Category Archives: Philadelphia Art Shows

Art shows DoN has reviewed for DoNArTNeWs.

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Kojak, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Kojak, Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The member show in the Stewart Room Gallery of The Philadelphia Sketch Club is a coveted spot to exhibit solo art shows.  The art team Anthony C and Karen M, long time active members of America’s oldest artist run art club are the featured artists for July and are breaking new ground artistically in the historic space because the show is team artwork and street based in style. Street art is a big part of Karen M and Anthony C’s art platform including free art, mail art, stickers and graffiti. Karen M talked about the content of the expansive show while we walked around the grand pool table. “This is a body of work that is about two years in the making. Along with our other projects. We always seem to be doing iconic images and popular culture, we reference things we like and things we think are important. And things that have messages.” said Karen M.

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“Each piece is cut with an X-ACTO, sprayed onto canvas, each piece is unique because you can’t spray it the same every time.” Some of the pieces are familiar from other exhibitions, I wondered how much work was recent? The Mona Lisa is especially memorable.”Only one or two were in other shows.  This is new. We always work. We always have projects going and then when an opportunity come up for a show, we’ll go to our inventory and pick what we think would be appropriate. Now, with the Stewart Room, we know with The Philadelphia Sketch Club, it’s very traditional, a lot of people from PAFA and we wanted to do something that no one has ever seen.”

Cash, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Green CashFresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“So, we have fifty-one pieces here and we did the installation so that you come in and it’s all fresh paint. There might be criticism from hardened graffiti writers who say you’re selling out when your putting it on canvas. But, as I was talking to a Miami based graffiti writer, graffiti is evolving, and we have the stencil so there is no problem if we want to spray it somewhere else. If you know what I mean?” Playing dumb, like what? Karen M said, “Sidewalks, we don’t vandalize, we don’t spray on personal property but if something’s dilapidated or boarded up, that’s fair game.” That’s what graffiti is.  But Anthony C and Karen M approach the style as a way of communicating with an audience of their peers and collectors who gather their work from the street or buy it in a gallery. Karen M says, “Modern graffiti started in Philadelphia and then spread to New York. It started with Cornbread. Who we had the pleasure of meeting him a couple of years ago when the documentary about him debuted. And he said he was just in a detention center and always broke the balls of the cook because we wanted cornbread and they didn’t have it. So the name stuck. When he got out, he liked this girl, so he wanted to get her to notice him, so he looked at the transit route that she rode and he wrote his name at every stop.”

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“So he just wrote, Cornbread and then eventually Chewy joined him and the birthplace of graffiti is Philadelphia and then it moved up into New York and it evolved and they did the trains, and people went all city. And then it went from just tagging to bombing and pieces. And now graffiti has evolved so much that there’s even graffiti classes, there’s legal walls, maybe some companies would want to hire a graffiti writer to advertise on the side of their store.” Another local graffiti artist NoseGo just did a building on 5th Street near South. “We know him from a gallery called Rare Breed that was one of the first graffiti galleries in back in the day. It was on 15th Street. A lot of writers gathered there, a lot of them knew each other from there, he sold paint, he sold markers, he sold videos, books…and it was a really good gathering ground for people that were doing work.”

Cry, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

The CryFresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Cry, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The array of pop icons, cultural figures and persistent images presents the question of how to decide what to paint? Karen M said, “It’s intuitive. We’re influenced by punk rock, hip hop, Andy WarholBlek LaRat from Paris, the Godfather of street art, he’s done wheat pastes and stencils, he’s just wonderful. He saw all the rats of the city of Paris, so he started to stencils of them and we think he’s just wonderful, the Godfather of street art. Gotta give props to Blek and Cornbread.”

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Chem Warfare CopperFresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The absence of color is obvious with crisp white canvasses each offering a unique stencil and maybe a spurt of spray paint. “If you do a stencil on a wall or tag, it is usually just the flat black Rust-Oleum Flat Black is the pinnacle of graffiti paint. Now, they’ve got all kinds of crazy colors, there’s paint coming from Spain, all over the world, but, the true graffiti writers use the flat black Rustoleum. So we stay in that tradition.”

