SIMULATE – PERMEATE

Simulate - Permeate, Rowan University Art GalleryInstructions to the Internet, Christopher McManus

SIMULATE – PERMEATE

Exhibition examines materiality, experience, and authorship in technology-based art.

Glassboro, NJ – Rowan University Art Gallery presents Simulate – Permeate from January 20 to March 7, 2015 with a reception and artist’s talk on Wednesday, February 11 from 5:00 to 7:00 pm.

Curated by Mat Tomezsko, Curator and Program Manager at InLiquid Art & Design, the exhibition features the work of eight Philadelphia-based artists and artist groups making innovative use of new media that collectively examine concepts of materiality, experience, and authorship in technology-based contemporary art.

  • Lyn Godley makes use of naturally occurring responses to particular light wavelengths and imagery in her photographs of water, which are altered digitally and threaded (by hand) with optic fiber and lit with LEDs to achieve an undulating effect.
  • Juggling Wolf, a multidisciplinary collective dedicated to creating video and animation that is technically challenging and visually rewarding, offers two versions of a new video: one full length playing in the gallery and a shorter version broadcast across campus using the technological infrastructure of the university.
  • Christopher McManus’ work is a sculpture and a 20 second video that plays in reaction to the audience’s interaction with the sculpture, which is a piece meant to be a physical representation of the internet: friendly, cute, and enticing while simultaneously being completely repulsive, mean-spirited, and horrifying.
  • A collective of artists, engineers, and designers dedicated to bringing engaging and empowering art to the public, and to encouraging a sense of ownership to community spaces, New American Public Art has created an encounter with a monitor of a live video feed with a temporal delay. The delay is just long enough to create a disconnect, yet remain familiar as viewers are faced with images of themselves from the near past, but just beyond immediate memory.
  • Maria Schneider’s work begins with a pencil on paper drawing, which is then scanned and laser printed onto layers of polycarbonate and illuminated with LED light. The drawings evoke a common experience and a familiar medium, but are transformed by the technological process to become something new.
  • Jody Sweitzer’s outdoor sound and video installation is triggered by the movement of pedestrians on the patio after dark. The seemingly sinister messenger subverts the familiar recitation of the Pledge of Allegiance and emphasizes the tendency to insert religion into what is supposed to be a secular context.
  • Chris Vecchio’s work is about interaction and meant to be touched, and contains more than 500 samples of audio that can be triggered by the angle of movement, ensuring that every interaction between the viewer and the sculpture is unique and questions the traditional role of the art object.
  • TangenT is an artist collective dedicated to mixed-media, project-based immersive art environments exploring socially relevant and politically current themes. At Rowan, their immersive installation of disparate physical, visual, and sound elements seeks to examine the simultaneous connection and disconnection of experience, perception, and knowledge using government reporting on individuals and institutions as a meditation on information control, privacy, and truth.

Simulate - Permeate, Lyn GodleyLyn Godley, Waterwall

InLiquid Art & Design is a nonprofit organization committed to creating opportunities and exposure for visual artists while serving as a free, online public hub for arts information in the Philadelphia area. By providing the public with immediate access to view the portfolios and credentials of over 280 artists and designers via the internet; through meaningful partnerships with other cultural organizations; through community-based activities and exhibitions; and through an extensive online body of timely art information, InLiquid brings to light the richness of our region’s art activity, broadens audiences, and heightens appreciation for all forms of visual culture.

Admission to Rowan University Art Gallery, talks and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm.

Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ. Directions can be found on the gallery or university websites. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

This program is made possible in part with funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante for the content of this blog post.

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Time

Responce Time, Scott McMahon & Ahmed Salvador

The University of the Arts Presents Photographers Scott McMahon ’95 & Ahmed Salvador ’95: Response Time

January 9 – February 6, 2015, The Sol Mednick Gallery of Photography, Terra Hall, 15th floor, 211 South Broad Street, Philadelphia, Pa.

