Category Archives: Philadelphia Sculpture

sculpture in Philadelphia

Art Ability @ Bryn Mawr Rehab Hospital

Art Ability @ Bryn Mawr Rehab

The 14th Annual Art Ability Exhibition & Sale at Bryn Mawr Rehab Hospital’s Patron’s Preview Party on November 7th was a sensational event kicking off the extensive art show featuring more than 400 art works by 128 artists from 23 states and 10 countries.  The hospital on Paoli Pike is an excellent venue with high, long walls, a fine hanging system, great lighting providing a wonderful stroll or roll along a meandering path to wander and take in the wide array of fine art.

Art Ability @ Bryn Mawr Rehab

Photographer Linda Fry Goschke was honored with the catalog cove, a beatific portrait of a “Crested Caracara“, a raptor she spent time with in a bird sanctuary.  The photograph is poignant, strong and sensitive; at first glance it appears to be a painting with golden light brushing the elegant bird’s feathers, the dark head contrasting the ochre beak and the glint of disinterest in the eye, a perfect metaphor for the theme of the exhibit.

Goschke told DoN that in order to capture her images she had to wait for new technology to catch up with her vision – the lustrous flower photograph is actually created on a flat-bed scanner, then enhanced with Photoshop.

Art Ability @ Bryn Mawr Rehab

Linda Fry Goschke, Barred Owl, photograph @ Art Ability.

Art Ability @ Bryn Mawr Rehab

Sal Panasci was commissioned by Bryn Mawr Rehab to create the design for a mural leading to the admissions center, formally along stark hallway to what could be an uncomfortable experience.

Art Ability @ Bryn Mawr Rehab

Now, the hallway is a colorful, exuberant scene welcomes people to what may be an extended stay to rehabilitate the body, mind and spirit.  Panasci’s painting was transformed into wallpaper creating a warm, sunny vista.

Art Ability @ Bryn Mawr Rehab

Sal Panasci, Late Autumn Palette, oil.

Art Ability @ Bryn Mawr Rehab

Ken Smith, Blue Flower, photograph pigment ink on paper on board, encaustic.  Smith’s serene composition won honorable mention, The Mary Armitage Green Memorial Award presented by Heather and Damien Lubeski, the wax finish means the print will survive for a very long time.

Art Ability @ Bryn Mawr Rehab

Michael Jameson, Charlois Bull, oil painting on birch panel

Art Ability @ Bryn Mawr Rehab

Sheryl Yeager, pastels.  DoN talked with Sheryl about her inspiration for the delightful pig and zebra pastels, she explained that she portrays lots of different animals because they make her feel free, at one with God & nature and the art heals her past.  A self described high functioning autistic, her most popular drawings are of elephants and she’s more than willing to accommodate her customer base.  This is Sheryl Yeager’s 5th year with Art Ability, she has been accepted into the Pastel Society of Little Rock and has exhibited her work at the Andrews Art Museum in North Carolina.

Art Ability @ Bryn Mawr Rehab

The big fish are by Arnie Segal, the drawing is by Mari Newman, Dick Wexelblat created the menagerie and won honorable mention for Fine Crafts presented by Sal & Linda Panasci, the sculpture in the right forefront is by blind artist Tara Arlene Innmon.  This tableau is very popular with visitors with the vibrant animal forms delighting the eye and lifting the spirit.

Art Ability @ Bryn Mawr Rehab

Arnold Segal was a true art star at the Art Ability Patron Preview, selling most of his collection of sculptures and earning commissions – a mixed media artist, Segal uses plaster, paper mache and electronics to enliven his sculptures which often have hidden surprises.

Art Ability @ Bryn Mawr Rehab

Liam Kennedy, Dreams, bronze, winner of 2nd prize for sculpture, the Sarah Hair Shearer Memorial Award.

