Category Archives: Art in Philadelphia

Art in Philadelphia

Art Supply Sale On-line at Dick Blick Art Supplies

As many Philadelphia artists and art organizations know, Dick Blick is a great neighbor to our arts community. When DoN visits the Dick Blick store at 13th and Chestnut Streets, there is always a table full of cool free stuff and the store’s management team makes every effort to help with great awards packages of Blick Art Materials for art shows. The spacious store offers artist’s wall space to show their art and the staff is very knowledgable and helpful.

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DoNArTNeWs Philadelphia Art News Blog is an affiliate marketer for Blick Art Materials and they are having a great November sale for their on-line customers with up to 65% off popular products.

When you buy products by clicking through on the links, DoNArTNeWs Philadelphia Art News Blog receives a small commission – the only way the blog can generate revenue. The cost for creating content for DoNArTNeWs Philadelphia Art News Blog continues to rise as travel, internet and housing costs increase. If you like DoNArTNeWs Philadelphia Art News Blog, and want to help, please consider buying products you need for creating your art by clicking through on the links in this post or the sidebar and help defray DoN‘s expences for promoting and reviewing the vibrant Philadelphia art scene. Even though this blog has reached over 450,000 unique visitors year to date, the blog has not generated any revenue.

Buying through the affiliate marketing links will help DoN continue to review shows, promote emerging artists and expand coverage of the Philadelphia art scene. Unlike other art blogs, DoNArTNeWs Philadelphia Art News Blog does not receive grants or advertising revenue and all stories are written and photographed exclusively by DoN. During this holiday shopping season, please consider buying gifts and art supplies through DoNArTNeWs Philadelphia Art News Blog affiliate marketing links.

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Written and Edited DoN Brewer, the new DoNArTNeWs Philadelphia Art News Blog

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Social Networking Workshop at The Plastic Club Salon

The Plastic Club Salon requested DoN to do a workshop for artists on how to use Social Networking. The workshoptake place Saturday 2/23/13 at 6:30pm. The Plastic Club has purchased a hot spot for internet access so participants can bring a laptop and play along. The cost is $10.00 to cover the cost for internet access.

The session will be interactive, the agenda is broad:

  • Brand Identity: What is your product? Who is your customer? What service or benefit does your product offer? What category is your product? What is your value proposition? Do you have a business card?
  • Photographing Your Artwork: Do you have a digital camera? Do you have Photoshop or Elements? Do you know someone who does?

Resources:

Written and Edited DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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Photographic Society of Philadelphia 150th Anniversary

Photographic Society of Philadelphia 150th Anniversary

PHOTOGRAPHIC SOCIETY OF PHILADELPHIA

Established in 1862 – The Photographic Society of Philadelphia Celebrates 150thAnniversary

The Photographic Society of Philadelphia, the oldest continuously active photographic society in the United States, marks its 150th anniversary with a major exhibition opening on November 4th, 2012 at The Plastic Club Galleries on the Avenue of the Artists in Center City Philadelphia.

The juried exhibition, which will be open Sundays November 4th, 11th, 18th and 25th from 1:00 – 5:00pm and Tuesday evening November 20th from 6:00 – 9:00pm, can be experienced at The Plastic Club, 247 Camac Street, Philadelphia, PA.

Presenters will include many of the outstanding ninety-six members of PSoP – some who have shown their work in galleries throughout the US, Europe and Philadelphia.  The exhibition will be juried by a panel of three distinguished members of the photographic community – Kyle CassidyJJ Tiziou and Martin McNamara.

During this celebratory year, The Photographic Society of Philadelphia will draw attention to its longevity (the third oldest in the world – founded in 1862) and illustrious history.  Documentary, artistic and scientific works by many of its members have featured prominently in the history of American photography.  Changes in technology have moved forward dramatically and no longer dictate that photographers must grind their own lenses, or make their own cameras.  The digital era and instant have become the norm.

President of PSoPEileen Eckstein, noted that “The object of the Society, as stated in the constitution, was “to increase and diffuse knowledge of the natural laws which relate to the action of light, and particularly to promote improvements in the art of photography”. And, she added, rhetoric aside, the philosophy, developed one hundred and fifty years ago, is as fresh today”.

Since its inception, The Photographic Society of Philadelphia has been a haven for both amateur and professional photographers who come together for photographic outings, educational lectures and lively discussions on techniques, style and the art of photography.

The Photographic Society of Philadelphia is a not-for-profit and tax-exempt organization 501c3 on the Internal Revenue Code.  Open to all film and digital photographers, from enthusiasts to professionals, from all over the world.  www.phillyphotosociety.com.

President:  Ms. Eileen Eckstein

Vice President:  Mr. Morris Klein

 

Photographic Society of Philadelphia 150th Anniversary

Photographic Society of Philadelphia 150th Anniversary exhibition dates and times.

