Category Archives: Art in Philadelphia

Art in Philadelphia

Philadelphia Open Studio Tours 2011, The Perspective from Haus of DoN

Philadelphia Open Studio Tours 2011, Perspective from the Haus of DoN

Haus of DoN, Philadelphia Open Studio Tours 2011

 

Philadelphia Open Studio Tours is the best value in artist public relations available to artists looking to promote their public image in the Philadelphia region.  In it’s twelfth year, the city wide art event has artists of all stripes opening their studios to the public – no kidding, a public art event of regional scope with many of the town’s top artists welcoming visitors into their think tanks.   The event is imbued with freedom, sharing, transparency, creativity and cooperation along with healthy American spirited competition.  The open-ness of Philadelphia Open Studio Tours is the coolest part; visitors experience environments that normally are private spaces where artists create and folks are not just allowed but encouraged to go behind the scenes. DoN’s claim that POST is the best value from a PR perspective is based on a cost/benefit analysis and target audience response.

 

POST offered a substantial early entry discount for artists, providing entrants with an artist profile web page with links on their comprehensive web site, listing in the information packed tour book with maps of every corner of the city inhabited by artists, a city and region wide advertising campaign, with banners, posters and art cards strategically supplied to almost 100 locations likely to attract interest to the appropriate demographic as well as special events, venues and workshops for artists whose studio is far off the beaten path.  POST's goal was to get the right materials into the hands of art tourists likely to use them in a real way.  Every visitor to Haus of DoN held a curled back copy of the glossy catalog with their itinerary planned out to cover the neighborhood they had chosen to explore.  Each participating artist is provided with posters, art cards, catalogs and red balloons to promote their studio; the red balloons are a simple, effective signal to art crawlers that they’re heading in the right direction.

 

DoN's decision to pay the $45 entry fee back in early Spring brought many dedicated friends and art enthusiasts to the Haus of DoN, South of South Street, a mostly residential area not near many commercial businesses.  The event pushed DoN to re-organize and display the wide array of interests he explores as part of his multimedia empire.  DoN had to spend no other money to promote the event instead advertising through FaceBook and DoNArTNeWs; no new art card this year, even though post cards are cheap to print and fun to design, mailing is costly and impact difficult to track.  DoN has had art cards returned by the Post Office months after the event was over.   DoN promoted the annual art crawl event on DoNBrewerMultimedia home page, on DoNBrewerMultimedia YouTube channel,  @DoNNieBeat58 on Twitter and Philly.SideArts.com, all free media outlets that directly targeted people interested in arts and culture.

 

Good advise from Ann Koivunen, director of exhibitions for POST, led DoN to think about what he wanted to present to the public and ponder his goals for the event; DoN decided to put on an art show.  Simply displaying photos, graphics, paintings and drawings in a beautiful, clean, pure way opened an opportunity to engage with visitors about what DoN does, his interests and connections and get his business card into the hands of each visitor.  The result is DoN met and interacted with more than fifty different citizens interested in the arts, including gallery owners, art curators, educators, fellow photographers, new neighbors, old friends and colleagues, he gathered contact information, intercepted  feedback on what people like about his art and experienced an authentic feeling of community for well less than a dollar per head including Candy Corn and Sweetzels  Ginger Snaps. 

 

Philadelphia Open Studio Tours 2011 continues October 15th & 16th, 2011 for studios East of Broad Street.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery

Font Hill Manor, oil on panel, Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Little Boulder Creek, oil on canvas and Hedgerow, oil on panel by Edward Marston.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Pretty Lady, oil on canvas and Boulder Field, oil on panel.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Home Gone, plexiglass and wood.

Edward Marston, Infrastructure @ Twenty-Two Gallery

Edward Marston, Infrastructure @ Twenty-Two Gallery.

