Category Archives: Philadelphia Art

Art in Philadelphia, PA.

Art of the Flower at the Philadelphia Sketch Club

Art of the Flower at the Philadelphia Sketch Club, Wayne Franks, Row House Rose, transparent oil on panel

The Art of the Flower show at The Philadelphia Sketch Club usually coincides with the Philadelphia Flower Show in March while it’s still cold and drab outside after the long Winter. But moving the annual celebration of floral art to the dog days of Summer is a good reminder to appreciate the gorgeous gardens in full bloom during this withering weather. The Art of the Flower show is a favorite of the member artists, it’s theme of natural splendor a motif filled with evocative beauty and drama.

Art of the Flower at the Philadelphia Sketch Club, Ruth K. Fackenthal, Day Lilies, acrylic on linen

Art of the Flower at the Philadelphia Sketch Club click the thumbnail for larger image

Art of the Flower at the Philadelphia Sketch Club, Kathy C. Lin, Hugging, oil

This painting just makes me happy. The way the composition flips back and forth from abstract to still life to impressionist to naive expressionism is just plain fun.

Art of the Flower at the Philadelphia Sketch Club, Elizabeth MacDonald

Betty MacDonald’s piece is multiple mono-prints on paper transferred from common paint stir sticks. The sense of storytelling and descriptive imagery ties together a lifetime of experiences. References to painting as utilitarian and decorative practices, flowers as design and symbols of nature and inferences to embroidery, handwork and decorative art creates a narrative of how art influences our lives and nature influences our art.

Art of the Flower at the Philadelphia Sketch Club click the thumbnail for large image.

Art of the Flower at the Philadelphia Sketch Club

The gallery at The Philadelphia Sketch Club is brimming like a huge bouquet of flowers of all kinds presented in all manner os media but to my eye painting is dominant. Whether watercolor, oils, or acrylics, artists find flowers irresistible for study and painting, images of flowers were found buried at Pompeii and have long been symbols of personalities or special occasions. You can’t help but feel good when you see all the exuberant color, fluid shapes and sensuous compositions interpreted by serious artists.

Art of the Flower at the Philadelphia Sketch Club, Pearl Mintzer, Magenta Blossom, acrylic

The Art of the Flower show is only on exhibit through August 18th check the website for gallery hours and experience the many interpretations and inspirations of floral art.

Through SideArts.com, DoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses. Read all about it here.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

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Bike (PH)ix by Corrina Mehiel

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Bike (PH)ix by Corrina Mehiel, photo by Bonnie Schorske

Corrina Mehiel is half way through the Masters Degree Program in Studio Arts at the University of the Arts, a program lasting almost three years and is independently driven with 45 artists from all over the world. Corrina explained her public art project, Bike (PH)ix this way, “I am interested in the unspoken social conversation that’s going on. In each city there’s a different kind of conversation happening. I moved here last June and I had been to Philly a couple times but not really that much. I was really struck by the amount of stuff existing on the street and the street life here. People that are existing with objects that are either this kind of free-cycle thing that happens in Philly where people just take stuff but in other cities it’s taken to a donation center.”

Bike (PH)ix by Corrina Mehiel

“Here it’s just outside your door. It’s like this unwritten code about that ‘it’s fine to just take things’ and then beyond that it seems that almost theft is acceptable here. Just this culture that the bikes get stripped and people don’t come back to get the parts and students coming out of the university just leave their bicycles when they go back home, so, to me the city is talking about a kind of detachment or something. In other places I’ve lived humans have such a strong object attachment and our identities are so wrapped up in our objects. Things that we are about, you know?”

Bike (PH)ix by Corrina Mehiel, photo by Bonnie Schorske

“So, I’ve been thinking about these street objects – non-functional street objects like bikes, pay phones that don’t have phones, newspaper boxes with no newspapers, all these things that sort of exist here, that are permanent, I felt like,’Well? I guess they just exist.’, so, I never would have imagined the City would remove these bike frames. I was looking at them, thinking about it, thinking about it and then I did some work related to this, a sticker book collection, I did ink paintings of these objects as stickers sort of questioning where do these things belong. We know the function but they don’t have a function. I made a book, a typical book, referencing a coloring book or a book from childhood that would be blank outlines recognizable as Philly and pages of these stickers in color of these non-useable objects to give the viewer the opportunity to at least think about where these things go in the city.”