With “Response Time”, University of the Arts alumni Scott McMahon & Ahmed Salvador (both ’95) continue to refine their collaborative photographic explorations. The process involves one of them sending to the other bits of traditional silver based photographic paper or film in the mail and in the process exposing them for days. Once the parcel is received, it is opened, developed, and the results sent back to the sender. At times, initial lens exposures were made, but the material and/or packaging was later subjugated to light leaks from violently made drill holes or cutmarks. In a way, these perverse techniques push these factory-made films and papers to the end of their silver tether, and also squeeze the true nature of ‘writing with light’ out of them. However brutal, the end result is still a vestige of the first 150 years of traditional photography’s innovation grasping, but not gasping, for relevance. Their performative approach argues against the strict engineering controls that photographic media is designed to adhere to, with results that are always unique, and whose humor and capricious intent are infectious.

Ahmed Salvador received his MFA from Cranbrook Academy of Art in Bloomfield Hills, Michigan and his BFA in Photography from The University of the Arts in 1995. Salvador’s work has been exhibited in solo and collaborative shows in Philadelphia, at venues including The LightroomBridgette Mayer Gallery, The University City Arts League, The Philadelphia Art Alliance, Nexus Foundation for Today’s Art, and a Challenge show at Fleisher Art Memorial. Most recently his work was exhibited at Space 1026, and a solo show at Columbia College’s Hardwick Gallery in Missouri. He is an exhibitions preparator at the Philadelphia International Airport Art & Exhibitions Program and a wet-process photography instructor at the Fleisher Art Memorial in Philadelphia.

Scott McMahon received his MFA from Massachusetts College of Art in Boston and his BFA in Photography from The University of the Arts in 1995. Recent exhibitions include the Palace of the Governors New Mexico History Museum, Santa Fe, NM; PS Gallery, Columbia, MO; Galeria Pusta, Katowice, Poland; Three Columns Gallery, Harvard University; Bridgette Mayer Gallery, Philadelphia (collaborative) and The Bioluminescent Firefly Experiment, University City Arts League, Philadelphia (collaborative). McMahon’s work has been published in Pinhole Photography: Rediscovering a Historic Technique by Eric Renner, The Book of Alternative Photographic Processes by Christopher James, Anthotypes by Malin Fabbri, and Poetics of Light –Contemporary Pinhole Photography by Eric Renner and Nancy Spencer. He was a resident artist at Haystack Mountain School of Crafts in Deer Isle, Maine; çin East Haddam, CT; and Border Art Residency in La Union, New Mexico. He is an Assistant Professor of Art at Columbia College in Missouri.

There will be a reception for the artists from 4:00 to 7:00pm for “Response Time” in the Mednick Gallery on Thursday, February 5th.

The Sol Mednick Gallery offers a year-round regular schedule of exhibitions of contemporary photography. This exhibition is concurrent with “Tom Young: Timeline: Learning to See with My Eyes Closed” in Gallery 1401 (the Sol Mednick Gallery’s sister space) on the 14th floor of Terra Hall. The UArts Photography program operates both galleries.

2015 is The Sol Mednick Gallery’s 37th year of operation and Gallery 1401’s 17th year. The only endowed gallery in Philadelphia dedicated solely to the exhibition of photography, the Mednick Gallery earned the Photo Review Award for service to photography. Associate Professor and former director of the Photography program Harris Fogel has been director/curator of both galleries since 1997 and founded Gallery 1401 in 1999. Gallery hours are Monday through Friday, 10 a.m.-5 p.m., Saturday and Sunday by appointment. Call 215-717-6300 for more information. Images are available upon request.

About the University of the Arts

The University of the Arts is one of the nation’s only universities dedicated to the visual and performing arts, design, and writing. More than 1,800 students are enrolled in undergraduate and graduate programs on its campus in the heart of Philadelphia’s Avenue of the Arts. The institution’s roots as a leader in educating creative individuals date back to 1868.