Sid, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Sid, Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The exhibit is arranged thematically with pop icons, famous images and characters grouped loosely. “It’s a juxtaposition, we wanted people to say you really didn’t have the balls to do the Mona Lisa, did you? Yes, we drew the Mona Lisa and John Lennon, iconic for our time. On this wall we have Redd Foxx and on the opposite wall we have Malcolm X. And they were together when they were hoodlums and they both made such an impact on our culture: Redd Foxx eventually becoming iconic, comedian, television character and Malcolm X the leader of the Nation of Islam. And, we love to juxtapose images, we don’t do it with any rhyme or reason going back to when they put together the words hydrogen jukebox. We just juxtapose base on our intuition and design of the piece. So, the show was hung rather quickly and without too much…thinking about definite placement, we did it intuitively.” One grouping of characters appears to be all sociopaths. “We’re drawn to the darker side, we’re drawn to the sociopaths and the crazies, we like that. In pop culture and our friends.”

Eraserhead, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

EraserheadFresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Karen M says, “We push the envelop. And we want to be known, well, we’re basically political artists. As any graffiti artist, when they put their name on the wall, that’s a political statement. I got interested in graffiti in the late seventies and the earlt eighties when I went to Mexico and there was the conflict in El Salvador. And every wall that had a space, had political graffiti about getting America out of El Salvador and to me that just sparks in me a love for the art which I carry to this day.”

“David Lynch is a big influence. When I was at Philadelphia College of Art we had a great film teacher, Dr. Ruth Pearlmutter, and showed us Eraserhead and I believe it was when it was first released and I just wrote pages and pages on the film. Anthony and I, my collaborator, are big fans of David Lynch. You can even see some of the influence on our YouTube channel and just the image of Henry with his hair all backlit looking all crazy just made a perfect stencil.”

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

Fresh PaintAnthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Read more about Anthony C and Karen M at SideArts.com Philadelphia Art Blog. New SideArts.com post here.

Anthony C and Karen M on SideArts.com

Anthony C and Karen M YouTube channel

Anthony C and Karen M on MySpace

Follow Anthony C and Karen M on Twitter @anthonygraffart

Through SideArts.comDoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses.  Read all about it here.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

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Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered SeasonsAmie Potsic at The Borowsky Gallery

Turn Here: ARTISTS PROMOTING ENVIRONMENTAL AWARENESS is an installation of photography at The Borowsky Gallery in the Gershman Y at the corner of Pine Street and Avenue of the Arts focussing attention on the world’s disintegration of the familiar. Amie Potsic installed more than fifty yards of draped multi-colored silk printed with her signature tree photographs. Using trees as a metaphor of our connection to the earth, Amie expands the dialog from landscape photography to multimedia installation, the translucent silk, rich with color and detail, creating memes of a global scale. 

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered SeasonsAmie Potsic at The Borowsky Gallery

Even though Amie Potsic shoots most of her photographs in Philadelphia, the sense of orientalism pervades the images with Asian references co-opted for the effect of a global view. The silk was printed in Pennsylvania. The layers of fabric play off each other like splashes of paint in bursts of expressionism yet there is a conservatism to the presentation which triggers ideas.  Like: that would make a great shirt, that would look fabulous in my dining room, scarves, of course, and furniture.  The trees symbolize community, work, aspirations, beauty and the fabric represents production, utilitarianism and use of resources.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered SeasonsAmie Potsic at The Borowsky Gallery

Endangered Seasons was previously exhibited in Greece, imagine the lustrous silk in the Mediterranean light, offering an even broader global provenance to the piece. Like branches of thought the artwork spirals like a fractal, the closer you look the more it changes, patterns of connection and disconnection guiding the viewer gently into a deeper state of understanding. Rooted in the concern for a planetary phenomenon that is sure to affect her family, Amie Potsic creates photographs that resonate on multiple levels of consciousness and awareness, subtly traditional yet leaving the viewer with questions of sustainability, containment and collaboration on a massively global scale.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered SeasonsAmie Potsic at The Borowsky Gallery

Read more about Turn Here: ARTISTS PROMOTING ENVIRONMENTAL AWARENESS at SideArts.com Philadelphia Art Blog, Cassandra Alyse Hoo‘s post Turn Here” Is A Moving Environmental Exhibit at The Gershman Y’s Borowsky Gallery comprehensively approaches the theme of environmental change devastatingly portrayed in this important art show.

Amie Potsic is now Executive Director of Main Line Arts Center. Congratulations on this deserved opportunity. Thank you for your guidance and encouragement for my art career and writing. Let’s make some art news.

Main Line Media News coverage.

Written and Photographed by DoN Brewer

Through SideArts.comDoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses.  Read all about it here.

