Category Archives: Fiber Art

Art using fiber abd fabric making as its basis.

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“I came to book arts as a librarian’s daughter and my poor father practically had a heart attack when he found out I was applying to grad school to do book arts.  ‘Those are those nut jobs that take books and nail them to canvasses and call them art.'” said Tara O’Brien during her artist talk at The Center for Emerging Visual Artists.  “A lot of what I was dealing with in Graduate School was making sure that that’s not what I’m doing, I’m not desecrating the Book. In fact, I spent a lot of time trying to figure out what is the future of the book, where is it going?  In 2003 we were just getting into a huge tipping point with the Internet and you went there instead of to a book, unless you were my father.  A lot of that time was spent thinking, ‘What is a book?  What can it be? What’s the conceptual quality of the book?’ And so for the early pieces in the show, these two Thread of Thought and Plenum in the back is what could it be?”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

Plenum, for example, is a term physicists use to describe all of the matter in the universe.  So, what is a book, what can it be?  It can be anything in the Universe.  As I was talking earlier about Plenum the other thing I wanted you to do is approach the book when it was closed and when you open it it reveals a completely different structure inside, a surprise in finding a book. Which is what you get when you approach a novel and find that that stellar writing you kind of think, ‘Oh, they wrote that so beautifully.’  So, how can you combine the two in art and literature?  How does a book work physically? How do you read a book page by page and how do you follow the threads of what the author is trying to get through to you?  And then you can break it down to how are the symbols on the page giving you this linking.  And that’s why I chose crocheting instead of knitting because each chain in a crochet is a link from one to the next one but you can build so much from a crochet chain.  Both of these books are a single thread all the way through the entire book, the whole narrative, if you will, from the thread references as a you read a book.  Like when you’ve gone fifty pages and and you don’t remember turning a single page because you’ve gotten so caught up in this single thread.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA, Hyperbolic Space

“Or you get to the point in a book here where you do realize your turning pages faster than you think.”  Tara demonstrated how many of the pages pull the others with the thread and pages fly by like a magicians deck of cards.  “And finally you almost turn in junior English denouement.  So those books lead to thinking metaphysically, ‘What is the future of the book?’  I have no idea.  Do I think books are going out of style?  No.  Not a chance, they just have a chance to evolve now.  We’ve got eReaders, they’re here to stay, have fun with them but come back to these.  The next group is the little tiny ones they all fall under the title Entelechy, Aristotle’s philosophy that every entity has a force that drives it to self-fulfillment and I just really like that idea.  I’d like to know what this force is?  What is it made up of?  How does it break down?  And in making these books I found that opening a page spread in a book is also kind of a metaphor for life.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“If you do these stitches you can see the full spread of a chapter or a moment to a link in your life.  For example, as of now, all of February is one page spread for me, I don’t know what’s happening right now in this page spread but I can turn the page back in time and look at what happened in February in my life, and it’s clear now.  Whereas in February I had no idea.  A little crazy, right?  I was really excited about this show because it offered me a chance to do new work.  I do a lot of knitting, a lot of crocheting and I’m interested in a lot of things, I’m a library conservator so I get to look at a lot of old stuff, at ancient patterns and I get to look at old cookbooks and all these things that people have been doing forever.  How are we going to interpret it?”

“My Winter project this year was to knit a pair of Latvian mittens, in Latvian culture for years and years and years the girls know they will marry at age sixteen and they make these incredibly complex mittens, one pair for every member of the family of her future husband.  So, she’s been knitting five hundred pairs of mittens by the time she’s sixteen.  They’re complex and double stranded and they start knitting when they’re five years old, it’s part of the culture.”

