Category Archives: Paintings Philadelphia

oils, acrylics, watercolor, mixed media, ink, philadelphia

Progression

Paula Cahill, Progressions

“Progression” New Works by Paula Cahill

Crane Arts Building, through May 26th

In “Progression” we see Paula Cahill return to her “Calligraphy Series” with a playful eye on twenty-first century color, movement, and metaphor. Compositions, often created with one continuous line, meander, change color, move forward, backward, and sometimes off the page. Cahill describes her paintings as a metaphor for progress, a process integral to civilization. The painting experience is immersive for this artist and she wishes her viewers their own moments of immersion and contemplation as they move through the composition.

“Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of form and creating a written record, I form the catalysts for my paintings.  Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning.  Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.” Paula Cahill Artist Statement

Hours: Wednesday through Saturday, Noon to 6:00 or by contacting

paulacahill2010@gmail.com for a private appointment.

Second Thursday Reception: May 11th, 6:00 – 9:00pm

Crane Arts Building, 1400 N. American Street, Philadelphia, PA 19122-3803

paulacahill.com

Crane Arts Building Mission:

  • Creating a unique community that encourages and supports artistic production by both emerging and established artists.
  • Assisting the development and growth of Philadelphia’s creative resources, assets, and potential.
  • Creating a unique location for certain creativity-based businesses to thrive alongside the vibrant, Crane Arts community.
  • Providing unique space for the visual and performing arts to showcase events on a local, regional, and national scale.

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Assembled

Philadelphia AssembledCity is Stage for Philadelphia Assembled

April through December 2017

Beginning in late April, a project entitled Philadelphia Assembled will manifest in a series of activities and actions throughout the city to illuminate and amplify a broad set of hopes, visions, and questions about Philadelphia’s future. Initiated by artist Jeanne van Heeswijk, working alongside an extensive network of collaborators—among them artists, writers, builders, storytellers, gardeners, healers, and activists—Philadelphia Assembled aims to shape a collective narrative about our city and some of the most urgent issues it faces at a time of heightened transformation. Deeply integrated into the fabric of the Museum, the project also questions the place of this institution in the midst of this change.

Philadelphia Assembled

Following this spring season of city-wide programs, the project will culminate in an exhibition opening in September at the Philadelphia Museum of Art. This participatory installation, September 10 through December 10, 2017, will transform the Perelman Building’s ground floor galleries, café, and store into spaces that will celebrate the people, sights, sounds, and tastes of a resilient city’s multi-faceted identity. Admission will be Pay What You Wish.

Evocatively referred to as “atmospheres of democracy”, Philadelphia Assembled addresses a number of issues that are central to the future the city by focusing on key themes such as reconstructions—how we deal with questions of social displacement and reentry into society; sovereignty—how we define self-determination and autonomy; sanctuary—how we understand self-care, asylum, and refuge; futures—how to re-imagine our tomorrow; and movement—how we facilitate action and collective learning.

Philadelphia Assembled

Van Heeswijk’s work, which is often described as social practice or socially engaged art, combines art and activism. In this spirit, the project brings together voices of those who care about the changing landscape of Philadelphia and who, in life and work, seek to champion and secure a prosperous and equitable future for all of its citizens.

Timothy Rub, The George D. Widener Director and CEO, stated, “Some of the most interesting work being done by artists today straddles the boundary between art and life.  In 2013, we invited the Dutch artist Jeanne van Heeswijk to consider what an artist might do in engaging Philadelphia’s many neighborhoods and diverse communities. What began as a conversation has grown, and it has been fascinating—and rewarding—to watch Philadelphia Assembled take on a life of its own. We are looking forward to the moment when our galleries are appropriated to become a stage for the city itself. It promises to be exciting and full of surprises and presents an opportunity to consider how we might define the roles and responsibilities that the Philadelphia Museum of Art can play as a civic institution in a changing city in the 21st century.”

Denise Valentine, a collaborator and Philadelphia storyteller, reflected on this process: “We intend to re-imagine the Philadelphia Museum of Art as a place to unearth stories hidden deep in the soil of Philadelphia. We envision a place where narratives of the enslaved, the incarcerated, the displaced, and the disenfranchised are held in as high esteem as Eurocentric ideas about art, history, and culture.”

