Category Archives: Center for Emerging Visual Artists

Castles Made of Sand

Sanding Ovations, DoNArTNeWs

Sanding Ovations, Treasure Island, Florida

DoN was reading the art blog on the Huffington Post and came across a story about a sand castle artist.  DoN attended the Sanding Ovations Sand Castle competition on Treasure Island, Florida in November 2011 and was impressed by the high content level of the sand castles created with such lowly materials.  Sand castles is a misnomer because the artist’s create sculpture out of a difficult and ephemeral material.  DoNArTNeWs abandoned the story as vacation pics and not Philadelphia Art related, but it was a really good show, very competitive and extraordinarily creative.  And if Huff Post can cover sand sculpture art, so can DoN.

Sanding Ovations sand sculpture contest, DoNArTNeWs

The metaphors and memes are just all over this category of sculpture from fading beauty to art as play to time conquers all.  The term sand castle just blows up with memories of childhood beach days.  Sanding Ovations exposes art to the community in a fun, understandable if confounding way and creates an experience design that’s inspiring to kids and adults.

Sanding Ovations sand sculpture contest, DoNArTNeWs

First Place Prize and Sculptors Award Winner at Sanding Ovations.

The sand castle metaphor is apropos for artists who have to pull together disparate elements creating an object like a painting to be accepted by the community as a work of art.  Like herding cats, DoN chases after elusive grants, competes for wall space in art shows, makes new art, visits art shows, writes and promotes daily, constantly developing the DoN brand.  The sand castle DoN is working on now includes this blog, Contributing Writer to Side Arts, a tech start up, Philly based company, offering an excellent web presence for artists and DoN is near completion of a new book about Lilliana Didovic based on her art and the reviews DoN has published on DoNArTNeWs and Side Arts.

Karen M commented she hadn’t seen DoN around much lately, he’s been building sand castles and the wind and the waves slow his progress.  But, today The Philadelphia Sketch Club and The Plastic Club have openings with an abundancce of art and artists, last night DoN experienced Kile Smith’s, Vespers with Piffaro the Renaissance Music Band and The Crossing at Old Saint Joe’s Church in Old City – there’s another show today, if you can get tickets, the music, singing and orchestration is transcendental.  Talk about castles made of sand, about forty singers and musicians come together and produce an hour of spectacular beauty that wafts away on the breeze like a sand castle erodes from the weather.

View a clip from the Vespers premier in 2008, DoNBrewerMultimedia on YouTube.

DoN

Photographs by DoN Brewer shot with

Kodak Digital Cameras

 

www.DickBlick.com - Online Art Supplies

Allison Kaufman, Artist Statement @ Center for Emerging Visual Artists

Allison Kaufman talks about Dancing with Divorced Men, a series of photos and video at the Center for Emerging Visual Artists, October 27th, 2011.

Hear Ana B. Hernandez‘ artist talk at Philly.SideArts.

Photos and video by DoNBrewerMultimedia.

Philadelphia Open Studio Tours 2011 – Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane in Old City, Saturday, October 15th.

Tim McFarlane‘s studio in the heart of Old City Philadelphia is the archetypical artists’ loft, a steep climb up three pea green flights of stairs to arrive gasping into a high ceilinged loft space overlooking Third Street right off of Market.  The old industrial space is divided into three studios: Carol Royer‘s figurative work greets you at the end of the epic climb, John Gatti has a spacious room in the middle and Tim McFarlane‘s studio has windows overlooking the street.  John was painting while lola, Spike & DoN luxuriated in Tim’s studio filled with his exuberant stylized abstract paintings arrayed from floor to ceiling, paint splattered everywhere, outlines of canvases layered over years of work, brushes and paints poking out of cubbies – just like you imagine an artists’ studio to be.  Tim McFarlane has participated in the Philadelphia Open Studio Tours for many years, this year he was a cover model for the catalog, allowing the public to see the progress he’s accomplished in his art over the years.  The light shining in from being near the river glows into the space activating the color fields vibrating in the paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub of the lively contemporary arts scene in Old City with the energy and time to think big.

Philadelphia Open Studio Tours 2011 - Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

The swirly cellular structures from Tim McFarlane‘s memorable abstract paintings are still present and prominent in his new work but now layers of patterns from stencils are laid in then painted over and into, deep layers of color, shape and contrasts make his individual canvasses vibrate.   A room full of Tim’s works in various stages of progress is really a privileged experience because his work is usually seen only in art galleries like Bridgette Mayer Gallery on Walnut Street.  In fact, Tim McFarlane‘s work will be included in the upcoming show, Karmic Abstraction, November 15th through December 31, 2011 – “The show’s title reflects gallerist Bridgette Mayer’s “interest in the idea of the karmic cycle of an artist’s history of painting and ideas.” The selected works, by sixteen nationally- and internationally-recognized artists reveals, “how, at a given moment in time, standing in front of a work of art, the viewer is faced with the multiple layers and concepts that create a painting as well as a lifetime of ideas, actions and history that make up the career and art history of a contemporary artist.” (Bridgette Mayer Gallery website).

Philadelphia Open Studio Tours 2011, John Gatti

John GattiDoN loves this picture of the artists’ studio, comparing and contrasting the shapes, tones and marks on panels against one another creates an energy field of color.

 

Photos by DoN.


