Category Archives: Philadelphia Abstract Art

Non-representational art in all media including drawing, painting, photography, sculpture, prints, video, on-line, writing, etc.

Art in the Open at Schuylkill Banks Park

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Katy the ArT DoG photo-bombs this pic of the site specific installation created by Simone Spicer for the Art in the Open weekend at Schuylkill Banks Park.  The artist gathered plastic or plasticized trash, decorated each piece with paint or collage, then strung them like beads along the bike path.  The effect was like a waterline where all this wacky trash had washed up on the banks of the nearby river commenting on the ecological effects of plastic trash.  But Simone Spicer also lavished time and effort on each element accentuating the careful design of these daily-use objects and the efforts of designers and corporations to make them attractive enough to buy.  And throw away.

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Art in the Open 2012 was a big commitment by the participating artists – three days set up as a working artist along the bike trail from Lombard Street towards the Philadelphia Art Museum.  The point wasn’t to sell work but to demonstrate how art is made, engage with the public, raise questions and answer questions.  The artists are rewarded with a show at The Philadelphia Seaport Museum for the rest of the Summer opening June 15th. The experience of strolling along the trail with the dog is one of DoN‘s favorite activities, the addition of art was like an alternate reality for an afternoon, it would be cool to see more artists along the scenic path all the time.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park

Photographer, Jeff StroudDoN and Katy the ArT DoG walked along the bike path in the hot Spring sun and stopped at a shady tree where artist Barbara Gesshel had set up her studio out of the sun.  Using the tree as a work surface Barbara Gesshel rubbed charcoal into large sheets of paper, using the ridges of the bark to create a naturalistic atmosphere to her drawing.  Working with nature instead of against it, Gesshel’s use of charcoal, the charred remnants of dead trees, onto the living surface of a tree to make her drawings is poetic and inspiring.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel has an expansive one-person show of prints and paintings at Red Hook Cafe on Fabric Row.  Read DoN‘s blog post about the show on SideArts.com.

Erika Bergere, Art in the Open at Schuylkill Banks Park

Erika BergereArt in the Open at Schuylkill Banks Park

Cyanotype is one of the oldest types of photography there is, artist Erika Bergere set up on the lawn with her baby and made the beautiful Prussian blue photographs using only the light of the sun and a solution of potassium ferricyonide and ferric ammonium.  The wet paper hung out on a line to dry while the family lolled in the shade on the grass.

Justin Tyner, Art in the Open at Schuylkill Banks Park

Justin TynerArt in the Open at Schuylkill Banks Park

Stained glass artist Justin Tyner was one of the only artists who needed to connect to the grid, he made this beautiful rose window outside with his soldering iron.  Shortly after this photo was taken the window was mounted in a round wooden frame on the lawn on a hill near the art museum.

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Artist Jeannie Moberly used a variety of media from her art box to create the drawings on long expanses of paper that she planted in the ground with wood dowels.  The maze-like effect was bold and beautiful at the bend in the river.  Sitting in the bright sun with a big hat and long sleeves to guard her arms, the artist contentedly worked out the ambitious drawing while bikers, walkers and gawkers stopped by to check out the colorful display of art.

Abdelkrim Djennas, Art in the Open at Schuylkill Banks Park

Abdelkrim DjennasArt in the Open at Schuylkill Banks Park

Flowers made from battle caps – gorgeous! Abdelkrim Djennas flattens out bottle caps with cuts along the edge transforming refuse into delightful dumpster diver art.  Like tramp artists of old, he takes what society discards and makes something desirable and pretty.  The metal flowers sprouting in the woods near the art museum were whimsical yet prescient with a question of whether Nature will be overtaken by man made objects.

