Category Archives: Paintings Philadelphia

oils, acrylics, watercolor, mixed media, ink, philadelphia

Marjorie Grigonis, Kristine Flannery at Third Street Gallery

Marjorie Grigonis, Present Tense, Third Street Gallery

Marjorie Grigonis and Kristine Flannery‘s exhibit at Third Street Gallery (on Second) is a compare and contrast in action painting and abstract expressionism. Marjorie Grigonis calls her collection Present Tense, Kristine Flannery‘s exhibit is called The Multitudes; Grigonis’ mixed media and paintings uses mark-making and color fields with emotive color and Flannery’s action paintings exude energy. DoN talked with Marjorie Grigonis May’s First Friday in Old City.

Marjorie Grigonis, Present Tense, Third Street Gallery

How did you get involved with Third Street Gallery? “I’ve been part of the gallery for at least ten years. Someone invited me to put my work up and be juried in and I’ve been part of it ever since. I was one of the directors a couple years back which is a job no one covets, it gets passed on every two years. But, it’s a good gallery, it’s good people and I think a really great showing space with the windows and the location.”

Marjorie Grigonis, Present Tense, Third Street Gallery

DoN asked Marjorie Grigonis to describe her style, a combination of collage and painting, “Well, the painting is very much gestural and early was somewhat based on abstract expressionism but it’s been modified. As you can see, it’s not that free anymore. But the looseness that I started with, I find painting really hard, I struggle with it and I edit out. There’s probably six paintings underneath that painting. I just paint over, scrape off, and paint over.”

Marjorie Grigonis, Present Tense, Third Street Gallery

“I started looking at all the scraps of things in my studio and making collages and it was fun. But I realized that I was thinking , in this show particularly, that there’s not any content, and there’s not a lot of content here, but, I was thinking just about the general anxiety of personal and global and I think a lot of these sort of reflected that. The woman holding her hand, the fear itself, I think even the paintings are just a little bit anxious, not totally. I think there’s a good time going on in some of them.”

“I don’t mean to be a downer, I just think of me, there’s just a little more of a sense of that, sort of, pervading everybody and everything right now. I’m sensitive to that and I think humor is a way to deal with that and so I just thought some of these were pretty funny. Maybe ironic.”

Marjorie Grigonis, Present Tense, Third Street Gallery

DoN commented to the artist that anxiety is not what he felt from the colorful abstractions and that he overheard people saying how much they liked them, “Well, I’m glad because it’s partly just me, probably a lot of it’s me.” DoN said, “Well, you are the artist.”

Kristine Flannery, The Multitudes at Third Street Gallery

Third Street Gallery is an artist-run cooperative art gallery established in 1972.

Kristine Flannery, The Multitudes at Third Street Gallery

Kristine Flannery‘s action paintings represent movement and gesture through space. The energetic marks and swipes of paint each try to capture a moment of movement, the paint permitted to be watery and move on it’s own, sometimes smeared into submission. DoN spoke only briefly to the artist and her husband, she was fatigued at the end of the First Friday festivities but if you go to the Third Street Gallery website there’s a good statement about her goals with the show.

Written and Photographed by DoN Brewer

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Katya Held, 915 Spring Garden Studio Visit

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Katya Held, 915 Spring Garden Studio Visit

Katya Held‘s painting studio at 915 Spring Garden Street displays a number or works in transition to a realist completion. The painter’s studio was open to the public for the art studio building’s Spring open studio tour, a rare opportunity to visit artists in their work space. Katya is an alumni of Studio Incamminati, the portraits are based in the proven methods the Nelson Shanks school teaches, with strong grounds of color fields layered with considered gradients of hue and impeccable brushwork. DoN asked Katya what her experiences at the prestigious art school was like for her? “I studied at Studio Incamminati for four years and I’m a Fellow now. I studied with the instructors that Nelson Shanks taught directly… but I do get critiques from him when he’s available.”

Katya Held, 915 Spring Garden Studio Visit

How did you come to study at Studio Incamminati? “I was at the Philadelphia Museum of Art and I saw his work. I didn’t understand who was capable of painting, utilizing techniques of old masters, and making it look like contemporary realist work.” Rather than study in Italy at the Florence Academy, Katya discovered the art school in Philadelphia, her studies in Steiglitz St. Petersburg Academy of Art prepared her to study the high level of technique she desired to master. “A lot of the work you see here on the wall is due to the vigorous program.” After the artist discovered the school through their open studios she never left.

Katya Held, 915 Spring Garden Studio Visit

Many of the painting are alla prima, portraits that are developed within time constraints, often as preliminary works for more formal portraits. “It’s indirect, multi-layered, more depth, more information that you’re after and that’s a long process.” A five hour sitting can turn into a painting that takes months to complete. “Something that’s fast and spontaneous, there’s more emotion. For example all these construction workers, I recruited them. I saw them smoking on their break and I thought, ‘I have to make a painting ot them.’ Which I’m still working on it, I showed it to the public for the first time today.”

