Category Archives: Philadelphia Artists

Philadelphia’s art scene is vibrant, ever-changing, combining technique and technology for new visions of reality, creating a transformative influence on life-style in the urban community and beyond.

More Photos About Buildings and Food at Gallery 339

More Photos About Buildings and Food at Gallery 339, Lucas Foglia

More Photos About Buildings and Food at Gallery 339Lucas Foglia, Lunea with Deer Rib

“Girls are getting into abstract analysis
That want to make that intuitive leap
They are making plans that have far reaching effects” – Talking Heads, The Girls Want To Be With The Girls, More Songs About Buildings & Food

Gallery 339 at the corner of 21st and Pine Streets is dedicated to fine art photography, the chic space always has something special and inspirational to see. Spending time alone there with the incredible images is one of DoN‘s favorite things to do because there is nowhere else like it to see art by master photographers (except PPAC, of course) but that’s across town. The gallery has become a destination for photography lovers from around the world and it’s right down the street from Haus of DoN. Usually the gallery is dedicated to just a few photographers, focussing on a body of work but More Photos About Buildings and Food is a large group theme show with many of the great photographers who have exhibited in the past at the gallery.

The opening night was more like a party than an opening with a DJ spinning classic Talking Heads songs at ear throbbing volume making it impossible to talk but that only meant the party spilled out into the street. The eclectic mix of images are either about buildings or food, all of them spectacular and special examples of the state of the art in fine art photography. Some are easy to look at, some disturbing and deep, others are pop art or documentary style.  The mix is heady and exciting, the crowd was loud and rambunctious – just the way DoN likes it.

More Photos About Buildings and Food at Gallery 339, Martin Parr

More Photos About Buildings and Food at Gallery 339Martin Parr, Turkey Leg, Disneyland, Tokyo, 1998, chromogenic print

More Photos About Buildings and Food at Gallery 339, Vincent Feldman

More Photos About Buildings and Food at Gallery 339Vincent Feldman, Shizuoka Shinbun and Broadcasting System Tower, carbon pigment print

Vincent Feldman lives down the block from DoN and it was a nice surprise to see him and his family at the show, it was an even better surprise to see his work in the show with spectacular prints of Japanese modern architecture. Over the roar of the music we chatted about his contribution to the exhibit. DoN asked how Vincent Feldman, a professor of photography at University of the Arts, got involved with More Photos About Buildings and Food at Gallery 339?

“Well, I live in the neighborhood near the gallery, so I know Martin McNamara, the owner and director of the gallery and he’s actually purchased some of my work in the past. So the work that he owns is what’s being exhibited but they’re a larger scale. I take pictures of buildings and that’s part of the theme of the show, so, it worked out for this exhibit.”

DoN asked how long Vincent Feldman has been involved in photography? “Thirty-plus years, most of my life.” Not long ago the artist unloaded a bunch of enlargers for people to glean from the street which lead DoN to think maybe he had gone digital. “I still have some enlargers, but the prints I’ve been doing lately, I would say, are mostly digital but I always shoot film. It’s four by five negatives, there’s nothing comparable for me to shoot digitally in that size. I use a large format 4 x 5, Toyo, a Japanese company”

Do you still have a darkroom, they seem to be going away? “Yes. There are still a lot of darkrooms, in fact, they seem to be a growth industry since a lot of them have been decommissioned and I teach, too, and a lot of students want to print in the darkroom. They want to make real prints. It’s a magical process, I love working with the computer but I think you should know what real photography looks like before you try and make it with a computer. You can make anything, you can print out an M16 now, a working gun, so what’s to prevent students from doing that, when you give them a computer you’ve got to focus them and the computer’s not a great thing to focus with if you’re just learning.”

“I have a book coming out in the Spring called Philadelphia City Abandoned about the civic architecture of the city. I’m working with Paul Dry a Philadelphia publisher and he’s been really great and hopefully it’s going to be a beautiful book that will last a long time.”