Nicole Donnelly, Art in the Open at Schuylkill Banks Park

Nicole DonnellyArt in the Open at Schuylkill Banks Park

Using found materials, Nicole Donnelly wove a structure of twigs and branches around one of the boulders along the river.  Obviously temporary but the piece touched a childhood nerve of playing in the woods.  The rocks along the river make convenient resting spots, Donnelly’s hut-like structure evokes Clan of the Cave Bear-like racial memories and the satisfaction of creating shelter.

George Apotsos, Art in the Open at Schuylkill Banks Park

George ApotsosArt in the Open at Schuylkill Banks Park

George Apotsos used simple chicken wire to create his ethereal Occupy People. The wire torsos planted in the Earth at oblique angles, each faceless head looking in a different direction evoking the mixed message mantra of the Occupy movement. We can see right through them. Using a mannequin as a form, George Apotsos molds and trims the common material, using heavy gloves and strong shears, into a metaphor for modern life.

Written and photographed by DoN Brewer except where noted.

Contributing photographer, Jeff Stroud

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BLACKWHITE ANDINBETWEEN @ 110 Church

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

BLACKWHITE ANDINBETWEEN show is already over but DoN is still thinking about the art installation that focussed simply on black and white.  The gallery in Old City installed a three person show of black and white artworks by Philadelphia region artists: Trish ThompsonTom Hlas & Wendy Wolf. The May First Friday crawl is all about discovering new art talent and 110 Church Gallery, off of 2nd Street in a quirky store front, feels so comfortable it’s like an oasis from the art mobs on the prowl offering a delight for the eye for the weary art crawler.

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas explained to DoN how he meticulously crafted the woven collage, working each edge and surface of the paper with deceptive intensity.  The group of three black and white collages all had red dots, Tom was grinning ear to ear with the satisfaction that his idea reacted with his audience in the best way.

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf installed a site specific piece composed of string and and organically shaped cut outs that resemble Locust leaves.  The pristine white elements create a pattern of shadow and shades of gray that only appear because the mind has to process the information somehow. The taut strings call to mind musical instruments, the random leaves striking chords in a holographic-like space between the strings and the wall.  During last weekend’s Art in the Open event at Schuylkill Banks Park the artist installed a massive mixed media piece using her unique language of simple elements in a tree near the Philadelphia Art Museum.  Her work weathers well and interacts with the environment in a pleasing poetic song-like work of art, one is still on view outside the art gallery.

The next event at 110 Church Gallery:

Josette Urso: Here and Then

Written & photographed by DoN 

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Marjorie Grigonis, Kristine Flannery at Third Street Gallery

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie Grigonis, Present TenseThird Street Gallery

Marjorie Grigonis and Kristine Flannery‘s exhibit at Third Street Gallery (on Second) is a compare and contrast in action painting and abstract expressionism. Marjorie Grigonis calls her collection Present TenseKristine Flannery‘s exhibit is called The Multitudes; Grigonis’ mixed media and paintings uses mark-making and color fields with emotive color and Flannery’s action paintings exude energy. DoN talked with Marjorie Grigonis May’s First Friday in Old City.

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

How did you get involved with Third Street Gallery?  “I’ve been part of the gallery for at least ten years.  Someone invited me to put my work up and be juried in and I’ve been part of it ever since.  I was one of the directors a couple years back which is a job no one covets, it gets passed on every two years. But, it’s a good  gallery, it’s good people and I think a really great showing space with the windows and the location.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN asked Marjorie Grigonis to describe her style, a combination of collage and painting, “Well, the painting is very much gestural and early was somewhat based on abstract expressionism but it’s been modified. As you can see, it’s not that free anymore. But the looseness that I started with, I find painting really hard, I struggle with it and I edit out. There’s probably six paintings underneath that painting. I just paint over, scrape off, and paint over.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

“I started looking at all the scraps of things in my studio and making collages and it was fun. But I realized that I was thinking , in this show particularly, that there’s not any content, and there’s not a lot of content here, but, I was thinking just about the general anxiety of personal and global and I think a lot of these sort of reflected that. The woman holding her hand, the fear itself, I think even the paintings are just a little bit anxious, not totally.  I think there’s a good time going on in some of them.”