 

A brief look at the history of The Photographic Society of Philadelphia

Note from the Archives of The Library Company

Philadelphia, Nov. 27th, 1860

The Amateur Photographers of this city have long felt the want of opportunity for full and free interchange of views relative to their favorite pursuit. Under the conviction that we might readily form an association whose “re-unions” would be agreeable and beneficial, I have made bold to take the initiative step, and to ask the favor of your attendance at a preliminary (and unceremonious) meeting at my laboratory, on Tuesday evening, December 4th, at half-past seven o’clock.

Constant Guillou

Entrance on the west side of Swanwick Street (rear of 615 Walnut Street), the lamp post at the door.

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Written and Edited by Maggi Burnett and DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Allianc

Michelle Post‘s show of carvings are unusual and beautiful, they look like cast sculptures but they are actually carved from styrofoam. The illusion of heaviness is ironic because of the texture on the outside. Some people think the busts are made from paper mache, the plinths are actually blocks of styrofoam. When the artist grabs a head to show the plinth it’s startling because they look so heavy but are as light as air. Michelle Post explained, “They’re in banged up beat up condition when I get them because they’re cast offs. And they can be in pretty deplorable shape. Gouges and hunks missing out of it but I like that. And I incorporate it into the piece.”

The sense of authenticity is uncanny. “Styrofoam is not normally a sculptural material, it is in the trade, however. Especially for enlargements like the MGM Grand lions out in Las Vegas. They’re cut in styrofoam and coated with material that’s very hard. The cost to have had those cast would have just been astronomical. There are companies now who take your maquette or your sculpture they scan it into a computer and then they have machines cut it out of a large block of foam. Now, you can do a lot of things with it afterward, you can mold it and cast it in bronze or aluminum or whatever or you can actually use the styrofoam.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

“For me, I work into the foam directly but it can’t go outside right now. So, these ten pieces here, the heads, are the commission for the Grounds for Sculpture. It’s so great. It kind of grew from eight heads to ten heads. The Sculpture Foundation commissioned it, it’s going to be a permanent installation at the Grounds for Sculpture around the amphitheater. The amphitheater has all these stone seatings that go up this gentle incline and so these guys are going to flank all the stone seating. It’s like they’re watching what’s going on down in the amphitheater.”

“They will be cast in aluminum and painted in my style but not necessarily these colors because they’re going to be treated as a whole. All ten pieces are one piece. They’re just a little bigger than life size.” DoN asked how she was awarded the commission? “Well, that’s sort of a hard one because I’ve seen a lot of former atelier people that have commissions there so I said, ‘Hey, what about me?’ But, what I was doing before wasn’t good enough to be put outdoors. I actually met Mr. Johnson and showed him my work. I like showing him my work. And when he saw these, I had seven of these heads done, and he went just like, ‘Oh my God, this is exactly what I’m looking for!’ and I went, ‘No! Get out of here!'”

J. Seward Johnson II is the founder of Grounds for Sculpture near Trenton NJ, a large sculpture park and he is also a well known sculptor himself specializing in trompe l’oeil painted bronze statues. He said yes to Michelle Post‘s idea to fulfill his idea of contemporary sculpture of portrait busts without being antiquity style. “He calls the the Mucky Mucks with Bruno as the head Mucky Muck and all the others in a hierarchy.” The work will be installed at Grounds for Sculpture in late 2013 after being sent off to be cast. “This is starting to expand how I see these heads now that they’re being put into a narrative.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Sculptor Michelle Post explained to DoNArTNeWs the concept of her new work Post Industrial, a mixed media sculpture of a goat pulling a cart with a man, a woman and a blue dog. “The cart is actually a real cart, an antique back from the turn of the century (20th) and the goat is actually reminiscent of that time period. They did have goat carts. They would hook up the goat, put the kids in there because the kids were too tiny to do horse and buggy, so the goat was perfect. This piece came about because my husband says,’Michelle you’ve got that cart. You better do something with it.'”

“The heads were the perfect thing, I just piled a bunch of heads in there and do a goat which now is something different I’m bringing to these pieces. Before it would be just the heads. And the plinths which would be the bodies; the plinths become part of the sculpture so it’s not a pedestal piece. With the goat even the base becomes it’s little foot, if you will. The goat set a whole new set of things to figure out. I’m used to going vertical and goats are horizontal. With legs you can’t just put a big old body down, a plinth, and have it represent the body because, well, it’s different.”

Tronies: Michelle Post at Da Vinci Art Alliance

Tronies: Michelle Post at Da Vinci Art Alliance

Referring to the busts Michelle is known for she explains, “These guys are done all in one shot and I’ll work on ten to twelve pieces at one time.” You should know the artist has a magnificent octogonal shaped studio on her property near Millville, NJ big enough to build the heroic sized sculptures. “And about ten of them will turn out OK, there’s going to be a couple that are rejects, it just happens that way. And when Post Industrial came around I thought to myself, ‘OK. I’m bringing in something else.’ I do the stand alone pieces but now it’s time to do something different. With the busts they actually get named afterwards, when I’m carving it’s what comes out.”

