Category Archives: Philadelphia Open Studio Tours

Philadelphia Open Studio Tours

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

915 Spring Garden Art Studios hosts an artist’s open studio tour in the Spring and during Philadelphia Open Studio Tours in the Fall. Spike the bikerJeff the photographer and DoN visited the artist’s studio building on a sunny but chilly Sunday afternoon, starting on the fifth floor and working our way through the studios that were open. Frankly by the time we got to the third floor we had been there three hours and we found respite in the lounge area near the old timey caged elevator.  Our art crawling trio realized this was more than could be accomplished in one visit, there is just so much to see and DoN loves interviewing artists which made our visit take longer. But DoN doesn’t like to just pop in and out of studios without engaging the artists in conversation.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

As a veteran of Philadelphia Open Studio ToursDoN is aware of the extra work required to host guests in your workspace, the least DoN can do is talk to the artists.  And as this series of blog posts attests, there are lessons to be learned.  With a bit of renewed energy the art crawlers went to the first floor to visit the inspiring studio of long time 915 Spring Garden Art Studios, Peter Cunicelli.  Peter is one of the first artists DoN blogged about on DoNArTNeWs way back in October 2008.  Since that time the ceramics artist has moved his studio from an upper floor to the first and the extra effort our weary art crawl crew summoned to visit his art space was well worth it.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli explained, “Everything here is hand built, everything’s slab form built, including other than the stand-up vases, that’s much more random.  The vases are more precise, they’re templates.” DoN noted how unique each piece is an asked if the artist ever makes a series of popular styles?  “…some of them, I might do a lot of them, I’m not crazy about the glaze on that one but I might redo it with a more matte glaze.  Sometimes I’ll do multiples just to do multiples, you know, each one gets better.  And other times I’ll do a one off, sometimes they’re too involved and I don’t want to do another.”  The space is beautiful with the aspirational ceramics everywhere, DoN wondered if the artist gets inspired by his own creations?  “I do, I don’t want to sound narcissistic, but a lot of those are pieces I could never sell.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

“Sometimes it’s because there’s something wrong with them, whether it’s the glaze or a crack, or like the glaze on the green one chipped off.  But I like having them there, it reminds me I keep having to like what I’m doing.  There’s a lot of form up there (referring to a high shelf loaded with various vases) that I like, so I try to reuse it or do something with it.  The really original stuff, almost twelve years old, I would never sell.  I also have them at home, I just like being surrounded by them.  I was never formally trained so I just ran with it. Do you know Doug Herren? He’s Philadelphia, his work is amazing. When I started he was doing very functional work, thrown work and a combination of thrown and hand built.  I love the fullness of his forms and crisp lines, so I started trying in my own way to mimic that, that’s how I ended up developing my own style.  Now he does stuff that’s very industrial, it’s all sculptural, really beautiful work.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

DoN asked where Peter Cunicelli exhibits?  “Right now, Show of Hands, 1006 Pine Street, but this year I want to get out there, get into some galleries.  It has to be out of my zip code but, Show of Hands has an amazing salesman.  I always admired his eye, he always has amazing stuff.  I went in one day, I was with a friend of mine and I went up meekly to him and asked if knew of any craft shows or does anyone ever bring you work?  He said he does but sometimes artists have delusions of grandeur.  I thought, ‘Alright, I’m going for broke now’, he asked about my work and I said I have a website.  So he went to the website and pulled up one image and went, ‘Gasp!’, and I wanted to say, ‘Delusions of grandeur, eh?'”

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

“So he said to me to bring six pieces, then I got a call asking for nine pieces, and then ten.  I think I brought in eleven pieces the first time, he’s a salesman, a really good salesman. Most of the pottery he has in there is very traditional, so mine sticks out.  And I like having that, I like it being different. I don’t want to be the best, I always say I want to be the bottom of the barrel because I want to be surrounded by greatness, but the ceramic work there is very good and very traditional.  Which is nice, and I think it’s one of the reasons he’s able to sell it, it’s a good place, he’s got good craft.”

Peter Cunicelli told DoN that he has yet to sell anything from his website, using it as a portfolio of his work.  He also used social media, like e-mail newsletter and FaceBook, to advertise the open studio.

