Category Archives: One-Person Art Show

One person art shows. Philadelphia artists one person art shows.

Lauren Sweeney, Natures Bounty, Works in Watercolor @ Geechee Girl Rice Cafe, Mt. Airy

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Bananas and Oranges, watercolor.

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Ranunculus Bud and Budding Alyssum, watercolor by Lauren Sweeney.

Lauren Sweeney said, “This is a show I decided to include just watercolors that predominantly included what I call natures bounty: fruits, vegetables, shells from the sea and some of the man made objects.  Because it’s sort of a unique opportunity for me to focus more than I have for shows in the past trying to show a little of the diversity that I’ve done.  But, this is twenty paintings, so, it’s a lot of work.  The way this show came about is that they have a curator that goes around including Post Open Studio Tours and she liked my work and asked me on the spot if I would want to do a show here.  She’s the one that arranges the show, goes to the art openings…what she did was go through the POST listings and see which artists looked good to her and then she went around to them.  She invited me out here (Mt. Airy) to see this place and I love it, this space makes all art glow.  It’s a really good space and it allows you to really see the art.  It’s a restaurant so normally you can only see it when they’re open but tonight we’re having the first art reception.”  Lauren Sweeney said she got free publicity through a free networking service called Patch, check it out.  The website gives info and what’s going on in different Philly neighborhoods but it doesn’t exist in Center City yet.

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Geechee Girl Rice Cafe is operated by five sisters, DoN talked with chef/owner Val Erwin about art being part of Geechee Girl Rice Cafe‘s business plan, “We do regular shows of artists. I have somebody on my staff that curates them, works with the artists and hangs the shows.”  Does art draw customers?  “Well, in the most ideal situation, yes.  I mean, that isn’t why we started it but hopefully it does.”

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe

Lauren Sweeney, Natures Bounty @ Geechee Girl Rice Cafe.

Lauren explained to DoN, “I decided early on to use existing work and create new work focused on nature, the tomato painting I started at the Fitler Square Art Fair, while I was there.  This has been a great opportunity for me to expand into this neighborhood.  I’ve met some of the gallery owners, there are all kinds and it’s been a real motivating factor.  The show is two months long and runs through the end of August.”

Geechee Girl Rice CafeThis weekend’s specials:

  • Corn chowder
  • Geechee Girl house salad with herb toasted brie, candied pecans and fresh peaches
  • Fried okra & jalapenos w/ herb sour cream sauce
  • Roasted marinated beets garnished with Lancaster County goat cheese
  • Geechee Girl crabcakes with herb sour cream sauce.  Jasmine rice and Asian slaw
  • Chicken gumbo garnished with Carolina gold rice.  Served with sauteed greens
  • Individual peach cobbler served warm and topped with vanilla ice cream.

Brunch specials

  • Peach lemonade: lemonade topped with fresh peach nectar
  • Orange-currant scones with white icing
  • Geechee Girl crabcakes w/ herb sour cream sauce.  Jasmine rice and heirloom tomato salad
  • Grits souffle with oven roasted tomatoes.  Thick sliced bacon and herb scrambled eggs
  • Buttermilk pancakes with peaches and whipped cream

    World’s best fried chicken every Wednesday this summer.  Get there early ’cause when it’s gone, it’s gone!

 

Photos by DoN.

Jessica Barber – The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery

Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery

 The Commodore Barry, mixed media on panel, Jessica BarberThe Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery

Flare Up at the Refinery, 4 color lithograph, Jessica BarberThe Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Jessica Barber - The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery

Some Strings Attached, mixed media on panel, Jessica Barber – The Industrial Complex: A Visual Interpretation @ Twenty-Two Gallery.

Investigating the super structure of her surroundings, Jessica Barber has discovered a hidden beauty in the ugly encroachment of the industrial complex we live in.  The harsh angles and abrupt interruptions in the landscape are the leaping off points for Barber’s intense paintings and prints.  There is no secret that her endeavor for this show was about industriousness whether in her complex lithographs, an artistic technology unto itself, thickly painted industrial landscapes or thoughtful, contemplative figures, the effect is serious yet hopeful insight.  Seeing the beauty in the ugly is something we have to live with anyway, Jessica see’s the blight and decides to make something beautiful, deep and lasting for us, capturing the moment when the sun hits the bridge at just the right angle or the soft glow of oily asphalt at sunset.  There may be no right answer to the ugliness but Jessica is willing to look hard and see the wonderful patterns, colors and textures inflicted on the industrial landscape and offer answers in the form of art.

