Category Archives: Collage

A collage (From the French: coller, to glue) is a work of formal art, primarily in the visual arts, made from an assemblage of different forms, thus creating a new whole.

A collage may include newspaper clippings, ribbons, bits of colored or hand-made papers, portions of other artwork, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.

The term collage derives from the French “coller” meaning “glue”.[1] This term was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art.
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Art Ability @ Bryn Mawr Rehab Hospital

Art Ability @ Bryn Mawr Rehab

The 14th Annual Art Ability Exhibition & Sale at Bryn Mawr Rehab Hospital’s Patron’s Preview Party on November 7th was a sensational event kicking off the extensive art show featuring more than 400 art works by 128 artists from 23 states and 10 countries.  The hospital on Paoli Pike is an excellent venue with high, long walls, a fine hanging system, great lighting providing a wonderful stroll or roll along a meandering path to wander and take in the wide array of fine art.

Art Ability @ Bryn Mawr Rehab

Photographer Linda Fry Goschke was honored with the catalog cove, a beatific portrait of a “Crested Caracara“, a raptor she spent time with in a bird sanctuary.  The photograph is poignant, strong and sensitive; at first glance it appears to be a painting with golden light brushing the elegant bird’s feathers, the dark head contrasting the ochre beak and the glint of disinterest in the eye, a perfect metaphor for the theme of the exhibit.

Goschke told DoN that in order to capture her images she had to wait for new technology to catch up with her vision – the lustrous flower photograph is actually created on a flat-bed scanner, then enhanced with Photoshop.

Art Ability @ Bryn Mawr Rehab

Linda Fry Goschke, Barred Owl, photograph @ Art Ability.

Art Ability @ Bryn Mawr Rehab

Sal Panasci was commissioned by Bryn Mawr Rehab to create the design for a mural leading to the admissions center, formally along stark hallway to what could be an uncomfortable experience.

Art Ability @ Bryn Mawr Rehab

Now, the hallway is a colorful, exuberant scene welcomes people to what may be an extended stay to rehabilitate the body, mind and spirit.  Panasci’s painting was transformed into wallpaper creating a warm, sunny vista.

Art Ability @ Bryn Mawr Rehab

Sal Panasci, Late Autumn Palette, oil.

Art Ability @ Bryn Mawr Rehab

Ken Smith, Blue Flower, photograph pigment ink on paper on board, encaustic.  Smith’s serene composition won honorable mention, The Mary Armitage Green Memorial Award presented by Heather and Damien Lubeski, the wax finish means the print will survive for a very long time.

Art Ability @ Bryn Mawr Rehab

Michael Jameson, Charlois Bull, oil painting on birch panel

Art Ability @ Bryn Mawr Rehab

Sheryl Yeager, pastels.  DoN talked with Sheryl about her inspiration for the delightful pig and zebra pastels, she explained that she portrays lots of different animals because they make her feel free, at one with God & nature and the art heals her past.  A self described high functioning autistic, her most popular drawings are of elephants and she’s more than willing to accommodate her customer base.  This is Sheryl Yeager’s 5th year with Art Ability, she has been accepted into the Pastel Society of Little Rock and has exhibited her work at the Andrews Art Museum in North Carolina.

Art Ability @ Bryn Mawr Rehab

The big fish are by Arnie Segal, the drawing is by Mari Newman, Dick Wexelblat created the menagerie and won honorable mention for Fine Crafts presented by Sal & Linda Panasci, the sculpture in the right forefront is by blind artist Tara Arlene Innmon.  This tableau is very popular with visitors with the vibrant animal forms delighting the eye and lifting the spirit.

Art Ability @ Bryn Mawr Rehab

Arnold Segal was a true art star at the Art Ability Patron Preview, selling most of his collection of sculptures and earning commissions – a mixed media artist, Segal uses plaster, paper mache and electronics to enliven his sculptures which often have hidden surprises.

Art Ability @ Bryn Mawr Rehab

Liam Kennedy, Dreams, bronze, winner of 2nd prize for sculpture, the Sarah Hair Shearer Memorial Award.