Bike (PH)ix by Corrina Mehiel, photo courtesy of the artist

Corrina Mehiel continued, “Thinking about the bikes, though, I have this love of transportation and movement. I traveled a lot, it’s like a compulsion, not like crazy, somewhere between doing my work and being a tourist. And just going to places and existing there with no money, it’s weird, I’ve gone to India many, many times and just to be…I like doing that kind of travel and then being in cities in the U.S. is a little more hyper-aware of objects.”

“I’m interested in this conversation but I’m also thinking about the idea of responsibility in the context of a utopian society and who’s to say what responsibilities we should be taking on. How much should we want to clean up our space? I don’t know if it matters. But, these ideas point out the need to change the feeling of a neighborhood and that it leads to people taking care of their homes and they all layer on top of each other.”

Corrina Mehiel‘s story and adventures in guerilla art-bike repairs is on her blog “a year of making things“.

Written and photographed by DoN except where noted. Thank you to Bonnie Schorske for sharing her photographs and Joe Girandola, Director of MFA Program in Studio Art at University of the Arts for his enthusiastic introduction to Corrina Mehiel.

Most of the bikes are gone already but this is where they were if you think you saw one:

Broad and Lombard (SW corner)

Pine between 15^th and Broad (North side)

Pine between 9^th and 8^th (South side)

Walnut and 18^th Street

Spruce and 13^th Street

Lombard and 16^th Street

15^th between Pine and Lombard (West side)

12^th and Vine (West side)

11^th and Appletree

11^th and Cherry

Painting Buenos Aires, Charles Cushing’s Kickstarter.com Campaign

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Tango Dancing in Rittenhouse Square, oil on canvas, Charles Cushing

Charles Cushing imagined a compelling idea for a Kickstarter.com campaign, the popular website to help crowd fund artists projects, he is traveling to Buenos Aires, Argentina to paint the tango culture. Charles is a well-known Philadelphia painter and has traveled to paint plein air many times in many places but an extended stay in South America to absorb and paint the vibrant culture has expenses. That’s where Kickstarter.com helps artists raise money to realize their ambition but a short video is required, a confounding but good idea because the campaigner has to focus the idea and then sell the concept to the public. Charles Cushing‘s project is titled Painting Buenos Aires and is now an approved project on Kickstarter.com.

Charles Cushing approached DoN about his idea and we agreed to produce the video together using his concepts and DoN’s direction including an art studio interview, plein air painting in the Italian Market and tango dancing on Passyunk Avenue to be edited with stills of his paintings over a soundtrack. Making movies can be a lot of fun with creative hard work, problem solving, lots of detail and of course a deadline. Painting Buenos Aires was conceived, videoed and edited in less than three weeks; the narrative was extracted from the interview movie using GarageBand, exported to iTunes as a song, imported into iMovie as a soundtrack and an hour of HD video footage was edited down to four minutes and fourteen seconds. Getting lost in video editing using all the elements and information design is like weaving or drawing, trying to get the story to emerge coherently can be a challenge. Especially with artists who can be self conscious of their image. But, Charles gave DoN freedom and trust.

Editing decisions were left up to DoN, Charles made very few requests to edit and all interactions and iterations were communicated through YouTube updates. The original cut had a full two minute street tango dance scene with narration, it’s beautiful. But the final cut of Painting Buenos Aires breaks that up with vignettes of art and painting. Shooting the dance scene at the fountain plaza on Passyunk Avenue will always be a favorite memory. The Philly folks on the plaza were so cool, even though it was about ninety degrees in the afternoon sun, as we shot video of Charles and his Tango partner, Grace Lee, dancing for about twenty minutes. Only one street person thought he was Len Goodman and offered advise on their dance moves.

Please support Charles Cushing‘s Painting Buenos Aires Kickstarter.com campaign and visit the site to view our movie.

