Darla Jackson vs. Anne Canfield @ the Center for Emerging Visual Artists is just that a bare knuckled cage-fight between two contemporary Philly artists, a grrl-fight for attention, a battle of wits and inventiveness, like a schoolyard brawl with each girl trying to rip out the others pierced earrings. In one corner is Anne Canfield throwing punches with quirky drawings and mythological paintings and in the other corner is Darla Jackson doing body slams with bold black graphic sculpture.
Anne Canfield tells DoN that her imagery is born of anxiety, the Cat is safe but could turn on you. Anne has developed her own visual language relying on memory and is not true to nature, thats not what shes going for her mark-making is assured and brushwork amusing, like reading a favorite book. The small cat is sometimes writ large in Canfields images often with a small girl (perhaps a self portrait), each staring at the other as if they were, facing God.
Darla Jackson, known for her sculptures of animals wearing the masks of other animals (say a bunny with a crow face mask), here invites familiar animals to witness the party in the apartment-like gallery. Birds, kitties, bunnies, even a life sized deer inhabit the human dwelling, decked out in festive party hats, making a mess of the place as if they were partying just a little too hard. Jackson goes for the knockout with the deer laying on the floor; life sized and appearing to be solid black metal, the scene is poignant with gallery visitors tiptoeing around the specimen, the deers simple red party hat knocked askew. By anthropomorphizing the animals, Jackson brings the creatures out of hiding making them observers of the strange creatures called humans.
Anne Canfield @ CFEVA.
Anne Canfield with her painting, “The Mermaid and the Tiger Meet Halfway“, oil on linen.
Darla Jackson @ CFEVA.
Party animals @ the CFEVA. Sculpture installation by Darla Jackson.
Darla Jackson @ CFEVA.
The battle continues through February 16th in the Felicity R. (Bebe) Benoliel Gallery.
