Category Archives: Art in Philadelphia

Art in Philadelphia

12th

RESIST, 12th Annual Juried ShowBrooke Jana, Pussy Hat

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

In a way, RESIST, our 12th Annual Community Juried Show OPENING THIS THURSDAYis a sequel — perhaps an unfortunate one — to last summer’s HOW WOULD YOU SAVE THE WORLD? We do need some saving. Right now.

RESIST, 12th Annual Juried ShowChloe Pinero, Pose

But rather than offer ideas for evolution, the 34 artists of RESIST — 16 of them brand-new to our space — are often more closely attuned to the frequency of revolution. They tap into this energy and harness it to power their creativity.

RESIST, 12th Annual Juried ShowChloe Pinero, Titi’s House

The results just as easily can be ad hominems or odes to courage:

* We see the many faces of the demagogue who needs exposing (not exposure), painted in a JIM BIGLAN lampoon, spliced together in an ALYSE C. BERNSTEIN collage, made into the stuff of children by LANCE PAWLING and JOSH TODD, as well as…
* The heroes of the Resistence, from WOODLEY WHITE‘s recognizable leaders and CHLOÉ PIÑERO‘s resolute fighters to ALONZO TROY HUMPHREY‘s haunting figures and BOB GORCHOV‘s ultimately triumphant angel.

RESIST, 12th Annual Juried ShowChris Vecchio, RESIST #2
But if RESIST were composed merely of perceived good and evil, our show, shackled to this dichotomy, would fail to aspire or inspire. Instead our jury uncovered greater depths.
DAVID R. EVANSON adds four images from his compelling “Strange Fruit” series, which shows racial injustice and resistance in a visual language of his own invention.
BROOKE JANA makes words one of her media, inviting you to spend time inside her intricate constructions.
* Look up to take in HEATHER RAQUEL PHILLIPS and CHIARA NO‘s hangable book, which predicts a banner day for empowerment.
MONK E BURNSWELL dominates the 3D case with a measure of last resort that channels both Duchamp and Cornell.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Incarceration

So can RESIST mean something apolitical? Sure it can. It always has. To wit:
ELIZABETH H. “BETTY” MACDONALD‘s cockroachs, the never-say-die warriors from the insect world,
NOA TRAVALIA‘s tangled web of foods we love…though we know we really shouldn’t, and,
CHRIS VECCHIO‘s carved “ohmage,” which returns resistance to its electrical origins.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Selma

And we’re not halfway through our show. So even after you experience these works in person, you will have plenty more to discover firsthand.

RESIST, 12th Annual Juried ShowBrooke Jana, BANFIRE

And if you choose to purchase art, you will be doing more than speaking out. You will be speaking up for members of our community. 20% OF ALL SALES benefit two urgently needed nonprofit organizations in our own backyard: the WOMEN’S MEDICAL FUND (womensmedicalfund.organd SUNDAY BREAKFAST RESCUE MISSION (sundaybreakfast.org).

RESIST, 12th Annual Juried ShowLance Pawling, All the King’s Horses

Plus, as is always the case with our OPENING RECEPTIONS, there will be light hors d’oeuvres to nibble…your favorite drinks poured by none other than JODY SWEITZER, our host and curator…tunes playing on the juke…and much, much livelier conversation offline. In addition, a handful of our artists will be singled out with JURY CITATIONS, which we will announce at the Opening, roughly an hour into our party. And don’t pay too close attention to the end time; we’re sure to keep going well past 10:00.

HARD TO RESIST, RIGHT?!?

We look forward to seeing you Thursday evening!

Togo

Togo Travalia
Manager

OFF THE WALL GALLERY at Dirty Frank’s

NE Corner, 13th & Pine Streets, Philadelphia, PA  19107

offthewallgallery@gmail.com

(215) 732-5010 (bar)

(484) 357-6440 (cell)

Philly’s pioneering alternative art space, since 1978.

