Category Archives: Philadelphia Art Installations

Art installations in Philadelphia.

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“I came to book arts as a librarian’s daughter and my poor father practically had a heart attack when he found out I was applying to grad school to do book arts.  ‘Those are those nut jobs that take books and nail them to canvasses and call them art.'” said Tara O’Brien during her artist talk at The Center for Emerging Visual Artists.  “A lot of what I was dealing with in Graduate School was making sure that that’s not what I’m doing, I’m not desecrating the Book. In fact, I spent a lot of time trying to figure out what is the future of the book, where is it going?  In 2003 we were just getting into a huge tipping point with the Internet and you went there instead of to a book, unless you were my father.  A lot of that time was spent thinking, ‘What is a book?  What can it be? What’s the conceptual quality of the book?’ And so for the early pieces in the show, these two Thread of Thought and Plenum in the back is what could it be?”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

Plenum, for example, is a term physicists use to describe all of the matter in the universe.  So, what is a book, what can it be?  It can be anything in the Universe.  As I was talking earlier about Plenum the other thing I wanted you to do is approach the book when it was closed and when you open it it reveals a completely different structure inside, a surprise in finding a book. Which is what you get when you approach a novel and find that that stellar writing you kind of think, ‘Oh, they wrote that so beautifully.’  So, how can you combine the two in art and literature?  How does a book work physically? How do you read a book page by page and how do you follow the threads of what the author is trying to get through to you?  And then you can break it down to how are the symbols on the page giving you this linking.  And that’s why I chose crocheting instead of knitting because each chain in a crochet is a link from one to the next one but you can build so much from a crochet chain.  Both of these books are a single thread all the way through the entire book, the whole narrative, if you will, from the thread references as a you read a book.  Like when you’ve gone fifty pages and and you don’t remember turning a single page because you’ve gotten so caught up in this single thread.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA, Hyperbolic Space

“Or you get to the point in a book here where you do realize your turning pages faster than you think.”  Tara demonstrated how many of the pages pull the others with the thread and pages fly by like a magicians deck of cards.  “And finally you almost turn in junior English denouement.  So those books lead to thinking metaphysically, ‘What is the future of the book?’  I have no idea.  Do I think books are going out of style?  No.  Not a chance, they just have a chance to evolve now.  We’ve got eReaders, they’re here to stay, have fun with them but come back to these.  The next group is the little tiny ones they all fall under the title Entelechy, Aristotle’s philosophy that every entity has a force that drives it to self-fulfillment and I just really like that idea.  I’d like to know what this force is?  What is it made up of?  How does it break down?  And in making these books I found that opening a page spread in a book is also kind of a metaphor for life.”

Thread of Thought, Tara O’Brien Artist’s Talk at CFEVA

Thread of ThoughtTara O’Brien at CFEVA

“If you do these stitches you can see the full spread of a chapter or a moment to a link in your life.  For example, as of now, all of February is one page spread for me, I don’t know what’s happening right now in this page spread but I can turn the page back in time and look at what happened in February in my life, and it’s clear now.  Whereas in February I had no idea.  A little crazy, right?  I was really excited about this show because it offered me a chance to do new work.  I do a lot of knitting, a lot of crocheting and I’m interested in a lot of things, I’m a library conservator so I get to look at a lot of old stuff, at ancient patterns and I get to look at old cookbooks and all these things that people have been doing forever.  How are we going to interpret it?”

“My Winter project this year was to knit a pair of Latvian mittens, in Latvian culture for years and years and years the girls know they will marry at age sixteen and they make these incredibly complex mittens, one pair for every member of the family of her future husband.  So, she’s been knitting five hundred pairs of mittens by the time she’s sixteen.  They’re complex and double stranded and they start knitting when they’re five years old, it’s part of the culture.”

“Fast forward to 1995, and we have a mathematician from Latvia who finally solves the problem of making a model for hyperbolic space.  So, what’s hyperbolic space?  Well I’m going to do my best, but, it’s a mathematical thing – continuously negative space.  It’s the ruffles on your lettuce, and what she was able to do was disprove Euclid’s theorum, given one straight line and a point off of the line there is only one other parallel line only.  But this theorum doesn’t work on a globe but nobody could prove how it didn’t work and why not?  In the 50’s they started experimenting with paper models but paper if you cut it, it falls apart.”

“So this person from a knitting culture sat down and said, ‘I know how to do this.’  And so she took these specifically exponentially increased, this one is six to one, you can see these two lines, when you take this continuously negative space and fold it you can bring two lines together and you get a set of parallel lines.  As you go on with these, it takes forever to make a row, and then you take another fold and lay it next to that and now you have three parallel lines.

