Category Archives: Philadelphia Artists

Philadelphia’s art scene is vibrant, ever-changing, combining technique and technology for new visions of reality, creating a transformative influence on life-style in the urban community and beyond.

Art in the Open at Schuylkill Banks Park

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Katy the ArT DoG photo-bombs this pic of the site specific installation created by Simone Spicer for the Art in the Open weekend at Schuylkill Banks Park.  The artist gathered plastic or plasticized trash, decorated each piece with paint or collage, then strung them like beads along the bike path.  The effect was like a waterline where all this wacky trash had washed up on the banks of the nearby river commenting on the ecological effects of plastic trash.  But Simone Spicer also lavished time and effort on each element accentuating the careful design of these daily-use objects and the efforts of designers and corporations to make them attractive enough to buy.  And throw away.

Simone Spicer, Art in the Open at Schuylkill Banks Park

Simone SpicerArt in the Open at Schuylkill Banks Park

Art in the Open 2012 was a big commitment by the participating artists – three days set up as a working artist along the bike trail from Lombard Street towards the Philadelphia Art Museum.  The point wasn’t to sell work but to demonstrate how art is made, engage with the public, raise questions and answer questions.  The artists are rewarded with a show at The Philadelphia Seaport Museum for the rest of the Summer opening June 15th. The experience of strolling along the trail with the dog is one of DoN‘s favorite activities, the addition of art was like an alternate reality for an afternoon, it would be cool to see more artists along the scenic path all the time.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park

Photographer, Jeff StroudDoN and Katy the ArT DoG walked along the bike path in the hot Spring sun and stopped at a shady tree where artist Barbara Gesshel had set up her studio out of the sun.  Using the tree as a work surface Barbara Gesshel rubbed charcoal into large sheets of paper, using the ridges of the bark to create a naturalistic atmosphere to her drawing.  Working with nature instead of against it, Gesshel’s use of charcoal, the charred remnants of dead trees, onto the living surface of a tree to make her drawings is poetic and inspiring.

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel, Art in the Open at Schuylkill Banks Park

Barbara GesshelArt in the Open at Schuylkill Banks Park, photo by Jeff Stroud

Barbara Gesshel has an expansive one-person show of prints and paintings at Red Hook Cafe on Fabric Row.  Read DoN‘s blog post about the show on SideArts.com.

Erika Bergere, Art in the Open at Schuylkill Banks Park

Erika BergereArt in the Open at Schuylkill Banks Park

Cyanotype is one of the oldest types of photography there is, artist Erika Bergere set up on the lawn with her baby and made the beautiful Prussian blue photographs using only the light of the sun and a solution of potassium ferricyonide and ferric ammonium.  The wet paper hung out on a line to dry while the family lolled in the shade on the grass.

Justin Tyner, Art in the Open at Schuylkill Banks Park

Justin TynerArt in the Open at Schuylkill Banks Park

Stained glass artist Justin Tyner was one of the only artists who needed to connect to the grid, he made this beautiful rose window outside with his soldering iron.  Shortly after this photo was taken the window was mounted in a round wooden frame on the lawn on a hill near the art museum.

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Jeannie Moberly, Art in the Open at Schuylkill Banks Park

Jeannie MoberlyArt in the Open at Schuylkill Banks Park

Artist Jeannie Moberly used a variety of media from her art box to create the drawings on long expanses of paper that she planted in the ground with wood dowels.  The maze-like effect was bold and beautiful at the bend in the river.  Sitting in the bright sun with a big hat and long sleeves to guard her arms, the artist contentedly worked out the ambitious drawing while bikers, walkers and gawkers stopped by to check out the colorful display of art.

Abdelkrim Djennas, Art in the Open at Schuylkill Banks Park

Abdelkrim DjennasArt in the Open at Schuylkill Banks Park

Flowers made from battle caps – gorgeous! Abdelkrim Djennas flattens out bottle caps with cuts along the edge transforming refuse into delightful dumpster diver art.  Like tramp artists of old, he takes what society discards and makes something desirable and pretty.  The metal flowers sprouting in the woods near the art museum were whimsical yet prescient with a question of whether Nature will be overtaken by man made objects.