Art Ability @ Bryn Mawr Rehab

Kathy Harris, Double Self Portrait & Winter Bride.  Harris created the portraits from life masks – the double self portrait is from 30 years ago and the Winter Bride is a recent mask.  Kathy told DoN that the younger version is dreaming of the future and the elder shows aging through time, either way she’s beautiful with a wonderful spirit and wicked wit, we had the best time chatting about her career making paintings, ceramic tiles and pipes.

Art Ability @ Bryn Mawr Rehab

Michael Tavani, Winter in Chadds Ford, oil.

Art Ability @ Bryn Mawr Rehab

Jack Beverland, Happy Trails, acrylic & plastic.

Art Ability @ Bryn Mawr Rehab

Clif Anderson, The Last Rose, oil.  Clif told DoN this was literally the last rose in his garden last November.

Art Ability @ Bryn Mawr Rehab

Beverly Strohecker-Yablin, Favorite Teacup, oil.

Art Ability @ Bryn Mawr Rehab

David Gerbstadt is one of the famous Philadelphia Dumpster Divers, his mixed media paintings are super-pop, perfect for a hipster’s pad or austere modern interior.  DoN was recently in the Dumpster Diver gallery on South Street and a patron bought 27 of his $1.00 drawings as Christmas gifts.

Art Ability @ Bryn Mawr Rehab

Marilyn Lavins, 40th Anniversary 1969-2009, Moon Landing, collage.

Art Ability @ Bryn Mawr Rehab

Photography by Jim Knisley @ Art Ability.

Art Ability @ Bryn Mawr Rehab

Gregory Gans, Spirit Over Waters, photograph, winner 3rd Prize for photography, The Denise Fraunfelter Memorial Award.

Art Ability @ Bryn Mawr Rehab

Photography @ Art Ability Exhibit in Bryn Mawr Rehab.

Art Ability @ Bryn Mawr Rehab

Gregory Gans, Forest Cathedral, photograph.  DoN had the opportunity to chat with Greg’s biggest fan, his wife, who offers constant support and encouragement and agrees with DoN that if you don’t have something nice to say don’t say anything.  Gans’ has been a working photographer for 45 years, creating hundreds of images – now many of his photos have Biblical & spiritual references reflecting his faith and strength to battle the epileptic seizures he endures after having a benign brain tumor removed.

The Art Ability show has so much to see it’s impossible for DoN to share it all – Evan Gozali’s brilliant digital Asian style scroll is transcendental, Elizabeth Core’s imaginative large painting, Christine Severson‘s jewelry…the point is that even though the art is all created by artists with disabilities there are no boundaries, no style, no medium that is exempt from an artist with the will to create from painting to drawing, photography to sculpture, fine art to crafts, an artist is an artist even if they have to hold the brush with their mouth, work from a wheelchair, try to hold steady until the tremor passes or struggle to articulate because the words won’t come.

DoN was so happy to see so many red dots indicating sales – 80% goes to the artist and the remainder is used to improve the facilities to aid people who need rehabilitation everything else is provided by volunteers including the wonderful sales team.  DoN had the pleasure of meeting Ellie Pfautz, a volunteer sales rep who absolutely loves Bryn Mawr Rehab since they helped her recover from a brain aneurysm; the two of us marveled at the new Lokomat suite – a robot which helps train muscles & nerves by reminding the body of motor pathways, building new neural networks and strengthening the body without manual manipulation by a technician.  To see a short video clip – click here.

Lokomat Robot @ Bryn Mawr Rehab Hospital

 

 

American Color Print Society – 70th Exhibition

The American Color Print Society is celebrating their 70th anniversary with their 70th member exhibition at The Plastic Club which is coincidentally 70 years old.  The exhibition includes not just color prints (the group came together because many galleries only allowed black and white prints) but many excellent examples of black and white prints.  Like many other art forms, the boundaries have expanded to include mixed media, collage, textile and more.  With works submitted by artists from all over the country this show is a mixture of styles, tastes, techniques and ideas from abstract expressionism to atmospheric naturalism to impressionism to pop incorporating every type of printmaking imaginable.