 

Photos by DoN.

Bonnie Schorske 2010 @ Twenty-Two Gallery

Bonnie Schorske 2010 @ Twenty-Two Gallery

Abandoned Conrail Railroad Car, Bonnie Schorske, 2010 @ Twenty-Two Gallery.

Bonnie Schorske travels a lot, in her current solo show she compares and contrasts two parts of the world, the Susquehanna Valley region and India.  Bonnie told DoN she is inspired by the imagery she finds along the Pennsylvania river country, the solarized photograph of a Texaco gas pump is a real time trip, just as her duo-tone photo of an Indian landscape takes the viewer on a journey to a foreign place.  The show hangs like a road map around the world, each photo a contemplative gaze on typography, architecture and nature specific to somewhere special.  Bonnie Schorske has been in a creative frenzy producing a large stash of archival digital prints on lustrous museum quality rag paper; the photographer has found a way to produce affordable, high quality prints with DIY industriousness.  Bonnie is highly skilled as a traditional wet dark room photographer but her transition to digital proves it’s not the camera equipment but the eye of the artist that makes an image work.

Bonnie Schorske 2010 @ Twenty-Two Gallery

Bonnie Schorske, Ghost of Big Red, solarized archival pigment print on 100% rag.

This is the image Bonnie used on her art card, when DoN saw Bonnie at the recent Piffaro concert she asked if he was attending her upcoming show – DoN drew a total blank, even though he had the card propped up against his monitor, he never turned it over to see who’s card it was, the image had sold itself already.

Bonnie Schorske 2010 @ Twenty-Two Gallery

RR Detritus and Susquehanna View, archival pigment print on 100% rag paper, Bonnie Schorske @ Twenty-Two Gallery in Center City, Philadelphia.

Bonnie Schorske 2010 @ Twenty-Two Gallery

Bonnie Schorske, 2010 @ Twenty-Two Gallery.

 

Photos by DoN.

 

Tetsugo Hyakutake – Ephemeral Existence @ Gallery 339

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339

Tetsugo HyakutakeEphemeral Existence @ Gallery 339.

Tetsugo Hyakutake explained to DoN how he stitches together panoramic images by combining, in the above five separate photos, into hyper-realistic renderings of industrial infrastructure scenes; the naturally black and white man-made landscape, so fluid and frail is punctuated with red signs, warning lights and smeared reflections.  Tetsugo has been studying the Japanese infrastructure for years, and uses color sparingly and symbolically.  Ephemeral Existence at 339 is a large collection of alien landscapes that kind of look like Philly out by the airport but are Japanese highways, overpasses, power stations – slightly Jetson futuristic.  Hyakutake’s photos are highly realistic but actually the landscapes are outside our actual perspective, the panoramas wider than our vision, the industrial installation images glow unblinkingly, water turned into a restrained painters palette, each image is ephemeral narrating our fragile existence on Planet Earth.

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339

Tetsugo HyakutakeEphemeral Existence @ Gallery 339 through May 7, 2011.

Tetsugo Hyakutake - Ephemeral Existence @ Gallery 339

Tetsugo HyakutakeEphemeral Existence @ Gallery 339.

 

Photos humbly taken with Tetsugo Kyakutake’s permission by DoN.

Dale Levy, Perception @ Twenty-Two Gallery

Dale Levy, Perception @ Twenty-Two Gallery

Dale Levy, Perception @ Twenty-Two Gallery.

Tonight is the Center City Art Crawl but last Friday DoN attended the opening reception for Dale Levy‘s Perception one-person show at Twenty-Two Gallery.  Dale told DoN that Helen Frankenthaler is an influence for her abstract expressionist paintings; the wild colors which appear so immediate actually takes a lot of time as each color dries before the next is added.

Dale Levy, Perception @ Twenty-Two Gallery

Dale Levy, On Edge, acrylic on canvas.

At the opening party a group of Dale Levy’s college girl friends were snapping pictures and hanging out with their old friend in support of her great artistic achievement.  Encouragement and persistence is so essential to an artist’s ability to persevere.  Dale Levy has developed her own recognizable style that looks back to the invention of abstraction but with a contemporary palette and stylish presence.  Make 22nd Street part of your art crawl tonight.

 

Photos by DoN.