Read more about 915 Spring Garden artists:

Katya Held 

Anne Saint Peter

Eric Hall 

Laura D. Adams

Written and photographed by DoN Brewer except where noted

Thank you to Contributing Photographer, Jeff Stroud

[disclosure page] All ad links in this blog post direct to Amazon.com

Kay Healy

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

How does it feel to be showing your artwork in the Galleries at Moore?  “Oh, it’s wonderful!  There’s a lot of really good work here right now, so, it’s exciting to be in such a professional space.  I was laughing because on Monday I had four people all helping me hang.  I’m used to, you know, doing it all by myself.”  Oh, yeah, DoN knows.  “I’ve been dragging my boyfriend around, making him hold things for me.  It’s really nice to have someone else with good opinions about how it should be hung.  I’m hoping to really get my work out there and be in more exhibitions and that I’ll be able to spend more time making work instead of applying for exhibitions.”  Holla!

DoN reminded Kay Healy about seeing her work at Art in City Hall.  “This is great because it was in the Window on Broad at UArts and from that I was able to get into the Dysfunctional Furniture show at City Hall.  And Leah Douglas from the Philadelphia International Airport saw it and she said, ‘Can I do a studio visit?’, I said, ‘Yeah!’, like, Oh Great!, real artists get studio visits!  So, she dropped by and said, ‘OK, well, I have a forty foot case that I would like you to do for Summer 2012.’  That was about a year ago, so now, that’s my major project doing a forty foot version of this featuring a bathroom, a kitchen, dining room and a living room.”

The Center for Emerging Visual Artists (CFEVA), in cooperation with Moore College of Art & Design, presents an exhibition by the new Career Development Program Fellows. A highly selective fellowship with only a 2% acceptance rate, these six artists represent some of the most promising talent among emerging artists in the region:  Leslie Friedman, Daniel Gerwin, Rebecca Gilbert, Kay Healy, Heechan Kim, and Johanna Inman.

Introduction 2012

February 1 – February 25, 2012

Widener Memorial Foundation Gallery

Johanna Inman

Daniel Gerwin

Leslie Friedman 

Rebecca Gilbert

Heechan Kim

Circumstantial Assembly / CFEVA at Moore

Side Arts- POST 2011

Introduction 2011

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN
Blick Art Materials

[disclosure page]

Street and Free Art, Power to the People, Karen M & Anthony C

Street and Free Art, Power to the People, Karen M & Anthony C

Karen M & Anthony C Philadelphia Street Artists

Karen M contacted DoN prior to the start of the Philadelphia Open Studio Tours East weekend to tip him off to drive by the baseball field on Wharton Street near Geno’s and Pat’s Steaks.  Karen and DoN talked recently about the economic situation of artists, the unreliability of sales and income to cover the expense of making art.  Art costs money, usually.  Karen M and Anthony C have been tagging the city, graffiti style, with their own collectible paintings.  Using the same technique as their high end paintings on canvas, the pair uses found cardboard and posters to paint their iconic portraits, like Wisdom Kid, with stencils and spray paint, then install them where people can steal the art.  During the recent Philadelphia Open Studio Tours West, they stapled a beautiful portrait on glittery paper to the bedraggled knit-bombed telephone pole at the end of DoN‘s block.  Luckily while walking KaTy the ArT DoG and Lady Doofus, the geriatric St. Bernard / Chihuahua, DoN was able to carefully retrieve the piece, the scars torn into the paper from the staples a secret prize of provenance.  Collectors across South Philly follow their messages, like the one DoN was texted, to go to a particular spot for some prime art loot.  It’s all the fun of stealing without any of the guilt.  Karen M and Anthony C prove that art can be free and fun, provocative and intellectual, thoughtful and carefree in a public arena with no fees, no charges, no costs, no juries, dealers or committees or money.  Free Art = Free Money.

Karen M & Anthony C,  Street and Free Art

Karen M & Anthony C,  Street and Free Art.

Read more of DoN‘s art adventures at Philly.SideArts.

Photos by DoN.

Philadelphia Open Studio Tours 2011 – Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane in Old City, Saturday, October 15th.

