Category Archives: Philadelphia Art Shows

Art shows DoN has reviewed for DoNArTNeWs.

Art in the Open at Schuylkill Banks Park

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Katy the ArT DoG photo-bombs this pic of the site specific installation created by Simone Spicer for the Art in the Open weekend at Schuylkill Banks Park.  The artist gathered plastic or plasticized trash, decorated each piece with paint or collage, then strung them like beads along the bike path.  The effect was like a waterline where all this wacky trash had washed up on the banks of the nearby river commenting on the ecological effects of plastic trash.  But Simone Spicer also lavished time and effort on each element accentuating the careful design of these daily-use objects and the efforts of designers and corporations to make them attractive enough to buy.  And throw away.

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Art in the Open 2012 was a big commitment by the participating artists – three days set up as a working artist along the bike trail from Lombard Street towards the Philadelphia Art Museum.  The point wasn’t to sell work but to demonstrate how art is made, engage with the public, raise questions and answer questions.  The artists are rewarded with a show at The Philadelphia Seaport Museum for the rest of the Summer opening June 15th. The experience of strolling along the trail with the dog is one of DoN‘s favorite activities, the addition of art was like an alternate reality for an afternoon, it would be cool to see more artists along the scenic path all the time.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park

Photographer, Jeff StroudDoN and Katy the ArT DoG walked along the bike path in the hot Spring sun and stopped at a shady tree where artist Barbara Gesshel had set up her studio out of the sun.  Using the tree as a work surface Barbara Gesshel rubbed charcoal into large sheets of paper, using the ridges of the bark to create a naturalistic atmosphere to her drawing.  Working with nature instead of against it, Gesshel’s use of charcoal, the charred remnants of dead trees, onto the living surface of a tree to make her drawings is poetic and inspiring.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel has an expansive one-person show of prints and paintings at Red Hook Cafe on Fabric Row.  Read DoN‘s blog post about the show on SideArts.com.

Erika Bergere, Art in the Open at Schuylkill Banks Park

Erika BergereArt in the Open at Schuylkill Banks Park

Cyanotype is one of the oldest types of photography there is, artist Erika Bergere set up on the lawn with her baby and made the beautiful Prussian blue photographs using only the light of the sun and a solution of potassium ferricyonide and ferric ammonium.  The wet paper hung out on a line to dry while the family lolled in the shade on the grass.

Justin Tyner, Art in the Open at Schuylkill Banks Park

Justin TynerArt in the Open at Schuylkill Banks Park

Stained glass artist Justin Tyner was one of the only artists who needed to connect to the grid, he made this beautiful rose window outside with his soldering iron.  Shortly after this photo was taken the window was mounted in a round wooden frame on the lawn on a hill near the art museum.

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Artist Jeannie Moberly used a variety of media from her art box to create the drawings on long expanses of paper that she planted in the ground with wood dowels.  The maze-like effect was bold and beautiful at the bend in the river.  Sitting in the bright sun with a big hat and long sleeves to guard her arms, the artist contentedly worked out the ambitious drawing while bikers, walkers and gawkers stopped by to check out the colorful display of art.

Abdelkrim Djennas, Art in the Open at Schuylkill Banks Park

Abdelkrim DjennasArt in the Open at Schuylkill Banks Park

Flowers made from battle caps – gorgeous! Abdelkrim Djennas flattens out bottle caps with cuts along the edge transforming refuse into delightful dumpster diver art.  Like tramp artists of old, he takes what society discards and makes something desirable and pretty.  The metal flowers sprouting in the woods near the art museum were whimsical yet prescient with a question of whether Nature will be overtaken by man made objects.

Nicole Donnelly, Art in the Open at Schuylkill Banks Park

Nicole DonnellyArt in the Open at Schuylkill Banks Park

Using found materials, Nicole Donnelly wove a structure of twigs and branches around one of the boulders along the river.  Obviously temporary but the piece touched a childhood nerve of playing in the woods.  The rocks along the river make convenient resting spots, Donnelly’s hut-like structure evokes Clan of the Cave Bear-like racial memories and the satisfaction of creating shelter.

George Apotsos, Art in the Open at Schuylkill Banks Park

George ApotsosArt in the Open at Schuylkill Banks Park

George Apotsos used simple chicken wire to create his ethereal Occupy People. The wire torsos planted in the Earth at oblique angles, each faceless head looking in a different direction evoking the mixed message mantra of the Occupy movement. We can see right through them. Using a mannequin as a form, George Apotsos molds and trims the common material, using heavy gloves and strong shears, into a metaphor for modern life.

Written and photographed by DoN Brewer except where noted.

Contributing photographer, Jeff Stroud

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PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen, Emily Brown, An Early Thaw

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensenEmily Brown, An Early Thaw, lithograph

“There’s a mix of people here, some are younger or mid-career.  Some of them have never made a print before, it’s their first print, and there’s a great mix of people.”  PHILAGRAfiKA director and curator Cindi Ettinger said to DoN during the opening reception for Invitational Portfolio Prints at studio:christensen, 333 South 20th Street.

