Category Archives: Art Spaces Philadelphia

Art galleries, shops, showrooms, lobbies, hallways, studios, warehouses, lofts, workshops, restaurants, coffee shops, schools, and any space where art is displayed in and around Philadelphia.

Ren & Win, “Mysterious Lines” @ Smile Gallery

Ralph “Ren” Dillard @ Smile

 Ralph “Ren” Dillard, PAC, oil @ Smile Gallery curated by Lilliana Didovic.

Ralph “Ren” Dillard @ Smile

Ren Dillard, Blue Smoke, oil.  Ren explained to DoN that he is finally finding his voice in painting, a spoken word artist (he has promised to perform at the show’s closing on 12/7), his art is about meditation, human commonality, promoting nationalism and personal pride.  Dillard’s work has a defined narrative concerning urban life and cultural icons but is also searching inward to find peace through meditation, introspection and transcendental non-judgmental.

Ralph “Ren” Dillard @ Smile

Ralph “Ren” Dillard, We Are One, oil.  From hip-hop heroes like 2Pac to inner dream-scapes, Ren’s painting seems to be searching for truth, justice and the New American Way.  The trans-cultural tribalism of the city and the struggle to remain calm in the face of the storm is certainly reflected in the dichotomy between thug life and the art of living well.

Ralph “Ren” Dillard @ Smile

 Ren Dillard, Ren’s Labyrinth, oil.

Ren & Win @ Smile Gallery

Vichaya “Win” Mukdamanee & Ralph “Ren” Dillard Mysterious Lines @ Smile Gallery.  The tableau of two artists from opposite sides of the world bouncing ideas back and forth with the urban pop aesthetic of Ren’s paintings and the abstract expressionism of Win’s prints is a synopsis of contemporary culture.  Win’s bold, architectural black and white prints are a striking counterpoint to Ren’s wildly colorful meditations yet the conflicting styles reflect a youthful, modern perspective of the world.

Vichaya “Win” Mukdamanee @ Smile

Win Mukdamanee, City Element # 4, print 3 of 8.

Win Mukdamanee studied art at Suankularb Wittayalai School in Bangkok Thailand (with Smile Gallery’s owner, Ken Tutjamnong’s, former professor) and is now pursuing his Master’s degree at Pratt Institute in NYC.  Primarily a sculptor, Win’s prints certainly exude an architectonic flavor yet are painterly, vibrant and fluid.  Mukdamanee quickly applies ink in splashy yet controlled strokes on plastic film then runs in through a press on beautiful papers, then frames the resulting image in quiet white mats.

Vichaya “Win” Mukdamanee @ Smile

Vichaya “Win” Mukdamanee @ Smile Gallery, 22nd & Chestnut Streets.

Frankly, it was difficult for DoN to get good photos of Win’s work since the black under glass reflects back the photographer, all the more reason to visit Smile and contemplate the juxtaposition of styles which curator Lilliana Didovic has so capably displayed to both artists advantage.

13 Months, Retrospective @ Area 919

13 Months @ Area 919

Amy Schmidt, Toy Soldier @ Area 919, 919 North 5th Street, a survey of the past year of exhibitions.  From a distance the content of this image is clear, a young masked rebel with a gun but up close – break me off a toy soldier.  The collage is a huge collection of tiny war toys: plastic soldiers, tanks, planes, bugs, dolls, animals…the subtext is powerful in what Amy Potsic called “the political room”.

The art work collected in the newly refurbished back gallery is all politically motivated from TODT’s, Camera (an old camera with a fetus trapped inside created in 1980, still relevant considering the current debate concerning abortion), to Abby Schmidt’s Tank (encaustic made from melted crayons on a light box depicting children looking back at an approaching tank) to Potsic’s own photographs commenting on Chinese oppression of it’s people.  DoN likes arguing about difficult art and this show really pissed him off.

13 Months @ Area 919

Abby Schmidt, Fossil Fooled @ Area 919.  This piece is not so easily read but it’s all plastic dinosaurs – plastic is made from oil, oil is made from dinosaurs, dinosaurs are dead.