Philadelphia Assembled

The project’s five “atmospheres” are described below:

Reconstructions

This atmosphere will assemble personal and collective narratives of mass incarceration and gentrification. Its first site, in the Nicetown/Tioga neighborhood, will be realized in close collaboration with Reconstructions, Inc. and the Alumni Ex Offenders Association. This group will offer programs exploring concepts of home, healing and trauma in relationship to imprisonment and reentry, including a teach-in and a neighborhood-wide procession. At a second site, in South Kensington/Olde Kensington, collaborators are examining the impact of gentrification and displacement, working with the Women’s Community Revitalization Project and Healthy Rowhouse Project to re-imagine a community garden at 4th and Master Streets as a dynamic space for discussion.

Philadelphia Assembled

Sovereignty

Exploring the concepts of self-determination and autonomy, this working group is addressing land sovereignty and cooperative forms of commerce and cultural exchange. Philadelphia Assembled will create a “sovereignty room” at the African Cultural Art Forum on 52nd Street, which will serve as a dedicated space in West Philadelphia for creating unity and cultivating economic sovereignty. Established in 1969, ACAF is a community-based organization that manufactures and sells products by entrepreneurs throughout the African diaspora. In the “sovereignty room” ACAF will host skill trainings and exchanges in preparation for a large public “Sovereignty Marketplace” in June. The second site is envisioned as a network of four urban gardens located in North Philadelphia. Programming and installations across these gardens will inform the ways in which plants, seeds, and land reinforce people’s connection to ancestry and serve as vehicles for nourishment, healing, and future growth. Urban gardens involved include Urban Creators, Norris Square Neighborhood Project Gardens, Fair Hill Burial Grounds, and Stretch and Fly Youth Business Garden.

Philadelphia Assembled

Futures

The Futures atmosphere is drawing from anti-colonial ideas to model different ways of exploring the future and community building. The Futures site is an active mobile project, called the Mobile Futures Institute, which involves retro-fitting a small bus into a flexible work space that will travel throughout the city, engaging in neighborhood-based programs on issues ranging from decolonization, to environmental racism, to economic justice. Collaborators are working with community members and organizations to produce events and happenings via the Mobile Futures Institute. Current partners include the Center for Returning Citizens, Black Quantum Futurism, Friends Center, Granny Peace Brigade Philadelphia, Norris Square Community Alliance, Mighty Writers, and the Indigenous Peoples Day Movement, among others.

Philadelphia Assembled

Sanctuary

This group has proposed a combination of sites that will explore various models of self-care, asylum, and refuge. The larger site will be realized at a central location in Center City. The site structure is a geodesic dome inspired by temporary housing units for refugees in Europe. The space will be open for a month of summer programs, offering a layered definition of sanctuary through storytelling, advocacy, and direct action. In the months leading up to the fixed site, a portable site will host a series of activities working with identified partner organizations to address the provision of LBGTQ safe spaces, issues of immigration and migration, and harm reduction relating to drug use and sex work. Partner organizations include the Attic Youth Center, New Sanctuary Movement, Prevention Point Philadelphia, and Project Safe.

Philadelphia Assembled

Movement

The final atmosphere is one in which the various Philadelphia Assembled working groups intersect. This group is focused on the project’s production, dissemination, and communication, which is manifesting in audio recordings, a dedicated film series, project-specific graphics, an interactive web platform, and site-specific publications. Another component of the Movement atmosphere is the Youth Dream Trust, which will serve as a coalition of youth across the working groups in partnership with the Village of Arts and Humanities. Working closely with Philadelphia-based collective Amber Art and Design, the group will also orchestrate the performative movement of public sites to the Museum. Carrying objects, ideas, and conversations across the city streets, this public movement will culminate in a communal presentation along the ground floor of the Perelman Building, becoming a civic stage where the city is performed.

