.

DoN entered a digital picture frame with 20 views of Paris roof tops - the prospectus said any medium!

David Foss, The Grid, acrylic on wood panel, plastic, foam, 2009.

David Foss, Between I and Thou, acrylic on canvas & foam.  Kathryn Pannepacker, Art Trick & I Am A Magnet, embroidery coated with wax.

Kathryn Pannepacker weaves anything within reach, including yarn, rags, thread, rope, book matches, even left over aluminum foil creating other-worldly decor as if for a Star Trek set.  Both Pannepacker and Foss have an aura of tranquility and inner peace causing DoN to wonder if maybe they have been taken up, up, up…each donates much of their time doing outreach in the community.  Foss is Executive Director of Da Vinci Art Alliance mentoring and promoting art carreers and Pannepacker has created several public murals and is currently weaving art with homeless people as part of Activities and Advocacy to End Homelessness every Thursday & Friday @ Arch Street Cafe, 740 Arch Street.

David Foss, Field Shift, acrylic on canvas, plastic & foam, 2009.

Kathryn Pannepacker & David Foss at the opening of Parallel Lines @ Smile Gallery.  Matt Lyons calls the art space “the biggest little gallery in town“; the gallery continually shows modern, edgy, sometimes difficult art by a continuum of Philly’s best artists.