Category Archives: Center for Emerging Visual Artists

Ivette Spradlin, Everything Changed, Then Changed Again at Center for Emerging Visual Artists

Ivette Spradlin, Everything Changes, Then Changed Again at Center for Emerging Visual Artists

Ivette SpradlinShuanna with Child, Braddock PA, inkjet print, Everything Changes, Then Changed Again at Center for Emerging Visual Artists

The Center for Emerging Visual Artists has had artist exchange exhibits with the Pittsburgh Center for the Arts for the past five years.  The current show which ends April 20th is Ivette Spradlin‘s Everything Changes, Then Changed Again, is an exhibit of large scape black and white “portraits”.  Ivette Spradlin has ties to Philadelphia because she went to grad school and taught here at Tyler School of Art, graduating in 2007 after which she briefly moved back to Atlanta then on to Pittsburgh. When she began working there Ivette realized she needed to build a community of friends and figure out a way to meet people. Her photography project came about from the need and desire to connect to people and wasn’t originally intended to be shown but more of a way to get access to people.  The collection was first shown at Pittsburgh FilmmakersCFEVA is the second venue for the collection. 

I wanted to start shooting portraits again so I started asking a couple of people that I knew there and it kind of built up from there.   I would meet people and ask if I could take their portrait and I would have them choose a space and location and let them know that I was looking for a space in transition.   Some of these people are in some sort of transition in their own life and I felt I was, so, this was a way of documenting that transition for me and for them.  And getting to know Pittsburgh.”Ivette Spradlin at Center for Emerging Visual Artists

Ivette Spradlin at Center for Emerging Visual Artists 

The Center for Emerging Visual Artists has had artist exchange exhibits with the Pittsburgh Center for the Arts for the past five years.  The current show which ends April 20th is Ivette Spradlin‘s Everything Changes, Then Changed Again, is an exhibit of large scape black and white “portraits”.  Ivette Spradlin has ties to Philadelphia because she went to grad school and taught here at Tyler School of Art, graduating in 2007 after which she briefly moved back to Atlanta then on to Pittsburgh. When she began working there Ivette realized she needed to build a community of friends and figure out a way to meet people. Her photography project came about from the need and desire to connect to people and wasn’t originally intended to be shown but more of a way to get access to people.  The collection was first shown at Pittsburgh FilmmakersCFEVA is the second venue for the collection.

Ivette Spradlin at Center for Emerging Visual Artists

Ivette Spradlin, Heather in Marchester, Pittsburgh PA, inkjet print, 42″ x 52″

I think that those ideas about adapting are always in my head  and that’s definitely what this work was for me, adapting to Pittsburgh and learning to be a person there, an artist there, a teacher there, a friend.   When I first started it, I really wanted the figure to be really small and encompassed in a landscape, part of that is a visual thing but Pittsburgh’s landscape it can kind of tower over you, there are a lot of mountains, and I wanted it to feel like you’re enveloped in the landscape, almost a little bit lost in it.   Then some of the turns (of the subject) we came up with are kind of an optimism, a hope, like the turn of a transition, like their life was looking towards something else.  Some of them are getting divorced, some of them are having babies, so I think that had a lot to do with that.”  Most of Ivette Spradlin’s portraits were collaborations with her subjects as far as setting and wardrobe but sometimes she would be led to a certain spot and learn some of the subject’s personal history.   “We shot in many locations for each person and that’s the part where the photographer makes the decisions, like where you’re going to photograph them?  And where they’d look good, what’s nice aesthetically.”

Written and photographed by DoN Brewer 

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Recommended reading from Ivette Spradlin

Linda Lee Alter, 2012 First Annual Bebe Benoliel Founder’s Award Honoree

Linda Lee Alter, Founder’s Award Honoree, CFEVA

Linda Lee Alter, First Annual Bebe Benoliel Founder’s Award for an  Outstanding Arts Collaborator Honoree

March 28th 2012, The Center for Emerging Visual Artists hosted their 10th Annual Benefit Auction at the University of the Arts, a swanky affair with wonderful art and experiences up for auction to generate operating revenue for the non-profit organization dedicated to emeging Philadelphia artists.  The grand hall was beautifully decorated with flowers and saffron colored lanterns and umbrellas, the smells of barbecue and mac-n-cheese wafted through the crowd enticing them to eat while browsing the auction items.  But before the big auction, artist Linda Lee Alter was presented with the First Annual Bebe Benoliel Founder’s Award for an  Outstanding Arts Collaborator and renowned art connoisseur and curator Eileen Tognini presented the award, a lovely equine sculpture by artist Julia Stratton.