Nicole Donnelly, Art in the Open at Schuylkill Banks Park

Nicole DonnellyArt in the Open at Schuylkill Banks Park

Using found materials, Nicole Donnelly wove a structure of twigs and branches around one of the boulders along the river.  Obviously temporary but the piece touched a childhood nerve of playing in the woods.  The rocks along the river make convenient resting spots, Donnelly’s hut-like structure evokes Clan of the Cave Bear-like racial memories and the satisfaction of creating shelter.

George Apotsos, Art in the Open at Schuylkill Banks Park

George ApotsosArt in the Open at Schuylkill Banks Park

George Apotsos used simple chicken wire to create his ethereal Occupy People. The wire torsos planted in the Earth at oblique angles, each faceless head looking in a different direction evoking the mixed message mantra of the Occupy movement. We can see right through them. Using a mannequin as a form, George Apotsos molds and trims the common material, using heavy gloves and strong shears, into a metaphor for modern life.

Written and photographed by DoN Brewer except where noted.

Contributing photographer, Jeff Stroud

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BLACKWHITE ANDINBETWEEN @ 110 Church

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Trish Thompson, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

BLACKWHITE ANDINBETWEEN show is already over but DoN is still thinking about the art installation that focussed simply on black and white.  The gallery in Old City installed a three person show of black and white artworks by Philadelphia region artists: Trish ThompsonTom Hlas & Wendy Wolf. The May First Friday crawl is all about discovering new art talent and 110 Church Gallery, off of 2nd Street in a quirky store front, feels so comfortable it’s like an oasis from the art mobs on the prowl offering a delight for the eye for the weary art crawler.

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Tom Hlas explained to DoN how he meticulously crafted the woven collage, working each edge and surface of the paper with deceptive intensity.  The group of three black and white collages all had red dots, Tom was grinning ear to ear with the satisfaction that his idea reacted with his audience in the best way.

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf, BLACKWHITE ANDINBETWEEN @ 110 Church Gallery

Wendy Wolf installed a site specific piece composed of string and and organically shaped cut outs that resemble Locust leaves.  The pristine white elements create a pattern of shadow and shades of gray that only appear because the mind has to process the information somehow. The taut strings call to mind musical instruments, the random leaves striking chords in a holographic-like space between the strings and the wall.  During last weekend’s Art in the Open event at Schuylkill Banks Park the artist installed a massive mixed media piece using her unique language of simple elements in a tree near the Philadelphia Art Museum.  Her work weathers well and interacts with the environment in a pleasing poetic song-like work of art, one is still on view outside the art gallery.

The next event at 110 Church Gallery:

Josette Urso: Here and Then

Written & photographed by DoN 

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Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

100 Faces of Bob is over one hundred mixed media art objects mounted on the wall at Off the Wall Gallery created by outgoing President of The Plastic Club, Bob Jackson.  Last week DoN watched a movie at The Plastic Club‘s monthly art salon, shot in 2006, of Bob Jackson‘s collections and studio, a consummate pack rat collector and inspired artist.  Jackson collects objet trouve’ then transmogrifies the collected elements, found at flea markets, yard sales and antique shops into anthropomorphic portraits.

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

Off the Wall Gallery usually hosts group show but gave over the whole space to Bob Jackson’s thesis: attractive, fun, visionary art that’s affordable.  Bob Jackson has been leading The Plastic Club for many years, he’s seen it all, good and bad, and synthesized the information into an art style that is aspirational and accessible.  Like his ball point pen drawings on typing paper, the 100 Faces each express the artist’s hand, thought, effort and time.  Anthropomorphism is practically the original art, the Venus of Willendorf speaks to us over mellenia, Bob Jackson is able to tap into our deepest cultural memories and speak to us here in the future.