Art Ability @ Bryn Mawr Rehab

Kathy Harris, Double Self Portrait & Winter Bride.  Harris created the portraits from life masks – the double self portrait is from 30 years ago and the Winter Bride is a recent mask.  Kathy told DoN that the younger version is dreaming of the future and the elder shows aging through time, either way she’s beautiful with a wonderful spirit and wicked wit, we had the best time chatting about her career making paintings, ceramic tiles and pipes.

Art Ability @ Bryn Mawr Rehab

Michael Tavani, Winter in Chadds Ford, oil.

Art Ability @ Bryn Mawr Rehab

Jack Beverland, Happy Trails, acrylic & plastic.

Art Ability @ Bryn Mawr Rehab

Clif Anderson, The Last Rose, oil.  Clif told DoN this was literally the last rose in his garden last November.

Art Ability @ Bryn Mawr Rehab

Beverly Strohecker-Yablin, Favorite Teacup, oil.

Art Ability @ Bryn Mawr Rehab

David Gerbstadt is one of the famous Philadelphia Dumpster Divers, his mixed media paintings are super-pop, perfect for a hipster’s pad or austere modern interior.  DoN was recently in the Dumpster Diver gallery on South Street and a patron bought 27 of his $1.00 drawings as Christmas gifts.

Art Ability @ Bryn Mawr Rehab

Marilyn Lavins, 40th Anniversary 1969-2009, Moon Landing, collage.

Art Ability @ Bryn Mawr Rehab

Photography by Jim Knisley @ Art Ability.

Art Ability @ Bryn Mawr Rehab

Gregory Gans, Spirit Over Waters, photograph, winner 3rd Prize for photography, The Denise Fraunfelter Memorial Award.

Art Ability @ Bryn Mawr Rehab

Photography @ Art Ability Exhibit in Bryn Mawr Rehab.

Art Ability @ Bryn Mawr Rehab

Gregory Gans, Forest Cathedral, photograph.  DoN had the opportunity to chat with Greg’s biggest fan, his wife, who offers constant support and encouragement and agrees with DoN that if you don’t have something nice to say don’t say anything.  Gans’ has been a working photographer for 45 years, creating hundreds of images – now many of his photos have Biblical & spiritual references reflecting his faith and strength to battle the epileptic seizures he endures after having a benign brain tumor removed.

The Art Ability show has so much to see it’s impossible for DoN to share it all – Evan Gozali’s brilliant digital Asian style scroll is transcendental, Elizabeth Core’s imaginative large painting, Christine Severson‘s jewelry…the point is that even though the art is all created by artists with disabilities there are no boundaries, no style, no medium that is exempt from an artist with the will to create from painting to drawing, photography to sculpture, fine art to crafts, an artist is an artist even if they have to hold the brush with their mouth, work from a wheelchair, try to hold steady until the tremor passes or struggle to articulate because the words won’t come.

DoN was so happy to see so many red dots indicating sales – 80% goes to the artist and the remainder is used to improve the facilities to aid people who need rehabilitation everything else is provided by volunteers including the wonderful sales team.  DoN had the pleasure of meeting Ellie Pfautz, a volunteer sales rep who absolutely loves Bryn Mawr Rehab since they helped her recover from a brain aneurysm; the two of us marveled at the new Lokomat suite – a robot which helps train muscles & nerves by reminding the body of motor pathways, building new neural networks and strengthening the body without manual manipulation by a technician.  To see a short video clip – click here.

Lokomat Robot @ Bryn Mawr Rehab Hospital

 

 

Information Translated – University of Delaware @ Crane Arts Center

Information Translated - University of Delaware @ Crane Arts Center

Information Translated - University of Delaware @ Crane Arts Center

Ashley Pigford & Troy Richards, Vanishing Point combines computer graphics, motion sensors and robotics in the Information Translated exhibit in the University of Delaware‘s art department adjunct gallery in the Crane Arts Center curated by Anthony Vega.

Information Translated - University of Delaware @ Crane Arts Center

Troy Richards, The Hoarders II – Information Translated @ Crane Arts Center.