So, this is important for me because it references back to my idea of linking and connecting everything, here’s a woman who just knitted all the time because she was so practiced at it, all of a sudden these higher level ideas were coming out her just regular handwork and solving really massive problems.  This book talks about the connection of this handwork from just the regular linking these little moments, these tiny little pearls of brilliant thoughts and made some coherence out of these higher thoughts.  I hope that that makes sense.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog Google and Wikipedia was used extensively to write this article.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

[disclosure page] All ad links in this blog post go to Amazon.com

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“It’s exciting to be here, I want to thank Amie Potsic for her curatorial vision and bringing Tara O’Brien and me together for this exciting project.” said Leslie Atik at the opening of Thread of Thought at Center for Emerging Visual Artists.  “I want to tell you a little about my work, it really grows out of my love of language, that’s the first place it starts.  I love language and grammar, I’m one of those people who like to diagram sentences and I like conjugating verbs and all that sort of stuff.  It took me a long tome, believe me, to get here but I finally got to the point where I wanted to make that the stuff of my artwork.  So, that’s the beginning place and the thing that I really love is thread and anything to do with thread.  Textile people out there understand that, if you like to knit or crochet or weave, I started realizing and not in a linear way but there are a lot of things that overlap when you talk about language and you talk about textiles.  There are a lot of metaphors of textiles that are used in describing language but at a basic level when you talk about language you talk about surface and a structure that generates that surface.  And that’s something that language shares with textile, so, when I’m talking about structure I mean the grammar, how the sentence is put together, not neccessarily what it means.  That obviously is a layer of it, the underneath part is what interests me in textiles, too.  So, those units make up the surface – I could talk forever about that stuff.”

Leslie Atik, Notes on a Rose, Thread of Thought, Artist’s Talk at CFEVA

Leslie Atik, Notes on a Rose, hand painted marking tags, map pins, chalk and paint

“Fast forward, the other thing that may be of biographical interest is I taught Spanish for many years and so I was at the blackboard back in the day when you actually stood at the blackboard with a piece of chalk.  And I realized that something else I wanted to bring into my art making was, I thought, ‘Well, Jeez, this is mark-making’, and I worked at bringing my chalkboard into my work.  It’s a linear fashion I’m describing but this is what happened.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Notes on A Rose

Notes on a RoseLeslie Atik at Center for Emerging Visual Artists

This piece is called Notes on a Rose, it’s a series of pieces that are similar to this and what I’m doing is marking the language.  But each one is different, I’ve marked different things, I’ve structured them differently.  And I thank Amie because any time I can work directly on the wall it really excites me.  I like the idea that at the end of this exhibition this piece is going to be erased.  It has that temporal element to it…it’s built on two texts, the middle text is from Romeo and Juliet and it’s the famous scene where Juliet is asking, ‘Why is your name Romeo?‘  That which we call a rose by any other name would smell so sweet.  The middle passage is about names, therefore in the grammar I immediately thought of nouns – names and nouns.  So I marked – all these patterns are marking places in the grammar where there were nouns – the little tags that I buy at Staples are called marking tags.  So I’m literally marking the language and I’m mapping them because I’m using little map pins on the placement as well.  Each of these little tags has been hand painted in watercolor.”

“The text on either side is a little excerpt from Gertrude Steins writing, A Rose is a Rose.  So I just repeated it over and over and to me that seemed like a textile to repeat that unit, A Rose is a Rose, and on this side I marked the vowels that repeat and on that side is the consonants.  There’s another piece around the side there that’s based on a play and the one over there is based on Spanish, those who speak Spanish know there are two types of being to express the verbs ‘to be’ in Spanish, one referring to the state of things which is the outside and the other one is more essential kind of being.  That’s basically the idea that helped me structure that piece.”

Thread of Thought, Leslie Atik Artist’s Talk at CFEVA, Dream Notes

Leslie Atik at Center for Emerging Visual Artists, Dream Notes, hand painted marking tags, map pins, chalk and paint

“When I talk about different layers of language sometime I don’t just use the black and white because this rose idea was so strong I said, ‘OK, let’s just have fun with the color rose.’  I just used the idea of the rose and made that the color palette.  The tags I just paint by the hundreds.  The surface on the wall is just house paint, interior latex paint, right on the wall.  If you come around to the side this is one of my favorite views of the piece, I really am playing with the idea of the text in the textile, so the idea here is that a text is generating textiles.  The erasing is purposeful, it’s kind of developed through my work, to create this piece I do a lot of work at home first getting my handwriting to do what I want it to do in the space I want to work in.  But I like erasing for formal reasons, I like the graying that it adds to my palette but also because I like the idea that this thing is ephemeral and that you’re writing and re-writing and the idea of repeating which is part of the textile process and part of the language process as well.  It is fragile, but I’ve lived with some of these and as long as they’re not mishandled they hold up pretty well but they’re not meant to last for a long time.”