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

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Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

The Off the Wall Gallery consistently installs thought provoking and relevant art shows. Usually the installations are juried group shows offering emerging artists opportunities to show their work with established artists. Art is part of the business model at Dirty Franks Bar, space on their wall is coveted and their sales record is really good.  100 Faces of Bob will be remembered as one of the great moments in Philadelphia art history, the show looks like it will be sold out.  Each piece is only $50.00.  Bob Jackson‘s legacy will be a strong, real, measurable impact on the Philadelphia art community, DoN has personally cried on Bob’s shoulder over art matters and know’s he has counseled and supported hundreds of other artists with assurances, solutions and advice.  Creating a wonderful experience design, the show offers so many lessons in art making, marketing, networking and socializing from a master Philadelphia artist, 100 Faces of Bob reveals the beautiful face of a friend.

LoVe

DoN

Marjorie Grigonis, Kristine Flannery at Third Street Gallery

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie Grigonis, Present TenseThird Street Gallery

Marjorie Grigonis and Kristine Flannery‘s exhibit at Third Street Gallery (on Second) is a compare and contrast in action painting and abstract expressionism. Marjorie Grigonis calls her collection Present TenseKristine Flannery‘s exhibit is called The Multitudes; Grigonis’ mixed media and paintings uses mark-making and color fields with emotive color and Flannery’s action paintings exude energy. DoN talked with Marjorie Grigonis May’s First Friday in Old City.

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

How did you get involved with Third Street Gallery?  “I’ve been part of the gallery for at least ten years.  Someone invited me to put my work up and be juried in and I’ve been part of it ever since.  I was one of the directors a couple years back which is a job no one covets, it gets passed on every two years. But, it’s a good  gallery, it’s good people and I think a really great showing space with the windows and the location.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN asked Marjorie Grigonis to describe her style, a combination of collage and painting, “Well, the painting is very much gestural and early was somewhat based on abstract expressionism but it’s been modified. As you can see, it’s not that free anymore. But the looseness that I started with, I find painting really hard, I struggle with it and I edit out. There’s probably six paintings underneath that painting. I just paint over, scrape off, and paint over.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

“I started looking at all the scraps of things in my studio and making collages and it was fun. But I realized that I was thinking , in this show particularly, that there’s not any content, and there’s not a lot of content here, but, I was thinking just about the general anxiety of personal and global and I think a lot of these sort of reflected that. The woman holding her hand, the fear itself, I think even the paintings are just a little bit anxious, not totally.  I think there’s a good time going on in some of them.”

“I don’t mean to be a downer, I just think of me, there’s just a little more of a sense of that, sort of, pervading everybody and everything right now. I’m sensitive to that and I think humor is a way to deal with that and so I just thought some of these were pretty funny.  Maybe ironic.”

Marjorie Gregonis, Present Tense, Third Street Gallery

Marjorie GrigonisPresent TenseThird Street Gallery

DoN commented to the artist that anxiety is not what he felt from the colorful abstractions and that he overheard people saying how much they liked them, “Well, I’m glad because it’s partly just me, probably a lot of it’s me.”  DoN said, “Well, you are the artist.”

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Third Street Gallery is an artist-run cooperative art gallery established in 1972.

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine FlanneryThe Multitudes at Third Street Gallery

Kristine Flannery‘s action paintings represent movement and gesture through space.  The energetic marks and swipes of paint each try to capture a moment of movement, the paint permitted to be watery and move on it’s own, sometimes smeared into submission.  DoN spoke only briefly to the artist and her husband, she was fatigued at the end of the First Friday festivities but if you go to the Third Street Gallery website there’s a good statement about her goals with the show.