American Color Print Society - 70th Exhibition

Marlene Grolnic, Ancestral Headgear, collagraph/collage.

American Color Print Society - 70th Exhibition

Elaine B. Rothwell, Poker Cross. 4 plate color etching.

American Color Print Society - 70th Exhibition

Ron Wyffels, Untitled, etching/drypoint/drawing.

American Color Print Society - 70th Exhibition

Carole J. Meyers, Check It Out, monotype.  Meyers explained to DoN how she paints an image on thin plastic sheets with water-based inks then pulls them through a roller to produce her expressionistic prints.

 American Color Print Society - 70th Exhibition

American Color Print Society 70th exhibition @ The Plastic Club on the Avenue of the Artists.

American Color Print Society - 70th Exhibition

Carole J. Meyers, Holding Court, monotype.

American Color Print Society - 70th Exhibition

Thelma Grobes, Acrobat And Horses, etching.

Lois M. Johnson American Color Print Society - 70th Exhibition

Lois M. Johnson, (The Cowgirl in the City), was awarded the lifetime achievement award by The American Color Print Society.  Johnson has taught printmaking at The University of the Arts for 40 years and is preparing to retire.  A native of North Dakota she has made a great impact on the art scene in Philadelphia by helping aspiring print-makers realize their potential.  DoN asked Lois how she reacts to the popular skate-punk esthetic so prominent with today’s youth and she responds that she doesn’t judge but reacts to what is put before her, helping her students improve technique and style, the substance is up to the artist.  The American Color Print Society sponsors a printmaking scholarship for students attending UArts, DoN‘s sure the school is going to miss Lois Johnson’s influence and tenacity.

Lois M. Johnson American Color Print Society - 70th Exhibition

Lois M. Johnson was honored with a solo exhibition in the Board Room of the Plastic Club; Johnson’s prints mix photography, drawing, scribbles and metaphorical references to her western roots and metropolitan style.

American Color Print Society - 70th Exhibition

The American Color Print Society was awarded with a certificate of appreciation from Philadelphia City Council on their 70th anniversary and exhibition.  Congratulations!

The Messenger is Already Dead – CFEVA Gallery @ 1521 Locust St.

CFEVA @ 1521 Locust St Philadelphia

 Katie Murken @ Center for Emerging Visual Artists Gallery.

Katie Murken

Katie Murken’s contribution to The Messenger is Already Dead includes the Brancusi-esque columns and layered photo collages (a great steal-able idea – it took her three years to think it up, you can have it for free!).  The cool thing about Murken’s work is the logical conclusions – like, “duh?” – why didn’t DoN think of that; a great meme is hard to find, impossible to control.  In the corner are Scott Pellnat‘s “Land of Horror’s 1 – 4, wax and Barbie dolls”.

 Peter Prusinowski

Peter Prusinowski is a master of the dark room, the gelatin silver prints of Fishtown are evocative of the neighborhood’s long established quirkiness and history.  The blacks are rich and deep, the grays iridescent, the framing & lighting excellent so that the narrative readily absorbs into the consciousness with symbols and signs of civilization.

Peter Prusinowski

Peter Prusinowski @ CFEVA’s The Messenger is Dead.  With Peter’s work the medium is the massage.

CFEVA @ 1521 Locust St Philadelphia

Scott Pellnat‘s room-sized installation is fantastically inventive and enthralling; created in his North Jersey back yard, the sprawling construction is a dream scape of shipwrecks, collapsed highways, hidden chambers and fools gold.  Like a nightmare, there is no beginning or end, only feedback and feelings; Scott explained to DoN not all the teeny bookcases were filled with itsy-bitsy books as if the piece was still a work in progress.  To get to the gallery push the black button in the elevator and you will be transported to a world of dreams, nightmares and extraordinary reality.

View a video clip here.