13 Months @ Area 919

Abby Schmidt, Jessica, melted crayons on light box.  Schmidt mixes her own colors by melting crayons together to create “flesh” tones creating a new take on everlasting encaustic.  The subject is fat babies being fed, the look in their eyes is frantic, as if they know they’ve already eaten too much – Mom, please stop!

13 Months @ Area 919

Abby Schmidt, Jessica, melted crayons.  There are three of these big baby portraits hanging together, heroic in size, extreme close-ups of glowing skin shines with the light of “health” – a strong condemnation of America’s obsession with food and never-ending quest for satisfaction.

Area 919 - 13 Months

Amy Potsic, Made in China – Female Adoption, Made in China – One Child Limit, Made in China – Reproductive Rights & Made in China – Population Control, archival pigment print, each 24″ x 48″.

Amy Potsic @ Area 919

Amy Potsic, Made in China – Exile, archival pigment print.  Potsic’s Made in China series is based on traditional scrolls but are actually all shot around town.  Amy is a world traveler but came to the conclusion that Philly is a world class city and began shooting photographs as if she were in a foreign land.  The aspect ratio of the camera dictated the scroll design, the content is traditional appearing Chinese imagery but is actually trees found locally, each representing the four seasons, each photo dedicated to forms of Chinese oppression and how America kowtows to the huge market even though they are literally plowing down traditional villages to build high-rise apartment with no concern for preserving history or up-rooting villagers.  Hey, even Disneyland now has a franchise for Beijing.  The photographs are luxurious and rich with crisp detail, saturated color and beautiful composition, if you did not know how angry Amy is about religious oppression in Tibet you would think these were an homage instead of condemnation.

Area 919 - 13 Months

Mark Khaisman, packing tape on light box @ Area 919.

Area 919 - 13 Months

Mark Khaisman uses tape to create “drawings” of Baroque and Rococo furniture found in Sotheby catalogs.  The furniture is, of course, for rich people only and if you actually owned it you would never sit in it or write on it, you would probably put a velvet rope around it – that’s what makes Khaisman’s drawings use of lowly plastic tape so appealing and intriguing.  A former stained glass artist, Mark confidently twists and folds the tape into curvy lines, layering tape to create density and depth, transforming something so cheap into something precious and desirable.

Area 919 - 13 Months

TODT is an artist collective that have been working together (more or less) for 30 years, even though the member artists have individual names, they prefer to be known only as TODT.  The group is primarily interested in the future and science, the above piece was developed in the early 80s, before computers, using a light-box they found on the street, the Marilyn is also a found object, the combination is truly prescient considering the current “green” trend, the use of electronics and light and mixed metaphor collage, très au courant yet timeless.  TODT’s resume includes the Whitney Biennial, the Venice Biennial, and many gallery & museum shows going back to 1979.

Area 919 - 13 Months

TODT, Eye Tower @ Area 919.  This light sculpture was created for a gallery who fronted the funds to develop over a dozen pieces but the gallerist took off with nine of them, luckily several were saved along with material to make more.  The staring eyeballs signaled the oncoming onslaught of oppressive mass surveillance of hidden watchmen cataloging our every move from trafffic lights to toll booths; a local real estate mangement office even has a camera just in case renters get pissed off and don’t pay up.

13 Months has plenty more to see with photos by John Rosser, furniture by Luis Montoya, Anthony Angelicola, Mike Parsell & Daniel Petraitis plus antiques and objects of desire.  In just 13 months, Area 919 has established itself as an art force to be reckoned with.

 

 

Explorations…..In The Neighborhood – Ed Bronstein @ Gallery 22

Ed Bronstein

Ed Bronstein is an artist member of Gallery 22 owned & curated by Shawn Murray and is probably Philly’s most prolific plein air artist.  It’s a wonder he gets any painting done though, since he is so gregarious and popular that when he’s painting outdoors people (DoN included) stop to talk.  The collection of 46 paintings at Gallery 22 attests to Ed’s drive to get the job done; many of the paintings are totally plein air but some, like the dog paintings, are completed in the studio.  Bronstein sometimes also works from memory in the studio after beginning a painting in the field, he is so familiar with the territory he could probably create a Philly scene with no reference material at all.Ed Bronstein

Ed Bronstein @ Gallery 22.  Ed told DoN that usually he has to paint the doggie portraits from photographs since as we know dogs don’t stay still for very long, even when they’re sleeping.  Ed captured many of these dog images at the Schuykill River Park also known as the dog socialization area – one of KaTy the ArT Dog & Lady Doofie’s favorite spots to hang out.

