Category Archives: Women’s Caucus for Art


Save the City of Philadelphia Office of Arts, Culture, and the Creative Economy

iradiophilly started this petition to Mayor of Philadelphia Philadelphia Mayor Jim Kenny and 2 others

Link to petition

Philadelphia Mayor Jim Kenney released a revised budget for fiscal year 2021 in response to the coronavirus COVID-19 pandemic on May 1, 2020. Businesses have been closed and workers have been off the job for weeks, reducing the city’s tax revenue significantly. The Office of the Department of Finance projects that without any changes the city would have a $649 million deficit next year. The city cannot legally operate with a deficit. We understand that hard decisions needed to be made and that cut backs and program budget reductions were inevitable. However, to completely eliminate an office that supports a vital industry in the city of Philadelphia, especially one that has been hit very hard during this crisis, is short sighted and should be reversed.

In the new budget, the Office of Arts, Culture, and the Creative Economy was budgeted $0 dollars, down from approximately $4.4 million, effectively closing the office. Most of that budgeted money goes directly to the Philadelphia Cultural Fund, which gives grants to hundreds of non-profits in the city.

The presentation of the budget by the Mayor is only the first step. It still must be approved and voted on by City Council before July 1. 

SEE: Mayor’s Operating Budget – re: page 80
SEE: Philadelphia Mayor Jim Kenney Delivers New Budget by Video; Jobs/Services Cuts, Tax Hikes

According to the Greater Philadelphia Cultural Alliance, the arts and cultural sector generates $4.1 billion in economic impact annually and supports 55,000 jobs. That creates $1.3 billion in household income and $224.3 million in state and local taxes.* The creative economy includes but is not limited to artists, musicians, painters, sculptors, dancers, actors, filmmakers, graphic designers, venues, theaters, museums, galleries, bartenders, waiters, chefs, box office workers, bouncers, sound engineers, tech crews, art/dance/recording studios, and all employed by those entities, as well as support industries such as accountants, lawyers, hotels, ride shares, parking, public relations, marketing, and media. On the other side there are the fans, patrons, concert goers, theater attendees, and more who support the arts and make the purchases.

Most of this industry has been shut down during this crisis and needs support now more than ever to rebound during the economic recovery.

The Office of Arts, Culture, and the Creative Economy’s mission is to close the gap in access to quality cultural experiences and creative expression through the support and promotion of arts, culture and the creative industries; connecting Philadelphians to enriching, arts-infused experiences; linking local artists and cultural organizations to resources and opportunities; and preserving the City’s public art assets.

The OACCE is also responsible for the Music Industry Task Force, the Mayor’s Cultural Advisory Council, Art in City Hall, all of Philadelphia’s public art, and funding the Philadelphia Cultural Fund which gives grants to numerous Philadelphia arts and culture non-profits.

Philadelphia is a vibrant city teeming with culture that has been driving our identity for hundreds of years. The art created in Philadelphia reaches well beyond its borders and has touched the world and helps drive our other industries through attention and attraction to our area. As we look to rebound and recover from this crisis, there are certainly sectors that are essential to our health and safety and must be prioritized. However, unless we take care to ensure our cultural health is also revived, we risk losing our spirit.

Philadelphia’s creative economy deserves proper representation in City Hall. Understandably, it is likely not possible for the OACCE to be budgeted at the same level as the original budget, however, the industry’s economic impact alone justifies that the office’s budget be more than zero. We are simply asking that the City of Philadelphia Office of Arts, Culture, and the Creative Economy not be eliminated.

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Over 6,200 Support the Creative Economy in Philadelphia!Thank you for all your support! Let’s keep the momentum going. Artists, musicians, actors, dancers, writers, back stage, front of house, all venue/gallery workers, recording studios, producers, photographers, video…iradiophilly5 days agoMore updates

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Stop Slavery Now: A Conversation About Human Trafficking

Eva Preston, Stop Slavery Now: A Conversation About Human Trafficking

Eva Preston, Judgement Day, mixed media at Stop Slavery Now: A Conversation About Human Trafficking

Bonnie MacAllister and Joanna Fulginiti know each other through the Women’s Caucus for Art and worked together at the Philadelphia Museum of Art, Rachel Udell, also a member in the show, worked at the museum as well. Bonnie explained to DoN, “We got into F & N Gallery because we were curated into a show…and we talked to the gallery director and he with a wonderful woman named Jess McCann invited us and donated the space to us, it was this beautiful collaboration.  We were able to extend the call beyond our WCA members and got work from as far away as Atlanta, we have a film that was lent to us for the night, and the dolls will be in the window for a week.”  Sorry, little DoNSters it’s taken a while to get this story together, this event was April First Friday, the dolls are at

Stop Slavery Now: A Conversation About Human Trafficking, The Ragdoll Project

The Ragdoll Project is meant to create awareness for human trafficking, they invited participants from different workshops, in West Philly through Spiral Q Puppet TheaterFollicle Hair Studio on South Street.  Joanna described the production to DoN, “We set up sewing machines, we used donated fabrics and we just made dolls. The dolls will be sold and all the money will go to Dawn’s Place which is a shelter for victims of human trafficking in Philadelphia.  Dawn’s Place is the only place in Philadelphia that helps victims of sex trafficking specifically.  And they do need money, they need donations, so we’re going to sell all the dolls and donate all the money.”

