Category Archives: Philadelphia Sculpture

sculpture in Philadelphia

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

915 Spring Garden Art Studios hosts an artist’s open studio tour in the Spring and during Philadelphia Open Studio Tours in the Fall. Spike the bikerJeff the photographer and DoN visited the artist’s studio building on a sunny but chilly Sunday afternoon, starting on the fifth floor and working our way through the studios that were open. Frankly by the time we got to the third floor we had been there three hours and we found respite in the lounge area near the old timey caged elevator.  Our art crawling trio realized this was more than could be accomplished in one visit, there is just so much to see and DoN loves interviewing artists which made our visit take longer. But DoN doesn’t like to just pop in and out of studios without engaging the artists in conversation.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

As a veteran of Philadelphia Open Studio ToursDoN is aware of the extra work required to host guests in your workspace, the least DoN can do is talk to the artists.  And as this series of blog posts attests, there are lessons to be learned.  With a bit of renewed energy the art crawlers went to the first floor to visit the inspiring studio of long time 915 Spring Garden Art Studios, Peter Cunicelli.  Peter is one of the first artists DoN blogged about on DoNArTNeWs way back in October 2008.  Since that time the ceramics artist has moved his studio from an upper floor to the first and the extra effort our weary art crawl crew summoned to visit his art space was well worth it.

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli explained, “Everything here is hand built, everything’s slab form built, including other than the stand-up vases, that’s much more random.  The vases are more precise, they’re templates.” DoN noted how unique each piece is an asked if the artist ever makes a series of popular styles?  “…some of them, I might do a lot of them, I’m not crazy about the glaze on that one but I might redo it with a more matte glaze.  Sometimes I’ll do multiples just to do multiples, you know, each one gets better.  And other times I’ll do a one off, sometimes they’re too involved and I don’t want to do another.”  The space is beautiful with the aspirational ceramics everywhere, DoN wondered if the artist gets inspired by his own creations?  “I do, I don’t want to sound narcissistic, but a lot of those are pieces I could never sell.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

“Sometimes it’s because there’s something wrong with them, whether it’s the glaze or a crack, or like the glaze on the green one chipped off.  But I like having them there, it reminds me I keep having to like what I’m doing.  There’s a lot of form up there (referring to a high shelf loaded with various vases) that I like, so I try to reuse it or do something with it.  The really original stuff, almost twelve years old, I would never sell.  I also have them at home, I just like being surrounded by them.  I was never formally trained so I just ran with it. Do you know Doug Herren? He’s Philadelphia, his work is amazing. When I started he was doing very functional work, thrown work and a combination of thrown and hand built.  I love the fullness of his forms and crisp lines, so I started trying in my own way to mimic that, that’s how I ended up developing my own style.  Now he does stuff that’s very industrial, it’s all sculptural, really beautiful work.”

Peter Cunicelli, 915 Spring Garden Studio Visit, photograph by Jeff Stroud

Peter Cunicelli915 Spring Garden Studio Visit, photograph by Jeff Stroud

DoN asked where Peter Cunicelli exhibits?  “Right now, Show of Hands, 1006 Pine Street, but this year I want to get out there, get into some galleries.  It has to be out of my zip code but, Show of Hands has an amazing salesman.  I always admired his eye, he always has amazing stuff.  I went in one day, I was with a friend of mine and I went up meekly to him and asked if knew of any craft shows or does anyone ever bring you work?  He said he does but sometimes artists have delusions of grandeur.  I thought, ‘Alright, I’m going for broke now’, he asked about my work and I said I have a website.  So he went to the website and pulled up one image and went, ‘Gasp!’, and I wanted to say, ‘Delusions of grandeur, eh?'”

Peter Cunicelli, 915 Spring Garden Studio Visit

Peter Cunicelli915 Spring Garden Studio Visit

“So he said to me to bring six pieces, then I got a call asking for nine pieces, and then ten.  I think I brought in eleven pieces the first time, he’s a salesman, a really good salesman. Most of the pottery he has in there is very traditional, so mine sticks out.  And I like having that, I like it being different. I don’t want to be the best, I always say I want to be the bottom of the barrel because I want to be surrounded by greatness, but the ceramic work there is very good and very traditional.  Which is nice, and I think it’s one of the reasons he’s able to sell it, it’s a good place, he’s got good craft.”

Peter Cunicelli told DoN that he has yet to sell anything from his website, using it as a portfolio of his work.  He also used social media, like e-mail newsletter and FaceBook, to advertise the open studio.

