Abandoned Conrail Railroad Car, Bonnie Schorske, 2010 @ Twenty-Two Gallery.
Bonnie Schorske travels a lot, in her current solo show she compares and contrasts two parts of the world, the Susquehanna Valley region and India. Bonnie told DoN she is inspired by the imagery she finds along the Pennsylvania river country, the solarized photograph of a Texaco gas pump is a real time trip, just as her duo-tone photo of an Indian landscape takes the viewer on a journey to a foreign place. The show hangs like a road map around the world, each photo a contemplative gaze on typography, architecture and nature specific to somewhere special. Bonnie Schorske has been in a creative frenzy producing a large stash of archival digital prints on lustrous museum quality rag paper; the photographer has found a way to produce affordable, high quality prints with DIY industriousness. Bonnie is highly skilled as a traditional wet dark room photographer but her transition to digital proves it’s not the camera equipment but the eye of the artist that makes an image work.
Bonnie Schorske, Ghost of Big Red, solarized archival pigment print on 100% rag.
This is the image Bonnie used on her art card, when DoN saw Bonnie at the recent Piffaro concert she asked if he was attending her upcoming show – DoN drew a total blank, even though he had the card propped up against his monitor, he never turned it over to see who’s card it was, the image had sold itself already.
RR Detritus and Susquehanna View, archival pigment print on 100% rag paper, Bonnie Schorske @ Twenty-Two Gallery in Center City, Philadelphia.
Bonnie Schorske, 2010 @ Twenty-Two Gallery.
Photos by DoN.