Tim McFarlane‘s studio in the heart of Old City Philadelphia is the archetypical artists’ loft, a steep climb up three pea green flights of stairs to arrive gasping into a high ceilinged loft space overlooking Third Street right off of Market.  The old industrial space is divided into three studios: Carol Royer‘s figurative work greets you at the end of the epic climb, John Gatti has a spacious room in the middle and Tim McFarlane‘s studio has windows overlooking the street.  John was painting while lola, Spike & DoN luxuriated in Tim’s studio filled with his exuberant stylized abstract paintings arrayed from floor to ceiling, paint splattered everywhere, outlines of canvases layered over years of work, brushes and paints poking out of cubbies – just like you imagine an artists’ studio to be.  Tim McFarlane has participated in the Philadelphia Open Studio Tours for many years, this year he was a cover model for the catalog, allowing the public to see the progress he’s accomplished in his art over the years.  The light shining in from being near the river glows into the space activating the color fields vibrating in the paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub of the lively contemporary arts scene in Old City with the energy and time to think big.

Philadelphia Open Studio Tours 2011 - Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

Philadelphia Open Studio Tours 2011, Tim McFarlane

The swirly cellular structures from Tim McFarlane‘s memorable abstract paintings are still present and prominent in his new work but now layers of patterns from stencils are laid in then painted over and into, deep layers of color, shape and contrasts make his individual canvasses vibrate.   A room full of Tim’s works in various stages of progress is really a privileged experience because his work is usually seen only in art galleries like Bridgette Mayer Gallery on Walnut Street.  In fact, Tim McFarlane‘s work will be included in the upcoming show, Karmic Abstraction, November 15th through December 31, 2011 – “The show’s title reflects gallerist Bridgette Mayer’s “interest in the idea of the karmic cycle of an artist’s history of painting and ideas.” The selected works, by sixteen nationally- and internationally-recognized artists reveals, “how, at a given moment in time, standing in front of a work of art, the viewer is faced with the multiple layers and concepts that create a painting as well as a lifetime of ideas, actions and history that make up the career and art history of a contemporary artist.” (Bridgette Mayer Gallery website).

Philadelphia Open Studio Tours 2011, John Gatti

John GattiDoN loves this picture of the artists’ studio, comparing and contrasting the shapes, tones and marks on panels against one another creates an energy field of color.

 

Photos by DoN.


Kodak Store

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Dear Mad, I Really Like Your Hair! Love Johnny, hair strands from Jessica Hoffman‘s head in glassine envelopes.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Slideshow, vials of shavings from photographic slides the artist found.  Hoffman scraped off bits of each slide, saved the scrapings, then presents the slide show with the bits of image removed.  Each vial is labeled with the trip, location and time period the slides were taken.

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Jessica Hoffman: Forever and After @ 110 Church Street Gallery

Talent Show, split screen video footage projected on the wall.

DoN saw this show two weeks ago and has thought about it often as he scooted around town seeing art over the Philadelphia Open Studio Tours 2011 festival, leaving little time to report.  But Jessica Hoffman‘s show is about memory and the passage of time.  Forever and After incorporates three major narrative elements used in ways that look at the passage of time in abstract even obtuse angles.  “Slideshow is an investigation of memory, using a collection of found slides from the 1960s and 1970s shot throughout Europe and the United States by the same person.  Talent Show is a split screen video piece using footage shot at a school talent show on the left and my own version of the performances on the right.  Dear Mad, I really like your hair today! Love, Johnny is an installation inspired by a box of hundreds of love letters found on the street. – HeavyBubble website”  Each element of the installation recaptures moments in time that are personal, private, secret presenting them in Dada-ist style – should DoN believe that the love letters were found on the street?  Did Jessica really sit and scrape off bits of image from hundreds of slides?  The split screen throw back style to the Woodstock movie era of the video could have been shot over the Summer.  It doesn’t matter if it’s real or not, making found objects or finding found objects, then arraying them exquisite corpse style creates a strange narrative as the mind tries to grasp the connections.  At 110 Church Street Gallery, Jessica Hoffman‘s installation, Forever and After, combines sweet nostalgia, contemporary oblique strategies and pure, clean, simple presentation to take the viewer on a time trip back from the future.

Read more at Philly.SideArts

Photos by DoN.