Ed Bronstein

Scenes of Philadelphia by Ed Bronstein @ Gallery 22.  DoN recognized the view from Bartram’s Garden in the lower painting since he sat in the same spot but tried to paint out the oil tanks, focusing on the trees.  Bronstein saw the sculptural beauty and urban aesthetic of the oil tanks and captured the scene with bold color and swift brush strokes.Ed Bronstein

Ed Bronstein started this painting in Fitler Square but then worked on it for months in the studio.  Libby Rosoff of The Art Blog commented on how hot the colors are compared to the plein air works.  Ed will be having a meet and greet in the gallery soon, check their website for dates & time.

Su Tomesen’s 40,000 Feet presented by I.C.E.

Su Tomesen’s 40,000 Feet presented by I.C.E.

Su Tomesen’s 40,000 Feet presented by I.C.E.

The Icebox @ Crane Arts Center in Fishtown is an enormous white, cavernous space with high walls and no columns, it actually used to be a huge refrigerator.  Now it’s one of the premier art spaces in Philadelphia and through 11/22 will be hosting “40,000 Feet” by Su Tomesen, five huge projections of clouds viewed from an airplane with mist drifting across the floor and the low hum of jets, bleeps and bloops of seat-belt signs and the grind of lowering landing gear.  The effect is that of the perfect flight, the magic of riding high in the sky finally restored without having to take off your shoes.

Su explained to DoN there are several variables: time, movement, imperfection and the human hand.  The movie is not perfect, it’s not shot with five movie cameras somehow suspended from the underside of a plane, it’s the same clip playing at five different intervals.  But the illusion of clouds drifting endlessly by is mesmerizing like flying on a magic carpet with the mist drifting through room creating a veil of mystery.  Tomesen is thrilled with the space, the show previously was exhibited in a restaurant in Amsterdam above a row of windows abbreviating some of the magic.

40,000 Feet time-warped DoN back to cloud-watching with Grandma, looking for animals and faces in the sky while lying on the ground, only this time the view is from Heaven.

There is an artist reception Wednesday, 11/18 @ Crane Arts, 1400 American Street.

1,000 Percent, Xavier Schipani & Zach Osif @ Trust Gallery, F.U.E.L. in Old City

Xavier Schipani & Zach Osif @ F.U.E.L.

Zach Osif, Iraq III (Lindsy Lohan), oil on canvas @ F.U.E.L.  Shoshanna & DoN chatted with Zach Osif regarding his inspiration for the portrait of Lindsy’s infamous mug shot and he responded that his work is a result of flirtatious dalliances on the internet.  His plan was to do a series of paintings about the Iraq war but found that TV & the web are more saturated with images of pop princesses than war heroes.  DoN noticed that this week TV news headlines included “wife allergic to husbands sperm” and “plastic surgery for penis enlargement” as if seeing flag-draped coffins and grieving wives are not enough to draw viewers.  But there is a subtext of pin-up girls and soldiers going back to Betty Grable & Marilyn Monroe to be found in the heroically large paintings.

Xavier Schipani & Zach Osif @ F.U.E.L.

Zach Osif, Dalliances.  Shoshanna recognized the model as Kim Kardashian in Playboy- uh, DoN did not.

Xavier Schipani & Zach Osif @ F.U.E.L.

Zach Osif, Made in U.S.A., oil on canvas.

Xavier Schipani & Zach Osif @ F.U.E.L.

DoN did not get to interview Xavier Schipani about her trans-cultural drawings incorporating tribal, ethnic, sexual, mythical, middle eastern and samurai imagery yet the impact was indelible and inscrutable.  The wacko poodle cut-outs around the perimeter of the room are super-kawaii!