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

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Resist

RESIST, Off the Wall Gallery

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

“I’m pleased to announce that Off the Wall Gallery and our jury have decided to donate a portion of the commission (not your proceeds!) of each sale to support two underfunded nonprofit organizations serving our immediate community:

WOMEN’S MEDICAL FUND (formerly the Greater Philadelphia Women’s Medical Fund)

http://www.womensmedicalfund.org

and

SUNDAY BREAKFAST RESCUE MISSION

http://www.sundaybreakfast.org

While not all of our art is politically motivated, once our show is up the call for social justice and voices against the current administration will be clear. What better way to back up our creative ideas and outspoken voices than the ensure we are expanding the safety net just a little and helping support more neighbors in need?!” – Togo Travalia

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

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Progression

Paula Cahill, Progressions

“Progression” New Works by Paula Cahill

Crane Arts Building, through May 26th

In “Progression” we see Paula Cahill return to her “Calligraphy Series” with a playful eye on twenty-first century color, movement, and metaphor. Compositions, often created with one continuous line, meander, change color, move forward, backward, and sometimes off the page. Cahill describes her paintings as a metaphor for progress, a process integral to civilization. The painting experience is immersive for this artist and she wishes her viewers their own moments of immersion and contemplation as they move through the composition.

“Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of form and creating a written record, I form the catalysts for my paintings.  Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning.  Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.” Paula Cahill Artist Statement

Hours: Wednesday through Saturday, Noon to 6:00 or by contacting

paulacahill2010@gmail.com for a private appointment.

Second Thursday Reception: May 11th, 6:00 – 9:00pm

Crane Arts Building, 1400 N. American Street, Philadelphia, PA 19122-3803

paulacahill.com

Crane Arts Building Mission:

  • Creating a unique community that encourages and supports artistic production by both emerging and established artists.
  • Assisting the development and growth of Philadelphia’s creative resources, assets, and potential.
  • Creating a unique location for certain creativity-based businesses to thrive alongside the vibrant, Crane Arts community.
  • Providing unique space for the visual and performing arts to showcase events on a local, regional, and national scale.

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Assembled

Philadelphia AssembledCity is Stage for Philadelphia Assembled

April through December 2017

Beginning in late April, a project entitled Philadelphia Assembled will manifest in a series of activities and actions throughout the city to illuminate and amplify a broad set of hopes, visions, and questions about Philadelphia’s future. Initiated by artist Jeanne van Heeswijk, working alongside an extensive network of collaborators—among them artists, writers, builders, storytellers, gardeners, healers, and activists—Philadelphia Assembled aims to shape a collective narrative about our city and some of the most urgent issues it faces at a time of heightened transformation. Deeply integrated into the fabric of the Museum, the project also questions the place of this institution in the midst of this change.

Philadelphia Assembled

Following this spring season of city-wide programs, the project will culminate in an exhibition opening in September at the Philadelphia Museum of Art. This participatory installation, September 10 through December 10, 2017, will transform the Perelman Building’s ground floor galleries, café, and store into spaces that will celebrate the people, sights, sounds, and tastes of a resilient city’s multi-faceted identity. Admission will be Pay What You Wish.

Evocatively referred to as “atmospheres of democracy”, Philadelphia Assembled addresses a number of issues that are central to the future the city by focusing on key themes such as reconstructions—how we deal with questions of social displacement and reentry into society; sovereignty—how we define self-determination and autonomy; sanctuary—how we understand self-care, asylum, and refuge; futures—how to re-imagine our tomorrow; and movement—how we facilitate action and collective learning.

Philadelphia Assembled

Van Heeswijk’s work, which is often described as social practice or socially engaged art, combines art and activism. In this spirit, the project brings together voices of those who care about the changing landscape of Philadelphia and who, in life and work, seek to champion and secure a prosperous and equitable future for all of its citizens.

Timothy Rub, The George D. Widener Director and CEO, stated, “Some of the most interesting work being done by artists today straddles the boundary between art and life.  In 2013, we invited the Dutch artist Jeanne van Heeswijk to consider what an artist might do in engaging Philadelphia’s many neighborhoods and diverse communities. What began as a conversation has grown, and it has been fascinating—and rewarding—to watch Philadelphia Assembled take on a life of its own. We are looking forward to the moment when our galleries are appropriated to become a stage for the city itself. It promises to be exciting and full of surprises and presents an opportunity to consider how we might define the roles and responsibilities that the Philadelphia Museum of Art can play as a civic institution in a changing city in the 21st century.”