Fiber Philadelphia 2012 

Thread of Thought at Center for Emerging Visual Artists  through March 23rd.

Read more about FiberPhiladelphia2012 at Side Arts with Cassandra Hoo‘s excellent article.

Written and photographed by DoN BrewerDoNArTNeWs Philadelphia Art News Blog

[disclosure page] All ad links in this blog post go to Amazon.com

Small Worlds 2012 at The Plastic Club

Terrorarium! Or How I Put an End to My Nightmares of 9/11, John Baccile, Small Worlds 2012 at The Plastic Club

Terrorarium! Or How I Put an End to My Nightmares of 9/11, John Baccile, Small Worlds 2012 at The Plastic Club

Yeoun Lee, Untitled, Small Worlds 2012 at The Plastic Club

Yeoun Lee, Untitled, Small Worlds 2012 at The Plastic Club

Small Worlds 2012 at The Plastic Club

Small Worlds 2012 at The Plastic Club: Ann LaBorie, Blossoms, collage/watercolor, S.M. Pfaffenbichler, Fresh Air, watercolor, Marlene Bugansky, Flowers, acrylic, Gail Zelikovsky, Always Looking Up, silk painting and Ellen LoCicero, On Green Mountain, oil

Neil Johnson, Tint Dancer, photograph, Small Worlds 2012 at The Plastic Club

Neil Johnson, Tiny Dancer, photograph, Small Worlds 2012 at The Plastic Club

At the book party for Her Philadelphia Tales, The Art of Lilliana S. Didovic, Neil Johnson asked DoN when the drop off deadline for the Small Worlds 2012 show at The Plastic Club was?  Yikes, today.  Neil had his work ready but thought the delivery was the following weekend and missed the drop off deadline.  DoN took the aspiring photographer aside in the crowded noisy Smile Gallery and advised him to call The Plastic Club in the morning and explain to the exhibitions chair the situation, to be contrite and volunteer to help.  Neil stared at DoN a moment in befuddlement and repied, “I’ll do it.”  He did and took home an honorable mention!

Bob Jackson, Janice R Moore, Small Worlds 2012 at The Plastic Club

Janice R. Moore, Circus Fantasy, mixed media, Garden Dream, mixed media and Bob Jackson, Young Cocks, junk and stuff, Identical Chicks, junk and stuff at Small Worlds 2012 at The Plastic Club

Lauren Rinaldi, Heather Riccardi, Small Worlds 2012 at The Plastic Club

Lauren Rinaldi, Birthday, oil on cradled wood and Heather Riccardi, The Waiting, acrylic, Small Worlds 2012 at The Plastic Club

John Baccile, Small Worlds 2012 at The Plastic Club

John Baccile, Small Worlds 2012 at The Plastic Club

Rick Wright, Fianchetto, photo similacra, Small Worlds 2012 at The Plastic Club

Rick Wright, Fianchetto, photo simulacra, Small Worlds 2012 at The Plastic Club

Mina Smith Segal, The Constitution Crowd, Small Worlds 2012 at The Plastic Club

Mina Smith Segal, The Constitution Crowd, Small Worlds 2012 at The Plastic Club

Small Worlds 2012 at The Plastic Club includes one hundred eighty six small art works, the only caveat the piece could not be bigger than 16″ in either direction.  It’s fun for DoN to glean some images from a big show like Small Worlds for DoNArTNeWs, matching the image with title in the brochure (The Plastic Club uses a numbering system instead of labels) to discover his photographic eye is drawn to the same artists again and again.  Please add a comment to the blog if you’ve seen the show and tell DoN which is your fave.

Photos by DoN Brewer

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Women of Vision: 2012 Lauren Acton at Hidden River Gallery

Women of Vision: 2012 Lauren Acton at Hidden River Gallery

Women of Vision: 2012 Lauren Acton, Violated, at Hidden River Gallery

Women of Vision: 2012 Lauren Acton, The Agreement, at Hidden River Gallery

Women of Vision: 2012 Lauren Acton, The Agreement, at Hidden River Gallery

Lauren Acton explained to DoN, “I brought a bistro scene, I’ve done a lot of bistro women in a series, colorful women in bistro scenes because I lived in Paris.  And it’s reminiscent of drinking a lot of wine, or having coffee or tea.  My most recent pieces though are based on Roger de La Fresnaye who based a lot of work on nude women with business men, it’s so intriguing, the opposition of those two together that I’m focused on right now and the wine is introduced, I like somewhat abstract figures now with figurative pieces.  They’re broken down spaces, then broken down again with color and treatment of layers, glazing, it’s just what I’m doing at this point.”