Read more about 915 Spring Garden artists:

Katya Held 

Anne Saint Peter

Eric Hall 

Laura D. Adams

Written and photographed by DoN Brewer except where noted

Thank you to Contributing Photographer, Jeff Stroud

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Kay Healy

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

Kay Healy, Center for Emerging Visual Artists, The Galleries at Moore

How does it feel to be showing your artwork in the Galleries at Moore?  “Oh, it’s wonderful!  There’s a lot of really good work here right now, so, it’s exciting to be in such a professional space.  I was laughing because on Monday I had four people all helping me hang.  I’m used to, you know, doing it all by myself.”  Oh, yeah, DoN knows.  “I’ve been dragging my boyfriend around, making him hold things for me.  It’s really nice to have someone else with good opinions about how it should be hung.  I’m hoping to really get my work out there and be in more exhibitions and that I’ll be able to spend more time making work instead of applying for exhibitions.”  Holla!

DoN reminded Kay Healy about seeing her work at Art in City Hall.  “This is great because it was in the Window on Broad at UArts and from that I was able to get into the Dysfunctional Furniture show at City Hall.  And Leah Douglas from the Philadelphia International Airport saw it and she said, ‘Can I do a studio visit?’, I said, ‘Yeah!’, like, Oh Great!, real artists get studio visits!  So, she dropped by and said, ‘OK, well, I have a forty foot case that I would like you to do for Summer 2012.’  That was about a year ago, so now, that’s my major project doing a forty foot version of this featuring a bathroom, a kitchen, dining room and a living room.”

The Center for Emerging Visual Artists (CFEVA), in cooperation with Moore College of Art & Design, presents an exhibition by the new Career Development Program Fellows. A highly selective fellowship with only a 2% acceptance rate, these six artists represent some of the most promising talent among emerging artists in the region:  Leslie Friedman, Daniel Gerwin, Rebecca Gilbert, Kay Healy, Heechan Kim, and Johanna Inman.

Introduction 2012

February 1 – February 25, 2012

Widener Memorial Foundation Gallery

Johanna Inman

Daniel Gerwin

Leslie Friedman 

Rebecca Gilbert

Heechan Kim

Circumstantial Assembly / CFEVA at Moore

Side Arts- POST 2011

Introduction 2011

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN
Blick Art Materials

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Heechan Kim

Heechan Kim, Introduction 2012 enter for Emerging Visual Artists, Moore Galleries

Heechan Kim, Introduction 2012 Center for Emerging Visual Artists, The Galleries at Moore.

Heechan Kim, Introduction 2012 enter for Emerging Visual Artists, Moore Galleries

Heechan Kim, Introduction 2012 enter for Emerging Visual Artists, Moore Galleries

Heechan Kim, Introduction 2012 Center for Emerging Visual Artists, The Galleries at Moore.

Amie Potsic, Director of Career Development of Center for Emerging Visual Artists talked with DoN about the 2012 Fellows introduced at the The Galleries at Moore at a V.I.P cocktail reception 2/1/2012, “This is Heechan Kim, who is originally from Korea but lives in Brooklyn, his work is so elegant and beautiful and strong at the same time.  He’s not here this evening because he’s at an artist residency on the West Coast.  But, what is so striking about his work is that it’s so light and delicate yet so strong and powerful at the same time.  I think the metal stitching on the thin strips of wood is, um, you can feel it.  It’s palpable, it feels almost like skin being stitched in a really interesting way.  Yet, they’re also completely floating and sort of weightless at the same time.  I just think they’re beautiful.”

DoN agree’s with Amie, the bent wood has so many memes attached that the pieces literally sing little stories about tennis, weaving baskets or squeezing shut a suitcase with all your might.

The Center for Emerging Visual Artists (CFEVA), in cooperation with Moore College of Art & Design, presents an exhibition by the new Career Development Program Fellows. A highly selective fellowship with only a 2% acceptance rate, these six artists represent some of the most promising talent among emerging artists in the region:  Leslie Friedman, Daniel Gerwin, Rebecca Gilbert, Kay Healy, Heechan Kim, and Johanna Inman.