“Fast forward to 1995, and we have a mathematician from Latvia who finally solves the problem of making a model for hyperbolic space.  So, what’s hyperbolic space?  Well I’m going to do my best, but, it’s a mathematical thing – continuously negative space.  It’s the ruffles on your lettuce, and what she was able to do was disprove Euclid’s theorum, given one straight line and a point off of the line there is only one other parallel line only.  But this theorum doesn’t work on a globe but nobody could prove how it didn’t work and why not?  In the 50’s they started experimenting with paper models but paper if you cut it, it falls apart.”

“So this person from a knitting culture sat down and said, ‘I know how to do this.’  And so she took these specifically exponentially increased, this one is six to one, you can see these two lines, when you take this continuously negative space and fold it you can bring two lines together and you get a set of parallel lines.  As you go on with these, it takes forever to make a row, and then you take another fold and lay it next to that and now you have three parallel lines.

So, this is important for me because it references back to my idea of linking and connecting everything, here’s a woman who just knitted all the time because she was so practiced at it, all of a sudden these higher level ideas were coming out her just regular handwork and solving really massive problems.  This book talks about the connection of this handwork from just the regular linking these little moments, these tiny little pearls of brilliant thoughts and made some coherence out of these higher thoughts.  I hope that that makes sense.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog Google and Wikipedia was used extensively to write this article.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

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Thread of Thought, Leslie Atik Artist’s Talk at CFEVA

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“It’s exciting to be here, I want to thank Amie Potsic for her curatorial vision and bringing Tara O’Brien and me together for this exciting project.” said Leslie Atik at the opening of Thread of Thought at Center for Emerging Visual Artists.  “I want to tell you a little about my work, it really grows out of my love of language, that’s the first place it starts.  I love language and grammar, I’m one of those people who like to diagram sentences and I like conjugating verbs and all that sort of stuff.  It took me a long tome, believe me, to get here but I finally got to the point where I wanted to make that the stuff of my artwork.  So, that’s the beginning place and the thing that I really love is thread and anything to do with thread.  Textile people out there understand that, if you like to knit or crochet or weave, I started realizing and not in a linear way but there are a lot of things that overlap when you talk about language and you talk about textiles.  There are a lot of metaphors of textiles that are used in describing language but at a basic level when you talk about language you talk about surface and a structure that generates that surface.  And that’s something that language shares with textile, so, when I’m talking about structure I mean the grammar, how the sentence is put together, not neccessarily what it means.  That obviously is a layer of it, the underneath part is what interests me in textiles, too.  So, those units make up the surface – I could talk forever about that stuff.”

Leslie Atik, Notes on a Rose, Thread of Thought, Artist’s Talk at CFEVA

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“Fast forward, the other thing that may be of biographical interest is I taught Spanish for many years and so I was at the blackboard back in the day when you actually stood at the blackboard with a piece of chalk.  And I realized that something else I wanted to bring into my art making was, I thought, ‘Well, Jeez, this is mark-making’, and I worked at bringing my chalkboard into my work.  It’s a linear fashion I’m describing but this is what happened.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Notes on a RoseLeslie Atik at Center for Emerging Visual Artists

This piece is called Notes on a Rose, it’s a series of pieces that are similar to this and what I’m doing is marking the language.  But each one is different, I’ve marked different things, I’ve structured them differently.  And I thank Amie because any time I can work directly on the wall it really excites me.  I like the idea that at the end of this exhibition this piece is going to be erased.  It has that temporal element to it…it’s built on two texts, the middle text is from Romeo and Juliet and it’s the famous scene where Juliet is asking, ‘Why is your name Romeo?‘  That which we call a rose by any other name would smell so sweet.  The middle passage is about names, therefore in the grammar I immediately thought of nouns – names and nouns.  So I marked – all these patterns are marking places in the grammar where there were nouns – the little tags that I buy at Staples are called marking tags.  So I’m literally marking the language and I’m mapping them because I’m using little map pins on the placement as well.  Each of these little tags has been hand painted in watercolor.”

