Monthly Archives: April 2013

stadler-Khan

Alex Stadler, stadler-Khan, scarves

Alex Stadler, stadler-Khan, scarves

DoN spotted stadler-Khan designs at the InLiquid V.13 exhibit in the Crane Arts Center. There was a moment when a beautiful lady wearing a jacket made in the diamond pattern, but in a different color way, were in the same space at the same time as a display of patterned, woven scarves. It was magical, Kiki Gafney Philadelphia painter, created a mini performance piece just walking by the table. The bold pattern draws attention, Alex Stadler designs the pattern and color combinations to be bold, exciting and strong.

Alex Stadler, stadler-Khan, scarves

Alex Stadler, stadler-Khan, scarves

“I opened here on June 1st, we’ll have our one year anniversary. I started the scarf company in the Fall of 2011. The store really started in a way to show my textiles. But, man can not live by textiles alone, so, I just started making the store that I always wanted it to be.” – Alex Stadler

Alex Stadler, stadler-Khan, furnishings

Alex Stadler, stadler-Khan, furnishings

“So, it’s a mix. The ceramics are from the middle of the last century, I have a special table now for Waylande Gregory, we have him as well. He lived from 1905 to 1971. I work with his estate so I have a lot of pieces by him. He had pieces in the 1939 Worlds Fair and got lots of commissions, this work is work he did for high end department stores. As a money-maker.

I’ve always done well with textile design, that’s one I did for Donghia. In 2010 I really focussed on my children’s books and writing them and then I just missed pattern, so it was time.” – Alex Stadler

Read about the upcoming Larry Collins and Dermot Meagher art show at stadler-Khan on DoNArTNeWs Philadelphia Art News Blog

Read about George dog products at stadler-Khan on www.ShopaholicDog.com

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Written and photographed by DoN Brewer except where noted.

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Larry Collins and Dermot Meagher

Larry Collins, stadler-Khan Gallery

Larry Collins, charcoal and graphite drawings on paper, stadler-Khan

Alex Stadler is excited about the upcoming art show in his space featuring the drawings of Larry Collins and Dermot Meagher. The stylish design studio on Sansom Street is amazing and Alex shared a sneak peek of the upcoming art show featuring two prominent Massachusetts artists. Larry Collins is an art consultant and fine artist, Dermot Meagher is a fine artist, novelist and retired judge, both are influential Provincetown area artists.

“Dermot Meagher, pronounced ‘Mar’, does these lovely drawings, the images are very light-hearted. He’s coming for the opening. They’re both gentlemen in their late 60s, early 70s, both, Larry actually is a Viet Nam Veteran and Dermot, they’re both veterans from that period of time. We’ll have both of their drawings here on exhibit and Dermot will be here.

Dermot is also a novelist, he writes mystery novels, and he’s also the first openly gay judge in Massachusetts. He’s a really cool guy. It’s going to be a really nice show.”

Larry Collins, stadler-Khan Gallery

Larry Collinsstadler-Khan

“A graduate of the University of Oklahoma and the Massachusetts College of Art, the value of his artistic training became starkly evident to Collins during the Vietnam War, when he was pulled from an infantry line company to become an Army combat artist and photographer.” – Larry Collins

Dermot Meagher, stadler-Khan Gallery

Dermot Meagher, ink on paper, stadler-Khan

Dermot Meagher & Larry Collins, stadler-Khan Gallery

Dermot Meagher & Larry Collins, stadler-Khan, 1724 Sansom Street, Philadelphia, PA, 267-242-7154, artist reception May 3rd, 6 – 9:00pm.

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Written and photographed by DoN Brewer except where noted.

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Robert Straight

Robert Straight, SCHMIDT/DEAN

Robert StraightSchmidt/Dean Gallery1719 Chestnut Street, Philadelphia, PA, 19103, 215- 569-9433, gallery hours Tuesday – Saturday, 10:30 – 6:00.

Robert Straight video posted with permission. Subscribe to the SCHMIDT/DEAN YouTube video channel to learn more.

