Tag Archives: Photography

Twentysix Wawa Stores

Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage

Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage 1901b Washington Ave, Philadelphia, PA. Sept 29, 5pm – 9pm. Curated by Rebeca Martell and Devin Cohen.

Shoutflower Four Poetry reading event happening featuring: Heather Houde Samantha, PiousJohn Pinto,Myene Yanu and more.

Eric Weeks is an artist using photography and video, a curator, and Chair of the Photography & Video Department at the Pennsylvania College of Art and Design in Lancaster, Pennsylvania, USA. He has exhibited his photographs and short films nationally and internationally, including in Australia, China, Egypt, France, Germany, Italy, Morocco, Singapore, South Korea, Spain and the United States. His work is in the permanent collections of the Los Angeles County Museum of Art, The Art Institute of Chicago, Museum of Contemporary Photography, Maison Européene de la Photographie, Bibliothèque Nationale, Yale University Art Gallery and the Sir Elton John Collection, among others. He is the author of two monographs, World Was in the Face of the Beloved and A Rose By Any Other Name. Portfolios have appeared in FotoNostrum, Dodho, Zoom, Photo +, Fahrenheit and Dear Dave. Awards include a City Corps Artist Grant from the New York Foundation for the Arts; an Individual Creative Artist Fellowship Grant from the Pennsylvania Council on the Arts; Open Call Winner, Art Speaks Out, ikonoTV, Berlin; Finalist, Black Maria Film Festival, Jersey City; and Semi-Finalist, G2 Green Earth Film Festival, Los Angeles. Weeks received a MFA from Yale University, and a BFA from the School of Visual Arts. His work is represented by Galerie Catherine & André Hug in Paris.

Twentysix Wawa Stores examines the Pennsylvania-based convenience store and gas purveyor Wawa. Wawa means wild goose in the indigenous American language of the Ojibwe. The Wawa business started in 1902 as a dairy farm located in Wawa, Pennsylvania, an area first named as such by land owner Edward Worth. The film, photo exhibition, and discussion follows the Lincoln Highway, starting in Lancaster, Pennsylvania and culminating at the farthest north Wawa store in Elizabeth, New Jersey.Made in reference to Edward Ruscha’s Twentysix Gasoline Stations, Twentysix Wawa Stores unobtrusively observes the phenomenon of automobile culture in America in the 2020’s.

**Philiput presents:**
**Twentysix Wawa Stores – Eric Weeks**
**Photographic Exhibition, Book and Film : Poetic Finissage**
**1901b Washington Ave, Philadelphia, PA**

Thank you to Devon Cohen for the content of this post.

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John Singletary – Through Lines/Fault Lines

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John Singletary – Through Lines/Fault Lines

The Gallery at Penn College (a Penn State Affiliate)

Room 303, The Madigan Library, 1 College Ave., Williamsport, PA, 17701

On View Until March 23rd, 2023

Closing Reception and Artist Talk

Wednesday, March 22nd, 4:00-7:00 PM

Press Contact:

Cindy Davis Meixel

Writer/Photo Editor

T 570-320-2400; x 7134

E cmeixel@pct.edu

Exhibition Hours:

Tuesday – Thursday: 2:00 PM – 8:00 PM

Friday: 10:00 AM – 8:00 PM

Sunday: 1:00 PM – 5:00 PM

Transcending the limitations of the photographic medium, John Singletary creates multidisciplinary installation experiences. His work graces The Gallery at Penn College through March 22. Singletary’s Through Lines/Fault Lines is the first exhibition of multimedia work on screens in the gallery’s history. Located on the third floor of The Madigan Library at Pennsylvania College of Technology, the gallery is in its 17^th season.

The exhibition includes two installations: Traces and Anahata.

“John’s new series, Traces, was created specifically for his solo exhibition in The Gallery at Penn College,” said Penny Griffin Lutz, gallery director. “Visitors will be immersed in an audiovisual experience that explores culture, beliefs and the human connection.”

Traces uses video, digital and stop-motion animation, historical footage, and audio. “Anahata” is photography-based and presented as an immersive installation on organic LED electronic canvases.

A photographer and multimedia artist based in Philadelphia, Singletary received a Bachelor of Fine Arts in photography from The University of the Arts. His work has been collected by the Philadelphia Museum of Art and The Center for Fine Art Photography, as well as other institutional and private collections.

The artist says the imagery and vignettes in Traces, an ongoing multimedia work, depict “the extraordinary light and darkness in the human condition and life events such as the genesis of our existence and the purpose we serve to each other and ourselves.”

The audio component of the installation consists of a series of anonymously conducted interviews with a range of participants. The perspectives highlighted reveal the universality and individuality of values, the intersectionality of symbolism across cultures and lineages, and the perpetual cycles of life.

“Surveying the myriad and disjointed experiences that make up a life, ‘Traces’ explores the way we construct our internal narratives and create meaning from experience,” Singletary said.

Anahata explores human relationships and their connection to the divine. Choreographed movement was captured with an open-spectrum camera in a purpose-built, ultraviolet light studio where dancers performed in handcrafted costumes. The resulting dreamlike images are steeped in archetypal symbolism, mythology and mysticism.