For Jeanne van Heeswijk, Philadelphia Assembled is a forward-moving process in which she is one among many participants imagining the city’s futures together. She stated: “My work is trying to get to the essence of aesthetics, to understand it as an engaged, inclusive, and proactive practice. This type of work is about using imagination to better understand how we live together. Rising, claiming, rooting, caring, moving – this is how we build a collective exercise of care.”

Philadelphia Assembled

Members of the public are invited to join the conversation and engage with collaborators by visiting the Philadelphia Assembled website and sharing their experiences via #phlassembled @phlassembled @philamuseum.

Program Events

For a full list of public programs and locations, please visit the dedicated website at phlassembled.net. All Philadelphia Assembled programs are free to the public unless noted otherwise.

Philadelphia Assembled

About Jeanne Van Heeswijk

Jeanne van Heeswijk is an artist who facilitates the creation of dynamic and diversified public spaces in order to “radicalize the local.” Her community-embedded projects question art’s autonomy by combining performative actions, discussions, and other forms of organizing and pedagogy in order to work alongside communities to take control of their own futures. Van Heeswijk’s work has been featured in publications and exhibitions worldwide, including the Liverpool, Shanghai, and Venice biennials. Accolades include the receipt of the 2011 Leonore Annenberg Prize for Art and Social Change, the 2012 Curry Stone Prize for Social Design Pioneers, and the 2014 inaugural Keith Haring Fellowship in Art and Activism at the Center for Curatorial Studies and Human Rights Project at Bard College. She lives and works in Rotterdam and Philadelphia.

Philadelphia Assembled

About Social Practice
Social Practice is an art medium that focuses on participation and collaboration with individuals, communities, and institutions in the collective creation of a temporary or permanent community. The process involves careful listening, thoughtful conversation, and community organizing. This is also referred to as socially engaged art, social justice art, community art and new genre public art.

Sponsors

Philadelphia Assembled is made possible by the William Penn Foundation, The Pew Center for Arts & Heritage, Wyncote Foundation, Nancy M. Berman and Alan Bloch, Lynne and Harold Honickman, Mr. and Mrs. Milton S. Schneider, Constance and Sankey Williams, the Mondriaan Fund, and The Netherland-America Foundation.

Philadelphia Assembled

Collaborators

Philadelphia Assembled is initiated by artist Jeanne van Heeswijk and organized with Carlos Basualdo, The Keith L. and Katherine Sachs Senior Curator of Contemporary Art; Amanda Sroka, Assistant Curator of Contemporary Art; Phoebe Bachman, Project Coordinator; and Sheldon Abba, Project Site Manager. Core collaborators include: Amber Art and Design, artist collective; Yana Balson, Associate Director of Exhibition Planning, Philadelphia Museum of Art; Kirtrina Baxter, community organizer and activist grower; Pascale Boucicaut, culinary artist and organizer; Maurits de Bruijn, graphic designer and web developer; Counter Narrative Society (CNS); Helen Cunningham, educator and conflict mediator; Gretchen Dykstra, Senior Marketing Editor, Philadelphia Museum of Art; Morgan Gengo, Marketing and Audience Development Manager, Philadelphia Museum of Art; Shari Hersh, Mural Arts Senior Project Manager and Founder of the Restored Spaces Initiative; Russell Hicks, entrepreneur; in•site collaborative, a research, design, and mapping collective; Nehad Khader, film curator and artist; Jason Killinger, graphic designer; Dianne Loftis, researcher and compiler; Charlotte Lowrey, Project Assistant for the Contemporary Caucus, Philadelphia Museum of Art; Zein Nakhoda, filmmaker; Michael O’Bryan, artist and youth facilitator; People’s Paper Co-op, a collaborative initiative for re-entry; Elisabeth Perez-Luna, journalist and public broadcasting producer; Damon Reaves, Associate Curator of Education, Community Engagement and Access, Philadelphia Museum of Art; Chris Rogers, educator and organizer; Kristin Schwab, community cook and organizer; 75B, design collective; Traction Company, artist collaborative studio; Denise Valentine, storyteller and activist; Phantazia Washington, LGBTQ activist and facilitator; A. M. Weaver, artist and curator; Gee Wesley, artist and curator; Jared Wood, artist; Karina Wratschko, Special Projects Librarian, Philadelphia Museum of Art; and Billy Yalowitz, playwright and community-based performance artist.