“I don’t mean to be a downer, I just think of me, there’s just a little more of a sense of that, sort of, pervading everybody and everything right now. I’m sensitive to that and I think humor is a way to deal with that and so I just thought some of these were pretty funny.  Maybe ironic.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN commented to the artist that anxiety is not what he felt from the colorful abstractions and that he overheard people saying how much they liked them, “Well, I’m glad because it’s partly just me, probably a lot of it’s me.”  DoN said, “Well, you are the artist.”

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Third Street Gallery is an artist-run cooperative art gallery established in 1972.

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Kristine Flannery‘s action paintings represent movement and gesture through space.  The energetic marks and swipes of paint each try to capture a moment of movement, the paint permitted to be watery and move on it’s own, sometimes smeared into submission.  DoN spoke only briefly to the artist and her husband, she was fatigued at the end of the First Friday festivities but if you go to the Third Street Gallery website there’s a good statement about her goals with the show.

Written and Photographed by DoN Brewer

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Jazz Show at the Plastic Club

Cynthia Harvey, Player, pastel, Jazz Show at the Plastic Club

Cynthia Harvey, Player, pastel, Jazz Show at the Plastic Club

Alan Klawans, the Exhibitions Chair for the Plastic Club is stepping aside and Susan Stromquist is taking charge of the venerable art club’s exhibition calendar.  The art direction by Alan has been impeccable and the current art exhibition, Jazz Show, is a smash hit.

The theme challenged the artist membership to create new work related to Jazz.  The resulting collection of eighty artworks is a medley of soulful paintings, bebop abstracts, hip photographs of musicians lined up like a horn section and wild riffs on convoluted mixed media constructions.  At the awards President Bob Jackson noted how some artists couldn’t pull from their regular repertoire and make something old fit the theme.  Good thing. Because jazz needs extra space to be new, experiment and different each time it’s played, it’s never the same old thing.  The Jazz Show is smooth, moody and deep, the art spaced out so each piece gets it’s solo performance.

Michael Mastrogiovanni, Jennifer Tsui, Jazz Show at the Plastic Club

Michael Mastrogiovanni, New Orleans, photograph, Michael Mastrogiovanni, Jazz Fest, photograph, Jennifer Tsui, Leaving the Village Gate, 1976, collage (on mantle) and Joseph DeFay, Jazz on South Street, photograph at the Jazz Show at the Plastic Club.

Michael Mastrogiovanni, New Orleans, photograph, Jazz Show at the Plastic Club

Michael Mastrogiovanni, New Orleans, photograph, Jazz Show at the Plastic Club

Karen L. Freeman, Kind of Blue, mixed media, Jazz Show at the Plastic Club

Karen L. Freeman, Kind of Blue, mixed media, Jazz Show at the Plastic Club

Marcy Morris, Mo’s Band, acrylic, Jazz Show at the Plastic Club

Marcy Morris, Mo’s Band, acrylic, Jazz Show at the Plastic Club

April 1, 2012, the reception was packed like an underground club, the beat of drums and sizzling keyboards resonated from the Judy Shenkman Studio upstairs all the way to the Downstairs Gallery.  After the awards ceremony, the packed house opened up the floor and couples danced to the music, others tapped their toes and sipped wine.  The vibe of th Plastic Club was like a secret speakeasy and no one wanted to leave at closing.

The Plastic Club, 247 South Camac Street, Philadelphia PA – through April 27th.

