Category Archives: Center for Emerging Visual Artists

Introductions ’09 @ The Galleries at Moore College of Art & Design, Widener Foundation Memorial Gallery

Introductions ’09 at The Galleries at Moore College of Art & Design, Widener Foundation Memorial Gallery, 20th Street and Benjamin Franklin Parkway, Philadelphia is just so amazing – lot’s of wild mixed metaphors, deep narrative streams of consciousness and memes within memes within memes.  Brenna K Murphy’s “Roots #3” is a prime example of an artwork weaving multiple meanings of normal images, encountered daily, into an interesting story that plays in your mind like a movie.  Brenna’s “roots” are wrapped in human hair, completely encasing real tree roots, which are arranged lovingly on a large white wall.  DoN asked Murphy about the origins of the work, “Wrapping the roots is about home and the body  Growing up as a nomad, to Brenna the hair represents the body as home.  Donald Carter, who is rooted in Philadelphia, asked Brenna how she would sell the work.  Good question: the piece has already been exhibited at Eileen Tognini’s house but hanging from the ceiling, so the piece is growing and changing all the time.  Time, growth, security, luxury and fun all swirling together like twisted dreadlocks, representing culture and sub-culture, luxury and lunacy, safety and insanity all wrapped up in hair.  “Roots #3” is an adventurous idea, realized with meticulous craft, enthusiasm and industriousness – what more can we ask of art?  

Brooke Hine’s ceramic mixed media sculpture also has slippery hidden narratives, “These are a Few of My Favorite Things” is composed of ceramic, slip, stains, glaze and whiskers.  Real cat whiskers. 

Daniel Traub’s large format c-print is hyper-realism with a hypnotic story to tell about Chinese “Cities Edge”; the incomplete skeletons of future luxury housing is occupied by industrious people gleaning the pervasive demolition of old China and reselling to the secondary market.  An amusement park is on the horizon while stacks of doors and windows, each a metaphor, lean against the concrete.  Fabric and plywood fill the vacant windows like layers of pages from a book. 

moore 

 Diane Savona, “Sewing Bag Number One“.

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 Brenna K Murphy, “Roots #3“.

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Brooke Hines sculpture, Danielle Bursk, drawing. 

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Daniel Traub, photograph.

 

ben volta 

Ben Volta @ Introductions ’09. 

Darla Jackson vs. Anne Canfield @ CFEVA

Darla Jackson vs. Anne Canfield @ the Center for Emerging Visual Artists is just that – a bare knuckled cage-fight between two contemporary Philly artists, a grrl-fight for attention, a battle of wits and inventiveness, like a schoolyard brawl with each girl trying to rip out the others pierced earrings.  In one corner is Anne Canfield throwing punches with quirky drawings and mythological paintings and in the other corner is Darla Jackson doing body slams with bold black graphic sculpture.

Anne Canfield tells DoN that her imagery is born of anxiety, “the Cat is safe but could turn on you.”  Anne has developed her own visual language relying on memory and is not true to nature, that’s not what she’s going for – her mark-making is assured and brushwork amusing, like reading a favorite book.  The small cat is sometimes writ large in Canfield’s images often with a small girl (perhaps a self portrait), each staring at the other as if they were, “facing God

Darla Jackson, known for her sculptures of animals wearing the masks of other animals (say a bunny with a crow face mask), here invites familiar animals to witness the party in the apartment-like gallery.  Birds, kitties, bunnies, even a life sized deer inhabit the human dwelling, decked out in festive party hats, making a mess of the place as if they were partying just a little too hard.  Jackson goes for the knockout with the deer laying on the floor; life sized and appearing to be solid black metal, the scene is poignant with gallery visitors tiptoeing around the specimen, the deer’s simple red party hat knocked askew.  By anthropomorphizing the animals, Jackson brings the creatures out of hiding making them observers of the strange creatures called humans. 

Anne Canfield  

Anne Canfield @ CFEVA.

Anne Canfield

Anne Canfield @ CFEVA. 

Anne Canfield’s “The Mermaid and the Tiger Meet Halfway”, oil on linen. 

Anne Canfield with her painting, “The Mermaid and the Tiger Meet Halfway“, oil on linen.

Darla Jackson 

Darla Jackson @ CFEVA. 

Darla Jackson 

Party animals @ the CFEVA.  Sculpture installation by Darla Jackson.

 Darla Jackson 

Darla JacksonCFEVA.  

The battle continues through February 16th in the Felicity R. (Bebe) Benoliel Gallery. 

Tales of the Beginning @ CFEVA

The Center for Emerging Visual Artists continues to match up artists with complementary sensibilities as with the current exhibit Tales of the Beginning featuring Julia Blaukopf and Elizabeth Crisman.  Each artist uses photographic techniques in intense and intriguing methodologies which exude mystery,  artistry and skill.  Beth Crisman’s The Fossil Series are based on actual x-rays which she digitally photographed on a light table then printed on six foot high fabric panels in rich inky black.  Crisman is interested in representing future fossils and how bits of information are usually all an archeologist would find at a dig; one panel only depicts a single tooth.  Beth told DoN that teeth are often the only things found at a dig and the scientist must extrapolate information from minimal resources. Even today dental records are used to resolve mysteries which may otherwise go unsolved.

Beth Crisman

Elizabeth Crisman‘s The Fossil Series @ CFEVA. 

Julia Blaukopf

Julia Blaukopf‘s Cape Girl @ CFEVA.

Blaukopf surprised DoN when she explained that the astonishing images were not created in Photoshop but in the wet darkroom by photographing and re-photographing the images then having the resulting compositions printed on fabric. DoN was particularly impressed by the decision to hang the fabric from wood branches giving the images a feel of naturalness despite the obvious amount of technical work going into each collaged image.  The exhibit is open through 1/15 at the beautiful Felicity R. “Bebe” Benoliel Gallery in the Barclay building on Rittenhouse Square.

 Julia Blaukopf 

Julia Blaukopf’s Melody Maker, Gifty 2’x2′ and Melody of Place, Gifty, 2’x2′, photographic collages printed on fabric hanging from tree branches.

The art parties at CFEVA are always fun and fascinating with fine wine and tasty treats; DoN was happy to see Donald Carter, Jean-Paul, Bob Wallner, Brooke Hine, Faith Corman, Andrew Pirie, Holly Kleeman (CFEVA director), Charlene Nolten (office manager) and Robert Smith (development director).