DoN recalled  PHILAGRAfiKA coming into existence while he studied at the University of the Arts in the early 21st Century. “Philagrafika was originally the Philadelphia Print Collaborative which was a consortium of all the different organizations in Philadelphia that were involved with print-making. And then it evolved to become Philagrafika which the goal was more about festivals, printmaking and how it could be used outside the box.”

“Now, after that major festival we’re kind of scaling back and starting over, reincarnating ourselves and we are having a lecture series and have events and projects in other cities and international.  So, we’re getting started all over again, right now.”  DoN inquired about the connection with the chic gallery near Rittenhouse Square and Cindi explained that a member of their board is friends with Jt Christensen, the designer behind the storefront gallery/design studio. “What’s nice about this is it’s very low key and we found that the best way you can reincarnate yourself is to start small and gradually get really, really good people together and have it be much more organic.  Have it be an organic process, so that’s what we’re doing.”

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen, Eric Avery, Paradise Lost

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensenEric Avery, Paradise Lost, four color chiaroscuro print on Okawara paper.

Eric Avery‘sParadise Lost describes the fourteen major infections of Adam and Eve, diseases specific to humans.  The technical virtuosity and exquisite information design is masterful, the narrative deep and disturbing, the presentation at once decorative and discrete. “Most of the major human infectious diseases, including some confined to humans and absent from animals, are “new” ones that arose only after the advent of agriculture.”  Can you think of one major disease specific to you as a human being?

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen, Judith Schaechter, Child Bride

PHILAGRAfiKA Invitational Portfolio Prints @ studio:christensenJudith Schaechter, Child Bride, two color linocut on Somerset paper.

DoN asked about the famed stained glass artist, Judith Schaechter‘s, affiliation with PHILAGRAfiKA?  “She was involved in the first portfolio and you know, she was happy to do it.”  There was a schedule conflict that evening as the artist unveiled her spectacular new windows at The Eastern State Penitentiary.

PHILAGRAfiKA is developing a 2012 portfolio, we’re just getting the artists chosen and by the end of the month will be announced on the 31st. Philagrafika is alive and well.” said Cindi Ettinger, a master printer who worked with most of the artists in the exhibit, coordinating with major print firms and universities to bring the show to life.

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen, Nami Yamamoto

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensenNami Yamamoto, Miniature Garden: Trace, pigmented over beaten bleached abaca with watermark.

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensen, Jennifer Levonian

PHILAGRAfiKA Invitational Portfolio Prints at studio:christensenJennifer Levonian, July in Philadelphia, digital print with dye cut.

May 31st, 6:00 pm at studio:christensen is a lecture entitled Natural Discourse, with Mary Ann Friel and Nami Yamamoto find out more how to register at the Philagrafika FaceBook Page.

Written and photographed by DoN

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BLACKWHITE ANDINBETWEEN @ 110 Church

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

BLACKWHITE ANDINBETWEEN show is already over but DoN is still thinking about the art installation that focussed simply on black and white.  The gallery in Old City installed a three person show of black and white artworks by Philadelphia region artists: Trish ThompsonTom Hlas & Wendy Wolf. The May First Friday crawl is all about discovering new art talent and 110 Church Gallery, off of 2nd Street in a quirky store front, feels so comfortable it’s like an oasis from the art mobs on the prowl offering a delight for the eye for the weary art crawler.

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas explained to DoN how he meticulously crafted the woven collage, working each edge and surface of the paper with deceptive intensity.  The group of three black and white collages all had red dots, Tom was grinning ear to ear with the satisfaction that his idea reacted with his audience in the best way.

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf installed a site specific piece composed of string and and organically shaped cut outs that resemble Locust leaves.  The pristine white elements create a pattern of shadow and shades of gray that only appear because the mind has to process the information somehow. The taut strings call to mind musical instruments, the random leaves striking chords in a holographic-like space between the strings and the wall.  During last weekend’s Art in the Open event at Schuylkill Banks Park the artist installed a massive mixed media piece using her unique language of simple elements in a tree near the Philadelphia Art Museum.  Her work weathers well and interacts with the environment in a pleasing poetic song-like work of art, one is still on view outside the art gallery.

The next event at 110 Church Gallery:

Josette Urso: Here and Then

Written & photographed by DoN 

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Marjorie Grigonis, Kristine Flannery at Third Street Gallery

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie Grigonis, Present TenseThird Street Gallery

Marjorie Grigonis and Kristine Flannery‘s exhibit at Third Street Gallery (on Second) is a compare and contrast in action painting and abstract expressionism. Marjorie Grigonis calls her collection Present TenseKristine Flannery‘s exhibit is called The Multitudes; Grigonis’ mixed media and paintings uses mark-making and color fields with emotive color and Flannery’s action paintings exude energy. DoN talked with Marjorie Grigonis May’s First Friday in Old City.