Community Partners and Program Hosts

African Cultural Art Forum, Alumni Ex-Offenders Association, The Attic Youth Center, Broad Street Ministry, The Center for Returning Citizens, Coalition for Racial Justice (CoRaJus), Community Futurisms: Time & Memory in North Philly (Community Futures Lab), The Culinary Enterprise Center, Deep Green Philly, The Enterprise Center, Experimental Farm Network, Healthy Rowhouse Project, Historic Fair Hill, Laos in the House, Mighty Writers, MOVE, Mural Arts Philadelphia, New Sanctuary Movement Philadelphia, Norris Square Neighborhood Project, North Central CDC, Philadelphia Area Cooperative Alliance, Philadelphia Association of Community Development Corporations, Philadelphia Coalition for Affordable Communities, Prevention Point Philadelphia, Project SAFE, Reconstruction Inc., Soil Generation, Take Back the Night Philadelphia, Ulises, Urban Creators-Life Do Grow Farm, The Village of Arts and Humanities, W/N W/N, and the Women’s Community Revitalization Project.

Locations

In the City: April – July 2017

Movement to the Museum: July – August 2017

Perelman Building, ground floor: September 10–December 10, 2017

Philadelphia Assembled is a project undertaken in collaboration with stakeholders from across the city and the Philadelphia Museum of Art. The views expressed by individual participants or in materials developed as part of Philadelphia Assembled are representative of the project’s collective conception and production and are not, necessarily, the views of the Museum or any other individual involved.

Social Media
Twitter/Facebook/Instagram/Tumblr/YouTube: @philamuseum @phlassembled

We are Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

For additional information, contact the Communications Department of the Philadelphia Museum of Art phone at 215-684-7860, by fax at 215-235-0050, or by e-mail at pressroom@philamuseum.org.

The Philadelphia Museum of Art is located on the Benjamin Franklin Parkway at 26th Street. For general information, call (215) 763-8100.

Thank you to the Philadelphia Museum of Art for the content of this post.

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Marathon

Drawing Marathon. The Plastic Club

Drawing Marathon, April 23rd, The Plastic Club

Life drawing, portrait drawing and painting, short poses/croquis, still life set-ups, noir lighting, Sunday April 23rd, 10:00am – 10:00pm. $15.00 cash for come and go all day. All proceeds benefit Sunshine Arts, an artist-in-residence outreach program  encouraging neighborhood kids to learn the wonderful worlds of dance. music, literature, and art.

The Plastic Club, 245 S. Camac Street,The Avenue of the Artists, Philadelphia, PA, 19107
215-545-9324

“Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.

The name ” Plastic Club,” suggested by Blanche Dillaye, referred to any work of art unfinished, or in a “plastic” state. The term also refers to the changing and tactile sense of painting and sculpture.

Among the founding members of The Plastic Club were the “Red Rose Girls” — Violet Oakley, Jessie Willcox Smith, and Elizabeth Shippen Green — outstanding artists of their time. The name was given to this group of talented women by their teacher Howard Pyle.”

Sunshine Arts41 Sunshine Road, Upper Darby PA, 19082, 610.352.7968

Ms. Sheila Modglin started Sunshine Arts at 41 Sunshine Road in the summer of 2004. She invited children from the neighborhood to listen to stories as they sat around the fish pond in the front yard. The kids enjoyed helping to water the plants and feed the fish.

Since then the organization has grown significantly. Now, resident artists Mr. Patrick O’Banion, Ms. Kat Lehmer, and Mr. Fen Jeeters teach classes to children of all ages from the community. Classes are scheduled after school during the week and on Saturdays. Regardless of the listed class schedule, children come to Sunshine Arts daily to talk, do crafts or get help with homework. Often, they enjoy Mr. Patrick’s fresh baked bread, homemade soup, cookies, or other wholesome snacks when they visit.