“The text on either side is a little excerpt from Gertrude Steins writing, A Rose is a Rose.  So I just repeated it over and over and to me that seemed like a textile to repeat that unit, A Rose is a Rose, and on this side I marked the vowels that repeat and on that side is the consonants.  There’s another piece around the side there that’s based on a play and the one over there is based on Spanish, those who speak Spanish know there are two types of being to express the verbs ‘to be’ in Spanish, one referring to the state of things which is the outside and the other one is more essential kind of being.  That’s basically the idea that helped me structure that piece.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Dream Notes

Leslie Atik at Center for Emerging Visual Artists, Dream Notes, hand painted marking tags, map pins, chalk and paint

“When I talk about different layers of language sometime I don’t just use the black and white because this rose idea was so strong I said, ‘OK, let’s just have fun with the color rose.’  I just used the idea of the rose and made that the color palette.  The tags I just paint by the hundreds.  The surface on the wall is just house paint, interior latex paint, right on the wall.  If you come around to the side this is one of my favorite views of the piece, I really am playing with the idea of the text in the textile, so the idea here is that a text is generating textiles.  The erasing is purposeful, it’s kind of developed through my work, to create this piece I do a lot of work at home first getting my handwriting to do what I want it to do in the space I want to work in.  But I like erasing for formal reasons, I like the graying that it adds to my palette but also because I like the idea that this thing is ephemeral and that you’re writing and re-writing and the idea of repeating which is part of the textile process and part of the language process as well.  It is fragile, but I’ve lived with some of these and as long as they’re not mishandled they hold up pretty well but they’re not meant to last for a long time.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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Kay Healy

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

How does it feel to be showing your artwork in the Galleries at Moore?  “Oh, it’s wonderful!  There’s a lot of really good work here right now, so, it’s exciting to be in such a professional space.  I was laughing because on Monday I had four people all helping me hang.  I’m used to, you know, doing it all by myself.”  Oh, yeah, DoN knows.  “I’ve been dragging my boyfriend around, making him hold things for me.  It’s really nice to have someone else with good opinions about how it should be hung.  I’m hoping to really get my work out there and be in more exhibitions and that I’ll be able to spend more time making work instead of applying for exhibitions.”  Holla!

DoN reminded Kay Healy about seeing her work at Art in City Hall.  “This is great because it was in the Window on Broad at UArts and from that I was able to get into the Dysfunctional Furniture show at City Hall.  And Leah Douglas from the Philadelphia International Airport saw it and she said, ‘Can I do a studio visit?’, I said, ‘Yeah!’, like, Oh Great!, real artists get studio visits!  So, she dropped by and said, ‘OK, well, I have a forty foot case that I would like you to do for Summer 2012.’  That was about a year ago, so now, that’s my major project doing a forty foot version of this featuring a bathroom, a kitchen, dining room and a living room.”

The Center for Emerging Visual Artists (CFEVA), in cooperation with Moore College of Art & Design, presents an exhibition by the new Career Development Program Fellows. A highly selective fellowship with only a 2% acceptance rate, these six artists represent some of the most promising talent among emerging artists in the region:  Leslie Friedman, Daniel Gerwin, Rebecca Gilbert, Kay Healy, Heechan Kim, and Johanna Inman.

Introduction 2012

February 1 – February 25, 2012

Widener Memorial Foundation Gallery

Johanna Inman

Daniel Gerwin

Leslie Friedman 

Rebecca Gilbert

Heechan Kim

Circumstantial Assembly / CFEVA at Moore

Side Arts- POST 2011

Introduction 2011

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN
Blick Art Materials

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Art Blog

Hayley Tomlinson at Prelude Gallery

Hayley Tomlinson, One Accolade I Must Achieve To Become A Successfully Working Artist, digital print featuring a hand made ribbon at Prelude Gallery, January 13th, 2nd Friday in Center City.

