2010 Philadelphia Open Studio Tours – pdf
Register @ http://www.philaopenstudios.com/Opportunities.aspx
Steven L. Spathelf created a mural sensation in Dunedin, Florida when the long-time muralist started painting oranges on garage doors late at night ala graffiti tagging or Obey stickers. Soon the artist started noticing signs on garage doors asking for an orange to be painted there; the community recognized his contribution to the reputation of the art enclave in North Tampa and commissioned the “Welcome to Dunedin” mural. Currently, Spathelf is working on undersea scene murals for a children’s hospital and managing the artist studios at 608 Vine Avenue, an art center with gallery/studio space for local artists similar to Spring Garden Studios in Philly, The Goggleworks in Reading or the Banana Factory in Bethlehem.
Mural by Steven L. Spathelf, Dunedin, Florid. The artist is working on three separate panels simultaneously to be stretched and framed for exhibition in a children’s hospital. Steven & DoN chatted about how important and calming art is for kids (and grown-ups) who are being wheeled into hospital exam rooms. Spathelf is very familiar with Philly’s Mural Arts Program since he’s done private and public murals in Florida for decades, it’s not surprising Philly has a good reputation for public art.
Steven L. Spathelf‘s studio in Dunedin, Florida housed on the second floor of an office building with many solo and shared studios throughout the large art space. The art scene in Dunedin is integrated into the community just as much as the Baseball Spring Training season with Second Friday events, lectures and art events happening though out the village.
Steven L. Spathelf of Sterling Art Studios, 668 Vine Ave., Dunedin, Florida.
The Dunedin Fine Art Center is the hub of the art scene with workshops, galleries and exhibits in a modern, thoughtful art center designed to draw the community together with art. The center has galleries for special shows, faculty exhibits and most importantly student show spaces with professional lighting and installation.
DoN regrets he doesn’t have the artist info on this piece but it reminded him so much of work by the Philadelphia Dumpster Divers with the use of old bundt pans, their memetic nostalgia vibrating with the wacko sculpture. Visiting the art center in Dunedin really made DoN homesick but a studio/gallery near the Gulf of Mexico is really attractive. The artists DoN spoke with all praised the support they’ve received from the public and their community; art is the glue that holds a town together, creating conversation, developing personalities and opening lines of communication.
Jo Schmidt, 3 Feathered Friends, acrylic @ Dunedin Fine Art Center.
Mary E. Haas, The Dream, stone @ The Dunedin Fine Art Center.
Barbara Kampe, Tu Jest Przyjemny Widok, acrylic and Carol Y. Bardes, Incan Kitchen, colored pencil in the hall of the Dunedin Fine Art Center. The art center used all viable space to exhibit art without seeming crammed.
Student gallery @ Dunedin Fine Art Center.
Carol Ann Loven, River Rock, fiber and Stephen Decaire, In The Drink, mosaic @ The Dunedin Fine Art Center.
Bill Renc of The Painted Fish Gallery paints dreamy tropical landscapes from plein air and memory as well as managing a large gallery & frame business. It’s a wonder the gregarious artist gets any work done since he’s more than willing to chat with all the customers wandering through; even though it was a Monday afternoon there was steady foot traffic through the art district.
That’s Bill Renc on the left, his colorful painting of the quirky Dunedin street signs is available as print and cards, the informative and fun sign posts point in all directions at once. The variety of interesting and colorful object, especially all the bright color which feels so alien to DoN‘s city eyes, comment on the lifestyle of the Tampa Bay area.
Bill Renc of The Painted Fish Gallery in Dunedin Florida.
Ira Burhans ceramics at Clay and Paper Gallery of Art are award-winning collectibles with avid clients, the ceramicist sells his work wholesale! Yet also manages a lovely gallery and interacts with his collectors. Burhans was familiar with the Philly art scene since he comes to trade shows here but the warmth and clear light of Dunedin is a great place to make art. The gallery represents about 25 local artists as well as Ira’s beautiful pots. If you’re ever in Tampa, DoN recommends visiting this enclave of art culture in the midst of beach life, it’s a great mix.
4th Generation, Janelle Adamska, acrylic scrim/screenprint and burn-out. Janelle told DoN she uses a wood burning tool to burn out the negative space of the design totally time-tripping DoN back to the old Sears Dream Book with the cool wood-burning tools, remember the smell? The artist fell in love with a borrowed tool so a friend gave her one of her own, Adamska’s scene-stealing piece sure isn’t like drawing a horse head into a piece of pine.
Tic-Tac-Toe, Beverly Godfrey, tapestry, 2009.
Text, Leslie Haas, paper. This simple paper construct is such a great meme with little scrolls stuffed in a box like memories of futures passed crammed with lots of overlapping narratives and keepsakes. Sweet.
Margin Notes, Pat depaula Klein, hand stitched with cotton floss.
Sorry, DoN doesn’t have the artist’s name for these super-kawaii postcards like old fashioned pot holders with stitched cliche’ greetings.
Pondering the Possibilities, Francine Strauss, quilted mixed media wall hanging.
