Category Archives: The Plastic Club

More Photos About Buildings and Food at Gallery 339

More Photos About Buildings and Food at Gallery 339, Lucas Foglia

More Photos About Buildings and Food at Gallery 339Lucas Foglia, Lunea with Deer Rib

“Girls are getting into abstract analysis
That want to make that intuitive leap
They are making plans that have far reaching effects” – Talking Heads, The Girls Want To Be With The Girls, More Songs About Buildings & Food

Gallery 339 at the corner of 21st and Pine Streets is dedicated to fine art photography, the chic space always has something special and inspirational to see. Spending time alone there with the incredible images is one of DoN‘s favorite things to do because there is nowhere else like it to see art by master photographers (except PPAC, of course) but that’s across town. The gallery has become a destination for photography lovers from around the world and it’s right down the street from Haus of DoN. Usually the gallery is dedicated to just a few photographers, focussing on a body of work but More Photos About Buildings and Food is a large group theme show with many of the great photographers who have exhibited in the past at the gallery.

The opening night was more like a party than an opening with a DJ spinning classic Talking Heads songs at ear throbbing volume making it impossible to talk but that only meant the party spilled out into the street. The eclectic mix of images are either about buildings or food, all of them spectacular and special examples of the state of the art in fine art photography. Some are easy to look at, some disturbing and deep, others are pop art or documentary style.  The mix is heady and exciting, the crowd was loud and rambunctious – just the way DoN likes it.

More Photos About Buildings and Food at Gallery 339, Martin Parr

More Photos About Buildings and Food at Gallery 339Martin Parr, Turkey Leg, Disneyland, Tokyo, 1998, chromogenic print

More Photos About Buildings and Food at Gallery 339, Vincent Feldman

More Photos About Buildings and Food at Gallery 339Vincent Feldman, Shizuoka Shinbun and Broadcasting System Tower, carbon pigment print

Vincent Feldman lives down the block from DoN and it was a nice surprise to see him and his family at the show, it was an even better surprise to see his work in the show with spectacular prints of Japanese modern architecture. Over the roar of the music we chatted about his contribution to the exhibit. DoN asked how Vincent Feldman, a professor of photography at University of the Arts, got involved with More Photos About Buildings and Food at Gallery 339?

“Well, I live in the neighborhood near the gallery, so I know Martin McNamara, the owner and director of the gallery and he’s actually purchased some of my work in the past. So the work that he owns is what’s being exhibited but they’re a larger scale. I take pictures of buildings and that’s part of the theme of the show, so, it worked out for this exhibit.”

DoN asked how long Vincent Feldman has been involved in photography? “Thirty-plus years, most of my life.” Not long ago the artist unloaded a bunch of enlargers for people to glean from the street which lead DoN to think maybe he had gone digital. “I still have some enlargers, but the prints I’ve been doing lately, I would say, are mostly digital but I always shoot film. It’s four by five negatives, there’s nothing comparable for me to shoot digitally in that size. I use a large format 4 x 5, Toyo, a Japanese company”

Do you still have a darkroom, they seem to be going away? “Yes. There are still a lot of darkrooms, in fact, they seem to be a growth industry since a lot of them have been decommissioned and I teach, too, and a lot of students want to print in the darkroom. They want to make real prints. It’s a magical process, I love working with the computer but I think you should know what real photography looks like before you try and make it with a computer. You can make anything, you can print out an M16 now, a working gun, so what’s to prevent students from doing that, when you give them a computer you’ve got to focus them and the computer’s not a great thing to focus with if you’re just learning.”

“I have a book coming out in the Spring called Philadelphia City Abandoned about the civic architecture of the city. I’m working with Paul Dry a Philadelphia publisher and he’s been really great and hopefully it’s going to be a beautiful book that will last a long time.”

More Photos About Buildings and Food at Gallery 339, Mary Parisi

More Photos About Buildings and Food at Gallery 339Mary Parisi, Wounded Soup, chromogenic print

More Photos About Buildings and Food at Gallery 339, Ion Zupco

More Photos About Buildings and Food at Gallery 339Ion Zupco, American Homes Portfolio, gelatin silver prints

More Photos About Buildings and Food at Gallery 339, David Graham

More Photos About Buildings and Food at Gallery 339David Graham

Gallery 339‘s Martin McNamara has agreed to help jury the upcoming Photographic Society of Philadelphia‘s 150th Anniversary exhibit at the Plastic Club in November, read more about the upcoming show at SideArts.com.