The University of Delaware faculty exhibit, Information Translated, is a futuristic trip into an art world where video projectors follow the actors around the room on a robotic platform (a movie called Knock by Lance Winn & Toronto artist Simone Jones), Legos and computers work in conjunction with movement and sound to create an experience design and normal appearing prints reveal underlying messages as if a computer memory kernel has exploded.  The show restores DoN‘s appreciation of how video can be incorporated into an art show without seeming like a knock-off of Warhol.  By utilizing off-the-shelf components combined into innovative new forms, the UD faculty have created an inspirational, aspirational show that is sure to trigger new neural pathways for UD art students.  The space is an adjunct gallery for University of Delaware artists to display their work away from campus in the heart of one of Philly’s vibrant, emerging art centers.  The downstairs space is especially exciting with several video/robot installations that excite the eye and confuse the senses.  Check out the UD website for a statement about the show, but really, this show has to be seen to be believed.

The Landscape Within – Spotlight Exhibit @ CFEVA

Kara Rennert - The Landscape Within @ CFEVA

Kara Rennert, Le Dresseur (foreground) & Le Cirque, ceramic, low fire glaze @ CFEVA‘s The Landscape Within.

The Landscape Within @ The Center for Emerging Visual Artists is a “spotlight exhibit” of art which transports the viewer to worlds within – alien landscapes, thought bubbles & dreamy reveries.  The gallery space @ 15th & Locust encapsulates the work of three artists whose work is completely different (sculpture, painting & photography) yet communicates themes of desolation, introspection and confusion like TV channel surfing and somehow a narrative emerges by combining cartoons, war news and commercials.  DoN enjoys being alone in the echoeing gallery absorbing the contents in quiet solitude but the art party Thursday evening drew a swell noisy crowd to celebrate the accomplishments of sculptress Kara Rennert, painter Sean O’Neil & photographer James B. Abbott.

Kara Rennert - The Landscape Within @ CFEVA

Kara Rennert, Rat Princess #1, ceramic, low fire glaze.

Even though Kara Rennerts sculptures of mythic women seem to have Kara’s eyes she insists she finds inspiration for the female faces in magazines and online.  Each sculpture is one of a kind and not made from molds, if Rennert tries to duplicate a favorite she finds that the new piece is somehow better than the first.  DoN commented that the elongated fingers of the figures seem Medieval, Kara explained that the hands are simply more expressive when the fingers are unusually long and perhaps she’s unconsciously obsessed with the sense of touch.

Sean O’Neil - The Landscape Within @ CFEVA

Sean O’Neil, American Dream #2, acrylic on canvas.

Amie Potsic told DoN that when she saw Sean O’Neil‘s paintings she thought, “I wish I’d done that!”  O’Neil’s large paintings combine All American memes: home-sweet-home, boys to men, war mongering and altered states. Even though Sean’s style is sort of super-flat, there is no irony or kawaii, in fact some of the paintings are scary.  DoN‘s nephew has decided to join the army, he wishes the young man could see war through the eyes of an artist; there surely is glamor in donning a uniform and shooting high powered guns but his world is sure to be turned upside down.  Sean shares studio space with cake artist Amy Stevens; DoN wonders if she leaves tasty treats for her studio mate and why he’s not as big as a house.

Sean O’Neil - The Landscape Within @ CFEVA

Sean O’Neil, Meet Your Master, Beautiful Boy & American Dream #2, acrylic on canvas.

James B. Abbott - The Landscape Within @ CFEVA

James B. Abbott, Peaked Hills Dunes in Winter, toned silver gelatin print.