Thank You to Harris Fogel for the content of this blog post.

CONTACT: Harris FogelUniversity of the Arts

Tel: 215-717-6301 Email: hfogel@uarts.edu

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American

AFRICAN-AMERICAN ART IN PHILLYMartin Luther King, Jr., 1981, by John Woodrow Wilson (Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Young Friends of the Philadelphia Museum of Art in honor of the 125th Anniversary of the Museum and in celebration of African American art © John Wilson/Licensed by VAGA, New York Credit: Courtesy Philadelphia Museum of Art

Bringing together more than 75 works from the Philadelphia Museum of Art’s extensive collection of art by African Americans, Represent: 200 Years of African-American Art displays works by 50 artists, including Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, Carrie Mae Weems and others. Highlighted by Tanner’s iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War-era decorative pottery, early 20th-century paintings and photography, sculpture and portraits. It runs through April 5, 2015.

In 2015, Philadelphia museums will mount six major exhibitions featuring some of the most celebrated African-American artists, further adding to the city’s reputation as one of the world’s great art centers. In addition to the Philadelphia Museum of Art’s special exhibition Represent: 200 Years of African American Art, featuring dozens of works from its collections, art lovers can take in the Brandywine Museum of Art’s landmark exhibition Horace Pippin: The Way I See It. Adding to the trove of artistic treasures is As We See It: Selected Works from the Petrucci Family Foundation Collection, coming to the African American Museum in Philadelphia, along with shows at the Pennsylvania Academy of the Fine Arts and the Woodmere Art Museum.

After touring these special exhibitions, visitors can discover the array of African and African-American art in the permanent collections at many institutions around town. Here’s a look at the exhibits and museums worth exploring this year especially:

Special Exhibitions:

  • With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear and Carrie Mae Weems, Represent: 200 Years of African American Art showcases a range of subjects, styles, mediums and traditions. Since acquiring Tanner’s The Annunciation painting in 1899, the Philadelphia Museum of Art’s collection of African-American art has grown significantly, especially during the last three decades, and much of it will be on display in this exhibit. January 10-April 5, 2015. 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
  • The African American Museum in Philadelphia presents two major art exhibitions this year. Masterpieces by such luminaries as Edward BannisterHenry Ossawa Tanner and Elizabeth Catlett sit alongside works by school children who have been influenced by them during As We See It: Selected Works from the Petrucci Family Foundation Collection. February 5-March 21, 2015. In the spring, the museum explores the artistic side of Danny Simmons, who is best known as a writer, producer and Tony winner for his Broadway version of Def Poetry Jam. The United Nations and the Smithsonian count his art in their collections. Selected Works from the Danny Simmons Collection features Simmons’ art works and poetry, as well as items from his own collection (Beauford Delaney, James Van Der Zee, Mickalene Thomas, Sol Sax, Derrick Adams and Kara Walker). April 24-June 7, 2015. 701 Arch Street, (215) 574-0380, aampmuseum.org
  • In the first major exhibition of the artist’s works in the country in more than two decades, Horace Pippin: The Way I See It features more than 60 bold, colorful and candid paintings that reflect life in the African-American community and comment on race, religion, war and history. The Brandywine Museum of Art’s exhibition reveals Pippin as an artist who upheld his own aesthetic sensibility while addressing larger social issues. April 25-July 19, 2015.U.S. Route 1 by Creek Road (formerly Route 100), (610) 388-2700, brandywine.org
  • Through an array of works in a broad spectrum of media, African-American Artists of 20th-Century Philadelphia at the Woodmere Art Museum tells the stories of some of Philadelphia’s most celebrated African-American artists, such as James Brantley, Claude Clark, and Ellen Powell Tiberino, and the institutions that nurtured their talents and exhibited their works. Numerous oral histories round out the story. September 26, 2015-January 24, 2016. 9201 Germantown Avenue, (215) 247-0476, woodmereartmuseum.org
  • With more than 80 paintings, works on paper and the artist’s hand-made puppets all culled from major international private and public collections, Procession: The Art of Norman Lewis travels through four decades of the artist’s career from the 1930s through the 1970s. Through the exhibition, visitors to the Pennsylvania Academy of the Fine Arts learn about Lewis’ role in the Harlem art community and his contributions to abstract expressionism.November 13, 2014-April 3, 2016. 118 N. Broad Street, (215) 972-7600, pafa.org