Written and Photographed by DoN Brewer

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Collage and Mixed Media at The Plastic Club

Lilliana Didovic, Collage and Mixed Media at The Plastic Club

Lilliana Didovic, Kater StreetCollage and Mixed Media at The Plastic Club

Collage and Mixed Media at The Plastic Club is 121 unique works of art using every sort of media imaginable from traditional magazine rip-outs to Swarovsky crystals. The tradition of the art gallery is to hang every entry, this show was open to non-members, and then awards are selected from the entire show. This policy offers new artists a place to show along side more established ones but usually the quality is high, prize winners can be first time artists or art veterans. The collage show is fun and quirky, with Dada-esque ready-mades and Dali-inian surrealism, sculptures and photo-montages, micro to macro, the ground is evenly covered with eye catching extravagance.

Lindsey Dickson, Earth Angel, Collage and Mixed Media at The Plastic Club

Lindsey Dickson, Earth AngelCollage and Mixed Media at The Plastic Club

Alan J. Klawans, Bill Myers, Collage and Mixed Media at The Plastic Club

Alan J. Klawans, One, Two, Three, Bill Myers, Love Junk Taxi ParkCollage and Mixed Media at The Plastic Club

Regina Barthmaier, Collage and Mixed Media at The Plastic Club

Regina Barthmaier, UntitledCollage and Mixed Media at The Plastic Club

Kira Grennan, Brooklyn Room, Collage and Mixed Media at The Plastic Club

Kira Grennan, Brooklyn RoomCollage and Mixed Media at The Plastic Club

Kira Grennan won First Prize for her collage of photos taken while living with friends in Brooklyn, thus the title. The artist explained to DoN that the artwork uses traditional collage techniques but is atmospheric and loaded with narrative of her time in NYC.

Collage and Mixed Media at The Plastic Club is on exhibit through September 22nd, 2012.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

Affiliate Marketing [disclosure page] Shop on-line at Amazon.com and help support DoNArTNeWs.

DoN Brewer, Abstract Photography

DoN Brewer, Abstract Photography, Sky Holes, digital photograph, inkjet print © DoN Brewer

DoN Brewer, Abstract Photography, Sky Holes, digital photograph, inkjet print

Sky Holes, a photograph of tree shadows on garden gates has been accepted in this year’s Art Ability International Juried Arts Exhibit for People Living with Disabilities at Bryn Mawr Rehab Center in Malvern, PA. The image plays a few optical tricks and color ways that are intriguing – the gray color on the left where the sun hits the black wood is the same tone as the shadow falling on the white door on the right, the green in the middle appears in the shadow but turns white in the light. The illusion of soft focus is the result of light shining through the spaces between the leaves and branches of the trees making sky holes of illumination. The term abstract is appropriate to apply to this landscape photograph because the image modifies the objects in the setting to patterns and colors, separates the elements from a concrete reality and emphasizes generalized shapes.

DoN Brewer, Abstract Photography, light being (Dee), digital photo, © DoN Brewer

DoN BrewerAbstract Photography, light being (Dee), digital photo

This photo appeared in The Plastic Club‘s Members Choice Art Show in August, read my story about light being (Dee) at SideArts.com.

DoN Brewer, Abstract Photography, light being (Frank), digital photo, © DoN Brewer

DoN BrewerAbstract Photography, light being (Frank), digital photograph, 2012

light being (Frank) is for all the departed Franks – Zappa, Sinatra, Anne – but the title is influenced by a favorite dance song called Frank Sinatra by Felix da Housecat – the lyrics go:

every night with my star friends

we eat caviar and drink champagne

sniffing in the v.i.p. area

we talk about frank sinatra

you know frank sinatra?

he’s dead…dead?

ha, ha, ha

The first DoNster who guesses the location where light being (Frank) was shot will get a free print.

Through SideArts.comDoN is offering online and in-person one-on-one consulting services to visual and craft artists and art businesses.  Read all about it here.

Written and Photographed by DoN Brewer

Follow DoN on Twitter @DoNNieBeat58

Affiliate Marketing [disclosure page] Shop on-line at Amazon.com and help support DoNArTNeWs.