Denise Valentine, a collaborator and Philadelphia storyteller, reflected on this process: “We intend to re-imagine the Philadelphia Museum of Art as a place to unearth stories hidden deep in the soil of Philadelphia. We envision a place where narratives of the enslaved, the incarcerated, the displaced, and the disenfranchised are held in as high esteem as Eurocentric ideas about art, history, and culture.”

Philadelphia Assembled

The project’s five “atmospheres” are described below:

Reconstructions

This atmosphere will assemble personal and collective narratives of mass incarceration and gentrification. Its first site, in the Nicetown/Tioga neighborhood, will be realized in close collaboration with Reconstructions, Inc. and the Alumni Ex Offenders Association. This group will offer programs exploring concepts of home, healing and trauma in relationship to imprisonment and reentry, including a teach-in and a neighborhood-wide procession. At a second site, in South Kensington/Olde Kensington, collaborators are examining the impact of gentrification and displacement, working with the Women’s Community Revitalization Project and Healthy Rowhouse Project to re-imagine a community garden at 4th and Master Streets as a dynamic space for discussion.

Philadelphia Assembled

Sovereignty

Exploring the concepts of self-determination and autonomy, this working group is addressing land sovereignty and cooperative forms of commerce and cultural exchange. Philadelphia Assembled will create a “sovereignty room” at the African Cultural Art Forum on 52nd Street, which will serve as a dedicated space in West Philadelphia for creating unity and cultivating economic sovereignty. Established in 1969, ACAF is a community-based organization that manufactures and sells products by entrepreneurs throughout the African diaspora. In the “sovereignty room” ACAF will host skill trainings and exchanges in preparation for a large public “Sovereignty Marketplace” in June. The second site is envisioned as a network of four urban gardens located in North Philadelphia. Programming and installations across these gardens will inform the ways in which plants, seeds, and land reinforce people’s connection to ancestry and serve as vehicles for nourishment, healing, and future growth. Urban gardens involved include Urban Creators, Norris Square Neighborhood Project Gardens, Fair Hill Burial Grounds, and Stretch and Fly Youth Business Garden.

Philadelphia Assembled

Futures

The Futures atmosphere is drawing from anti-colonial ideas to model different ways of exploring the future and community building. The Futures site is an active mobile project, called the Mobile Futures Institute, which involves retro-fitting a small bus into a flexible work space that will travel throughout the city, engaging in neighborhood-based programs on issues ranging from decolonization, to environmental racism, to economic justice. Collaborators are working with community members and organizations to produce events and happenings via the Mobile Futures Institute. Current partners include the Center for Returning Citizens, Black Quantum Futurism, Friends Center, Granny Peace Brigade Philadelphia, Norris Square Community Alliance, Mighty Writers, and the Indigenous Peoples Day Movement, among others.

Philadelphia Assembled

Sanctuary

This group has proposed a combination of sites that will explore various models of self-care, asylum, and refuge. The larger site will be realized at a central location in Center City. The site structure is a geodesic dome inspired by temporary housing units for refugees in Europe. The space will be open for a month of summer programs, offering a layered definition of sanctuary through storytelling, advocacy, and direct action. In the months leading up to the fixed site, a portable site will host a series of activities working with identified partner organizations to address the provision of LBGTQ safe spaces, issues of immigration and migration, and harm reduction relating to drug use and sex work. Partner organizations include the Attic Youth Center, New Sanctuary Movement, Prevention Point Philadelphia, and Project Safe.

Philadelphia Assembled

Movement

The final atmosphere is one in which the various Philadelphia Assembled working groups intersect. This group is focused on the project’s production, dissemination, and communication, which is manifesting in audio recordings, a dedicated film series, project-specific graphics, an interactive web platform, and site-specific publications. Another component of the Movement atmosphere is the Youth Dream Trust, which will serve as a coalition of youth across the working groups in partnership with the Village of Arts and Humanities. Working closely with Philadelphia-based collective Amber Art and Design, the group will also orchestrate the performative movement of public sites to the Museum. Carrying objects, ideas, and conversations across the city streets, this public movement will culminate in a communal presentation along the ground floor of the Perelman Building, becoming a civic stage where the city is performed.