Eileen Tognini, Julia Stratton and Linda Lee Alter First Annual Bebe Benoliel Founder’s Award for an  Outstanding Arts Collaborator Honoree

Eileen TogniniJulia Stratton and Linda Lee Alter at First Annual Bebe Benoliel Founder’s Award for an Outstanding Arts Collaborator Honoree presentation.

Eileen Tognini presented the award, she has been an artistic advisor to CFEVA since 2008 and this year was the chair of the Founder’s Award committee.  Eileen addressed the audience, “Welcome, it’s so wonderful to see so many friends of CFEVA this evening.  Thank you so much.  As much as this event is about fund-raising, it’s also about celebrating the community of talented artists, acknowledging those who determine that their legacy is one steeped in supporting the artists journey.  Without the passion and dedication, these individuals, to recognize their support of not only artists but also the broader community and it’s beneficiaries.  The introduction of the Annual Bebe Benoliel Founder’s Award for an Outstanding Arts Collaborator is seen as a genuine desire to honor an individual who actively supports artists and their careers through a commitment to collecting, exhibiting and philanthropic activities.  The award has been established in the spirit of the ideals and mission and her own passion that Bebe set forth when she founded the Creative Artists Network, now CFEVA, nearly thirty years ago”

“Each year a CFEVA alum or current fellow will be selected to create this award through a CFEVA stipend and be recognized at this event alongside our honoree…this First Founder’s Award was created by CFEVA alum Julia Stratton.  Julia attended the Pennsylvania Academy of Fine Arts, graduating 1994 with honors…”

Center for Emerging Visual Artists 10th Annual Benefit Auction at University of the Arts

Center for Emerging Visual Artists 10th Annual Benefit Auction at University of the Arts

“…coincidently, Julia and I are not strangers to one another , yet neither one knew of each other’s participation in this honor, so the magic is even more meaningful.  Our honoree, Linda Lee Alter was born and raised in Philadelphia and has been a working artist for over fifty years.  Starting her career as a fibers artist creating large scale work.  Lee’s artwork is represented in numerous private and public collections throughout the United States and in 2008 the Allentown Art Museum held a retrospective exhibition of Lee’s work.”

“In addition to creating her own work, Lee has made it her mission to help other women artists.  In the mid 1980s, she began to collect art by women with the goal of building a collection that would be of interest to museums.  Lee’s intention was to donate the collection to an institution that was enthusiastic about increasing it’s representation of art by women.  As a way to help women’s art become more visible and recognized, and better appreciated.  In 2010, Lee gave the collection to the Pennsylvania Academy of Fine Arts.  In 1991, Lee started a non-profit foundation to fill a need that she felt was unmet by other local foundations.  The Leeway Foundation supported women in art by making grants to individual women artists living in the Philadelphia Region.”

2012 First Annual Bebe Benoliel Founder’s Award to Lee Alter

Eileen Tognini concluded, “Today, The Leeway Foundation is a community led foundation supporting women and trans artists, creating social change in the Delaware Valley Region.  To be standing here in front of all of you introducing an individual who possesses both vision and passion, it is truly both an inspiration and a sincere honor for me.  I would like to present the 2012 First Annual Bebe Benoliel Founder’s Award to Lee Alter.”

After a rousing round of applause, Linda Lee Alter said, “Thank you very much, I admired Bebe very much for her commitment to emerging artists and even more for the kind of person she was. I feel very fortunate to have known her and to have had our lives overlap one another.  I knew Bebe a long time ago and she was an inspiration then to me and she continues to inspire me.  So, this award has very special meaning.  And Julia Stratton‘s sculpture is a beautiful symbol of the Bebe award.  I believe that for every happening, every action, everything, is the result of the contribution of a lot of people.  I certainly feel that about my own efforts in the arts and it’s in that way that I feel very grateful for this award and I accept it with many thanks.  Thank you all vey much.”