The goal of Sunshine Arts is to enhance the education and personal growth of our future generations. Executive director, Sheila Modglin grew up with a very strong sense of community within her family; “We would do any thing for each other. I want to share the sense of community that I have in my life with all the beautiful people right here surrounding this home. The house itself is a manifestation of living art and was accomplished through hard work from my generous and creative family and friends.”

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Steed

Clintel Steel, Fishtown Pop UpClintel Steed

Fishtown Pop Up Debuts with Exhibition by New York City Artist Clintel Steed

Marketplace in Philadelphia to Show Contemporary Work Along with Antique Paintings Philadelphia, PA: Fishtown Pop Up is a new gallery space in Philadelphia’s Fishtown neighborhood that will showcase the work of contemporary artists and present exhibitions of vintage and antique paintings. Heather Karlie Vieira, the founder of Heather Karlie Fine Art, 20th Century by HKFA and Modern Look Book created the Fishtown Pop Up gallery to offer permanent exhibition space for artists and dealers.

“The idea is really based on a marketplace”, says Heather, “where artists can offer their work, dealers can showcase their pieces and folks can gather to discuss and purchase art.”

The inaugural exhibition will feature the paintings of Clintel Steed in the show, “inventory, c. steed”. Clintel Steed, an American artist living and working in New York City, holds a BFA in Painting from the Art Institute of Chicago, an MFA from Indiana University and completed Advanced Studies at the New York Studio School of Drawing, Painting and Sculpture.

“My work is about being alive really. I am an African American male who was born in 1977. When you look at the history and the time I was born, a lot of things were happening.”

Raised in a devoutly Pentecostal Christian household in Utah, Clintel’s childhood centered around the church. This devotion features prominently in his work to this day as an exploration of moments, feelings, situations and experiences through art.

“The battle between good and evil, heaven and hell was preached all the time. This struggle is still within me, the lust for money and the battle for power.”

Clintel Steed Fishtown Pop UpClintel Steed

The exhibition, “inventory, c. steed” will examine his body of work.

Clintel describes this as “An inventory is your past and present leading into your own future. And we are living in a jumbled up chaotic time that is lacking consistency. This exhibition offers glimpses and moments of my life, a catalogue of my brain and my emotions.”

In addition to contemporary art, Fishtown Pop Up will also offer the venue to antique dealers as a fresh approach to selling works of art. Dealers will be encouraged to create exhibitions that are thematic in nature. An antique dealer by trade, Heather wanted to create a venue to sell art that appreciated the past and looked to the future.

Fishtown Pop Up will be a go to resource for the community, whether they are homeowners, interior designers, gallerists or art enthusiasts – the space will showcase fresh works of art every month by either contemporary artists or offered by dealers”, says Heather, “and everyone is welcome to attend, shop, learn and collect.”

Clintel Steed, Fishtown Pop UpClintel Steed

Fishtown Pop Up is located at 1311 Frankford Avenue Philadelphia, PA 19125. Opening night reception is Friday, April 7th, 6 to 9 pm. The exhibition will be open 1 to 7 pm April 8th to 16th and through the rest of the month by appointment.

Thank you to Heather Karlie Vieira for the content of this post.

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Line

Draw the Line, Main Line Art CenterDraw the Line Features Colossal Drawings Addressing the Refugee Experience

2017 Meyer Family Award for Contemporary Art Recipients: Kelley Donahue (Brooklyn, NY), Joanna Platt (Philadelphia, PA) and Paul Santoleri (Philadelphia, PA)

Curated by: Amie Potsic, Executive Director & Chief Curator, Main Line Art Center

March 6 – April 16, 2017

Artist Talks & Opening Reception: Friday, March 10
Artist Talks: 5:30-6:30 pm | Reception: 6:30-8:30 pm

Artist Workshops:

A Twisting Tale of Burning Truths: Wire Sculpture and Soldering Workshop (Adult Workshop)
Joanna Platt | Thursday, April 6, 6:30-9:30 pm

Signs of Life: A Collaborative Drawing & Painting Experience (Family Workshop: 4+ yrs & adult)
Paul Santoleri | Saturday, May 13, 1-3 pm

Main Line Art Center in Haverford is proud to announce Kelley Donahue (Brooklyn, NY), Joanna Platt (Philadelphia, PA) and Paul Santoleri (Philadelphia, PA) as the 2017 recipients of the Meyer Family Award for Contemporary Art. Selected by Members of Main Line Art Center’s Board of Artistic Advisors and Executive Director through a highly competitive application process, Donahue, Platt, and Santoleri will be featured in Draw the Line, the 13th Annual Betsy Meyer Memorial Exhibition, on view at Main Line Art Center March 6 to April 16.