Kodak Store

The Center for Emerging Visual Artists (CFEVA) Career Development Program Fellowship – Apply Now

The Center for Emerging Visual Artists (CFEVA)

Career Development Program Fellowship – Apply Now

Deadline:  November 1st

Open Call for Artists:  Career Development Program Fellowship for Emerging Artists.  For a select group of talented artists, our free Two-Year Fellowship includes: exhibitions and exposure opportunities around the region and beyond, a two-person exhibition in the second year of the fellowship, individual career counseling, professional development workshops, mentorship, community, volunteer opportunities, and alumni solo exhibitions and travel grants. This program serves artists residing within a 100 mile radius of Philadelphia.  For the online application and further eligibility requirements, got to http://www.cfeva.org/cfeva_programs_career.aspx .  For assistance or inquiries, please contact Amie Potsic, Director of the Career Development Program at: amie@cfeva.org or 215-546-7775 x 12.

Career Development Program Fellowship

Apply Now!

Deadline:  November 1st

 

The Center for Emerging Visual Artists™ strives to provide the essential support services and programs emerging artists need to build sustainable careers. Our two-year Career Development Program offers a select group of highly talented artists:

  • Exhibitions
  • Community
  • Career counseling
  • Mentorship
  • Professional development seminars
  • Volunteer opportunities
  • Alumni solo exhibitions
  • Alumni travel grants


Eligibility requirements include:

  • Applicants cannot be full time students.
  • Applicants must live within 100 miles of Philadelphia (NYC and the 5 boroughs, NJ, DE, and Baltimore included).
  • Applicants cannot have an ongoing contractual agreement with a commercial gallery or gallery representation.


The application can be found online at
http://cfeva.org/cfeva_programs_career.aspx  For more information, please contact Amie Potsic, Director of the Career Development Program at amie@cfeva.org or 215-546-7775 x 12.or 215-546-7775 x 12.

A M I E   P O T S I C, Director, Career Development Program

The Center for Emerging Visual Artists

237 S. 18th Street

The Barclay, 3rd Floor

Philadelphia, PA  19103

tel: 215.546.7775 x 12

fax: 215.5456.7802

amie@cfeva.org  I  www.cfeva.org

 

DoN is working on his application today – two goals and how CFEVA can help?

Philadelphia Open Studio Tours 2011, The Perspective from Haus of DoN

Philadelphia Open Studio Tours 2011, Perspective from the Haus of DoN

Haus of DoN, Philadelphia Open Studio Tours 2011

 

Philadelphia Open Studio Tours is the best value in artist public relations available to artists looking to promote their public image in the Philadelphia region.  In it’s twelfth year, the city wide art event has artists of all stripes opening their studios to the public – no kidding, a public art event of regional scope with many of the town’s top artists welcoming visitors into their think tanks.   The event is imbued with freedom, sharing, transparency, creativity and cooperation along with healthy American spirited competition.  The open-ness of Philadelphia Open Studio Tours is the coolest part; visitors experience environments that normally are private spaces where artists create and folks are not just allowed but encouraged to go behind the scenes. DoN’s claim that POST is the best value from a PR perspective is based on a cost/benefit analysis and target audience response.

 

POST offered a substantial early entry discount for artists, providing entrants with an artist profile web page with links on their comprehensive web site, listing in the information packed tour book with maps of every corner of the city inhabited by artists, a city and region wide advertising campaign, with banners, posters and art cards strategically supplied to almost 100 locations likely to attract interest to the appropriate demographic as well as special events, venues and workshops for artists whose studio is far off the beaten path.  POST's goal was to get the right materials into the hands of art tourists likely to use them in a real way.  Every visitor to Haus of DoN held a curled back copy of the glossy catalog with their itinerary planned out to cover the neighborhood they had chosen to explore.  Each participating artist is provided with posters, art cards, catalogs and red balloons to promote their studio; the red balloons are a simple, effective signal to art crawlers that they’re heading in the right direction.

 

DoN's decision to pay the $45 entry fee back in early Spring brought many dedicated friends and art enthusiasts to the Haus of DoN, South of South Street, a mostly residential area not near many commercial businesses.  The event pushed DoN to re-organize and display the wide array of interests he explores as part of his multimedia empire.  DoN had to spend no other money to promote the event instead advertising through FaceBook and DoNArTNeWs; no new art card this year, even though post cards are cheap to print and fun to design, mailing is costly and impact difficult to track.  DoN has had art cards returned by the Post Office months after the event was over.   DoN promoted the annual art crawl event on DoNBrewerMultimedia home page, on DoNBrewerMultimedia YouTube channel,  @DoNNieBeat58 on Twitter and Philly.SideArts.com, all free media outlets that directly targeted people interested in arts and culture.

 

Good advise from Ann Koivunen, director of exhibitions for POST, led DoN to think about what he wanted to present to the public and ponder his goals for the event; DoN decided to put on an art show.  Simply displaying photos, graphics, paintings and drawings in a beautiful, clean, pure way opened an opportunity to engage with visitors about what DoN does, his interests and connections and get his business card into the hands of each visitor.  The result is DoN met and interacted with more than fifty different citizens interested in the arts, including gallery owners, art curators, educators, fellow photographers, new neighbors, old friends and colleagues, he gathered contact information, intercepted  feedback on what people like about his art and experienced an authentic feeling of community for well less than a dollar per head including Candy Corn and Sweetzels  Ginger Snaps. 

 

Philadelphia Open Studio Tours 2011 continues October 15th & 16th, 2011 for studios East of Broad Street.