Linda Lee Alter,  2012 First Annual Bebe Benoliel Founder’s Award Honoree, Center for Emerging Visual Artists 10th Annual Benefit Auction at University of the Arts

Center for Emerging Visual Artists 10th Annual Benefit Auction at University of the Arts

CFEVA 2012 Signature Cocktail:  Orange Hurricane

  • 1 oz. Bacardi 0
  • 1 oz. Bacardi 8-year dark rum
  • 1 oz. Triple Sec
  • 3 oz. Orange Juice
  • 3 oz. Pineapple Juice
  • 1/2 oz. Grenadine

Mix above ingredients; pour over ice into a Hurricane glass.  Add a splash of Club Soda.  Garnish with Orange Slice and Maraschino Cherry. (Small umbrella optional.)

Heavy Bubble at 2012 First Annual Bebe Benoliel Founder’s Award Honoree

Heavy Bubble was in the house at 2012 First Annual Bebe Benoliel Founder’s Award and 10th Annual CFEVA Benefit Auction.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“I came to book arts as a librarian’s daughter and my poor father practically had a heart attack when he found out I was applying to grad school to do book arts.  ‘Those are those nut jobs that take books and nail them to canvasses and call them art.'” said Tara O’Brien during her artist talk at The Center for Emerging Visual Artists.  “A lot of what I was dealing with in Graduate School was making sure that that’s not what I’m doing, I’m not desecrating the Book. In fact, I spent a lot of time trying to figure out what is the future of the book, where is it going?  In 2003 we were just getting into a huge tipping point with the Internet and you went there instead of to a book, unless you were my father.  A lot of that time was spent thinking, ‘What is a book?  What can it be? What’s the conceptual quality of the book?’ And so for the early pieces in the show, these two Thread of Thought and Plenum in the back is what could it be?”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

Plenum, for example, is a term physicists use to describe all of the matter in the universe.  So, what is a book, what can it be?  It can be anything in the Universe.  As I was talking earlier about Plenum the other thing I wanted you to do is approach the book when it was closed and when you open it it reveals a completely different structure inside, a surprise in finding a book. Which is what you get when you approach a novel and find that that stellar writing you kind of think, ‘Oh, they wrote that so beautifully.’  So, how can you combine the two in art and literature?  How does a book work physically? How do you read a book page by page and how do you follow the threads of what the author is trying to get through to you?  And then you can break it down to how are the symbols on the page giving you this linking.  And that’s why I chose crocheting instead of knitting because each chain in a crochet is a link from one to the next one but you can build so much from a crochet chain.  Both of these books are a single thread all the way through the entire book, the whole narrative, if you will, from the thread references as a you read a book.  Like when you’ve gone fifty pages and and you don’t remember turning a single page because you’ve gotten so caught up in this single thread.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA, Hyperbolic Space

“Or you get to the point in a book here where you do realize your turning pages faster than you think.”  Tara demonstrated how many of the pages pull the others with the thread and pages fly by like a magicians deck of cards.  “And finally you almost turn in junior English denouement.  So those books lead to thinking metaphysically, ‘What is the future of the book?’  I have no idea.  Do I think books are going out of style?  No.  Not a chance, they just have a chance to evolve now.  We’ve got eReaders, they’re here to stay, have fun with them but come back to these.  The next group is the little tiny ones they all fall under the title Entelechy, Aristotle’s philosophy that every entity has a force that drives it to self-fulfillment and I just really like that idea.  I’d like to know what this force is?  What is it made up of?  How does it break down?  And in making these books I found that opening a page spread in a book is also kind of a metaphor for life.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“If you do these stitches you can see the full spread of a chapter or a moment to a link in your life.  For example, as of now, all of February is one page spread for me, I don’t know what’s happening right now in this page spread but I can turn the page back in time and look at what happened in February in my life, and it’s clear now.  Whereas in February I had no idea.  A little crazy, right?  I was really excited about this show because it offered me a chance to do new work.  I do a lot of knitting, a lot of crocheting and I’m interested in a lot of things, I’m a library conservator so I get to look at a lot of old stuff, at ancient patterns and I get to look at old cookbooks and all these things that people have been doing forever.  How are we going to interpret it?”

“My Winter project this year was to knit a pair of Latvian mittens, in Latvian culture for years and years and years the girls know they will marry at age sixteen and they make these incredibly complex mittens, one pair for every member of the family of her future husband.  So, she’s been knitting five hundred pairs of mittens by the time she’s sixteen.  They’re complex and double stranded and they start knitting when they’re five years old, it’s part of the culture.”