Permanent Collections:
African Art:

  • Dr. Albert Barnes’ interest in African art dates back to the early 1920s when he acquired traditional African masks and sculptures from the Dan and possibly Kulango societies of Côte d’Ivoire, as well as from Guinea and northeast Liberia. Visitors can see theses works, which he describes as “the purest expression of the three-dimensional form,” at the Barnes Foundation. Home to a remarkable collection of paintings from the masters of modern art, the Barnes Foundation’s significant collection of African art is displayed in remarkable ensembles that show how the likes of Picasso and Modigliani were influenced by the stylistic and symbolic forms in African art. The Barnes Foundation also holds important works by American artists, including Horace Pippin. 20th Street & Benjamin Franklin Parkway, (866) 849-7056, barnesfoundation.org
  • The Penn Museum, or University of Pennsylvania Museum of Archaeology and Anthropology, boasts an extensive collection of African art and artifacts such as masks, sculptures, instruments, famed Benin bronzes, embroidered garments and jewelry. Visitors can also marvel at a wide range of other materials from throughout the continent, which are on permanent display in the African and Ancient Egyptian galleries. 3260 South Street, (215) 898-4000,penn.museum

African-American Art:

The With Art Philadelphia® collaborative is a first-of-its-kind partnership to position Philadelphia among the world’s great art destinations and to increase visitation to the region from around the world. The groups contributing financial and other resources to the campaign are: the City of Philadelphia, VISIT PHILADELPHIA, Barnes Foundation, Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Penn Museum (University of Pennsylvania Museum of Archaeology and Anthropology), Pennsylvania Horticultural Society, Philadelphia International Airport, Philadelphia Convention & Visitors Bureau, Greater Philadelphia Cultural Alliance, Commonwealth of Pennsylvania, The Lenfest Foundation, William Penn Foundation, Knight Foundation, Arts & Business Council of Greater Philadelphia, PNC and PECO.

For more information about travel to Philadelphia, visit visitphilly.com or uwishunu.com, where you can build itineraries; search event calendars; see photos and videos; view interactive maps; sign up for newsletters; listen to HearPhilly, an online radio station about what to see and do in the region; book hotel reservations and more. Or, call the Independence Visitor Center, located in Historic Philadelphia, at (800) 537-7676.

For more information about With Art Philadelphia and high-resolution photos of the Philadelphia art scene and the region, visit visitphilly.com/withartpress.

Thank You to With Art Philadelphia for the content of this blog post. DoNArTNeWs contributed links to artist’s website and Wikipedia pages.

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Forward

David Gerbstadt and NoelDavid Gerbstadt and Noel the Tripod Dog, photo by Tony Babcock

David Gerbstadt has been in my circle of influence for many years through the Philadelphia Dumpster Divers, the disabled artists scene and Philadelphia art galleries. Often people will ask me how to sell their art and I refer them to David’s facebook page to see how he gently pokes and prods people to buy his products. David has a way of asking for the sale that would make any sales manager proud. He offers a variety of products, he will do commissions, he up-cycles found objects, he makes gifts for kids and grownups and offers a variety of payment options. David Gerbstadt is an award-winning, prolific fine artist and author of One Breath At a Time. He’s handsome, funny, friendly and highly creative. And he died.