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

How did you get involved with Third Street Gallery?  “I’ve been part of the gallery for at least ten years.  Someone invited me to put my work up and be juried in and I’ve been part of it ever since.  I was one of the directors a couple years back which is a job no one covets, it gets passed on every two years. But, it’s a good  gallery, it’s good people and I think a really great showing space with the windows and the location.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN asked Marjorie Grigonis to describe her style, a combination of collage and painting, “Well, the painting is very much gestural and early was somewhat based on abstract expressionism but it’s been modified. As you can see, it’s not that free anymore. But the looseness that I started with, I find painting really hard, I struggle with it and I edit out. There’s probably six paintings underneath that painting. I just paint over, scrape off, and paint over.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

“I started looking at all the scraps of things in my studio and making collages and it was fun. But I realized that I was thinking , in this show particularly, that there’s not any content, and there’s not a lot of content here, but, I was thinking just about the general anxiety of personal and global and I think a lot of these sort of reflected that. The woman holding her hand, the fear itself, I think even the paintings are just a little bit anxious, not totally.  I think there’s a good time going on in some of them.”

“I don’t mean to be a downer, I just think of me, there’s just a little more of a sense of that, sort of, pervading everybody and everything right now. I’m sensitive to that and I think humor is a way to deal with that and so I just thought some of these were pretty funny.  Maybe ironic.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN commented to the artist that anxiety is not what he felt from the colorful abstractions and that he overheard people saying how much they liked them, “Well, I’m glad because it’s partly just me, probably a lot of it’s me.”  DoN said, “Well, you are the artist.”

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Third Street Gallery is an artist-run cooperative art gallery established in 1972.

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Kristine Flannery‘s action paintings represent movement and gesture through space.  The energetic marks and swipes of paint each try to capture a moment of movement, the paint permitted to be watery and move on it’s own, sometimes smeared into submission.  DoN spoke only briefly to the artist and her husband, she was fatigued at the end of the First Friday festivities but if you go to the Third Street Gallery website there’s a good statement about her goals with the show.

Written and Photographed by DoN Brewer

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Laura D. Adams, 915 Spring Garden Studio Visit

Laura Adams, 915 Spring Garden Street Art Studios, F.A.N. Gallery

Laura D. Adams915 Spring Garden Art StudiosArtists’ House Gallery

915 Spring Garden Art Studios held their Spring open studio tour April 29th, Spike the biker, Jeff the photographer and DoN converged on the fifth floor of the art studio building with the idea of visiting each floor’s artists.  The old industrial building, by the decaying aqua duct on Spring Garden Street, is divided into studio spaces and has hosted Philadelphia artists for thirty years.  For a time the studios were open only once a year, in the Fall now coinciding with Philadelphia Open Studio Tours city wide art crawl, but many artists in the building opened up for a Springtime tour offering a chance to meet the artists in their work spaces.  The first studio our trio visited was Laura D. Adams, a self described realist painter, displaying a group of paintings she had readied for an upcoming show at Artists’ House Gallery in Old City arrayed along the sunny wall of her space, offering us a great preview for her art show opening June 1st.

Laura Adams, 915 Spring Garden Street Art Studios, F.A.N. Gallery

Laura D. Adams915 Spring Garden Art Studios

DoN asked Laura D. Adams what she was doing to prepare for the show at Artists’ House Gallery? “I first agreed to do the show back in May, so I started preparing the work for it, really, in July.  I started doing the prep work, planning what work would be in it.  I’ve just been working steadily all year towards it, there will be some older works from last year but there will be ten or twelve new paintings.  Which is a lot for me to do in a year, I work really slowly.”

DoN questioned Laura about her realist style and if she had a theory of what’s real or not?  “Less now than before, I used to be interested in a kind of almost pushing that boundary.  Like that painting of the door that’s on the floor.  I’m not doing as much trompe l’oeil as I used to, that’s from about three years ago and last year I did some 3D sculptural paintings, they were rolls of tape where I cut them out in the shape of a roll of tape and then I painted the whole thing, all the text, price tags, to look exactly like a roll of tape.  I did four of them and then hung them on the wall.  The same kind of thing, trying to play with our perception of reality.”

Laura Adams, 915 Spring Garden Street Art Studios, F.A.N. Gallery

Laura D. Adams915 Spring Garden Art Studios

Is there a distinction between realism and trompe l’oeil?  Laura D. Adams said, “I kind of veered off, it’s still trompe l’oeil, in the sense that it’s really solid space, I’m still interested in really compressing the picture plane.  But I got really interested in patterns, so that’s kind of been a thing this year.  Fabric and textiles, I love detail, so that’s a way to explore a lot of detail.”

Laura D. Adams, Studio Visit, 915 Spring Garden Street Art Studios, F.A.N. Gallery

Laura D. Adams915 Spring Garden Art StudiosArtists’ House Gallery opening reception 6/1/2012.

Read about 915 Spring Garden Art Studios artist, Eric Hall on DoNArTNeWs Philadelphia Art News Blog.

Written and photographed by DoN Brewer

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