For Jeanne van Heeswijk, Philadelphia Assembled is a forward-moving process in which she is one among many participants imagining the city’s futures together. She stated: “My work is trying to get to the essence of aesthetics, to understand it as an engaged, inclusive, and proactive practice. This type of work is about using imagination to better understand how we live together. Rising, claiming, rooting, caring, moving – this is how we build a collective exercise of care.”

Philadelphia Assembled

Members of the public are invited to join the conversation and engage with collaborators by visiting the Philadelphia Assembled website and sharing their experiences via #phlassembled @phlassembled @philamuseum.

Program Events

For a full list of public programs and locations, please visit the dedicated website at phlassembled.net. All Philadelphia Assembled programs are free to the public unless noted otherwise.

Philadelphia Assembled

About Jeanne Van Heeswijk

Jeanne van Heeswijk is an artist who facilitates the creation of dynamic and diversified public spaces in order to “radicalize the local.” Her community-embedded projects question art’s autonomy by combining performative actions, discussions, and other forms of organizing and pedagogy in order to work alongside communities to take control of their own futures. Van Heeswijk’s work has been featured in publications and exhibitions worldwide, including the Liverpool, Shanghai, and Venice biennials. Accolades include the receipt of the 2011 Leonore Annenberg Prize for Art and Social Change, the 2012 Curry Stone Prize for Social Design Pioneers, and the 2014 inaugural Keith Haring Fellowship in Art and Activism at the Center for Curatorial Studies and Human Rights Project at Bard College. She lives and works in Rotterdam and Philadelphia.

Philadelphia Assembled

About Social Practice
Social Practice is an art medium that focuses on participation and collaboration with individuals, communities, and institutions in the collective creation of a temporary or permanent community. The process involves careful listening, thoughtful conversation, and community organizing. This is also referred to as socially engaged art, social justice art, community art and new genre public art.

Sponsors

Philadelphia Assembled is made possible by the William Penn Foundation, The Pew Center for Arts & Heritage, Wyncote Foundation, Nancy M. Berman and Alan Bloch, Lynne and Harold Honickman, Mr. and Mrs. Milton S. Schneider, Constance and Sankey Williams, the Mondriaan Fund, and The Netherland-America Foundation.

Philadelphia Assembled

Collaborators

Philadelphia Assembled is initiated by artist Jeanne van Heeswijk and organized with Carlos Basualdo, The Keith L. and Katherine Sachs Senior Curator of Contemporary Art; Amanda Sroka, Assistant Curator of Contemporary Art; Phoebe Bachman, Project Coordinator; and Sheldon Abba, Project Site Manager. Core collaborators include: Amber Art and Design, artist collective; Yana Balson, Associate Director of Exhibition Planning, Philadelphia Museum of Art; Kirtrina Baxter, community organizer and activist grower; Pascale Boucicaut, culinary artist and organizer; Maurits de Bruijn, graphic designer and web developer; Counter Narrative Society (CNS); Helen Cunningham, educator and conflict mediator; Gretchen Dykstra, Senior Marketing Editor, Philadelphia Museum of Art; Morgan Gengo, Marketing and Audience Development Manager, Philadelphia Museum of Art; Shari Hersh, Mural Arts Senior Project Manager and Founder of the Restored Spaces Initiative; Russell Hicks, entrepreneur; in•site collaborative, a research, design, and mapping collective; Nehad Khader, film curator and artist; Jason Killinger, graphic designer; Dianne Loftis, researcher and compiler; Charlotte Lowrey, Project Assistant for the Contemporary Caucus, Philadelphia Museum of Art; Zein Nakhoda, filmmaker; Michael O’Bryan, artist and youth facilitator; People’s Paper Co-op, a collaborative initiative for re-entry; Elisabeth Perez-Luna, journalist and public broadcasting producer; Damon Reaves, Associate Curator of Education, Community Engagement and Access, Philadelphia Museum of Art; Chris Rogers, educator and organizer; Kristin Schwab, community cook and organizer; 75B, design collective; Traction Company, artist collaborative studio; Denise Valentine, storyteller and activist; Phantazia Washington, LGBTQ activist and facilitator; A. M. Weaver, artist and curator; Gee Wesley, artist and curator; Jared Wood, artist; Karina Wratschko, Special Projects Librarian, Philadelphia Museum of Art; and Billy Yalowitz, playwright and community-based performance artist.

