Shine: Rebecca Gilbert at 110 Church Gallery, Out of the Well, woodcut on Japanese paper
Have you ever experienced that magic moment with a work of art when it changes from one thing to another? Like when an abstract becomes a landscape, or a figure emerges from a mess of paint? Expect that to happen when you visit Shine: Rebecca Gilbert at 110 Church Gallery. What looks like a drawing is a woodcut, what looks 2D is 3D, what appears abstract actually has a distinct narrative. The gallery on Church Street in Old City presents the artist’s work sparely, each piece or grouping has plenty of elbow room yet the space is entirely activated by the artist’s conceptual prints. Out of the Well reads like an abstract drawing from across the room but when approached the distinct markings of gouged wood become apparent and the sense of looking down a deep well and not tree rings comes into view. Rebecca Gilbert‘s art always takes the viewer on a journey to a strange place with an odd sense of the familiar. Have you ever looked down a well? Or even seen a real well?
Shine: Rebecca Gilbert at 110 Church Gallery
The triptych above looks at first like a crumbled pediment then transmogrifies into a skateboard ramp over a dirt pile. The static work becomes action packed with the handiwork of kids setting up a dare-devil jump for bikes; the seemingly flat surface is actually layers of dimpled board built up thickly and hanging away from the wall. Again the sweet moment of change, a dual reality of simple forms switch from abstract to story-telling illustration. Remember these are prints, not drawings or paintings, and more sculptural than flat.
Shine: Rebecca Gilbert at 110 Church Gallery
Shine: Rebecca Gilbert at 110 Church Gallery
Artist Dan Chow, like many others, moved up so close to the installation that a museum guard would drag you back. Thoughtfully, he covered his mouth so as not to breath onto the delicate surface to inspect the incredible detail and peek behind the sides to discover how the work floats away from the wall. Rebecca Gilbert told DoN she wanted to make a big Evil Knievle sized jump but settled for the fun sized kid version. But again, it’s the story of riding a bike really fast and making the jump over a dirt pile like an imaginary row of trucks on a Harley Fat Boy that creates action in the art.
Shine: Rebecca Gilbert at 110 Church Gallery
Shine: Rebecca Gilbert at 110 Church Gallery
The trio of woodcuts in white frames is peaceful like sitting by a pond, the watery blue ripples out like the waves from a thrown pebble. Insect and plant forms linger near the edges. You can almost hear the breeze rustling leaves and croaking frogs. Again, the images aren’t flat, layers of prints are built up in an elegant merging of amorphous shapes to delight the eye and bring wonderment to the mind.
Rebecca Gilbert is a CFEVA Fellow, her communications skills are awesome. She speaks with clarity and has stories to tell about each piece with explanations for the symbolism she incorporates in her art. And when you know the stories then the mark-making, line and color take on a richer quality saturated with colorful myths, amusing anecdotes and flights of fancy. Printmaking is a challenging art form requiring multiple skills such as drawing, sculpting and mechanical mastery, the show of prints, Shine: Rebecca Gilbert, will expand your mind and improve your knowledge of what a print can be in the age of mechanical reproduction.
Shine: Rebecca Gilbert at 110 Church Gallery
DoN had the pleasure of interviewing Rebecca Gilbert in her new studio on the second floor of Da Vinci Art Alliance in South Philly during Philadelphia Open Studio Tours 2012 and will post more information about her process and the many projects she is juggling while hammering, gouging and slicing away at a plank of wood, creating the reverse image of what you see in the final print. Amazing.
Written and Photographed by DoN Brewer
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, the first Puerto Rican play on Broadway, a movie came out after that. He was one of the writers for 
. He has a line where he’s talking about junkies that mentioned different kinds of rainbows in different color schemes. And I love that line, it’s fascinating. Brown rainbows and gray rainbows and vertical rainbows. And then I started doing rainbows with crack vials.”