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Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Jose Rios, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Jose Rios, Clown Posse, pen and gouache, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

By the time Clown Posse was presented to the panel of jurors assembled at Off the Wall Gallery curator Jody Sweitzer‘s place on her sweet flat screen TV, they were ready for a jolt of color. In the first round, the jury looked at over 200 images by about 50 artists while artist statements were read explaining how the artwork relates to the theme Ties That Bind. It was a lot to take in, DoN knew many of the artists but lots of others were new to him and as each image was connected to a statement, the idea of what the best representation of theme could really be emerged. For the second round of viewing, renowned photographer Rick Wright joined Elizabeth J. McTearMarlise M. TkaczukMelissa Ezelle and DoN as we looked at them all once more, each scoring our favorites in different ways. And then we looked at them all again and began the process of elimination.

There was some disagreement with Jose Rios’Clown Posse because the color looks so bold standing on it’s own on a monitor and what do clowns have to do with Ties That Bind anyway?  Jose Rios is an art student at Oasis Arts and Education, he wants’s to “inspire hope in others and myself.” The jury agreed that clowns connect deeply with people on an emotional level, a common childhood thread of fun and fear, the naive primitivism and cartoon pop color of the painting is right on trend and when you see the artwork with the rest of the show, the piece speaks in a quieter voice. During the opening reception the artist sat in the booth under his painting and worked on drawings of super-heros.

The team sifted through images for several more hours, with breaks for strawberry rhubarb pie, and argued the merits of each piece, we had to narrow the selection down to a manageable number of artworks that would fit the limited wall space and DoN learned a good lesson. Presentation is key; art shows are juried looking at digital photos which make the images all the same size on the screen, make sure your photo is the best possible.

Alice Gonglewski, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Alice Gonglewski, Apartment, popsicle sticks, fabric and  acrylic paint, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery, photo courtesy of OTW@DF

Alice Gonglewsk‘s artist statement accompanying the popsicle stick constructions that look like a drawing/sculpture hybrids is a poem which begins, “Organize the dreams and moments, find connections, find a true tribe…” A good tip if you’re stuck writing an artist statement is to remember you’re an artist and can say it with words in a poem. If you can bring a tear to the juries eye, go for it. The graphic pieces present themselves as drawings in space, floor plan-like, with simple forms and materials representing the complex setting of a life lived.

Carla Liguori, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Carla Liguori, Bound, terra cotta and glaze, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

Bound took the “top” prize, there were different levels of adherence to the theme instead of 1st, 2nd, 3rd, but the small ceramic sculpture exemplified the concept on so many levels, mixing metaphors, exquisite detail and finish, and a strange dada-ist narrative that is hard to put in words, as if we’re aware of being yoked and thinking we’re one thing instead of another; each creature believes it resembles the other because it can’t see itself. The artist describes the relationship between the figures as, “tortuous”.

Russell Brodie, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Russell Brodie, Berkley House, oil on pine, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

The image of Berkley House, oil on pine, by Russell Brodie, is about life sized, the paintings are small and very realistic. In the jurying process the paintings looked as big as the other works, the images all presented relatively the same aspect ratio to one another, and presented on the screen large it was hard to imagine them small. The artist says he “wants to draw the audience in.”

Nicole Giusti, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Nicole Giusti, The Soap Dish, photograph, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

DoN loves the fact that The Soap Dish was awarded most abstract interpretation of the theme. How can a photo be abstract?  But in this case many of the artworks were impressionistic, not abstract per se, and Nicole Giusti‘s still life photo combined with the tense narrative of her strained relationship with her grandmother transformed ordinary soap into doppelgangers, simulacra and ghosts of unpleasant memories. The repeating patterns, pristine color fields and limited palette resonated the theme of uncomfortable ties to family that reads differently for each viewer.

Gene Renzi, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Gene Renzi, American Flags for Sale, photograph, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

Stephen Millner, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Stephen Millner, Air Support, mixed media collage, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

Stephen Millner‘s Air Support collage is poignant and direct to the point, ties to military people is special, enduring and hopeful. The cancelled air mail stamps speak of countless expressions of hope and love, military families send care packages of stuff soldiers can’t get in Afghanistan or even on military bases, DoN has two nephews who have been deployed to the wars, Kurt is in Iraq right now working as a contractor, Buddy is back on active duty and could deploy anywhere, anytime. Art that reflects military life touches DoN‘s heart, the ties of love and hope bound with anxiety and fear is potent.