Women of Vision: 2012 Lauren Acton, The Girls, at Hidden River Gallery

Women of Vision: 2012 Lauren Acton, The Girls at Hidden River Gallery

DoN asked if this is a response to the male gazeLauren Acton responded, “I’m not sure, this is a show with all women but Debra Leigh Scott picked the pieces, I thought that was appropriate for an all female show.  A woman’s point of view to maybe, um, the waning feminist era we find ourselves in after the sixties.  Debra and I had a big conversation about what happened to our feminist movement, I’m only 52 but I lived through the sixties and I know about Gloria Steinem and those girls.  It’s important to understand a woman’s point of view and how a lot of successful business women are still fighting a lot of prejudice, even just being female in the working world there’s prejudice, it’s still an upward battle for a lot of women.”  DoN asked about how Lauren Acton reacts to the current political discussion surrounding women today?  “There’s still prejudice, that’s all I’m going to say.”

Women of Vision: 2012 at the Hidden River Art Gallery and Salon, 525 South 4th Street, Philadelphia hosted by Debra Leigh Scott through April 30, 2012.

DoN will be posting stories about the other featured artists Pamela Peitzman, Barbara GesshelMadeline Bates, Lilliana Didovic and Maria Lourdes Soloman on upcoming DoNArTNeWs Philadelphia Art News Blog posts.

Read more about Women of Vision 2012 at Side Arts Philadelphia Art Blog

Photographs by DoN Brewer

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InLiquid v.12

Ellie Brown, InLiquid Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Ellie Brown, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Brenna K. Murphy, InLiquid Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Brenna K. Murphy, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Clarissa Shanahan Schirmer, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Clarissa Shanahan Schirmer, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the ArtsJim Houser, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jim Houser, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jung Wah Ung, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jung Wah Ahn, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jordan Griska, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Jordan Griska, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

LGTripp Gallery, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

LGTripp Gallery, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Donna Usher, LGTripp Gallery, InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Donna Usher, LGTripp Gallery, InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid Art and Design Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

InLiquid v.12 Benefit Auction 2012, ICE Box Gallery, Crane Center for the Arts

Rachel Zimmerman, the mastermind behind the artist representation website InLiquid, sent DoN a FaceBook message asking if he had received his V.I.P. invitation to the  InLiquid v.12 Benefit Auction 2012?  DoN double checked his inbox and passes to the pre-opening Silent Auction cocktail party for the biggest art event in town unopened.  Cool!  4:00 – 6:30pm, Friday February 10th – DoN had copped the ultimate art party early-bird special!

The ICE Box Gallery in the Crane Center for the Arts is massive but the hall was filled with art of all kinds, tables brimming with collectibles throughout the room, even extra walls to accommodate the array of art and DoN had it all to himself, sort of, for about thirty minutes.  Wandering through the collection DoN spotted familiar artists from across Philadelphia and lots of new faves.  A cocktail bar was in the middle of the room and a bartender made DoN a drink with gin, aloe vera juice and muddled basil, in the Gray Area (the large gallery next to the ICE Box) tables with fantastic treats like a thin crustini with a smear of sun dried tomato paste topped with a dollop of pate’.  Displayed around the room were silent auction bidding sheets for dozens of desirable services and a group of prints selected by jurors from submissions.  So, even if you didn’t win your bid you can still buy a collectible art print.

Soon DoN had a good buzz going from the gin, wandered back in the hall to absorb the sights and ran into artist Amie Potsic.  Walking and talking we were struck by the high quality of the art: a bold red and black painting by Da Vinci Art Alliance Executive Director David Foss, massive abstract expressionist paintings by one of Amie’s faves, Jung Wah Ahn, Brenna K. Murphy‘s hair art, Ellie Brown‘s bag photographs (she photographs people and the contents of the bag they carry) and so much more by many great Philadelphia artists.

Amie Potsic is an artist, photographer, maven, Director of Career Development at CFEVA, and has been an InLiquid member artist since it’s inception in 1999 – that’s pre-Google.  Amie told DoN the more web presence she has the better.  InLiquid is a non-profit organization providing hundreds of artists not just portfolio web pages but real world opportunities to show their artwork, their website is information rich with artist images, bio’s, statements, events and news.  Some of the donated art is still for sale on the InLiquid website.  Support the efforts of InLiquid artists and businesses who gave so generously from their own inventory to help the artist community hub in Fishtown grow and thrive.

More photographs on DoNArTNeWs FaceBook page.

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN Brewer