Art Ability at Bryn Mawr Rehab Hospital will be participating as a host gallery stop along the tour route for the annual Chester County Open Studio Tour! Guests are invited to view and purchase works by four local “pop-up studio” artists, as well as shop our Art Ability consignment collection. We will be featuring artists Linda Killingsworth, Emily McGuigan, Kathryn Noska and Meg Quinlisk. Collection tours are also available.
There are 143 artists and 63 studios participating on the tour this year. We have partnered with businesses and other supporters of the arts in the community to offer a variety of ways to see and collect art.
It is not an exclusive club and there are no membership fees or dues. Just come out and enjoy our one weekend of open studios.
Plan your day and get out early to ensure you have art on your walls by Monday!
Philadelphia native, John Singletary, is a fine art photographer and multimedia artist. His educational training includes both Drexel University and a BFA in Photography from The University of the Arts, Philadelphia, PA. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and The James Oliver Gallery. As well, his work is represented in the permanent collections of the Philadelphia Museum of Art, The Center for Fine Art Photography and The Haverford College Archives.
Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art OLED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired composition. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg.
While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.
In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to move forward seamlessly into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and through his exacting print work, the fantasticality in Anahata becomes very real.
May 3, 5-9 pm: First Friday Opening Sun, May 19, 2-4 pm: Art & writing workshop led by the artist Wed, May 29, 6-8 pm: Closing Reception/Poetry Reading
All events are free and open to the public.
Let it blossom in its time Let it unfold of its own accord Slowly gently imperceptibly Like that rare orchid you spoke of, Mom It’s multiplied In my window in the light of my window protected by the pine and nestled in peace Brand new bold stems have come It’s you. I made it, Mom. I made it through the grief. I’m happy now. I’m living again. Changed and sustained by your life and death I love you. You fell into my soil like the leaves from the trees Bountifully nourishing my essence I grow, strong, deep, solid I can touch the sky I touch the sky indeed. You smile. Ever my encourager, now you are my guide, my holy being. Remember how we said as you were leaving this earth: “I place myself in the hands of holy beings.” I do that now, while still on earth. Thank you. Always. That line that stretches back Before time And forever That’s where I meet you
Exhibition Dates: April 26 – May 18, 2019 Opening Reception: April 26, 2019 5:30 – 10pm
Paradigm Gallery + Studio is pleased to present pa•per, a group exhibition of paper works curated by Paradigm co-founder Jason Chen, opening on April 26, 2019 and remaining on view through May 18, 2019.
There will be a public opening reception on April 26th from 5:30 – 10pm. Though paper is often thought of as craft material, Chen’s exhibition, pa•per, tries to re-contextualize the medium by showcasing 15 artists who use nontraditional techniques to elevate it.
Included in the exhibition is Baltimore-based Rosa Leff, who is a member of The Guild of American Papercutters. Two of Leff’s pieces in pa•per, Dinner’s On Me and Sorry Not Sorry, incorporate traditional imagery that you might find on fine china plates. All of her work is cut by hand from a single sheet of paper.
While the exhibition does not range in medium, it ranges in technique. From surgical X-Acto blade cuts to minimal collage to Sally Hewitt’s series of paper reliefs, paper is transformed by technique and treatment. India-based Nayan and Vaishali’s ongoing project, 730 Days of Miniature, poses a creative challenge on the seemingly limited nature of the material. Each day, they spend four to six hours meticulously creating miniature paper bird artworks. Each one is colored and cut by hand, and layered to create a “2.5 dimensional” piece. These works and the show itself treats paper not as a background or foundation for artworks, but as a transformable material.
Jason Chen specifically chose artists who have not been featured ever before at Paradigm. Artists participating in pa•per include: Kanako Abe, Daria Aksenova, Joey Bates, Albert Chamillard, Colette Fu, Lizzie Gill, Sally Hewett, Danielle Krysa, Rosa Leff, Huntz Liu, Ryan Sarah Murphy, Marianne R. Petit, Lucha Rodríguez, and Nayan and Vaishali. The gallery is known for working with established and emerging paper artists, but pa•per’s lineup is fresh and unexpected.
pa•per is curated around art that is pushed beyond its practical applications into the world of fine art. The capacity of paper as a medium, rather than a surface to paint or draw on, highlights its potential of exceeding expectations.
Paradigm Gallery + Studio Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
HOUSEGallery April First Friday opening reception :
Autumn Wallace : How could I say no to you?
Autumn Wallace uses her artwork as a means to address social change. Illustrating individuals as large, curvy beings with slightly distorted features, she aims to encourage viewers to see beauty within the ‘imperfect’. Most recently, Ms. Wallace received a Creative Arts, Research and Scholarship Grant to study at the National Museum of African Art and National Museum of African American History and Culture in Washington, D.C. Titled “The Origins of Respect[ability],” her research paper focused on themes of queerness and femininity, specifically within the Black community.
We invite you join us for Autumns reception on April 5th.
Would a No by any other name smell as sweet?
Shut-out, Shut-In, or Shut-Up? That big, hard wall sprung by dismissal creates so many wonderful possibilities! Where, oh where will that sharp left turn bring you? Before you Google what tools you need to split a second for that decision, be aware that in April at HOUSEGallery, Autumn will use experimental thought exercises assisted by paint and clay to lead a guided exploration of the prospects at How Could I Say ‘No’ to You?Come discover your ways here.
About Autumn Wallace
To Autumn Wallace, Faux-Pas is a destination island where anything is possible. On this island [floated in a small undisclosed Philadelphia enclave], Autumn blends daily life with their borderline obsessions. Prominent features of the island’s attractions include 90’s cartoons, Baroque aesthetics, and ‘Adult Materials’ arranged in painting and sculptures, stirring up narratives of chaotic [con]fusion. Why? Eluding reason boosts emotional response, makes viewers voyeurs, or participants–no bystanders. Here, absurdity is the moderator and we’re all in for the ride. www.autumnwallaceart.wordpress.com/www.instagram.com/veggiemon/
HOURS by appointment
Location HOUSEGallery1816 Frankford Ave, Philadelphia, PA 19125
Thank you to Michelle Marcuse for the content of this post.
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