Pop Can Patchwork, Caroline J. Maw-Dies, pop can labels, nails, wood in traditional patchwork/quilt/basket-weave pattern, 2009. Like tramp art of old this collage of metal embodies that home-spun crazy quilt vibe of the DIY movement, instead of bottle top ropes or toothpick clocks Pop Can Patchwork is informed by invasive advertising and cultural collapse. Maw-Dies represents the 21st Century Gleaner, recycling and re-purposing detritus into modern beauty and contemporary design.
Saturday evening Kathryn Pannepacker, curator of the TeXt/TeXtiLe, a Philagrafika event, held a pot luck dinner and movie party @ Da Vinci Art Alliance with a great turn out of artists, good food and chummy conversation. The homey comfortable-ness of the event, lively with old and new friends, is sure to become a tradition – it’s a great way to get people to come see an art show. The movie was about the current DIY scene across the country featuring artists working in art & crafts and “making a living” – DoN flashed back to December’s First Friday, it was freezing and wet out and 2nd Street had maybe a hundred kids trying to sell paintings, T-shirts, hats, fudge…while the movie was fast paced, very informative and offered insight into successful models for art business’, there’s still an underlying sense of a new kind of tactic to simply survive the Great Recession by one’s own means.
Today while walking KaTy the ArT DoG & Lady Doofus, the St. Bernard/Chihuahua mix, through Rittenhouse Square, DoN spotted a tree wearing a colorful crocheted legging – a secret crafter mafia tagging style with fiber instead of stickers or spray paint. Obey!
Sibylie Pfaffenbichler, Sailor on Leave, oil. The artist explained to DoN her inspiration came from the forties and the famous images of sailors returning home. The painting is so exuberant, vibrant and distinctive it really makes you wonder why we don’t dance in the street when our soldiers make it home. Pfaffenbichler is chair of The Philadelphia Sketch Club‘s Annual Flower Show.
Paul Davis Jones, Enigma, acrylic.
Gail Morison-Hall, The Burning Bush, mixed media & Elise Arnold, Untitled One, acrylic. With 199 works of art, Small World @ The Plastic Club would have been even bigger if more artists understood that presentation is half the battle, the exhibitions committee refused several pieces (DoN spotted a few suspect entries who passed muster).
Nick Brown, Orange Juice Cup & Mug, stone ware. Brown brings unfired pottery to life study workshops at The Plastic Club and sketches directly onto the clay, often you can hear him scratching grooves into the design to prevent the glaze from spreading when applied. The resultant objects are like ancient vessels found at an acheological dig – future meets ancient.
Lee Mamaluy, Popping Blooms, oil, Kathryn Russo, At Ease, mixed media and Jeanne Chesterton, Dots, oil.
Robert Stauffer‘s photograph, Thorazine Can Kill The Human Spirit, with broken glass in a mirror lined shadow-box frame is like a history of modern art all mushed up like DuChamp meets Warhol meets Ansel Adams. The broken glass reads like disaster, the desert scene feels like being stranded and the infinite reflections on all sides have secret hidden images to uncover.
Alden Cole, Now n Then #3, Mother & Child, wax/clay, 2010 & 1964.
Bob Makoid, Avian Capers,markers. Makoid told DoN this drawing is extra special to him because his kids surprised him by having the design made into a stained glass window.
Michele Jenkins, New Glasses, oil. DoN LoVeS this painting! Timeless, super-fun, nostalgic, funny, happy and executed with aplomb.
Anders Hansen, Earth Goddess, ink/watercolor, Lois Schlachter, Queen of the Night, acrylic and Joseph De Fay, The Cafe’, ink-jet print.
Lois Schlachter, Balloon Release, acrylic. DoN appreciates Lois’ combination of real & unreal, abstract & illustrative, signs & significations – cool.
Alan Clawans, Small Shed, photograph, DoN Brewer, light being (Farrah Fawcett), photograph (it’s not DoNArTNeWs without some DoN news), Sylvia Schreiber, White Flower, acrylic, Susan Wierzbicki, Saim, acrylic and Elise Arnold, Cats, acrylic. DoN is so pleased to have his entries placed so strategically in the beginning, #3, and the end, #196 – the magic of 3.
Photos by DoNBrewerMultimedia Photography.
Trina Mansfield, Eiffel Tower, quilted fabric collage @ The Cosmopolitan Club.
Trina Mansfield is a multi-media artist working primarily in fabrics but she also takes the photographs, plots the designs on the computer then pieces together elaborate “quilts”.
Trina Mansfield’s labels for her exhibition @ The Cosmopolitan Club are truly exceptional – hand-written notes in pencil with tiny sketches like getting a nice letter from a friend.
Trina Mansfield @ The Cosmopolitan Club.
DoN LoVeS quilts and fabric art (he watches all those geeky sewing shows on TV), maybe because there’s an emotional link to Grandma’s crazy quilts from childhood. Mansfield’s quilts are painterly and impressionistic, even though the concept is based on crazy quilts these designs are exceptionally lucid and lush with witty contrasts and meticulous details.