More Photos About Buildings and Food at Gallery 339, Mary Parisi

More Photos About Buildings and Food at Gallery 339Mary Parisi, Wounded Soup, chromogenic print

More Photos About Buildings and Food at Gallery 339, Ion Zupco

More Photos About Buildings and Food at Gallery 339Ion Zupco, American Homes Portfolio, gelatin silver prints

More Photos About Buildings and Food at Gallery 339, David Graham

More Photos About Buildings and Food at Gallery 339David Graham

Gallery 339‘s Martin McNamara has agreed to help jury the upcoming Photographic Society of Philadelphia‘s 150th Anniversary exhibit at the Plastic Club in November, read more about the upcoming show at SideArts.com.

Written and Photographed by DoN Brewer

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Violent Silence

As DoN listens to DJ PolishedSolids weekly internet radio broadcast on Mixlr.com, the adrenaline from the past few days is dispersing with the music. The set this week is called Violent Silence, a genre hopping music mix with violence as this week’s theme. Maybe it’s the full moon but some folks are acting crazy as a Zombie Apocalypse out there.

As you might imagine, DoN‘s e-mail inbox is maxed out – over 10,000 un-read messages! With house-keeping in mind, DoN un-subscribed to dozens of newsletters and deleted hundreds of messages without malice of intent. All of the newsletters thanked me for my patronage – except one. DoN opened an e-mail thinking it would be another “are you sure?” message and instead it said, “Since you are being such an ass about things please unsubscribe “name withheld” form you banal reviews.” Note the typos.

DoNArTNeWs had reviewed this artist’s work about a dozen times over the years; all posts mentioning the artist have been deleted from this blog. To be clear, DoN receives no compensation for writing this blog. In fact, it costs money to maintain this site, travel to events and post blog stories. Even though the site has advertising through Amazon and CJ.com, the niche market DoN writes about does not produce any income. DoN writes for his own enjoyment, intellectual development and support for the Philadelphia art community he loves.

If you are using social media to promote your art, take it from DoN, insulting your promoters will not bring you more business or happiness. DoNArTNeWs will continue to post reviews about art in the most positive light possible, focussing on emerging artists, small galleries and studios. If a story about you doesn’t get posted, it’s not that DoN doesn’t like you or your work, only that time has run out since DoN is an army of one. Except for the wonderful Jeff Stroud who shares his photography with us with grace and gratitude.

In the coming days DoN will be posting stories about Michelle Post‘s Tronies show at Da Vinci Art Alliance, More Photographs About Buildings and Food at Gallery 339Robert Bohne at Artists’ House Gallery, the fabulous show of drawings at The Philadelphia Sketch Club curated by Bill Scott and Alex Kanevsky and more, more more…this is the 496th blog post on DoNArTNeWs. Thanks DJ PolishedSolid for the inspiration.

LoVe

DoN

DoN Brewer

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

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Derek Jecxz, Forsaken Waters, Twenty-Two Gallery

Derek Jecxz, Forsaken Waters, Twenty-Two Gallery

Derek Jecxz, Forsaken WatersTwenty-Two Gallery

Derek JecxzForsaken WatersTwenty-Two Gallery is a collection of photographs of desolate scenes of water, eerily beautiful and mysterious landscapes far from civilization. The exhibition is a combination of photographs printed on paper and aluminum, DoN spoke with the artist at the opening about the process to print on metal. Derek Jecxz explained, “About sixteen or seventeen of them are on aluminum and they were very difficult to do. There is probably between five and ten hours work in each one. Cleaning the aluminum, getting the chemicals off of it, sanding the aluminum multiple times and then prepping it again and then coating it with a chemical so that I could then get it through and printed on.”

Derek Jecxz, Forsaken Waters, Twenty-Two Gallery

Derek JecxzForsaken WatersTwenty-Two Gallery

“And then it has to dry for five days, then I have to varnish it, and then I have to trim it off the big metal sheet.”

“Wow!” said DoN. “I know!.” said Derek, “I think I bit off more than I could chew. And then you have to try and keep it flat. I’m using an Epson 9800, but I’m not running the metal directly through, I attach it to a carrier sheet, I didn’t have the confidence of running the metal right through. So I tape it to a big sheet of paper and run that paper through, this way I’m not going to ruin the printer on the edges. That was my main fear.”