DoN asked Hayley Tomlinson about the eclectic collection of art objects she’s showing at Prelude Gallery including photography, prints, fiber and needle-work.  “Im interested in everything.  I do some blogging on Tumblr and what I really like is looking at the images on Tumblr and seeing what is trending?  What are people interested in?”  Giggles. “What I think about is, how can I capitalize on that and how can I gain popularity and become more well known.  But, also I kind of just think when I make things wouldn’t it be funny if I just made this.  Like I made a drawing of a toilet in a forest of birch trees.”  Giggles.  “I thought it was funny because I hate the thought of having to go to the bathroom in the woods but I guess if there are toilets in there but then I guess I‘d be OK.”

I think about things I desire and things I fear like how can I be a better artist?  And how can I be a more successful well known artist which is what the photographs are about.”  DoN noted the portraiture with ribbons and how they stand out.  “There are four ribbons First, Second, Third and Honorable Mention.  These two are Third Place and Honorable Mention, I think they’re the two photographs that have been most successful and most successfully represented my Adobe Photoshop skills.  I was thinking, I‘m in Philadelphia and what do I need to do in Philadelphia to be more well known.  And one is being featured on the art blog.  And that ended up happening.  I had an article on the art blog and they showed that photograph.  The other photograph is about the blog Tumblr which I think is very important for contemporary art, especially young people in art.  People see my work on Tumblr and really respond to it, then that will really help me get my name out.”

Hayley Tomlinson at Prelude Gallery

Hayley Tomlinson, 627 Reblogs on Tumblr, handmade ribbon with photograph at Prelude Gallery.

Read more about Hayley Tomlinson and Prelude Gallery at Side Arts.

Congratulations to Hayley Tomlinson on her graduation, read DoN‘s review of her senior show

DoNArTNeWs Philadelphia Art Blog

Photographs by DoN
Kodak Easyshare Z981

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Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center – Mixed Media Art

Beverly Kohn, Resting Deer, Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center - Mixed Media Art

Beverly Kohn, Resting Deer, Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center.

Beverly Kohn, Resting Deer, Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center - Mixed Media Art

Beverly Kohn won Honorable Mention in the category of Fiber Arts, Glass and Fine Crafts at the Art Ability Exhibition.  The gorgeous piece of a fiber wrapped deer feels so modern, like Jeff Koons or DuChamp, not crafty at all but using simple, nostalgic materials and shapes, the sculpture mixes media in a delightful and desirable design.  Click the thumbnail for a close up.

Elizabeth Core Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center - Mixed Media Art

Elizabeth Core Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center - Mixed Media Art

Elizabeth Core at Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center.  The balance of color, hue, tone and textures mingled with sophisticated pattern and composition is exuberantly engaging.

Sriharsha Sukla, Cuttack, Orissa, India, Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center - Mixed Media Art

Click the thumbail to check out Sriharsha Sukla, Bombay 01, collage.  The artist lives in Cuttack, Orissa, India, and has been a part of Art Ability International Juried Exhibition of Art & Fine Craft @ Bryn Mawr Rehab Center for many years, submitting fascinatingly detailed collages, so painterly and naturalistic they appear photographic from a distance.

“The Art Ability Program at Bryn Mawr Rehab Hospital is a year-long program which serves as a showcase for, and celebration of, artists with disabilities. Through art, we hope to inspire patients to reach beyond their limitations, and to encourage people with disabilities to explore their own creativity.

Established in 1996, Art Ability includes the following major components: an annual international juried exhibition and sale of art and fine crafts produced by individuals with disabilities; community outreach and education opportunities including satellite exhibitions and interactive demo days; our permanent collection of artwork and the incorporation of artwork into the patient experience; and a corporate art acquisition program.

The Program’s goal is to foster a better appreciation of people with disabilities through the achievements and stories of our artists. As art enriches their lives, we hope their creativity, talent and exuberant spirit will enrich your life.” – Art Ability

Read DoNArTNeWs report about Allen Bryan, Art Ability Artist

Read more at Philly Side Arts

Photographs by DoN Brewer shot exclusively with
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