David was riding his bike one day and was run over by a tractor trailer truck and on the way to the hospital he flat-lined. Thank dog he was revived but he is haunted by PTSD nightmares and daytime memories that stop him in his tracks as the thoughts of being dragged under the truck invade his life. These intrusive memories don’t stop him from pursuing his art career and you would never know from his kid-friendly, optimistic artwork that he suffers almost everyday from the traumatic event that changed his life forever.

Noel the tripod dog changed his life, too, when he adopted her a few years ago and became his constant companion. The metaphor of Noel’s survival is sweet and sublime and offers us all hope that we can overcome adversity. David struggles to meet his expenses as you might well imagine. Let’s face it, even able bodied artists have a hard time making a living. But David is optimistic and every once in a while he will ask for help to meet his expenses through special offers and art sales.

David sent me this message:

“Hi DoN – i heard of the Rosa Pizza on 11th Street – $1 slice – you can
buy someone a slice who is in need. they put up a post its in place.
over 8,000 slices given away so far.

i am working on a similar idea. I am asking people to mail a check for $1 to my mortgage co.
if it can work for pizza and coffee – why not for mortgages — i posted on facebook and many people think it’s a great idea.

would you like to do a story on this?
let me know.
thank you
david.”

I think it’s a great idea! C’mon send a dollar and help David and Noel own a permanent home forever.

David Gerbstadt

Pay It Forward through the gift economy. Send $1.00 to Green Tree Payment Processing, PO Box 94710, Palatine, IL 60094-4710.  Make a payment note for: David Gerbstadt, 54 Aiken Road, Berwyn, PA, 19312. Make checks payable to Green Tree.

David Gerbstadt

David Gerbstadt on Etsy

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City

Ken Tutjamnong, Painting the City, Video by John Thornton Films

“The artist Ken Tutjamnong has a unique painting style which meshes seemlessly with his subject matter. His cityscapes currently on display at The Rosenfeld Gallery brilliantly capture the feeling and texture of urban life.

Ken Tutjamnong, originally from Thailand, creates highly evocative images of urban neighborhoods of New York City and Philadelphia. He paints on aluminum and his rough technique joined with close observation make him a true painter’s painter. Ken is the owner of a wonderful Thai restaurant in Philadelphia, Smile Cafe, but he would rather be painting. And he is great at it!” – John Thornton

Ken Tutjamnong, The Rosenfeld GalleryKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

“I met Ken at an art exhibit at the Headhouse Square, Philadelphia. From the very beginning I noticed how great an artist he is, I loved his cityscapes. They were very different. Ken’s artistic style can best be described as neoimpressionist, with its moveable knife-work, and soft dispersed striking. His work has a mixture of Eastern and Western civilizations resulting in paintings that are at once delicate and direct, melting and friendly.

Ken and I became very close friends. We loved each other’s art. His art gallery Smile opened with my own solo art exhibit. Very soon after Ken and I had together a very perceptive exhibit, ‘City, Shapes and Colors‘ at Da Vinci Art Alliance, February 2008. I always enjoyed exhibiting my art together with Ken’s.

Also, I visit every place where Ken exhibits his amazing paintings. Every new exhibit makes me love Ken’s paintings more and more. If you ask me to describe him in only a couple of words, I would say, ‘Unique Person & Unique Artist. That is my friend Ken.'” – Lilliana S. DidovicM.Psyc. ATA, Inc.LC/BSC/MT Independent Fine Art Profess./Painter GENEVA Worldwide, foreign language interpreter

Located at 113 Arch Street in Philadelphia, The Rosenfeld Gallery was the first to open in Old City and has served the area for 35 years. The gallery is proud of its inclusive aesthetic representing diverse approaches, styles and media.

Ken TutjamnongKen Tutjamnong at The Rosenfeld Gallery, photograph by Lilliana S. Didovic

Thank you to John Thornton Films and Lilliana S. Didovic for providing content for this blog post.

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