Category Archives: Philadelphia Art

Art in Philadelphia, PA.

A Show of Hands @ Salon des Amis

Robin Hotchkiss A Show of Hands @ Salon des Amis

Robin Hotchkiss, To The Opera, oil on wood @ A Show of Hands, Salon des Amis in Malvern.

A Show of Hands @ Salon des Amis

Robin Hotchkiss organized the theme show about hands, the quirky gallery near Valley Forge has a broad array of art by Philly regional artists.  Divine & To the Opera, oil on wood by Robin Hotchkiss – the sculpted ceramic hands are by Markels Roberts.

A Show of Hands @ Salon des Amis

Robin Hotchkiss, From the Past, oil over antique painting, Ellen Benson, Springtime Divas, mixed media and Ann Keech, found object assemblage @ Salon des Amis.

A Show of Hands @ Salon des Amis

Alden Cole, Magic Hans, oil on canvas @ A Show of Hands at Salon des Amis.

The Sunday afternoon opening drew Shoshka, Alden & DoN out to the tiny gallery on the hillside near Valley Forge to see A Show of Hands at Salon des Amis, a themed group art show of art focusing on hands – drawings, paintings, photos, sculptures, jewelry, hats…each artists’ unique approach expands and illuminates how important the image of hands are in popular culture.

 

Photos by DoNBrewerMultimedia.

Light & Despair @ Twenty-Two Gallery – Valerie Carroll & Adrienne Jenkins

Valorie Carroll @ Twenty-Two Gallery

Valorie Carroll @ Twenty-Two Gallery

Valerie Carroll, Spot @ Twenty-Two Gallery.

Valerie Carroll‘s animistic portraits of cats & dogs practically growl with aggression, daring DoN to stare down scary faces like monsters in a dream.  Sometimes when DoN looks into KaTy the ArT DoGs eyes he feels a connection with her like some extrasensory perception mind meld is happening, Carroll’s paintings tap into that same vibe.  Carroll’s animal portraits are classic mise en scene animal portraits yet brutalist and difficult like a great punk rock song.

Valerie Carroll @ Twenty-Two Gallery

Valorie Carroll @ Twenty-Two Gallery

Valerie Carroll, Rub-a-Dub, A Man in a Tub, oil on canvas.

Valerie Carroll explained how she first got this impression of the bathing man while out West but finished the painting back East.  The painting pulses with emotion, the man’s facial expression roils with desperation, the luxury of a bath too sad to believe, a beard grown wild, a rusted basin a momentary respite from the New Great Depression.

Valorie Carroll @ Twenty-Two Gallery

Valorie Carroll @ Twenty-Two Gallery

Valerie CarrollMan in a Pink Shirt, oil on canvas.  Light & Despair @ Twenty-Two Gallery.

Adrienne Jenkins @ Twenty-Two Gallery

Adrienne Jenkins @ Twenty-Two Gallery

Adrienne Jenkins, Jamie, oil on canvas @ Twenty-Two Gallery.

Shawn Murray, Twenty-Two Gallery’s mastermind, warned Adrienne Jenkins that portraits are a hard sell but her paintings of twenty-somethings reveal such a current state of being for young people – harried, a bit grim, self absorbed like characters from a William Faulkner novel set in the future – that it makes DoN glad she ignored his advice, the portraits are so painterly they don’t read as so specific.

Diane Podolski @ Gallery Twenty-Two

Twenty-Two Gallery’s co-curator , Diane Podolsky, has the balls to mix up impressionist still life paintings with stylized portraits and crazed pet paintings & makes it work like some museum show of the history of modern art; paintings just never go out of style.

Valorie Carroll & Adrienne Jenkins @ Twenty-Two Gallery

Valerie Carroll & Adrienne Jenkins at the opening of their show, Light and Despair @ Twenty-Two Gallery during West Center City’s Second Friday art crawl.  The two artists paint together at Wayne Art Center , sharing studio space and creating a kind of cross-pollination of painting styles.  With 25 or so paintings, this is a big show for two artists but Adrienne Jenkins is preparing for her solo show next year for the same space; the two artists have joined the artist collective and you can meet them this Sunday afternoon at Twenty-Two Gallery, 236 South 22nd Street.

 

 

Photos by DoNBrewerPhotography.