James B. Abbott is a long time habitue of 3rd Street in Old City but many of the mysterious images in The Landscape Within exhibit are the result of his Dune Shack Residency on Cape Cod.  Imagine this: you are driven to a remote salt box shack on the curly peninsula with only well water to drink, an out-house, a few weeks supply of food and your old Graflex Polaroid camera with the goal of doing nothing but attempting to capture the denuded landscape.  James told DoN that the extended daylight on the Cape allowed him to work mornings and evenings and nap in the afternoon.  The panoramic combo compositions are so evocative of the wintry landscape DoN could almost hear the wicked wind but the single landscape shots with the vestiges of the polaroid negative process along the edges like Space Invaders are simultaneously abstract and editorial.  Like many artist, Abbott made a living as a commercial photographer, bending to the whims of editors and clients but is now able to use that experience to produce his own product – great photographs.

James B. Abbott - The Landscape Within @ CFEVA

James B. Abbott, Beach Forest Pond, Cape Cod National Seashore, toned gelatin silver prints @ CFEVA’s The Landscape Within.

Final thought – art isn’t just for adults.  When DoN saw a kid running around he thought, “Uh-Oh!“, there goes Kara Rennert‘s doll-like figures perched on pedestals but it turns out little 5 year old Sophia is a big fan and as she left with mom, Nina, she hollered back to Kara, “I love you!

Kara Rennert - The Landscape Within @ CFEVA

In conversation with the Oracle

CFEVA - Paul Rider

Paul Rider, Chance 1 – 20, photographic prints each 16″ square.

CFEVA - Keiko Miyamori

Keiko Miyamori, Birdcage, mixed media installation.

CFEVA - Cecelia Rembert

Cecelia Rembert, Given, oil on canvas.

CFEVA - Cecelia Rembert

Paul Rider, Primitive 1 – 3, photographic prints.

Art shows don’t hang around long enough but DoN got to see In conversation with the Oracle at the Center for Emerging Visual Artist‘s gallery twice.  Both times spending time alone with the art was engrossing and thought provoking: Paul Rider‘s photographs of blades of grass read like charcoal mark-making, Keiko Miyamori‘s birdcage installation bring mythological stories to mind of caged beauties or harpies, Cecelia Rembert‘s paintings are bold reminders of how much fun paintings can be.

The cul-de-sac seems to be a particular spot of inspiration for artist’s, Miyamori’s sculptures speak with each other adding color to the myths hidden in the art – the use of found material is particularly romantic, not the lovey dovey kind of romance but the romance of danger and fear as if an adventurer returned with a giant strange bird which has escaped it’s confines.

 

Heroines and Harlots: Women in History Annual Juried Exhibition 9-27 September 2009 – Da Vinci Art Alliance

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009 - Karen McDonnell & Tony Cortosi

 Foxy Brown, Karen McDonnell & Tony Cortosi @ Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009.

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009 - Alden Cole

Alden Cole, The Charge of the Goddess, drawing.  Cole won honorable mention for this enigmatic mixed media drawing; drawing is the root of all design and communication.

 Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009 - Liz Niklus & Regina Barthmaier

 Da Vinci Art Alliance member artists Liz Nicklus & Regina Barthmaier with their entries to Heroines & Harlots.  DoN LoVeS Regina’s Industrial Barbie print with hand-pressed type collaged onto the frame – really beautiful, decorative and slyly subversive.  Liz’s Pandora’s Box is such a fantastic meme – DoN really wants to know what’s inside?

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009 - Liz Niklus

Liz Nicklus, Pandora’s Box, mixed media.

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009 – Da Vinci Art Alliance

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009

First Prize, Jason Scuilla, Pallazzo with Spirits, Dance of Salome, etching.  As Dr. Deb Miller and H & H judge Kathryn McFadden of Fleisher Art Memorial pointed out, there are no women in the image, only the results of decisions made by women are portrayed in the etching.  DoN heard a statistic the other day that highlighted if more women were in positions of power there would be less conflict in the world.

Heroines and Harlots:  Women in History  Annual Juried Exhibition  9-27 September 2009

Little Red Riding Hood Avenging Grandma, Anna Volburgh.  Grrrl!!! Continue reading