Category Archives: Pastels

art created with pastels

The Plastic Club’s 2010 Members’ Medals Show

Karl Richard Olsen took home the Gold Medal in the Plastic Club’s Members’ Medals Show for “Norge“, graphite & pastel. Check out the perfect hoop earring, a simple shape created with confidant strokes, anchoring the image in a time, place, personality, style… it’s amazing how charcoal & pastel can look so liquidy & fluid. Olsen has a major installation for MCGOPA @ The Inquirer Building in Conshohocken.

Robert Bohne won the Dorothy Invernizzi Guinn Memorial Prize for his masterpiece, “Crustacean Feast“. The award honors realist paintings because Dorothy didn’t get abstract art and this oil painting is a timeless example of atmospheric naturalism of the highest achievement. As an artist, when viewing a painting which speaks of years of observation, practice, study, patience & wisdom, it leaves a sensation of living forever, feasting in the moment and leaving a mark on the world.

DoN Brewer, Denmark, photograph, Marie Samohod, Night Still Life, acrylic, Morris Klein, Washington Square, photograph and Eileen Eckstein, Finger Painting, photograph.

Tom McCobb, Adirondack Tea Party, oil.

Burton Greenspan, Albert, oil. Honorable Mention Award for The Plastic Club’s Members’ Medals Show.

The Members’ Medals Show presents 130 artworks throughout three gallery spaces, Alan Klawans explained that volunteers organize and hang the show; the organic mix of paintings, drawings, photos & mixed media often is brilliant with quirky juxtapositions, DoN is confused by the placement of Syd Torchio‘s Art Porn, Take 3, a fantastical painting with a grown up fun-house vibe that gets a bit lost in the dim hall, the best view is from the stairs.

B&W@TPC

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While Alan Klawans, the Exhibitions Chair of The Plastic Club, awarded honors for the excellent Black & White show, DoN observed sunlight creeping across Vetiado # 48, a mixed media painting by Louisa Velben. The painting glittered as if diamonds are embedded in the surface but the illusion was shiny paint bubbles in the thickly painted and swirled liquid.

Pulled From The Darkness, Erik Melendez, charcoal.

Karl Richard Olsen, Portrait, graphite. Bill Meyers, of PSoP, volunteer posed at the Plastic Club, the likeness is striking yet loose and free.

Rebecca Miller, Overrripe: Compost 3, graphite. Miller is completing the Master program @ PAFA, studying with the extraordinary Scott Noel; this piece was created by drawing on gessoed board, draw with graphite, layer watered gesso over the drawing, let dry, draw some more…the result is an award winning drawing. Miller also took home a prize the same day from The Philadelphia Sketch Club for an oil painting. Seeing young new talent emerging from local art schools with the skill of masters participating in the grass roots arts movement in Philly is extremely satisfying.

Alden Cole, Dancing in the Dark, pencil and Leroy Fornoy, Night Bus, oil. Pairing these two graphic pieces is genius – Cole’s trippy Starlings dance ecstatically and Fornoy’s painting has a Manga skate-punk nihilist vibe.

One of the great aspects of this show is the variety of media displayed, now that photography is accepted in the art circles as a legitimate art form, many Photographic Society of Philadelphia members have the opportunity to show with their work along side traditional media – some photographers even entered paintings!

Arthur Ostroff, Floreal Ancienne, ink jet print.

Riikka Salo, Windows to Spruce, photograph.

Lois Schlachter, Exhibitions Chair of The Philadelphia Sketch Club, and Alan Klawans, Exhibitions Chair of The Plastic Club, at the Black & White Show. The Philadelphia Sketch Club opened their 147th Annual Exhibitions of Small Oil Paintings the same afternoon – between the two art clubs there are over 300 new art works by contemporary Philadelphia area artists to see. The juxtaposition of two strong theme shows is visually and psychologically invigorating, one show is limited to size and medium, the other limited to no color, the problem-solving and creativity of the artists is inspiring, entertaining and lucid.

Photography by DoNBrewerPhotography.

Off the Wall Gallery @ Dirty Franks – An Offering on Camac

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Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists – a painting of a three-legged dog created in collaboration by an opposite sex couple. The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades – the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 – both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone. Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life. Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac. Mina won an award Saturday for a painting she created for the Lantern Theater Company‘s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City – it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order. What do you call a one-eyed, three-legged dog? Lucky.

An Offering on Camac @ Off the Wall Gallery in Dirty Frank’s Bar

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Jessica Barber & Alison Altergott – Making An Impression @ Twenty-Two Gallery

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Jessica Barber, Bonifacio, monotype/oil pastels @ Gallery Twenty-Two’s Making An Impression show featuring prints by Jessica Barber & Alison Altergott. Prints is a bit of a misnomer in this show, both artists use printing as part of their process but expand the barriers into writing, drawing, collage and painting. DoN LoVeS this print which looks very much like a Star Trek Ferengi.

DoN asked Jessica if she created this piece in Madrid because it feels so immediate and plein air, as if she set up her plates & inks right there in the cafe. Actually the artist worked from a photo she took while on a trip to Alice’s annual painting retreat in Majorca with friends from the Plastic Club. Jessica said club president, Bob Jackson allowed her to work late at night in the wonderful print shop “down stairs”, allowing her to create these rich, saturated images which she had framed at Liberty Art & Framing with non-glare glass. Immediacy, tension and vitality exude from the paper with a fresh, active style only the rigorous lithograph process produces.

Jessica Barber explained to DoN she uses a new non-toxic form lithographic process using plastic sheets which the artist applies different resists for the ink, Jessica used non-conventional mark-making tools to develop her images including Sharpies, she said, “ink loves the donor”.

Jessica Barber @ the opening of her collaborative show @ Gallery Twenty-Two. Second Friday for people in cars was frustratingly frantic, west Center City traffic was snarled because of the snow and the South Street bridge being out but DoN walked, easily strolling past cars with “Bad Romance” blasting in his iPod; Jessica was stuck on a bus trying to get to her own opening, arriving safely – fashionably late!

Alison Altergott @ Twenty-Two Gallery. DoN asked about the girls in Alison’s prints, old dress patterns from the 50s & 20s because of the resonance of the strong feminine ideal of the home-maker. DoN thought a feminist home-maker is a contradiction in terms but Alison defended the mystique as a commentary on what we’ve lost compared to the way families live now. Alison Altergott combines handwriting, collage, paint and printing to develop these densely signified images about the ideals of growing up.