“Fast forward to 1995, and we have a mathematician from Latvia who finally solves the problem of making a model for hyperbolic space.  So, what’s hyperbolic space?  Well I’m going to do my best, but, it’s a mathematical thing – continuously negative space.  It’s the ruffles on your lettuce, and what she was able to do was disprove Euclid’s theorum, given one straight line and a point off of the line there is only one other parallel line only.  But this theorum doesn’t work on a globe but nobody could prove how it didn’t work and why not?  In the 50’s they started experimenting with paper models but paper if you cut it, it falls apart.”

“So this person from a knitting culture sat down and said, ‘I know how to do this.’  And so she took these specifically exponentially increased, this one is six to one, you can see these two lines, when you take this continuously negative space and fold it you can bring two lines together and you get a set of parallel lines.  As you go on with these, it takes forever to make a row, and then you take another fold and lay it next to that and now you have three parallel lines.

So, this is important for me because it references back to my idea of linking and connecting everything, here’s a woman who just knitted all the time because she was so practiced at it, all of a sudden these higher level ideas were coming out her just regular handwork and solving really massive problems.  This book talks about the connection of this handwork from just the regular linking these little moments, these tiny little pearls of brilliant thoughts and made some coherence out of these higher thoughts.  I hope that that makes sense.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog Google and Wikipedia was used extensively to write this article.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

[disclosure page] All ad links in this blog post go to Amazon.com

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“It’s exciting to be here, I want to thank Amie Potsic for her curatorial vision and bringing Tara O’Brien and me together for this exciting project.” said Leslie Atik at the opening of Thread of Thought at Center for Emerging Visual Artists.  “I want to tell you a little about my work, it really grows out of my love of language, that’s the first place it starts.  I love language and grammar, I’m one of those people who like to diagram sentences and I like conjugating verbs and all that sort of stuff.  It took me a long tome, believe me, to get here but I finally got to the point where I wanted to make that the stuff of my artwork.  So, that’s the beginning place and the thing that I really love is thread and anything to do with thread.  Textile people out there understand that, if you like to knit or crochet or weave, I started realizing and not in a linear way but there are a lot of things that overlap when you talk about language and you talk about textiles.  There are a lot of metaphors of textiles that are used in describing language but at a basic level when you talk about language you talk about surface and a structure that generates that surface.  And that’s something that language shares with textile, so, when I’m talking about structure I mean the grammar, how the sentence is put together, not neccessarily what it means.  That obviously is a layer of it, the underneath part is what interests me in textiles, too.  So, those units make up the surface – I could talk forever about that stuff.”

Leslie Atik, Notes on a Rose, Thread of Thought, Artist’s Talk at CFEVA

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“Fast forward, the other thing that may be of biographical interest is I taught Spanish for many years and so I was at the blackboard back in the day when you actually stood at the blackboard with a piece of chalk.  And I realized that something else I wanted to bring into my art making was, I thought, ‘Well, Jeez, this is mark-making’, and I worked at bringing my chalkboard into my work.  It’s a linear fashion I’m describing but this is what happened.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Notes on a RoseLeslie Atik at Center for Emerging Visual Artists

This piece is called Notes on a Rose, it’s a series of pieces that are similar to this and what I’m doing is marking the language.  But each one is different, I’ve marked different things, I’ve structured them differently.  And I thank Amie because any time I can work directly on the wall it really excites me.  I like the idea that at the end of this exhibition this piece is going to be erased.  It has that temporal element to it…it’s built on two texts, the middle text is from Romeo and Juliet and it’s the famous scene where Juliet is asking, ‘Why is your name Romeo?‘  That which we call a rose by any other name would smell so sweet.  The middle passage is about names, therefore in the grammar I immediately thought of nouns – names and nouns.  So I marked – all these patterns are marking places in the grammar where there were nouns – the little tags that I buy at Staples are called marking tags.  So I’m literally marking the language and I’m mapping them because I’m using little map pins on the placement as well.  Each of these little tags has been hand painted in watercolor.”