Eli VandenBerg, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Eli VandenBerg, Egg Beater, ink on paper, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

All of the jurors thought of their grandmothers when presented with Egg Beater, an exquisite ink drawing that is simple, descriptive and active.  The image represents a tool that ties us to fond memories, the old fashioned kitchen utensil able to mentally transport us to a place in the past with cake batter and whipped cream. Even the angle of the egg beater hints at activity, actions and achieving goals.

Jena Serbu, Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Jena Serbu, detail from Crickets, diorama with marionette- style low-fire clay figures found wood construction by Dawn Smith,  Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Galleryphoto courtesy of OTW@DF

Crickets is especially interesting because the piece was made on spec. The artists submitted a proposal with drawings and samples of some completed elements of the sculpture, the artist statement dealt with marital discord, problems from the past and angst of modern life. So the artists took a chance the jury would give them the go ahead to complete the piece, the presentation of the idea was fulfilled exactly as proposed and is a powerful presence in the show.

Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery

Awarding the prizes was a surprisingly simple and satisfying exercise. Each juror picked their top three favorites in each category ranked in descending order, if two or more pieces were selected by the jurors the scores were added and the highest scores received an award – a cool tie-dye kit.

DoN was honored when Togo Travalia asked him to help jury the show, Off the Wall Gallery at Dirty Franks has a long history of exceptional art shows. The Ties That Bind, Seventh Annual Community Juried Art Show is beautiful, sometimes challenging with a wide interpretation of a theme based on three simple words and what they mean to different artists.  The ties that Off the Wall Gallery has to the Philadelphia arts community binds artists in a welcoming place, not afraid to take risks with art, challenge norms and raise the conversation to new levels when it comes to art interpretation and exhibition. Ties That Bind, Seventh Annual Community Juried Art Show at Off the Wall Gallery is on exhibit through August 3rd.

Written by DoN

Photographs courtesy of Off the Wall Gallery at Dirty Frank’s Bar except where noted.

Phillustration V at The Philadelphia Sketch Club

Stephen Heigh, Phillustration V at The Philadelphia Sketch Club

Stephen Heigh, Sunday Morning Robots, Phillustration V at The Philadelphia Sketch Club

Phillustration V at The Philadelphia Sketch Club ends on June 16th 2012, so if you want to see a collection of 77 amazing works of art, illustrations for books, magazine covers, advertising, self promotion, then you have to visit the Avenue of the Artists now.  To see illustrations in person is so different than what you see in print.  Often a book cover is from a large painting, the art for a magazine cover may be quadruple the actual size, many are masterful works of painting virtuosity not illustrations made on a computer with Illustrator.

And you get to visit amazing alternate realities, space adventures, scary crimes and romantic trysts through the eyes and imagination of professional artists.  Some of the art is by recent graduates from design school, especially from Moore College of Art & Design where Rich Harrington, the master-mind behind Phillustration V for the past five years, is a professor of illustration.  The artistic talent he gathers together each year is impressive creating the opportunity to view artwork not normally available to the public except as a commercial product like a book or magazine cover.

Glenn Zimmer, Phillustration V at The Philadelphia Sketch Club

Glenn Zimmer, Lost in the Tower of LondonPhillustration V at The Philadelphia Sketch Club

Glenn Zimmer helped get members of the Bucks County Illustrators Society to submit work and deliver it to Philly.

Robert Byrd, Phillustration V at The Philadelphia Sketch Club

Robert Byrd, The Grand Plans and Vision, Phillustration V at The Philadelphia Sketch Club – click the thumbnail for a larger image but Robert Byrd‘s website is amazing!

Stephanie Struse, Phillustration V at The Philadelphia Sketch Club

Stephanie Struse, OwlPhillustration V at The Philadelphia Sketch Club

Mike Manly, Phillustration V at The Philadelphia Sketch Club

Mike Manley, Judge Parker 5.2.2012Phillustration V at The Philadelphia Sketch Club

Jennifer Villareale, Phillustration V at The Philadelphia Sketch Club

Jennifer Villareale, Finist the FalconPhillustration V at The Philadelphia Sketch Club

DoN featured this piece about the Moore 2012 graduate in a recent DoNArTNeWs blog post, it was especially satisfying to see the art in the historic gallery of  The Philadelphia Sketch Club. Again, for a good look at this image visit the artist’s website or the gallery while the show is on.