Written by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

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Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club’s Stewart Room Gallery

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Kojak, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The member show in the Stewart Room Gallery of The Philadelphia Sketch Club is a coveted spot to exhibit solo art shows. The art team Anthony C and Karen M, long time active members of America’s oldest artist run art club are the featured artists for July and are breaking new ground artistically in the historic space because the show is team artwork and street based in style. Street art is a big part of Karen M and Anthony C’s art platform including free art, mail art, stickers and graffiti. Karen M talked about the content of the expansive show while we walked around the grand pool table. “This is a body of work that is about two years in the making. Along with our other projects. We always seem to be doing iconic images and popular culture, we reference things we like and things we think are important. And things that have messages.” said Karen M.

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“Each piece is cut with an X-ACTO, sprayed onto canvas, each piece is unique because you can’t spray it the same every time.” Some of the pieces are familiar from other exhibitions, I wondered how much work was recent? The Mona Lisa is especially memorable.”Only one or two were in other shows. This is new. We always work. We always have projects going and then when an opportunity come up for a show, we’ll go to our inventory and pick what we think would be appropriate. Now, with the Stewart Room, we know with The Philadelphia Sketch Club, it’s very traditional, a lot of people from PAFA and we wanted to do something that no one has ever seen.”

Green Cash, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“So, we have fifty-one pieces here and we did the installation so that you come in and it’s all fresh paint. There might be criticism from hardened graffiti writers who say you’re selling out when your putting it on canvas. But, as I was talking to a Miami based graffiti writer, graffiti is evolving, and we have the stencil so there is no problem if we want to spray it somewhere else. If you know what I mean?” Playing dumb, like what? Karen M said, “Sidewalks, we don’t vandalize, we don’t spray on personal property but if something’s dilapidated or boarded up, that’s fair game.” That’s what graffiti is. But Anthony C and Karen M approach the style as a way of communicating with an audience of their peers and collectors who gather their work from the street or buy it in a gallery. Karen M says, “Modern graffiti started in Philadelphia and then spread to New York. It started with Cornbread. Who we had the pleasure of meeting him a couple of years ago when the documentary about him debuted. And he said he was just in a detention center and always broke the balls of the cook because we wanted cornbread and they didn’t have it. So the name stuck. When he got out, he liked this girl, so he wanted to get her to notice him, so he looked at the transit route that she rode and he wrote his name at every stop.”

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

“So he just wrote, Cornbread and then eventually Chewy joined him and the birthplace of graffiti is Philadelphia and then it moved up into New York and it evolved and they did the trains, and people went all city. And then it went from just tagging to bombing and pieces. And now graffiti has evolved so much that there’s even graffiti classes, there’s legal walls, maybe some companies would want to hire a graffiti writer to advertise on the side of their store.” Another local graffiti artist NoseGo just did a building on 5th Street near South. “We know him from a gallery called Rare Breed that was one of the first graffiti galleries in back in the day. It was on 15th Street. A lot of writers gathered there, a lot of them knew each other from there, he sold paint, he sold markers, he sold videos, books…and it was a really good gathering ground for people that were doing work.”

The Cry, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The array of pop icons, cultural figures and persistent images presents the question of how to decide what to paint? Karen M said, “It’s intuitive. We’re influenced by punk rock, hip hop, Andy Warhol, Blek LaRat from Paris, the Godfather of street art, he’s done wheat pastes and stencils, he’s just wonderful. He saw all the rats of the city of Paris, so he started to stencils of them and we think he’s just wonderful, the Godfather of street art. Gotta give props to Blek and Cornbread.”

Chem Warfare Copper, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The absence of color is obvious with crisp white canvasses each offering a unique stencil and maybe a spurt of spray paint. “If you do a stencil on a wall or tag, it is usually just the flat black Rust-Oleum Flat Black is the pinnacle of graffiti paint. Now, they’ve got all kinds of crazy colors, there’s paint coming from Spain, all over the world, but, the true graffiti writers use the flat black Rustoleum. So we stay in that tradition.”

Sid, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

The exhibit is arranged thematically with pop icons, famous images and characters grouped loosely. “It’s a juxtaposition, we wanted people to say you really didn’t have the balls to do the Mona Lisa, did you? Yes, we drew the Mona Lisa and John Lennon, iconic for our time. On this wall we have Redd Foxx and on the opposite wall we have Malcolm X. And they were together when they were hoodlums and they both made such an impact on our culture: Redd Foxx eventually becoming iconic, comedian, television character and Malcolm X the leader of the Nation of Islam. And, we love to juxtapose images, we don’t do it with any rhyme or reason going back to when they put together the words hydrogen jukebox. We just juxtapose base on our intuition and design of the piece. So, the show was hung rather quickly and without too much…thinking about definite placement, we did it intuitively.” One grouping of characters appears to be all sociopaths. “We’re drawn to the darker side, we’re drawn to the sociopaths and the crazies, we like that. In pop culture and our friends.”