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

100 Faces of Bob is over one hundred mixed media art objects mounted on the wall at Off the Wall Gallery created by outgoing President of The Plastic Club, Bob Jackson.  Last week DoN watched a movie at The Plastic Club‘s monthly art salon, shot in 2006, of Bob Jackson‘s collections and studio, a consummate pack rat collector and inspired artist.  Jackson collects objet trouve’ then transmogrifies the collected elements, found at flea markets, yard sales and antique shops into anthropomorphic portraits.

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

Off the Wall Gallery usually hosts group show but gave over the whole space to Bob Jackson’s thesis: attractive, fun, visionary art that’s affordable.  Bob Jackson has been leading The Plastic Club for many years, he’s seen it all, good and bad, and synthesized the information into an art style that is aspirational and accessible.  Like his ball point pen drawings on typing paper, the 100 Faces each express the artist’s hand, thought, effort and time.  Anthropomorphism is practically the original art, the Venus of Willendorf speaks to us over mellenia, Bob Jackson is able to tap into our deepest cultural memories and speak to us here in the future.

Bob Jackson, 100 Faces at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

click the thumbnail

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

Bob Jackson, 100 Faces of Bob at Off the Wall Gallery

Bob Jackson100 Faces of Bob at Off the Wall Gallery

The Off the Wall Gallery consistently installs thought provoking and relevant art shows. Usually the installations are juried group shows offering emerging artists opportunities to show their work with established artists. Art is part of the business model at Dirty Franks Bar, space on their wall is coveted and their sales record is really good.  100 Faces of Bob will be remembered as one of the great moments in Philadelphia art history, the show looks like it will be sold out.  Each piece is only $50.00.  Bob Jackson‘s legacy will be a strong, real, measurable impact on the Philadelphia art community, DoN has personally cried on Bob’s shoulder over art matters and know’s he has counseled and supported hundreds of other artists with assurances, solutions and advice.  Creating a wonderful experience design, the show offers so many lessons in art making, marketing, networking and socializing from a master Philadelphia artist, 100 Faces of Bob reveals the beautiful face of a friend.

LoVe

DoN

Jazz Show at the Plastic Club

Cynthia Harvey, Player, pastel, Jazz Show at the Plastic Club

Cynthia Harvey, Player, pastel, Jazz Show at the Plastic Club

Alan Klawans, the Exhibitions Chair for the Plastic Club is stepping aside and Susan Stromquist is taking charge of the venerable art club’s exhibition calendar.  The art direction by Alan has been impeccable and the current art exhibition, Jazz Show, is a smash hit.

The theme challenged the artist membership to create new work related to Jazz.  The resulting collection of eighty artworks is a medley of soulful paintings, bebop abstracts, hip photographs of musicians lined up like a horn section and wild riffs on convoluted mixed media constructions.  At the awards President Bob Jackson noted how some artists couldn’t pull from their regular repertoire and make something old fit the theme.  Good thing. Because jazz needs extra space to be new, experiment and different each time it’s played, it’s never the same old thing.  The Jazz Show is smooth, moody and deep, the art spaced out so each piece gets it’s solo performance.

Michael Mastrogiovanni, Jennifer Tsui, Jazz Show at the Plastic Club

Michael Mastrogiovanni, New Orleans, photograph, Michael Mastrogiovanni, Jazz Fest, photograph, Jennifer Tsui, Leaving the Village Gate, 1976, collage (on mantle) and Joseph DeFay, Jazz on South Street, photograph at the Jazz Show at the Plastic Club.

Michael Mastrogiovanni, New Orleans, photograph, Jazz Show at the Plastic Club

Michael Mastrogiovanni, New Orleans, photograph, Jazz Show at the Plastic Club

Karen L. Freeman, Kind of Blue, mixed media, Jazz Show at the Plastic Club

Karen L. Freeman, Kind of Blue, mixed media, Jazz Show at the Plastic Club

Marcy Morris, Mo’s Band, acrylic, Jazz Show at the Plastic Club

Marcy Morris, Mo’s Band, acrylic, Jazz Show at the Plastic Club

April 1, 2012, the reception was packed like an underground club, the beat of drums and sizzling keyboards resonated from the Judy Shenkman Studio upstairs all the way to the Downstairs Gallery.  After the awards ceremony, the packed house opened up the floor and couples danced to the music, others tapped their toes and sipped wine.  The vibe of th Plastic Club was like a secret speakeasy and no one wanted to leave at closing.

The Plastic Club, 247 South Camac Street, Philadelphia PA – through April 27th.

Written and photographed by DoN Brewer

Read more at Side Arts Philadelphia Art Blog