DoN noticed that there was more of a narrative than just the personality of the busts; the sculpture reminds him of William Faulkner’s book Light in August where the young girl travels in a cart across the country in search of the father of her unborn child. Michelle said, “My husband, Dave, makes up all sorts of stories about it like, ‘Why’s the dog riding in the cart? Shouldn’t he be running along side?’ And they all have names, this is Cuthbert J. Twillie. If you’re an old movie fan you will know who he is. Think of, ‘My Little Chickadee.’ This is Sadie Twillie in the back, she doesn’t like it back there and that is Blue. Blue Twillie. And the goat is Willie. Willie Twillie.”

Tronies: Michelle Post at Da Vinci Art Alliance ends this weekend, 10/28/2012 with a Halloween costume party in the gallery from 2:00 – 5:00pm. 704 Catharine Street, Philadelphia, PA 19147.

Written and Photographed by DoN Brewer

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Tronies: Michelle Post at Da Vinci Art Alliance is one of the last new stories for this blog, www.brewermultimedia.com, as a new improved format is developed with larger images and better search engine optimization. Thank you to all the fans of DoNArTNeWs Philadelphia Art News Blog for your continued support. Subscribe to the new DoNArTNeWs.com by e-mail: DoN@DoNBrewerMultimedia.com

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Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery, Out of the Well, woodcut on Japanese paper

Have you ever experienced that magic moment with a work of art when it changes from one thing to another? Like when an abstract becomes a landscape, or a figure emerges from a mess of paint? Expect that to happen when you visit Shine: Rebecca Gilbert at 110 Church Gallery. What looks like a drawing is a woodcut, what looks 2D is 3D, what appears abstract actually has a distinct narrative. The gallery on Church Street in Old City presents the artist’s work sparely, each piece or grouping has plenty of elbow room yet the space is entirely activated by the artist’s conceptual prints. Out of the Well reads like an abstract drawing from across the room but when approached the distinct markings of gouged wood become apparent and the sense of looking down a deep well and not tree rings comes into view. Rebecca Gilbert‘s art always takes the viewer on a journey to a strange place with an odd sense of the familiar. Have you ever looked down a well? Or even seen a real well?

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

The triptych above looks at first like a crumbled pediment then transmogrifies into a skateboard ramp over a dirt pile. The static work becomes action packed with the handiwork of kids setting up a dare-devil jump for bikes; the seemingly flat surface is actually layers of dimpled board built up thickly and hanging away from the wall. Again the sweet moment of change, a dual reality of simple forms switch from abstract to story-telling illustration. Remember these are prints, not drawings or paintings, and more sculptural than flat.

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Artist Dan Chow, like many others, moved up so close to the installation that a museum guard would drag you back. Thoughtfully, he covered his mouth so as not to breath onto the delicate surface to inspect the incredible detail and peek behind the sides to discover how the work floats away from the wall. Rebecca Gilbert told DoN she wanted to make a big Evil Knievle sized jump but settled for the fun sized kid version. But again, it’s the story of riding a bike really fast and making the jump over a dirt pile like an imaginary row of trucks on a Harley Fat Boy that creates action in the art.

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

The trio of woodcuts in white frames is peaceful like sitting by a pond, the watery blue ripples out like the waves from a thrown pebble. Insect and plant forms linger near the edges. You can almost hear the breeze rustling leaves and croaking frogs. Again, the images aren’t flat, layers of prints are built up in an elegant merging of amorphous shapes to delight the eye and bring wonderment to the mind.

Rebecca Gilbert is a CFEVA Fellow, her communications skills are awesome. She speaks with clarity and has stories to tell about each piece with explanations for the symbolism she incorporates in her art. And when you know the stories then the mark-making, line and color take on a richer quality saturated with colorful myths, amusing anecdotes and flights of fancy. Printmaking is a challenging art form requiring multiple skills such as drawing, sculpting and mechanical mastery, the show of prints, Shine: Rebecca Gilbert, will expand your mind and improve your knowledge of what a print can be in the age of mechanical reproduction.

Shine: Rebecca Gilbert at 110 Church Gallery

Shine: Rebecca Gilbert at 110 Church Gallery

DoN had the pleasure of interviewing Rebecca Gilbert in her new studio on the second floor of Da Vinci Art Alliance in South Philly during Philadelphia Open Studio Tours 2012 and will post more information about her process and the many projects she is juggling while hammering, gouging and slicing away at a plank of wood, creating the reverse image of what you see in the final print. Amazing.

Written and Photographed by DoN Brewer

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