Community Partners and Program Hosts

African Cultural Art Forum, Alumni Ex-Offenders Association, The Attic Youth Center, Broad Street Ministry, The Center for Returning Citizens, Coalition for Racial Justice (CoRaJus), Community Futurisms: Time & Memory in North Philly (Community Futures Lab), The Culinary Enterprise Center, Deep Green Philly, The Enterprise Center, Experimental Farm Network, Healthy Rowhouse Project, Historic Fair Hill, Laos in the House, Mighty Writers, MOVE, Mural Arts Philadelphia, New Sanctuary Movement Philadelphia, Norris Square Neighborhood Project, North Central CDC, Philadelphia Area Cooperative Alliance, Philadelphia Association of Community Development Corporations, Philadelphia Coalition for Affordable Communities, Prevention Point Philadelphia, Project SAFE, Reconstruction Inc., Soil Generation, Take Back the Night Philadelphia, Ulises, Urban Creators-Life Do Grow Farm, The Village of Arts and Humanities, W/N W/N, and the Women’s Community Revitalization Project.

Locations

In the City: April – July 2017

Movement to the Museum: July – August 2017

Perelman Building, ground floor: September 10–December 10, 2017

Philadelphia Assembled is a project undertaken in collaboration with stakeholders from across the city and the Philadelphia Museum of Art. The views expressed by individual participants or in materials developed as part of Philadelphia Assembled are representative of the project’s collective conception and production and are not, necessarily, the views of the Museum or any other individual involved.

Social Media
Twitter/Facebook/Instagram/Tumblr/YouTube: @philamuseum @phlassembled

We are Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

For additional information, contact the Communications Department of the Philadelphia Museum of Art phone at 215-684-7860, by fax at 215-235-0050, or by e-mail at pressroom@philamuseum.org.

The Philadelphia Museum of Art is located on the Benjamin Franklin Parkway at 26th Street. For general information, call (215) 763-8100.

Thank you to the Philadelphia Museum of Art for the content of this post.

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Marathon

Drawing Marathon. The Plastic Club

Drawing Marathon, April 23rd, The Plastic Club

Life drawing, portrait drawing and painting, short poses/croquis, still life set-ups, noir lighting, Sunday April 23rd, 10:00am – 10:00pm. $15.00 cash for come and go all day. All proceeds benefit Sunshine Arts, an artist-in-residence outreach program  encouraging neighborhood kids to learn the wonderful worlds of dance. music, literature, and art.

The Plastic Club, 245 S. Camac Street,The Avenue of the Artists, Philadelphia, PA, 19107
215-545-9324

“Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.

The name ” Plastic Club,” suggested by Blanche Dillaye, referred to any work of art unfinished, or in a “plastic” state. The term also refers to the changing and tactile sense of painting and sculpture.

Among the founding members of The Plastic Club were the “Red Rose Girls” — Violet Oakley, Jessie Willcox Smith, and Elizabeth Shippen Green — outstanding artists of their time. The name was given to this group of talented women by their teacher Howard Pyle.”

Sunshine Arts41 Sunshine Road, Upper Darby PA, 19082, 610.352.7968

Ms. Sheila Modglin started Sunshine Arts at 41 Sunshine Road in the summer of 2004. She invited children from the neighborhood to listen to stories as they sat around the fish pond in the front yard. The kids enjoyed helping to water the plants and feed the fish.

Since then the organization has grown significantly. Now, resident artists Mr. Patrick O’Banion, Ms. Kat Lehmer, and Mr. Fen Jeeters teach classes to children of all ages from the community. Classes are scheduled after school during the week and on Saturdays. Regardless of the listed class schedule, children come to Sunshine Arts daily to talk, do crafts or get help with homework. Often, they enjoy Mr. Patrick’s fresh baked bread, homemade soup, cookies, or other wholesome snacks when they visit.

The goal of Sunshine Arts is to enhance the education and personal growth of our future generations. Executive director, Sheila Modglin grew up with a very strong sense of community within her family; “We would do any thing for each other. I want to share the sense of community that I have in my life with all the beautiful people right here surrounding this home. The house itself is a manifestation of living art and was accomplished through hard work from my generous and creative family and friends.”

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