Introduction 2012

February 1 – February 25, 2012

Widener Memorial Foundation Gallery

Daniel Gerwin

Leslie Friedman

Rebecca Gilbert

Kay Healy

Johanna Inman

Circumstantial Assembly / CFEVA at Moore 

DoNArTNeWs Philadelphia Art News Blog

Photographs by DoN

KODAK EASYSHARE Camera / Z5010

Blick Art Materials’ Current Promo Code

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Kevin Lehman, The Need for Fundamental Change @ University of the Arts, Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ UArts Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ University of the Arts, Hamilton Hall Public Arts Initiative, Broad and Pine Streets, Philadelphia.

DoN walked past the sculpture vitrines in front of the University of the Arts and it appeared one of the sculptures had been pulled loose.  It was January 3rd and the Mummers Parade crowd can get pretty rowdy, generally Philadelphians are art friendly but you never know.  DoN felt anger and disgust that someone had damaged a public art piece, especially since some very beautiful and ephemeral pieces have graced the vitrines over the years with no vandalism.

But, this piece looks like it was moved across the plaza.  In the light of day the reality of the installation came together – the sculpture had actually pulled itself loose from it’s mooring near the grand stairs to the Temple and crawled to the garden wall leaving a trail of wire and debris behind.  In the garden, pod-like ceramic pots are birthing televisions and computer monitors, while the master motherboard hovers nearby protecting the brood.  Smaller pots have already invaded the farther reaches of the Japanese-ish stone garden connected by umbilical cords of red wire to the mother pods.  Kevin Lehman‘s studio is in Lancaster PA.

Kevin Lehman, The Need for Fundamental Change @ UArts Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ University of the Arts Hamilton Hall Public Arts Initiative.

Kevin Lehman, The Need for Fundamental Change is the artist’s MFA Thesis Exhibition through January 15th, 2012.  For more information on the Hamilton Hall Public Arts Initiative contact jgirandola@uarts.edu

Kevin Lehman, The Need for Fundamental Change @ UArts Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ University of the Arts Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ UArts Hamilton Hall Public Arts Initiative

Kevin Lehman, The Need for Fundamental Change @ University of the Arts Hamilton Hall Public Arts Initiative

Photos by DoN Brewer

Kodak Store

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Castles Made of Sand

Sanding Ovations, DoNArTNeWs

Sanding Ovations, Treasure Island, Florida

DoN was reading the art blog on the Huffington Post and came across a story about a sand castle artist.  DoN attended the Sanding Ovations Sand Castle competition on Treasure Island, Florida in November 2011 and was impressed by the high content level of the sand castles created with such lowly materials.  Sand castles is a misnomer because the artist’s create sculpture out of a difficult and ephemeral material.  DoNArTNeWs abandoned the story as vacation pics and not Philadelphia Art related, but it was a really good show, very competitive and extraordinarily creative.  And if Huff Post can cover sand sculpture art, so can DoN.

Sanding Ovations sand sculpture contest, DoNArTNeWs

The metaphors and memes are just all over this category of sculpture from fading beauty to art as play to time conquers all.  The term sand castle just blows up with memories of childhood beach days.  Sanding Ovations exposes art to the community in a fun, understandable if confounding way and creates an experience design that’s inspiring to kids and adults.

Sanding Ovations sand sculpture contest, DoNArTNeWs

First Place Prize and Sculptors Award Winner at Sanding Ovations.

The sand castle metaphor is apropos for artists who have to pull together disparate elements creating an object like a painting to be accepted by the community as a work of art.  Like herding cats, DoN chases after elusive grants, competes for wall space in art shows, makes new art, visits art shows, writes and promotes daily, constantly developing the DoN brand.  The sand castle DoN is working on now includes this blog, Contributing Writer to Side Arts, a tech start up, Philly based company, offering an excellent web presence for artists and DoN is near completion of a new book about Lilliana Didovic based on her art and the reviews DoN has published on DoNArTNeWs and Side Arts.

Karen M commented she hadn’t seen DoN around much lately, he’s been building sand castles and the wind and the waves slow his progress.  But, today The Philadelphia Sketch Club and The Plastic Club have openings with an abundancce of art and artists, last night DoN experienced Kile Smith’s, Vespers with Piffaro the Renaissance Music Band and The Crossing at Old Saint Joe’s Church in Old City – there’s another show today, if you can get tickets, the music, singing and orchestration is transcendental.  Talk about castles made of sand, about forty singers and musicians come together and produce an hour of spectacular beauty that wafts away on the breeze like a sand castle erodes from the weather.

View a clip from the Vespers premier in 2008, DoNBrewerMultimedia on YouTube.

DoN

Photographs by DoN Brewer shot with

Kodak Digital Cameras

 

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