“The text on either side is a little excerpt from Gertrude Steins writing, A Rose is a Rose.  So I just repeated it over and over and to me that seemed like a textile to repeat that unit, A Rose is a Rose, and on this side I marked the vowels that repeat and on that side is the consonants.  There’s another piece around the side there that’s based on a play and the one over there is based on Spanish, those who speak Spanish know there are two types of being to express the verbs ‘to be’ in Spanish, one referring to the state of things which is the outside and the other one is more essential kind of being.  That’s basically the idea that helped me structure that piece.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Dream Notes

Leslie Atik at Center for Emerging Visual Artists, Dream Notes, hand painted marking tags, map pins, chalk and paint

“When I talk about different layers of language sometime I don’t just use the black and white because this rose idea was so strong I said, ‘OK, let’s just have fun with the color rose.’  I just used the idea of the rose and made that the color palette.  The tags I just paint by the hundreds.  The surface on the wall is just house paint, interior latex paint, right on the wall.  If you come around to the side this is one of my favorite views of the piece, I really am playing with the idea of the text in the textile, so the idea here is that a text is generating textiles.  The erasing is purposeful, it’s kind of developed through my work, to create this piece I do a lot of work at home first getting my handwriting to do what I want it to do in the space I want to work in.  But I like erasing for formal reasons, I like the graying that it adds to my palette but also because I like the idea that this thing is ephemeral and that you’re writing and re-writing and the idea of repeating which is part of the textile process and part of the language process as well.  It is fragile, but I’ve lived with some of these and as long as they’re not mishandled they hold up pretty well but they’re not meant to last for a long time.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog

[disclosure page] All ad links in this blog post go to Amazon.com

InLiquid v.12

Ellie Brown, InLiquid Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Ellie Brown, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Brenna K. Murphy, InLiquid Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Brenna K. Murphy, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Clarissa Shanahan Schirmer, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Clarissa Shanahan Schirmer, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the ArtsJim Houser, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jim Houser, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jung Wah Ung, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jung Wah Ahn, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jordan Griska, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jordan Griska, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

LGTripp Gallery, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

LGTripp Gallery, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Donna Usher, LGTripp Gallery, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Donna Usher, LGTripp Gallery, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Rachel Zimmerman, the mastermind behind the artist representation website InLiquid, sent DoN a FaceBook message asking if he had received his V.I.P. invitation to the  InLiquid v.12 Benefit Auction 2012?  DoN double checked his inbox and passes to the pre-opening Silent Auction cocktail party for the biggest art event in town unopened.  Cool!  4:00 – 6:30pm, Friday February 10th – DoN had copped the ultimate art party early-bird special!

The ICE Box Gallery in the Crane Center for the Arts is massive but the hall was filled with art of all kinds, tables brimming with collectibles throughout the room, even extra walls to accommodate the array of art and DoN had it all to himself, sort of, for about thirty minutes.  Wandering through the collection DoN spotted familiar artists from across Philadelphia and lots of new faves.  A cocktail bar was in the middle of the room and a bartender made DoN a drink with gin, aloe vera juice and muddled basil, in the Gray Area (the large gallery next to the ICE Box) tables with fantastic treats like a thin crustini with a smear of sun dried tomato paste topped with a dollop of pate’.  Displayed around the room were silent auction bidding sheets for dozens of desirable services and a group of prints selected by jurors from submissions.  So, even if you didn’t win your bid you can still buy a collectible art print.

Soon DoN had a good buzz going from the gin, wandered back in the hall to absorb the sights and ran into artist Amie Potsic.  Walking and talking we were struck by the high quality of the art: a bold red and black painting by Da Vinci Art Alliance Executive Director David Foss, massive abstract expressionist paintings by one of Amie’s faves, Jung Wah Ahn, Brenna K. Murphy‘s hair art, Ellie Brown‘s bag photographs (she photographs people and the contents of the bag they carry) and so much more by many great Philadelphia artists.

Amie Potsic is an artist, photographer, maven, Director of Career Development at CFEVA, and has been an InLiquid member artist since it’s inception in 1999 – that’s pre-Google.  Amie told DoN the more web presence she has the better.  InLiquid is a non-profit organization providing hundreds of artists not just portfolio web pages but real world opportunities to show their artwork, their website is information rich with artist images, bio’s, statements, events and news.  Some of the donated art is still for sale on the InLiquid website.  Support the efforts of InLiquid artists and businesses who gave so generously from their own inventory to help the artist community hub in Fishtown grow and thrive.

More photographs on DoNArTNeWs FaceBook page.

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN Brewer