Drawing with ink, clay, and conduit, these artists investigate the permeable borders between internal and external matter, perception, and experience. Accessing both intuition and intellect, drawing and memory are the basis for inquiry. Their videos, installations, and sculptures create new worlds that illuminate and activate our galleries to create seductive narratives, uncanny characters, and immersive environments.

Paul Santoleris impressive work will feature a 12’ x 20’ paper drawing as well as wall, floor, and window works created on site that reference our relationship to nature and the harrowing journey of refugees seeking new homes across seas. Raised in Havertown, Santoleri took drawing classes at Main Line Art Center when he was 13 years old. He now travels extensively to make his work and is represented globally in collections public and private.

Now in its thirteenth year, Main Line Art Center is proud to present an annual exhibition in memory of Teaching Artist Betsy Meyer featuring the work of forward-thinking artists who are pushing boundaries within their artistic practice. As an artist, Betsy exemplified what is most exciting about engaging with the artwork of living artists: watching them experiment with their media and tackling complicated and tough subjects. As a teacher, she encouraged her students to follow her example and expand their practice into new frontiers. And finally, as a member of the board and exhibition committee, she assured that the Art Center was there for the artistic community of Philadelphia.
The Meyer Family Award for Contemporary Art, presented by Main Line Art Center in conjunction with the Betsy Meyer Memorial Exhibition, consists of an award of $1000 and a solo exhibition to each selected artist. This award and associated exhibition program is an effort to support the talented contemporary artists in the region, to honor deserving artists in the field, and to encourage excellence and experimentation in artistic practice, presentation, and community involvement.

Approximately three artists are awarded annually. The 2016 recipients of the Meyer Family Award for Contemporary Art were Matthew Courtney (Philadelphia), Sun Young Kang (Bryn Mawr), Zahra Nazari (New York) whose work was featured in Transformations, presented at Main Line Art Center in Spring 2016. The 2017 finalists are as follows: Rachel Eng (Pennsylvania), Michael Fischerkeller (Maryland), Michael Froio (New Jersey), Jennifer Hecker (New York), Mison Kim (New York), Erica Loustau (Pennsylvania), Thomas Porett (Pennsylvania), and Adrienne Moumin (Maryland).

The Art Center will host artist talks Friday, March 10 from 5:30 to 6:30 pm, followed by a public reception from 6:30 to 8:30 pm. The artist talk, reception and gallery visits are free and open to the public. The gallery is open Monday through Thursday from 10 am to 8 pm, and Friday through Sunday from 10 am to 4 pm. Each of the artists will also facilitate a workshop on their process during the course of Transformations. For more information about these programs, including registration, visit www.mainlinert.org or call 610.525.0272.

Draw the Line, Main Line Art CenterSelf Creation (as the meaning of life) © Kelley Donahue 2014

Kelley Donahue, originally from northern California, is a ceramic, installation, and performance artist currently based in Brooklyn, NY. Initially interested in drawing and painting, Donahue felt limited by the flat rectangle of the canvas and now constructs three-dimensional canvases of any shape using clay, which she then paints. Donahue earned her B.A. in studio art from Humboldt State University in Arcata, CA, and an M.F.A. in ceramics from Alfred University in Alfred, NY. Donahue has exhibited her work internationally in venues including T+H Gallery in Boston, MA; the Ceramics & Glass Fair in New York, NY; Launch Pad Gallery in Portland, OR; the Museum of Contemporary Art in Montreal, Canada; and Jatiwangi Art Factory in Java, Indonesia. She received the Juror’s Choice Award from Art Centro in Poughkeepsie, NY and the Barbara Rittenberg Fellowship from the Clay Art Center in Port Chester, NY. In addition to her ceramic sculpture and painting, Donahue has collaborated extensively with musicians and video artists to create performances including video projections and sound. Donahue currently teaches ceramics at Jersey City University and maintains a studio practice in Brooklyn, NY.