Written and photographed by DoN Brewer

Read more at Side Arts Philadelphia Art Blog

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“It’s exciting to be here, I want to thank Amie Potsic for her curatorial vision and bringing Tara O’Brien and me together for this exciting project.” said Leslie Atik at the opening of Thread of Thought at Center for Emerging Visual Artists.  “I want to tell you a little about my work, it really grows out of my love of language, that’s the first place it starts.  I love language and grammar, I’m one of those people who like to diagram sentences and I like conjugating verbs and all that sort of stuff.  It took me a long tome, believe me, to get here but I finally got to the point where I wanted to make that the stuff of my artwork.  So, that’s the beginning place and the thing that I really love is thread and anything to do with thread.  Textile people out there understand that, if you like to knit or crochet or weave, I started realizing and not in a linear way but there are a lot of things that overlap when you talk about language and you talk about textiles.  There are a lot of metaphors of textiles that are used in describing language but at a basic level when you talk about language you talk about surface and a structure that generates that surface.  And that’s something that language shares with textile, so, when I’m talking about structure I mean the grammar, how the sentence is put together, not neccessarily what it means.  That obviously is a layer of it, the underneath part is what interests me in textiles, too.  So, those units make up the surface – I could talk forever about that stuff.”

Leslie Atik, Notes on a Rose, Thread of Thought, Artist’s Talk at CFEVA

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“Fast forward, the other thing that may be of biographical interest is I taught Spanish for many years and so I was at the blackboard back in the day when you actually stood at the blackboard with a piece of chalk.  And I realized that something else I wanted to bring into my art making was, I thought, ‘Well, Jeez, this is mark-making’, and I worked at bringing my chalkboard into my work.  It’s a linear fashion I’m describing but this is what happened.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Notes on a RoseLeslie Atik at Center for Emerging Visual Artists

This piece is called Notes on a Rose, it’s a series of pieces that are similar to this and what I’m doing is marking the language.  But each one is different, I’ve marked different things, I’ve structured them differently.  And I thank Amie because any time I can work directly on the wall it really excites me.  I like the idea that at the end of this exhibition this piece is going to be erased.  It has that temporal element to it…it’s built on two texts, the middle text is from Romeo and Juliet and it’s the famous scene where Juliet is asking, ‘Why is your name Romeo?‘  That which we call a rose by any other name would smell so sweet.  The middle passage is about names, therefore in the grammar I immediately thought of nouns – names and nouns.  So I marked – all these patterns are marking places in the grammar where there were nouns – the little tags that I buy at Staples are called marking tags.  So I’m literally marking the language and I’m mapping them because I’m using little map pins on the placement as well.  Each of these little tags has been hand painted in watercolor.”

“The text on either side is a little excerpt from Gertrude Steins writing, A Rose is a Rose.  So I just repeated it over and over and to me that seemed like a textile to repeat that unit, A Rose is a Rose, and on this side I marked the vowels that repeat and on that side is the consonants.  There’s another piece around the side there that’s based on a play and the one over there is based on Spanish, those who speak Spanish know there are two types of being to express the verbs ‘to be’ in Spanish, one referring to the state of things which is the outside and the other one is more essential kind of being.  That’s basically the idea that helped me structure that piece.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Dream Notes

Leslie Atik at Center for Emerging Visual Artists, Dream Notes, hand painted marking tags, map pins, chalk and paint

“When I talk about different layers of language sometime I don’t just use the black and white because this rose idea was so strong I said, ‘OK, let’s just have fun with the color rose.’  I just used the idea of the rose and made that the color palette.  The tags I just paint by the hundreds.  The surface on the wall is just house paint, interior latex paint, right on the wall.  If you come around to the side this is one of my favorite views of the piece, I really am playing with the idea of the text in the textile, so the idea here is that a text is generating textiles.  The erasing is purposeful, it’s kind of developed through my work, to create this piece I do a lot of work at home first getting my handwriting to do what I want it to do in the space I want to work in.  But I like erasing for formal reasons, I like the graying that it adds to my palette but also because I like the idea that this thing is ephemeral and that you’re writing and re-writing and the idea of repeating which is part of the textile process and part of the language process as well.  It is fragile, but I’ve lived with some of these and as long as they’re not mishandled they hold up pretty well but they’re not meant to last for a long time.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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