Read DoN‘s interview with Robert Straight at DoNArTNeWs.com

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Gail S. Kotel

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

Gail S. Kotel and DoN were in an art show together in May 2010 at the Riverfront Renaissance Art Center in Millville, NJ. The theme of the show was artwork made with re-cycled window frames. There are so many good reasons to up-cycle found frames from an ecological, sociological and anthropological standpoint but the artist also finds a psychological element to explore.

“My newest direction breaks through the glass and now incorporates broken mirrors as well taking the face apart while holding it together, moving into the figure, creating yet another dimension of tension, moving in front, behind and out from the window.” – Gail S. Kotel artist statement.

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

The frames are the basis with the portraits divided into panes with elements of the faces fractured by the surface. Some panels lean out of the frame, others remain in place, the paint either translucent from the sunlight streaming in from 20th Street or from the gallery lighting shining out, creates a morphological transformation, too. It isn’t difficult to extrapolate the emotional compartmentalization of the subjects, Gail S. Kotel is also a physical therapist using pilates to help people manage pain.

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

The hard wood and chains only add to the psychological force behind her work, some of the pieces in the window are heads made of mismatched boxes with an anthropomorphic face or the window panes are exploding out so far they need restraint with plastic. The view from the street is instantly intriguing, the faces aren’t scary, they send a serene vibe with an under-current of the urgency and confusion of modern life.

“But the single pane of glass was not as compelling as multiple panels (like grids for a mural), and thus my love affair with windows was born!!!  And as time went on, 4 became 6 and even 16 panes.  The complexity of fitting the subject into the panes was of great interest to me.  The whole tension of who was looking at whom – viewer or sitter- creates a complex struggle with voyeurism which has become the nature of the work.” Gail S. Kotel artist statement

 

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Giant Steps Picture Framing is such a great artist’s advocate, the space is prime, right off of Rittenhouse Square at 20th and Locust Streets. They have been in business over twenty years offering assistance to art collectors and artists offering high traffic visibility, a friendly staff and sales opportunities not just through the gallery but pop-up shops, too. And they don’t care if you use your own frames to make art, they just want you to make art.

Gail S. KotelFound Faces at Giant Steps Picture Framing runs through May 9th.

Written and photographed by DoN Brewer except where noted.

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Bob Jackson Gallery

Harriet D. Kilne, Bob Jackson Gallery, The Plastic Club

Harriet D. Kline, Leann’s Bottle Tree, watercolor on yupo. $200.00. Bob Jackson Gallery, The Plastic Club

The line-up of artist’s is chosen by lottery from the art club’s membership. April’s show includes Elisabeth Hughes, Harriet D. Kline, Carter Leidy, Richard C. Meyer and Catherine (Kit) Mitchell.

Harriet D. Kline‘s watercolor shines with color, the yupo paper resisting the pigment enough so as the water evaporates the residue leaves the illusion of liquidity. Leann’s Bottle Tree is one of six paintings in the group show. And as a backdrop to the club’s recent Rabbit party proved an apropos art backdrop to the music.

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) MitchellThe Plastic Club

“Painting, sculpture, music, dance – each is its own language, with its own non-verbal media, symbols and structures for expression of ideas and evocation of feeling. As such I am reluctant to comment further on my visual work or translate it into the world of words, but I do hope that it will pique fresh vision, interest, and pleasure.” – Catherine (Kit) Mitchell artist statement

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) Mitchell, Wire Face, wire, found objects, The Plastic Club Bob Jackson Gallery

Carter Leidy, Catherine (Kit) Mitchell, The Plastic Club

Carter Leidy,Tidal Flow, Tremont, Maine, oil, $305.00, Catherine (Kit) Mitchell, Red Hot Donut, mixed Media, $350.00, The Plastic Club, Bob Jackson Gallery

The intimate space on the lower/garden level of the club is a wonderfully reclaimed space that houses a print shop and a great kitchen from which the gallery’s namesake create delectable treats for special occasions like openings. The current Bob Jackson Gallery show is concurrent with the excellent Sketchbooks, Preliminary Drawings and Other Ephemera, through April 25th. Carter Leidy even includes some sketches hung with his finished gallery-ready paintings creating a great interactive vibe between the main exhibit and the small group show.

The Plastic Club 247 South Camac Street, Philadelphia

Written and photographed by DoN Brewer except where noted.

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