Tetsugo Hyakutake – Wind Challenge Exhibition #3 @ Fleisher Art Memorial

Tetsugo Hyakutake - Wind Challenge Exhibition #3

Tetsugo Hyakutake

Tetsugo Hyakutake @ Fleisher Art Memorial’s Wind Challenge #3.

When DoN first walked into the gallery he thought, “that’s a picture I wish I’d taken.”  The glowing industrial plants looks just like the one on I95 on the way to Trenton but Hyakutake shot most of the photos in Japan.  Many of the photos have a very Philadelphia vibe, especially the panoramic prints of bridges & highways and industrial sights, the effect is disorienting like you could be anywhere in the world.

Tetsugo Hyakutake - Wind Challenge Exhibition #3

Tetsugo Hyakutake is returning to Japan this Summer after a very successful career in professional photography in NYC & Philly’s Gallery 339 on Pine Street.  Tetsugo captures the aggressive industrialization of the Asian landscape with stunning prints displayed in a variety of styles, the prints hanging like scrolls on metal rods are very cool & contemporary, the transfixingly intense detail of the landscapes is lucid, clear and transporting.

Tetsugo Hyakutake - Wind Challenge Exhibition #3

Tetsugo Hyakutake @ Wind Challenge #3, Fleisher Art Memorial.

 

Photos by DoNBrewerPhotography.

Listening In & Eye Charts on Broad @ UArts

Justin Rubick @ UArts

Listening In, Brittany Papale @ UArts, Broad & Pine Streets.

Nostalgia simply oozes from the dual pay phones installed outside UArts, harking back to the late days of public access to affordable communications.  DoN recalls the uproar when a 3 minute local call jumped from a dime to 25 cents – now, public phones are rare, cell phones so pervasive that young people can’t imagine a wired world with huge, magnificent switches manned by teams of technicians opening and closing connections.  Listening In allows you to eves-drop on private conversations in a very public setting.  “Stop phonin’, stop phonin’, I don’t wanna think anymore – I got my head & my heart on the dancefloor.”  Lady Gaga.

Justin Rubick @ UArts

My piece consists of two eye charts arranged in a V, with one facing north and the other south.  Since the eye chart always corresponds to a certain distance from which to view it, I have not only blown up the eye chart 10X but scaled up the optimal viewing distance proportionally.

Justin Rubich, artist.

Sculpture @ UArts

The continuing series of sculptures presented in the niches of the temple @ Pine & Broad Streets is always a nice surprise with thoughtful, contemporary installations casually placed right out on the street which really forces the artist to think about the environment of the sculpture.  The quest to be creative yet use materials that the artist won’t be totally devastated if something is damaged has resulted in works made from plastic milk crates, wire & broken glass, cellophane…so far the only damage DoN has noticed has been weather related.  Philly LoVeS ArT!!!

Scott Kip @ Fleisher Art Memorial Wind Challenge #3

Fleisher Art Memorial

Scott Kip‘s installation of sculptures represents the past, present & future; the center sculpture with s a step stool has the shadow of clockworks rotating and when you look through the hole someone at a sculpture at the other end of the room can see your eye.  Each piece is a meticulously constructed models create wonderful optical illusions of abstract art reminiscent to Albers, Indiana and Grooms.  The left side of the gallery is the future and the right is the past – from the future the view is confusing, the past you may find another eye looking back at you.Scott Kip @ Fleisher Art Memorial Wind Challenge #3

Scott Kip‘s center sculpture projects the shadow of time in the center of a frail super-structure.  Scott told DoN it took more than a year to complete the project of hard woods and that he was inspired by the writing of T.S. Eliot. The result is ineffable.

Scott Kip @ Fleisher Art Memorial Wind Challenge #3

Scott Kipp @ Wind Challenge #3, Fleisher Art Memorial.

Scott Kip @ Fleisher Art Memorial Wind Challenge #3

Scott Kip

“I make model scale structures out of wood, each lit directly from above.  The structures are designed around the path light takes through them, both the light from above and the possible sight lines of the viewer.  The work is a meditation on how perspective affects our understanding of the relationships between things and the idea that life (the space between birth and death) is a place.”

“…Picked his bones in whispers. As he rose and fell he passed the stages of his age and youth entering the whirlpool.”

Death By Water, T.S.Eliot

 

Photos by DoNBrewerPhotography