Draw the Line, Main Line Art CenterPortals © Joanna Platt 2015

Joanna Platt is a Philadelphia-based sculptor whose work deals with the ways our interaction with technology has created new configurations of defined space inside our computers and media devices. She received a B.F.A. from Mason Gross School of the Arts in New Brunswick, NJ and an M.F.A. from the University of the Arts in Philadelphia. A member of the gallery collective Tiger Strikes Asteroid, Platt has exhibited her work internationally with shows at Galeria Nacional, in San Jose, Costa Rica; SoHo 20, in NY, NY; Rosenwald-Wolf Gallery in Philadelphia; Grizzly Grizzly in Philadelphia; the Hunterdon Museum of Art in Clinton, NJ; the Old Barracks Museum in Trenton, NJ; The Shore Institute for Contemporary Art in Asbury Park, NJ; and Artist Run at the Satellite Art Fair in Miami. Most recently, she was an invited artist in Artship Olympia at the Seaport Museum in Philadelphia. Platt is an adjunct professor at Camden County College in Blackwood, NJ and a sculpture technician at Independent Casting in Philadelphia.

Draw the Line, Main Line Art CenterOmega Warm Garden © Paul Santoleri 2009. Photo by Lu Szumskyj

Paul DiFuria Santoleri is a muralist based in Philadelphia whose drawing installations and wall-sized paintings can be found in city streets around the world including Philadelphia, Paris, Copenhagen, and Helsinki. Santoleri’s work encompasses a variety of media, but endlessly returns to the stories that can be found in the drawn line: etched on a wall, carved in glass, concrete, wood, ink, obsidian, fresco, or color. His focus on the art of line has led him to create works in a wide diversity of situations around the world, and often in public spaces, like his most recent tile mural installation in the Philadelphia International Airport. A recipient of numerous honors and awards, including grants from The Pollock-Krasner Foundation and The Independence Foundation, Santoleri holds a B.F.A. in painting from Tyler School of Art in Philadelphia, PA, and an M.F.A. in painting from the University of Arizona in Tucson, AZ. His work was also included in a monograph published by Criteres Publications in Grenoble, France, which accompanied his first solo show in Paris. Raised in Havertown, Santoleri took drawing classes at Main Line Art Center when he was 13 years old. He now travels extensively to make his work and is represented globally in collections public and private.

Draw the Line, Main Line Art CenterPaul Santoleri in his studio (Philadelphia).  Photo by Amie Potsic 2017

Amie Potsic, curator of Draw the Line, began her tenure as Executive Director & Chief Curator of Main Line Art Center in July of 2012. Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work nationally and internationally. In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

Main Line Art Center is the community’s home to discover, create, and experience visual art. The mission of Main Line Art Center is to inspire and engage people of all ages, abilities, and economic means in visual art through education, exhibitions, and experiences. Committed to increasing the visibility and accessibility of art, the Art Center presents innovative exhibitions and events in the community, including Panorama: Image-Based Art in the 21st Century, a Greater Philadelphia-wide celebration of the photographic image and digital media.

Main Line Art Center’s educational offerings for all ages, abilities, and economic means span from traditional to contemporary, and are all held to the highest level of excellence. In 2015, Main Line Art Center received the Commitment to Cultural Access Award from Art-Reach for the Center’s Accessible Art Programs for children and adults with disabilities, now in their 52nd year. Additionally, the Art Center grants over $12,000 in need-based scholarships annually. Last year, Main Line Art Center engaged 21,000 people through classes, exhibitions, and Summer Art Camp, and touched the lives of over 78,000 through Exhibitions in the Community and festivals across the Philadelphia area.

Thank you to Main Line Art Center for the content of this post.

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