Category Archives: One-Person Art Show

One person art shows. Philadelphia artists one person art shows.

Bonnie MacAllister :: SPECTACLE at iMPeRFeCT Gallery

Bonnie MacAllister :: SPECTACLE at iMPeRFeCT Gallery

Bonnie MacAllister :: SPECTACLE at iMPeRFeCT Gallery

Bonnie MacAllister :: SPECTACLE at iMPeRFeCT Gallery

Bonnie MacAllister :: SPECTACLE (Multimedia Artwork). Saturday, April 6-Saturday, April 27.  Opening April 6 from 6-9 p.m.  iMPeRFeCT Gallery, 5601 Greene Street, Germantown, Philadelphia, PA 19144.  215.869.1001imperfectgallery.com  Facebook: https://www.facebook.com/events/555408667817548/

 


Bonnie MacAllister’s “SPECTACLE” show features new work in 2D, 3D, fiber, metal prints.  She creates cross-genre work fusing performance, photography, fiber art, and painting.


MacAllister chronicles a spectacle in viewpoints: whether as the cineaste documenting surveillance in an artist’s garden in her short film, “Fighting the Creep” or time lapses in fiber art in the music video “Girl Gangs” projected in the gallery on a vintage 1930s pop up screen.  Her figure painting reveals the abnormalities in gender and in form, rendered in encaustic, collage, oil stick, and oil paint she hand mixes from pigment.  Sixteen new photographic pieces dye printed on aluminum at 10″ x 10″ hint at holographic Holga effects with subjects including botanical, Aztec dance, and other worldly scenes captured in camera. Since 2012, MacAllister has been creating body sized pillows featuring her photographic imagery. Expect to see the same motifs on hard and soft surfaces in an ambitious installation, the largest collection of these pillows to date.  MacAllister has taken her imagery to a new medium: fiber.  She is digitally embroidering her images captured in Ethiopia, at the Coney Island Mermaid Parade, in the rural South, in Los Angeles, and in Philadelphia onto beautiful silk from saris.  The result? Something quite spectacular.


MacAllister’s work has been exhibited nationally and internationally since 1999. She has previously exhibited at the Delaware Art Museum, Galeria  in Mexico, the Utopia Library in Italy, Boricua College, University of Pennsylvania, Finlandia University, the Philadelphia Free Library, the Plastic Club, International House Philly, and the Center for Green Urbanism in DC.  Her films have been screened in Norway, NY, LA, and UK.  MacAllister is a 2009 Fulbright-Hays awardee to Ethiopia and a 2007 Pushcart Prize nominee.  She has performed at the New York Foundation for the Arts (NYFA) and the Cat Cat Club in Paris.  She is a member of NextFab Studios, where she has created much of the work for this exhibition. For her full accomplishments, visit bonniemacallister.com. For her blog, visit bonnie-macallister.blogspot.com.  


During the run of the show, iMPeRFeCT Gallery will feature musical, performance, and film events, including a performance event (featuring bands live scoring films) on Saturday, April 13 curated by MacAllister and her multimedia label Certain Circuits.  The last Saturday, April 27 will mark the gallery’s traditional “Last Supper” fundraiser during which MacAllister will give a talk during an intimate supper in the exhibition. The gallery even offers the surprise of the “Red Room,” where a guest artist will devise an installation in a non-traditional space.


 The iMPeRFeCT Gallery is a not-for-profit alternative art space dedicated to the voice of the artist. We are an international, community based exhibition space in Germantown, Philadelphia, where we’ll celebrate the work that comes out of passion.  Founded by Renny Molenaar and Rocio Cabello, the iMPeRFeCT Gallery was created with the intention and hope of becoming a voice in our community and in the ongoing conversation with the art world. Our approach to this work is that of facilitator, where artists of very different persuassions can present themselves and their work with as much freedom as possible.  Our programing will include monthly exhibitions, performances and other events; it is also our intention to bring art out of the gallery, with the creation of works in public places, the publishing of limited edition prints and an active presence on the Internet.  We as artists strongly believe in the transformative powers that the arts bring to our lives, we want to share that experience and inspire action and change.  For the full event schedule during the month of April, visit www.imperfectgallery.com.

365 #drawingaday: Stella Untalan at 110 Church Gallery

365 #drawingaday: Stella Untalan at 110 Church Gallery

The drawing a day project has so many ways to interact with viewers and Stella Untalan has stories for each day but finds that people are telling her their stories for days that are important to them.

“What’s so surprising is that I have a whole perception about the pieces, there’s a whole different one because I’ve never seen them all together. So, I’m surprised. But, the other people come to it and they’re telling you what they like about the pieces, that they were drawn to a particular piece and it’s just like…it’s interesting. Really visceral, ‘I like this one, I like that one!’ It’s really exciting.”

“And it’s not just me, I mean it’s about the excitement of the art of it, it’s like, ‘Wow.’”

365 #drawingaday : Stella Untalan110 Church Gallery through January 18th, 2013.

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Butch Cordora at …gallery…

Butch Cordora, …gallery…, new Photography Gallery, Old City, Philadelphia

Butch Cordora, …gallery…, new photography gallery, Old City, Philadelphia

What about the pop star photographs? “They’re all celebrities that are dead. Or in trouble. Or always getting in trouble. The show is basically troubled celebrities. Good people doing bad things. Bad people doing good things.”

Written and photographed by DoN Brewer except where noted.

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Rob Lybeck, Abstract and Ornamentations

Rob Lybeck, Abstract and Ornamentations at Black n Brew

Rob Lybeck, Abstract and Ornamentations at Black n Brew

Read DoN‘s interview with photographer Rob Lybeck at the new DoNArTNeWs Philadelphia Art News Blog.