Edward Marston explained to DoN why he was so happy about the painting in the window of Gallery Twenty-Two, “Schuylkill Expressway belongs in the window because it belongs in Philadelphia, it’s local. And it shows the freight trains and the Schuylkill Expressway in twilight and it brings home what I feel about that area. “  DoN asked if Marston was intentionally tapping into the market for Philadelphia art or if it was a more personal painting?  “I’ve been coming to Philadelphia since I was a kid, I grew up in the suburbs but it’s been my main destination as far as urban goes. And I think it’s absolutely a lovely city and fascinating architecture and every time I turn around I see something new.  Almost all of the paintings are plein air or draw first plein air and I use drawings as a reference.  None of them are photographic renderings.” 

DoN inquired how Edward Marston feels about being a landscape painter in the 21st Century?  “This is what I do.  They’re landscape paintings but they’re not an idyllic trip to the past.  I think a lot about these paintings and they all comment on the contemporary scene, I’m aware of what I’m doing. When I paint something that’s coming apart, it’s something that maybe shouldn’t be coming apart or it’s a comment on a thing that shouldn’t be.  Old roads, that you wouldn’t know was a road; I recognize them as ancient roads and everything resonates as far as I’m concerned, it’s all today.”

Photographs by DoN.

Prelude Gallery – DoNArTNeWs Interviews Gaby Heit

Prelude Gallery uses QR codes to help patrons learn more, Gaby Heit explains how she’s using them to promote artists.  HD Video, watch in full screen mode

DoNBrewerMultimedia Video

DoNArTNeWs Interview – Ann Koivunen, Philadelphia Open Studio Tours, Top Tips for Artists

Ann Koivunen is the Director of Studio Tours and Exhibitions for Philadelphia Open Studio Tours, one of the top art events of its kind in the USA.  Ann offers great advice on what to do and what not to do to have a successful, fun event.  The clip is nine minutes, so get a cup of coffee and sit a spell, Ann has a wonderful perspective on POST.   DoNBrewerMultimedia is participating in POST 2011, October 1 & 2, 12 – 6:00PM, check the awesome on-line resources for information on neighborhoods and events at the POST website.

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Video by DoNBrewerMultimedia

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

Karen Schechter is a relatively new member of the Photographic Society of Philadelphia but she is enjoying the society debut show at their new permanent showplace, Café Twelve, 212 S 12th St, Philadelphia 19107, in the heart of the Philly’s famous Gayborhood, with great long walls to show art and an inviting casual vibe.  DoN asked Karen how she felt about having a PSoP show? “It’s very nice because it’s the first one I’ve had and I have another one coming up that I’m hanging next week.  One falling on the heels of the other is awesome.”  DoN commented on the style of the collection of photographs in the lounge area of the café, “I work primarily in black and white but do some color, the first half of this show, which isn’t up anymore was more color pieces.  I go from muted color to extremely vibrant.” Karen showed DoN a lovely close-up photograph of a hydrangea flower with its lurid red silkiness and delicate stamen.

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter 

“I used to do everything on film and sadly had to get rid of my dark room a couple years ago as I finally made the complete switch-over to digital; it’s sad but it’s convenient.  I can go though things a lot quicker, I can process things a lot quicker.”  Schlechter is working with Photoshop, the dark room experience gave her a grounded background for using the digital tools.  The collection of gear went to a friend’s daughter studying fine art photography.  “It’s so nice to be able to sit in a coffee shop and go through my photos and go from there.”

Karen Schlechter got involved with PSoP because she was previously a member of the Delaware County Camera Club, which had a different focus towards improvement of skills via competition as to the education bent of the Philly Society.  “I was missing the camaraderie and exchanging ideas.  And it was a wonderful gift from my boyfriend.”

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

Photographic Society of Philadelphia @ Cafe Twelve featuring Karen Schlechter

The Photographic Society of Philadelphia meets Second Tuesdays at Café Twelve; a wide array of photographs by Philadelphia fine art photographers and a solo show by featured photographer Karen Schlechter  is on exhibit with new work being installed every other month.  The evening DoN met Karen was rainy and miserable but sipping coffee and talking about photography with friends is worth wet feet.

Photos taken with DoN‘s iPhone.