Derek Jecxz, Forsaken Waters, Twenty-Two Gallery

Derek JecxzForsaken WatersTwenty-Two Gallery

DoN asked if it’s such a laborious process how did Jecxz decide which images to use? “Well, I knew the subject of the show was going to be water because that was my predominant theme. When I did a series of tests I noticed that if a picture had a light element in it, it allowed the luminescence of the aluminum to shine through, so that was an easy decision for me. The process was difficult because of a lot of false starts, I tried stainless steel, I tried different sanding techniques – a lot of false starts.

DoN wondered why the photographer didn’t use a commercial producer? “I did find two vendors, one vendor sells aluminum sheets with a max width of twenty inches, I can’t use that with medium format photography for big prints twenty inches doesn’t work. Another company sells very, very shiny aluminum and it’s not what I liked.”

Derek Jecxz, Forsaken Waters, Twenty-Two Gallery

Derek JecxzForsaken WatersTwenty-Two Gallery

Distinguishing between the aluminum and paper prints is difficult, which is which?  Derek Jecxz explained, “Anything with plexi is paper anything that has no cover is aluminum. You can see my hand from sanding it, everything is personal, I stamp each one and everything is unique. So this starts out as a three by three foot sheet, I hand sand it for about five hours multiple times and then the process goes from there. The smaller ones were easier than the larger ones but you can see where the white really came through.”

Derek Jecxz shoots with Hasselblad , some film, some digital but most of the photographs are digital. DoN commented that whenever he takes his camera to the beach it doesn’t work so well because of the humidity. Derek said, “I was standing in the water, probably knee deep or higher, with the waves crashing in. I will risk the gear to take the shot, the gear is irrelevant. You’re there to make a picture not protect your gear.”

The illusion of whiteness in Derek Jecxz‘s photographs is uncanny, the somewhat matte finish to the metal shows through where white in the picture is because printers don’t print white ink. The presentation is exquisite with the photographs mounted in hand-made frames, the room filled with images of distant places and primordial seascapes. Twenty-Two Gallery is located on 22nd Street and has twenty-two member artists, the solo show in the front gallery visible from the street and an intimate gallery with works by the twenty-one other member artists.

Written and Photographed by DoN Brewer

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light being (Frank), Absolutely Abstract 2012 at The Philadelphia Sketch Club

Absolutely Abstract 2012 at The Philadelphia Sketch Club

Absolutely Abstract 2012 at The Philadelphia Sketch Club

Absolutely Abstract 2012 at The Philadelphia Sketch Club

light being (Frank), Absolutely Abstract 2012 at The Philadelphia Sketch Club

light being (Frank)DoN Brewer, digital photograph, Absolutely Abstract 2012 at The Philadelphia Sketch Club

On the way to deliver my entries for the annual Absolutely Abstract show at The Philadelphia Sketch Club I had the usual reservations entering a landscape photograph in the abstract show. But once again another of my abstract landscape images from the light being series is included along with the painters, I am humbled and honored to have my work recognized as an abstract image drawn directly from the real world.

Absolutely Abstract 2012 at The Philadelphia Sketch Club 8/31 – 9/22/2012, Reception 9/9/2012 2-4:00pm

Written and Photographed by DoN Brewer

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Gesshel at Jed Williams Studio, Printmaking Demonstration

Gesshel at Jed Williams Studio, Printmaking Demonstration

Gesshel at Jed Williams Studio, Printmaking Demonstration 8/22/2012

Philadelphia artist Barbara Gesshel is a printmaker who combines excellent drawing skills with multiple printmaking processes. Old planks of wood become reliefs carved with images of nature in reverse, an old headboard is repurposed and carved away to reveal a family portrait, mono-prints become statement pieces…at Jed Williams Studio, 615 Bainbridge Street, Gesshel will demonstrate several printmaking techniques tonight, August 22nd, followed by refreshments and question and answer session. You may get a chance to even make your own print plus you will get a preview of Gesshel‘s upcoming solo show at Jed Williams Studio in October. Tickets are $7.00

Read more at SideArts.com 

http://gesshelprintmakingdemo.eventbrite.com

Through SideArts.comDoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses.  Read all about it here.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

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