Stacy Hornung, Phillustration V at The Philadelphia Sketch Club

Stacy Hornung, Belly Up IPhillustration V at The Philadelphia Sketch Club

David Palumbo, Phillustration V at The Philadelphia Sketch Club

David Palumbo, Terrible WeaknessPhillustration V at The Philadelphia Sketch Club

The oil painting by David PalumboTerrible Weakness, is enormous, almost life sized, and evokes passion and emotion so skillfully that it’s scary.  The Phillustration V at The Philadelphia Sketch Club will blow your mind with the creativity, masterful skill and myriad styles of modern illustration and proves you don’t need a computer to be an illustrator.

Read about Phillustration IV on SideArts.com Philadelphia Art Blog

Written and photographed by DoN Brewer

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LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin Tan explained to DoN the concept behind Primitive Level Signals, the spectacular multi-media exhibit at Dalet Gallery in Old City, “It’s an animation installation, it all uses 3D animation software to create the animations and we also have animation stills. Printed directly on the wood the prints use technology that is new, a new way to print on different materials, ridged materials, normally it must be much softer.  Now you can use hard wood or metal, aluminum…”

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin TanPrimitive Level Signals at Dalet Gallery

LiQin Tan explained, “Now I can print on all kinds of materials, not just paper. Also, the concept behind this is Chinese Taoism, what this means is that the Chinese have always dealt with five elements: fire, water, metal, earth and wood. All of the elements consistent with Nature is where the idea came from. Also my idea combines the ideas of the North American Indian people with ideas like the dream-catcher.”

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin TanPrimitive Level Signals at Dalet Gallery

The gallery is filled with fascinating creations from the mind of LiQin Tan, there are prints on animal skin stretched in frames with industrial clamps paired with an abstract video on a glossy monitor mounted on the wall above the dream-catcher. “Using spirit levels as a signal to describe a natural phenomenon in humans, where human brain development is an equalized procedure.  The competing concepts of the brain, whether the battle of the brain’s size versus it’s intellectual capacity , or of it’s technological versus spiritual side, are always kept in equalibrium” –  Dalet Gallery art card.

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin TanPrimitive Level Signals at Dalet Gallery

The gallery displays five pairings of prints on wood with accompanying video like these three above to represent the five Taoist elements: fire, water, metal, earth and wood. The animation stills printed on the panels of wood are ethereal, with Max Ernst-like abstract images that evoking dreams, mind storms, underwater mysteries and the being lost in the deep forest.  The animations are mind-blowing in complexity and creativity.  In the front gallery is a series of monitors, tangles all in wires and cables, with an animated lava flow ebbing back and forth using video game technology realness to the point that the piece looks hot from melted stone.

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin TanPrimitive Level Signals at Dalet Gallery

“In this dream-catcher you see here, the animal skins, I made them by myself, is from the North American Indian people as well, they’re used in a way to represent their culture. I stole it from them. In the animation is the biggest stone, the spiritual stone.” said LiQin TanIn the picture above is a shot, a still if you will, of a large dream-catcher, the animal hide stretched taut in the primitive circular frame using the same cruel clamps, the installation has two of them. From both sides of the darkened gallery four video projectors shined animations onto the stretched skins, the light shining through like when you hold a flashlight to the web on your hand.  The animation includes dancing figures, “The Miao people, a small group of people in China, are represented by the dressed dancers…I mixed the cultures, I call it digital primitivism, using digital technology to make it primitive.”  The effect is deeply spiritual, connecting with memories, archetypes, cultural resonance and internally rooted thoughts and ideals.

“You can see that in the animation, but I also used the American Indian skills because I made the animal skins by myself. Using primitive skills, using calf skin, this kind of skin the procedure is called primitive, so I used the primitive skills to make them digital.  And I used digital skills to make primitive art.”

LiQin Tan, Primitive Level Signals at Dalet Gallery

LiQin TanPrimitive Level Signals at Dalet Gallery

“It’s a two-way work, digital art with old society and modern society, it’s multi-faceted.  I like the North American Indian culture a lot. I did a lot of research in Canada and I made a lot of multimedia pieces about North American Indian culture, so it’s about how during the day I teach digital animation but I have North American Indian culture in my brain. So the idea came very easy, very natural especially when it connected with Chinese Taoism, I did a lot of research, I’m not a religious person but I read a lot of philosophy and a lot of the research is organized in this idea.”

LiQin TanPrimitive Level Signals at Dalet Gallery through June 23rd.

Written and photographed by DoN

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