Grow @ Off the Wall/Dirty Frank’s – Salon @ Plastic Club

Grow @ Off the WallNancy Barch, Chained Mail, mixed media @ Grow – Off the Wall Gallery.  The use of disposable materials such as the ceiling tile and old slides reek with hidden meaning and memes.  Slides are so anachronistic and ceiling tiles, even though functional at insulation and sound-proofing, are out of style.  Barch’s piece sends obtuse mixed messages stimulating social consciousness neurons to fire in the brain.

Grow @ Off the Wall

 Grow @ Off the Wall Gallery in Dirty Frank’s Bar.

Grow @ Off the Wall

Alisa Fox, Jars, mixed media.

One of the cool things @ Off the Wall is the corner display case where more delicate constructions can be installed.  The team of Jody and Togo extend much effort in branding, soliciting, promoting and selling art from publicity to art cards and posters to installation, the production is always top notch. Off the Wall has hosted hundreds of local aspiring and established artists in their thoughtful exhibitions.

Karl Olsen @ Grow

Karl Olsen, Free Compost, mixed media including ingredients from mustard to absinthe.

Grow is on display through August 7th and includes work by 30 artists including members of the Plastic Club, Photographic Society of Philadelphia and other regional arts groups.  Frank’s has been an outpost for many Plastic Club members and recently Anders Hansen hosted a Salon at The Plastic Club to discuss the Grow show.  In branding the show, curator Jody Sweitzer and manager Togo Travalia, put a new spin on the current “green” trend with a focus on recycled materials and ideas.

Karl Olsen used phylo dough, Julia Fisichella‘s amazing photoshop collages are inspired, Ed Snyder’s floral photograph exquisitely illuminated the concept with an image pinched from nature, Veronica Schmude‘s moody interior photograph is brimming with stolen narrative (Veronica is the guest speaker at this Tuesday’s PSoP lecture series at The Plastic Club).  The Salon was lively: Shoshanna Aron (just back from Israel) pointed out how being “green” is a new concept – that the old paradigm was consumerism, Bob Bohne introduced the topic of the healing power of art and the importance of community outreach, Alan Clawens highlighted how artists resist creating new work for a theme show and try to squeeze old works into new parameters, DoN mentioned bricolage and Burnell Yow!s amazing show at Smile.  The group sipped wine and chatted until sunset and the party moved to Frank’s.  The discussion helped DoN realize that thinking outside the box isn’t always the best approach – sometimes all you need is the box.

Joroko & Yow! – Intuitive Bricolage @ Smile Gallery

Burnell Yow! Dolls of the Apocalypse

 

Burnell Yow! Dolls of the Apocalypse

Burnell Yow!, “Dolls of the Apocalypse“, Smile Gallery.

Burnell Yow! Dolls of the Apocalypse

Burnell Yow!, “Mummy Barbie“.

Exquisite Corpse

B. Yow!, L. Parkes, D. Walters, “Exquisite Corpse #33“, giclee print, 20″ x 16”

Joroko

Joroko,”March On“, mixed media.

Joroko

Joroko, “Subtext“, mixed media.

Bricolage, pronounced /ˌbriːkoʊˈlɑːʒ/, /ˌbrɪkoʊˈlɑːʒ/ is a term used in several disciplines, among them the visual arts and literature, to refer to the construction or creation of a work from a diverse range of things which happen to be available, or a work created by such a process. The term is borrowed from the French word bricolage, from the verb bricoler – the core meaning in French being, “fiddle, tinker” and, by extension, “make creative and resourceful use of whatever materials are to hand (regardless of their original purpose).”

A person who engages in bricolage is a bricoleur.

Thank you Wikipedia!

Burnell’s dolls are totemic, shamanistic, zen-like, beatific, clever, ironic, dystopian creations repurposing objet trouve and doll parts.  The digital “exquisite corpse” prints are a great stealable idea – so po-mo.

Joroko‘s goth skeletons populating bombed out surfaces, dancing and cavorting with stars, stripes, crosses and words perfectly counterpoints the odd dolls – somehow the energy of the room becomes a bad boy’s fantasy world of stealing your sister’s dolls and ripping the heads off and drawing war scenes with explosions, craters and bodies.  Dr. Deb Miller curated the show – deep.