Katya Held, 915 Spring Garden Studio Visit

Katya Held explained how she coaxed the models to pose. “I saw there was an ocean there, so much interesting color, the flashing of the light off the ocean on the flesh that I wanted to see them by the water. So, every one of them posed for me for about two to two and half hours. So those are the studies I did and I brought them to my Philadelphia studio and then recreated the atmosphere. These are guys that came to St. Petersburg, Russia, from very far away, from the middle of the country, to make a living. They all have high education but they abandoned their families because they needed to feed them. So, here is sort of their lunch break or a smoke break and everybody’s thinking about that part of life they are from. They are resting in that mode of connecting with their memories.”

Read more about DoN‘s 915 Spring Garden Studio Visits:

Anne Saint Peter

Eric Hall

Laura Adams

Written and photographed by DoN Brewer

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Eric Hall, 915 Spring Garden Studio Visit

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Eric Hall, 915 Spring Garden Studio Visit

Eric Hall has maintained a studio at 915 Spring Garden for more than two years, he used to work at home but desired to create large scale paintings. The high ceilinged bright studio permits the painter to go big, there’s a triptych of bridges that’s enormous. Eric Hall has figured out the largest canvas he can fit through the door – 9 feet high and ten feet wide. DoN commented that that’s a lot of paint? “Yeah, I just need a big idea.” Eric Hall‘s current fascination is a series of paintings based on a glass pyramid. The Spiker, Jeff the photographer and DoN were all impressed by the bold color fields, a visual feast for the eyes during our open studio art crawl.

Eric Hall, 915 Spring Garden

Referring to the canvas on his easel Eric said, “This is acrylic and oil pastels. Did you know oil pastels were originated for Pablo Picasso? He said he wanted something which would give it color and the ability to draw. So he went to Sennelier , his friend and asked them to come up with something and oil pastels is what they came up with. Several companies make them but only Sennelier Oil Pastel has come up with something to fix it with. And they’ve got it heavily patented, so? Remember, oil pastels never really dry.”

Eric Hall, 915 Spring Garden Studio Visit

Eric Hall explained that oil pastels are highly susceptible to damage, “Oil pastels have to be covers with glass. But Sennelier has come up with this spray so it’s more like oil paint when it dries. It surprised me because it was only like 1923, I thought it was a much older medium than that. It was about the time Claude Monet was working, his garden was well established, that’s about the time he had his cataract operation.”

Eric Hall, 915 Spring Garden Studio Visit

Eric Hall‘s glass pyramid paintings are based on a gift which he found beautiful and inspiring, he has created a series of almost Warholized paintings of the object, creating a sense of celebrity. The studio is filled with large crystal images in glowing color, like Jim Dine‘s bathrobe paintings, Eric Hall‘s crystal pyramids evoke emotions like love, desire and hope. Another large painting glowing in the sunny studio made DoN think of Gerhard Richter, the canvas could have been large quantities of paint squeegeed across the canvas but it’s actually a huge landscape of canyons lit with bright colors of shadow and light. Eric Hall has big ideas.

Read about 915 Spring Garden Art Studios artiss:

Katya Held

Anne Saint Peter

Laura D. Adams

DoNArTNeWs Philadelphia Art News Blog

Written and photographed by DoN Brewer

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Laura D. Adams, 915 Spring Garden Studio Visit

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Laura D. Adams, 915 Spring Garden Art Studios, Artists’ House Gallery

915 Spring Garden Art Studios held their Spring open studio tour April 29th, Spike the biker, Jeff the photographer and DoN converged on the fifth floor of the art studio building with the idea of visiting each floor’s artists. The old industrial building, by the decaying aqua duct on Spring Garden Street, is divided into studio spaces and has hosted Philadelphia artists for thirty years. For a time the studios were open only once a year, in the Fall now coinciding with Philadelphia Open Studio Tours city wide art crawl, but many artists in the building opened up for a Springtime tour offering a chance to meet the artists in their work spaces. The first studio our trio visited was Laura D. Adams, a self described realist painter, displaying a group of paintings she had readied for an upcoming show at Artists’ House Gallery in Old City arrayed along the sunny wall of her space, offering us a great preview for her art show opening June 1st.

Laura D. Adams, 915 Spring Garden Art Studios

DoN asked Laura D. Adams what she was doing to prepare for the show at Artists’ House Gallery? “I first agreed to do the show back in May, so I started preparing the work for it, really, in July. I started doing the prep work, planning what work would be in it. I’ve just been working steadily all year towards it, there will be some older works from last year but there will be ten or twelve new paintings. Which is a lot for me to do in a year, I work really slowly.”

DoN questioned Laura about her realist style and if she had a theory of what’s real or not? “Less now than before, I used to be interested in a kind of almost pushing that boundary. Like that painting of the door that’s on the floor. I’m not doing as much trompe l’oeil as I used to, that’s from about three years ago and last year I did some 3D sculptural paintings, they were rolls of tape where I cut them out in the shape of a roll of tape and then I painted the whole thing, all the text, price tags, to look exactly like a roll of tape. I did four of them and then hung them on the wall. The same kind of thing, trying to play with our perception of reality.”

Laura D. Adams, 915 Spring Garden Art Studios

Is there a distinction between realism and trompe l’oeil? Laura D. Adams said, “I kind of veered off, it’s still trompe l’oeil, in the sense that it’s really solid space, I’m still interested in really compressing the picture plane. But I got really interested in patterns, so that’s kind of been a thing this year. Fabric and textiles, I love detail, so that’s a way to explore a lot of detail.”