Written and Photographed by DoN Brewer

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Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

915 Spring Garden Art Studios hosts an artist’s open studio tour in the Spring and during Philadelphia Open Studio Tours in the Fall. Spike the bikerJeff the photographer and DoN visited the artist’s studio building on a sunny but chilly Sunday afternoon, starting on the fifth floor and working our way through the studios that were open. Frankly by the time we got to the third floor we had been there three hours and we found respite in the lounge area near the old timey caged elevator.  Our art crawling trio realized this was more than could be accomplished in one visit, there is just so much to see and DoN loves interviewing artists which made our visit take longer. But DoN doesn’t like to just pop in and out of studios without engaging the artists in conversation.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

As a veteran of Philadelphia Open Studio ToursDoN is aware of the extra work required to host guests in your workspace, the least DoN can do is talk to the artists.  And as this series of blog posts attests, there are lessons to be learned.  With a bit of renewed energy the art crawlers went to the first floor to visit the inspiring studio of long time 915 Spring Garden Art Studios, Peter Cunicelli.  Peter is one of the first artists DoN blogged about on DoNArTNeWs way back in October 2008.  Since that time the ceramics artist has moved his studio from an upper floor to the first and the extra effort our weary art crawl crew summoned to visit his art space was well worth it.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli explained, “Everything here is hand built, everything’s slab form built, including other than the stand-up vases, that’s much more random.  The vases are more precise, they’re templates.” DoN noted how unique each piece is an asked if the artist ever makes a series of popular styles?  “…some of them, I might do a lot of them, I’m not crazy about the glaze on that one but I might redo it with a more matte glaze.  Sometimes I’ll do multiples just to do multiples, you know, each one gets better.  And other times I’ll do a one off, sometimes they’re too involved and I don’t want to do another.”  The space is beautiful with the aspirational ceramics everywhere, DoN wondered if the artist gets inspired by his own creations?  “I do, I don’t want to sound narcissistic, but a lot of those are pieces I could never sell.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

“Sometimes it’s because there’s something wrong with them, whether it’s the glaze or a crack, or like the glaze on the green one chipped off.  But I like having them there, it reminds me I keep having to like what I’m doing.  There’s a lot of form up there (referring to a high shelf loaded with various vases) that I like, so I try to reuse it or do something with it.  The really original stuff, almost twelve years old, I would never sell.  I also have them at home, I just like being surrounded by them.  I was never formally trained so I just ran with it. Do you know Doug Herren? He’s Philadelphia, his work is amazing. When I started he was doing very functional work, thrown work and a combination of thrown and hand built.  I love the fullness of his forms and crisp lines, so I started trying in my own way to mimic that, that’s how I ended up developing my own style.  Now he does stuff that’s very industrial, it’s all sculptural, really beautiful work.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

DoN asked where Peter Cunicelli exhibits?  “Right now, Show of Hands, 1006 Pine Street, but this year I want to get out there, get into some galleries.  It has to be out of my zip code but, Show of Hands has an amazing salesman.  I always admired his eye, he always has amazing stuff.  I went in one day, I was with a friend of mine and I went up meekly to him and asked if knew of any craft shows or does anyone ever bring you work?  He said he does but sometimes artists have delusions of grandeur.  I thought, ‘Alright, I’m going for broke now’, he asked about my work and I said I have a website.  So he went to the website and pulled up one image and went, ‘Gasp!’, and I wanted to say, ‘Delusions of grandeur, eh?'”

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

“So he said to me to bring six pieces, then I got a call asking for nine pieces, and then ten.  I think I brought in eleven pieces the first time, he’s a salesman, a really good salesman. Most of the pottery he has in there is very traditional, so mine sticks out.  And I like having that, I like it being different. I don’t want to be the best, I always say I want to be the bottom of the barrel because I want to be surrounded by greatness, but the ceramic work there is very good and very traditional.  Which is nice, and I think it’s one of the reasons he’s able to sell it, it’s a good place, he’s got good craft.”

Peter Cunicelli told DoN that he has yet to sell anything from his website, using it as a portfolio of his work.  He also used social media, like e-mail newsletter and FaceBook, to advertise the open studio.

Read more about 915 Spring Garden artists:

Katya Held 

Anne Saint Peter

Eric Hall 

Laura D. Adams

Written and photographed by DoN Brewer except where noted

Thank you to Contributing Photographer, Jeff Stroud

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