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Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Allianc

Michelle Post‘s show of carvings are unusual and beautiful, they look like cast sculptures but they are actually carved from styrofoam. The illusion of heaviness is ironic because of the texture on the outside. Some people think the busts are made from paper mache, the plinths are actually blocks of styrofoam. When the artist grabs a head to show the plinth it’s startling because they look so heavy but are as light as air. Michelle Post explained, “They’re in banged up beat up condition when I get them because they’re cast offs. And they can be in pretty deplorable shape. Gouges and hunks missing out of it but I like that. And I incorporate it into the piece.”

The sense of authenticity is uncanny. “Styrofoam is not normally a sculptural material, it is in the trade, however. Especially for enlargements like the MGM Grand lions out in Las Vegas. They’re cut in styrofoam and coated with material that’s very hard. The cost to have had those cast would have just been astronomical. There are companies now who take your maquette or your sculpture they scan it into a computer and then they have machines cut it out of a large block of foam. Now, you can do a lot of things with it afterward, you can mold it and cast it in bronze or aluminum or whatever or you can actually use the styrofoam.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

“For me, I work into the foam directly but it can’t go outside right now. So, these ten pieces here, the heads, are the commission for the Grounds for Sculpture. It’s so great. It kind of grew from eight heads to ten heads. The Sculpture Foundation commissioned it, it’s going to be a permanent installation at the Grounds for Sculpture around the amphitheater. The amphitheater has all these stone seatings that go up this gentle incline and so these guys are going to flank all the stone seating. It’s like they’re watching what’s going on down in the amphitheater.”

“They will be cast in aluminum and painted in my style but not necessarily these colors because they’re going to be treated as a whole. All ten pieces are one piece. They’re just a little bigger than life size.” DoN asked how she was awarded the commission? “Well, that’s sort of a hard one because I’ve seen a lot of former atelier people that have commissions there so I said, ‘Hey, what about me?’ But, what I was doing before wasn’t good enough to be put outdoors. I actually met Mr. Johnson and showed him my work. I like showing him my work. And when he saw these, I had seven of these heads done, and he went just like, ‘Oh my God, this is exactly what I’m looking for!’ and I went, ‘No! Get out of here!'”

J. Seward Johnson II is the founder of Grounds for Sculpture near Trenton NJ, a large sculpture park and he is also a well known sculptor himself specializing in trompe l’oeil painted bronze statues. He said yes to Michelle Post‘s idea to fulfill his idea of contemporary sculpture of portrait busts without being antiquity style. “He calls the the Mucky Mucks with Bruno as the head Mucky Muck and all the others in a hierarchy.” The work will be installed at Grounds for Sculpture in late 2013 after being sent off to be cast. “This is starting to expand how I see these heads now that they’re being put into a narrative.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Sculptor Michelle Post explained to DoNArTNeWs the concept of her new work Post Industrial, a mixed media sculpture of a goat pulling a cart with a man, a woman and a blue dog. “The cart is actually a real cart, an antique back from the turn of the century (20th) and the goat is actually reminiscent of that time period. They did have goat carts. They would hook up the goat, put the kids in there because the kids were too tiny to do horse and buggy, so the goat was perfect. This piece came about because my husband says,’Michelle you’ve got that cart. You better do something with it.'”

“The heads were the perfect thing, I just piled a bunch of heads in there and do a goat which now is something different I’m bringing to these pieces. Before it would be just the heads. And the plinths which would be the bodies; the plinths become part of the sculpture so it’s not a pedestal piece. With the goat even the base becomes it’s little foot, if you will. The goat set a whole new set of things to figure out. I’m used to going vertical and goats are horizontal. With legs you can’t just put a big old body down, a plinth, and have it represent the body because, well, it’s different.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Referring to the busts Michelle is known for she explains, “These guys are done all in one shot and I’ll work on ten to twelve pieces at one time.” You should know the artist has a magnificent octogonal shaped studio on her property near Millville, NJ big enough to build the heroic sized sculptures. “And about ten of them will turn out OK, there’s going to be a couple that are rejects, it just happens that way. And when Post Industrial came around I thought to myself, ‘OK. I’m bringing in something else.’ I do the stand alone pieces but now it’s time to do something different. With the busts they actually get named afterwards, when I’m carving it’s what comes out.”

DoN noticed that there was more of a narrative than just the personality of the busts; the sculpture reminds him of William Faulkner’s book Light in August where the young girl travels in a cart across the country in search of the father of her unborn child. Michelle said, “My husband, Dave, makes up all sorts of stories about it like, ‘Why’s the dog riding in the cart? Shouldn’t he be running along side?’ And they all have names, this is Cuthbert J. Twillie. If you’re an old movie fan you will know who he is. Think of, ‘My Little Chickadee.’ This is Sadie Twillie in the back, she doesn’t like it back there and that is Blue. Blue Twillie. And the goat is Willie. Willie Twillie.”

Tronies: Michelle Post at Da Vinci Art Alliance ends this weekend, 10/28/2012 with a Halloween costume party in the gallery from 2:00 – 5:00pm. 704 Catharine Street, Philadelphia, PA 19147.

Written and Photographed by DoN Brewer

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Tronies: Michelle Post at Da Vinci Art Alliance is one of the last new stories for this blog, www.brewermultimedia.com, as a new improved format is developed with larger images and better search engine optimization. Thank you to all the fans of DoNArTNeWs Philadelphia Art News Blog for your continued support. Subscribe to the new DoNArTNeWs.com by e-mail: DoN@DoNBrewerMultimedia.com

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