Eraserhead, Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Karen M says, “We push the envelop. And we want to be known, well, we’re basically political artists. As any graffiti artist, when they put their name on the wall, that’s a political statement. I got interested in graffiti in the late seventies and the earlt eighties when I went to Mexico and there was the conflict in El Salvador. And every wall that had a space, had political graffiti about getting America out of El Salvador and to me that just sparks in me a love for the art which I carry to this day.”

“David Lynch is a big influence. When I was at Philadelphia College of Art we had a great film teacher, Dr. Ruth Pearlmutter, and showed us Eraserhead and I believe it was when it was first released and I just wrote pages and pages on the film. Anthony and I, my collaborator, are big fans of David Lynch. You can even see some of the influence on our YouTube channel and just the image of Henry with his hair all backlit looking all crazy just made a perfect stencil.”

Fresh Paint, Anthony C and Karen M in The Philadelphia Sketch Club‘s Stewart Room Gallery

Read more about Anthony C and Karen M at SideArts.com Philadelphia Art Blog. New SideArts.com post here.

Anthony C and Karen M on SideArts.com

Anthony C and Karen M YouTube channel

Anthony C and Karen M on MySpace

Follow Anthony C and Karen M on Twitter @anthonygraffart

Through SideArts.com, DoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses. Read all about it here.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

Affiliate Marketing [disclosure page] Shop on-line at Amazon.com and help support DoNArTNeWs.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

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Endangered Seasons, Amie Potsic at The Borowsky Gallery

Turn Here: ARTISTS PROMOTING ENVIRONMENTAL AWARENESS is an installation of photography at The Borowsky Gallery in the Gershman Y at the corner of Pine Street and Avenue of the Arts focussing attention on the world’s disintegration of the familiar. Amie Potsic installed more than fifty yards of draped multi-colored silk printed with her signature tree photographs. Using trees as a metaphor of our connection to the earth, Amie expands the dialog from landscape photography to multimedia installation, the translucent silk, rich with color and detail, creating memes of a global scale.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Even though Amie Potsic shoots most of her photographs in Philadelphia, the sense of orientalism pervades the images with Asian references co-opted for the effect of a global view. The silk was printed in Pennsylvania. The layers of fabric play off each other like splashes of paint in bursts of expressionism yet there is a conservatism to the presentation which triggers ideas. Like: that would make a great shirt, that would look fabulous in my dining room, scarves, of course, and furniture. The trees symbolize community, work, aspirations, beauty and the fabric represents production, utilitarianism and use of resources.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Endangered Seasons was previously exhibited in Greece, imagine the lustrous silk in the Mediterranean light, offering an even broader global provenance to the piece. Like branches of thought the artwork spirals like a fractal, the closer you look the more it changes, patterns of connection and disconnection guiding the viewer gently into a deeper state of understanding. Rooted in the concern for a planetary phenomenon that is sure to affect her family, Amie Potsic creates photographs that resonate on multiple levels of consciousness and awareness, subtly traditional yet leaving the viewer with questions of sustainability, containment and collaboration on a massively global scale.

Endangered Seasons, Amie Potsic at The Borowsky Gallery

Read more about Turn Here: ARTISTS PROMOTING ENVIRONMENTAL AWARENESS at SideArts.com Philadelphia Art Blog, Cassandra Alyse Hoo‘s post “Turn Here” Is A Moving Environmental Exhibit at The Gershman Y’s Borowsky Gallery comprehensively approaches the theme of environmental change devastatingly portrayed in this important art show.

Amie Potsic is now Executive Director of Main Line Arts Center. Congratulations on this deserved opportunity. Thank you for your guidance and encouragement for my art career and writing. Let’s make some art news.

Main Line Media News coverage.

Written and Photographed by DoN Brewer

Through SideArts.com, DoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses. Read all about it here.

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