Category Archives: Art Spaces Philadelphia

Art galleries, shops, showrooms, lobbies, hallways, studios, warehouses, lofts, workshops, restaurants, coffee shops, schools, and any space where art is displayed in and around Philadelphia.

West Collects Prize – Q & A with Paige West, Gary Steuer and Les Stoetzel @ Philadelphia City Hall


Paige West, Founder and Curator of West Collection of Contemporary Art, Les Stoetzel, Director of West Collection and Gary Steuer, Chief Cultural Officer, City of Philadelphia Office of Arts, Culture & the Creative Economy answer questions about the expanded West Collects Prize after Mayor Michael Nutter‘s announcement at Philadelphia City Hall.  West Collects has increased their budget and is dedicating $100,000.00 to collect art from Philadelphia artists to be exhibited in the gallery and halls at Philadelphia City Hall for six months next year.

Video by DoN Brewer

The Photographic Society of Philadelphia Exhibition at The Plastic Club Art Gallery, October 2011

Eileen Eckstein, President of the Photographic Society of Philadelphia sat down with DoNArTNeWs to share some of the exiting events taking place October 2011, the society’s 149th year. The Photographic Society of Philadelphia is the oldest photo society in the USA and the third oldest in the world. The society is presenting a special month long exhibition of Photographic Society of Philadelphia members works on all three floors of The Plastic Club Art Gallery, 247 South Camac Street, Philadelphia.  Each Sunday in October a photographer reception will be held between 2:00 – 5:00 PM.  The next PSoP member’s meeting is Tuesday, October 18th, 2011, 7:00 PM with guest speaker Harvey Finkle.

Read more about the Photographic Society of Philadelphia at Side Arts.

Video by DoNBrewerMultimedia
Kodak.com

Philadelphia Open Studio Tours 2011, The Perspective from Haus of DoN

Philadelphia Open Studio Tours 2011, Perspective from the Haus of DoN

Haus of DoN, Philadelphia Open Studio Tours 2011

 

Philadelphia Open Studio Tours is the best value in artist public relations available to artists looking to promote their public image in the Philadelphia region.  In it’s twelfth year, the city wide art event has artists of all stripes opening their studios to the public – no kidding, a public art event of regional scope with many of the town’s top artists welcoming visitors into their think tanks.   The event is imbued with freedom, sharing, transparency, creativity and cooperation along with healthy American spirited competition.  The open-ness of Philadelphia Open Studio Tours is the coolest part; visitors experience environments that normally are private spaces where artists create and folks are not just allowed but encouraged to go behind the scenes. DoN’s claim that POST is the best value from a PR perspective is based on a cost/benefit analysis and target audience response.

 

POST offered a substantial early entry discount for artists, providing entrants with an artist profile web page with links on their comprehensive web site, listing in the information packed tour book with maps of every corner of the city inhabited by artists, a city and region wide advertising campaign, with banners, posters and art cards strategically supplied to almost 100 locations likely to attract interest to the appropriate demographic as well as special events, venues and workshops for artists whose studio is far off the beaten path.  POST's goal was to get the right materials into the hands of art tourists likely to use them in a real way.  Every visitor to Haus of DoN held a curled back copy of the glossy catalog with their itinerary planned out to cover the neighborhood they had chosen to explore.  Each participating artist is provided with posters, art cards, catalogs and red balloons to promote their studio; the red balloons are a simple, effective signal to art crawlers that they’re heading in the right direction.

 

DoN's decision to pay the $45 entry fee back in early Spring brought many dedicated friends and art enthusiasts to the Haus of DoN, South of South Street, a mostly residential area not near many commercial businesses.  The event pushed DoN to re-organize and display the wide array of interests he explores as part of his multimedia empire.  DoN had to spend no other money to promote the event instead advertising through FaceBook and DoNArTNeWs; no new art card this year, even though post cards are cheap to print and fun to design, mailing is costly and impact difficult to track.  DoN has had art cards returned by the Post Office months after the event was over.   DoN promoted the annual art crawl event on DoNBrewerMultimedia home page, on DoNBrewerMultimedia YouTube channel,  @DoNNieBeat58 on Twitter and Philly.SideArts.com, all free media outlets that directly targeted people interested in arts and culture.

 

Good advise from Ann Koivunen, director of exhibitions for POST, led DoN to think about what he wanted to present to the public and ponder his goals for the event; DoN decided to put on an art show.  Simply displaying photos, graphics, paintings and drawings in a beautiful, clean, pure way opened an opportunity to engage with visitors about what DoN does, his interests and connections and get his business card into the hands of each visitor.  The result is DoN met and interacted with more than fifty different citizens interested in the arts, including gallery owners, art curators, educators, fellow photographers, new neighbors, old friends and colleagues, he gathered contact information, intercepted  feedback on what people like about his art and experienced an authentic feeling of community for well less than a dollar per head including Candy Corn and Sweetzels  Ginger Snaps. 

 

Philadelphia Open Studio Tours 2011 continues October 15th & 16th, 2011 for studios East of Broad Street.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery

Font Hill Manor, oil on panel, Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Little Boulder Creek, oil on canvas and Hedgerow, oil on panel by Edward Marston.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Pretty Lady, oil on canvas and Boulder Field, oil on panel.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Home Gone, plexiglass and wood.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Edward Marston explained to DoN why he was so happy about the painting in the window of Gallery Twenty-Two, “Schuylkill Expressway belongs in the window because it belongs in Philadelphia, it’s local. And it shows the freight trains and the Schuylkill Expressway in twilight and it brings home what I feel about that area. “  DoN asked if Marston was intentionally tapping into the market for Philadelphia art or if it was a more personal painting?  “I’ve been coming to Philadelphia since I was a kid, I grew up in the suburbs but it’s been my main destination as far as urban goes. And I think it’s absolutely a lovely city and fascinating architecture and every time I turn around I see something new.  Almost all of the paintings are plein air or draw first plein air and I use drawings as a reference.  None of them are photographic renderings.” 

DoN inquired how Edward Marston feels about being a landscape painter in the 21st Century?  “This is what I do.  They’re landscape paintings but they’re not an idyllic trip to the past.  I think a lot about these paintings and they all comment on the contemporary scene, I’m aware of what I’m doing. When I paint something that’s coming apart, it’s something that maybe shouldn’t be coming apart or it’s a comment on a thing that shouldn’t be.  Old roads, that you wouldn’t know was a road; I recognize them as ancient roads and everything resonates as far as I’m concerned, it’s all today.”

Photographs by DoN.

Prelude Gallery – DoNArTNeWs Interviews Gaby Heit

Prelude Gallery uses QR codes to help patrons learn more, Gaby Heit explains how she’s using them to promote artists.  HD Video, watch in full screen mode

DoNBrewerMultimedia Video