Rachel Udell, Danielle Ferrell, Stop Slavery Now: A Conversation About Human Trafficking

Rachel Udell, I’m Tired, digital image and Danielle Ferrell, effraye’, screen print at Stop Slavery Now: A Conversation About Human Trafficking

“The dolls were made by the Women’s Caucus for Art and other people that come to our workshops.  I get dolls sent to me in the mail everyday from people who heard about it on  That will show you how you can make a doll and donate it, anyone can make a doll and it is a donation, so they won’t get it back but we’ll sell it and the money will go to the victims of trafficking.”  Jess McCann, the co-curator of the show is part of the Philadelphia Modern Stop Slavery Group, she and Joanna Fulginiti selected art by women and intended the installation to have an educational aspect.  “We have certain statistics or quotes that we felt were very important to capture about the issue that would inform the people something that they might not be familiar with.  A lot are quotes from Johns who purchase sex, statistics about who is prosecuted; rarely are the pimps or traffickers prosecuted it’s usually the women, the women themselves. Who are often victims.”

Stop Slavery Now: A Conversation About Human Trafficking

Beth Prusky, This is How It Feels, charcoal and acrylic on archival mylar at Stop Slavery Now: A Conversation About Human Trafficking

“They wind up going in jail, that’s something people need to know about.  The violence like this piece by Rachel Udell, this is about the violence women in prostitution face.  They have a violent life.”  Joanna points out a particular quote, “A study of 475 people in prostitution finds 62% reported having been raped, 73% reported having experienced physical assault and 92% said they wanted to escape prostitution.”  Joanna is passionate about the subject, “It’s a violent life and the violence comes from the pimps and the Johns.  People have this idea of prostitution like it Julia Roberts, Pretty Woman, glamorous, but it’s not. It’s full of violence.  That’s what the first two pieces are about, the inner turmoil.”

Stop Slavery Now: A Conversation About Human Trafficking

Lauretta Paraguassu, Children of the Night, watercolor and ink on paper at Stop Slavery Now: A Conversation About Human Trafficking

Quote from a John, “She gave up her rights when she accepted my money.”  Joanna dismisses this myth, “You know, men just kind of doing this like it’s that old boy’s club kind of thing, ‘there’s nothing wrong with this’, ‘this is how you treat women’, like blindly going along with this male idea.”

Stop Slavery Now: A Conversation About Human Trafficking

Megan Kelly, Body Monster, collaged painting on paper at Stop Slavery Now: A Conversation About Human Trafficking

Joanna Fulginiti, Stop Slavery Now: A Conversation About Human Trafficking, The Ragdoll Project 

Joanna Fulginiti, Ragdolls, mixed media at Stop Slavery Now: A Conversation About Human Trafficking

Joanna Fulginiti‘s painting started The Ragdoll Project, “I did that piece because these girls are just being treated like rag dolls, they’re not even human beings.  They can be tossed away after they’re used and I started that and once we starting thinking of a project we could do to raise money for the victims and someone commented on my piece like, ‘Oh, maybe we can work with rag dolls.’  They’re not hard to make so that’s how we started with this.”

Stop Slavery Now: A Conversation About Human Trafficking

Stop Slavery Now: A Conversation About Human Trafficking

Joanna explained the context of the art, “Most people don’t know that the average age of a prostitute is 13 years old.  Which is so scary, this is a children’s issue. Pimps are luring teenagers into this.  The average age of entry is thirteen and actually the average lifespan of a girl after she enters prostitution is six years.  So it’s stealing their childhood, that’s what these pieces are about.  Suicide, homicide, like many of these girls are homeless girls, they may have lived in foster families their whole lives, so it’s not like they even know where they are.  Some of these women became prostitutes and no one even came looking for them or cared where they are.”

Stop Slavery Now: A Conversation About Human Trafficking

Joyce Ellen Weinstein, Blind Leading the Blind: Captured, screen print/linoleum block print at Stop Slavery Now: A Conversation About Human Trafficking

“You know I don’t think in the justice system they’re seen as victims.  Yet.  Certain states are more progressive than others but a lot of times in law enforcement they consider the women the criminals when a lot of them are forced into this.  They’re victims.  This is about treating girls as criminals.  There is hope you know?  These women can start over.”

Alison Altercott, Stop Slavery Now: A Conversation About Human Trafficking

Alison Altergott, Saturday’s Child, mixed media at Stop Slavery Now: A Conversation About Human Trafficking

According to Joanna, “The more you read about a country where it’s legal versus a country where it’s illegal, if you read about what actually happens, it’s very, very clear that legalizing it, increases demand.  It normalizes the activity.  so, them more people are prone to do it and there’s so much demand they can’t get enough women who want to do this on their own. They have to get, well – if it’s Amsterdam, it’s from Eastern Europe and they have to start trafficking because they just can’t keep up with the demand.  If you legalize prostitution, your demand goes up so much that you have to force women into it just to keep up with it…there’s this idea that if you legalize it you can control it and make it safer but it’s almost impossible.  It’s so violent.  How do you make it safer?  When a John beats up a prostitute, how do you stop that?  The facts show when you legalize it, it increases demand and you’re putting all these girls at risk for being trafficked.”

Written and photographed by DoN Brewer

Read more at Side Arts Philadelphia Art Blog