A long-term collaboration between the artist and dancers, costume designers, makeup artists, choreographers and other artists, Anahata unveils a “frenetic tribe” that feels of another place and time.

The Gallery at Penn College is open 2 to 8 p.m. Tuesdays, Wednesdays and Thursdays; 10 a.m. to 4 p.m. Fridays; and 1 to 5 p.m. Sundays. (The gallery is closed on Mondays and Saturdays and will also be closed March 5-12 during Spring Break.)

Thank you to John Singletary for the content of this post.

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REBECA MARTELL – NIGHT IS THE NEW DAY

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REBECA MARTELL – NIGHT IS THE NEW DAY

Where will we go after the last borders?

Where will the birds fly after the last darling?

Where will the plants sleep after the last wind?

We’ll write our names with steam dyed crimson, we will cut the hand to the edge so that our meat completes it.

Here we will die.

Here, in the last passage.

Here or there… our blood will plant its olive trees.

Mahmoud Darwish

In the black and white photographic series Night is the New Day, Rebeca Martell evokes the recognition of the strangeness that she experiences looking at in exile. Between surprise and nostalgia, Martell moves towards the redefinition of herself, cautiously exploring the places she sees and the people who inhabit them. With a foreign lens, looks for the moment that sublimates the experience of herself, that captivates the feeling of being in the dark leaving behind the memories of the tropic, like running away from a bad dream.

Martell’s camera is the vehicle that intervenes between her gaze and the other; where the faces are not recognized, where the blur in the images is the metaphor of the distance between the self and the beings that inhabit reality. Martell utilizes the absence of light to blur the very act of looking. Martell’s work not only sublimates emotions but is also a lonely walk; the cold and silence, the memories that inhabit the memory.

The images of Night is the New Day are an evocation of what the darkness hides from the eye, what cannot be perceived by the naked eye, the ghost of the absent light during the winter that only leaves in its wake a few shades. Rebeca Martell makes use of photography to portray her days of winter in Sweden while, at the same time offers us a testimonial of a look that becomes raw, powerless and unprotected against others and before her own process of self-recognition. She portrays the moment where the connection between the gaze and the soul is created, right there where it appears what cannot be shown with the naked eye, where she reaches the image from the furthest part of the unconscious.

Liliana Marcos Lozano, 2022

Rebeca Martell bio:
Rebeca Martell, an independent photographer, trained at UNAM, Centro de la Imagen, Jumex Collection, Philadelphia Photo Arts, Rufino Tamayo Museum, Alameda Art Laboratory, and Photoespaña.

Her work has been exhibited at the Museum of Contemporary Art of Oaxaca, the Barnes Foundation, X-Teresa Arte Actual, the Sebastián Foundation, Brukenthal National Museum of Contemporary Art in Romania, Philadelphia Photo Arts, and the National Auditorium; as well as in the Mexican embassy in Spain, Belgium, Lithuania, Hungary, Greece, Holland, France, San Pedro Museum of Art, and in the Juan C. Méndez PhotoMuseum, as well as having been a winner at the eighth State Meeting of Contemporary Art in Puebla, Mexico.

Philiput presents: Rebeca Martell – Night is the New Day photographic art by Rebeca Martell, curated by Devin Cohen, curatorial text by Liliana Marcos Lozano

event photos by Devin Cohen

Kuerners

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Dear Artists,
I am so happy to announce that we plan to resume programs at Kuerner Farm beginning in July with a few minor changes made to ensure everyone’s safety. Plein air and photography opportunities will begin this summer, and classes with Karl J. Kuerner will resume in mid-September. Please see links below for information and to register.

“Evening at Kuerners” Plein Air

Kuerner Farm Photography Evening

Friday, September 25, 3:30-7:00 p.m.

Kuerner Farm Plein Air Days

Drawing & Painting with Karl J. Kuerner

As always, please feel free to contact me with any questions.

Laura Westmoreland

Associate Educator

Adult & Community Programs

Pronouns: she/her/hers

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DoNArTNeWs – celebrating twelve years reporting on Philadelphia artists and art.

Bit

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*Alaska Reimagined*, Erica Harney, A Bit of the Arts

Dear Friends, Neighbors and Art Lovers, If you’re staying local for the holiday weekend, I’d like to invite you to

A BIT OF THE ARTS: HOLIDAY ART SALE

Friday, November 29th from 4:00 – 8:00, Saturday, November 30th from 10:00 – 4:00.
*Free Admission*

Live Music* Food* Pottery* Jewelry* Photography* Paper Arts* Fibers* Painting* Printmaking and More! Twentieth Century Club.

Twentieth Century Club 84 South Lansdowne Avenue, Lansdowne, PA 19050. In the heart of beautiful, historic Lansdowne, the Twentieth Century Club awaits you and your guests in a gracious, one hundred year old, arts and crafts style building.

Please note – Lansdowne is in Upper Darby/West Philly. NOT Lansdale, which is in Montgomery County. Easy mistake to make! I will be there with my watercolors and other small, framed pieces! For more information visit the event page.

Can’t make it in real life? Check out my Etsy Shop! Free shipping and gift-wrapping within the continental US :)Hope to see you there. Either way, have a lovely holiday!