Category Archives: The Plastic Club

The Plastic Club New Members 2013

Terrance Smith, The Plastic Club New Members 2013

Terrance Smith, Some Are Dead, charcoal, The Plastic Club New Members 2013

The New Members 2013 ExhibitThe Plastic Club introduces thirty-eight new members – Norman Tomases, Rik Viola, Elizabeth Hughes, Roderick Schichtel, Ellen LoCiceroJohn Attanasio, Lori Balistocky, Gail Morrison – Hall, Sung Ham, Mark Ciocca, Victoria Nevins, Joan McGraneAlice K. Chung, Jordan Artim, Meri Collier, Janice Ward, Cayla Belser, Kelly McCaughern, Alexis Turner, David Katz, Tilda Mann, Rose Maria Kalogerakis, Aimee GoldsmithTerrence Smith, Robert Kallish Robert Allen, Judy Engle, Ruth Formica, Neil C. Johnson, Veronica Kelly, Carol Magakis, Rosa Kim Paik, Frank P. Rausch III, Constance Rea, Ruth E. Rineer, Ed Snyder, Sanny Williams and Sheila Fox.

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Written and Photographed by DoN Brewer.

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Inspirations, Eighth Annual Juried Exhibition at Off the Wall Gallery in Dirty Franks

Inspirations, Eighth Annual Juried Exhibition at Off the Wall Gallery in Dirty Franks

Inspirations, Eighth Annual Juried Exhibition at Off the Wall Gallery in Dirty Franks

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Social Networking Workshop at The Plastic Club Salon

The Plastic Club Salon requested DoN to do a workshop for artists on how to use Social Networking. The workshoptake place Saturday 2/23/13 at 6:30pm. The Plastic Club has purchased a hot spot for internet access so participants can bring a laptop and play along. The cost is $10.00 to cover the cost for internet access.

The session will be interactive, the agenda is broad:

  • Brand Identity: What is your product? Who is your customer? What service or benefit does your product offer? What category is your product? What is your value proposition? Do you have a business card?
  • Photographing Your Artwork: Do you have a digital camera? Do you have Photoshop or Elements? Do you know someone who does?

Resources:

Written and Edited DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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Photographic Society of Philadelphia 150th Anniversary

Photographic Society of Philadelphia 150th Anniversary

PHOTOGRAPHIC SOCIETY OF PHILADELPHIA

Established in 1862 – The Photographic Society of Philadelphia Celebrates 150thAnniversary

The Photographic Society of Philadelphia, the oldest continuously active photographic society in the United States, marks its 150th anniversary with a major exhibition opening on November 4th, 2012 at The Plastic Club Galleries on the Avenue of the Artists in Center City Philadelphia.

The juried exhibition, which will be open Sundays November 4th, 11th, 18th and 25th from 1:00 – 5:00pm and Tuesday evening November 20th from 6:00 – 9:00pm, can be experienced at The Plastic Club, 247 Camac Street, Philadelphia, PA.

Presenters will include many of the outstanding ninety-six members of PSoP – some who have shown their work in galleries throughout the US, Europe and Philadelphia.  The exhibition will be juried by a panel of three distinguished members of the photographic community – Kyle CassidyJJ Tiziou and Martin McNamara.

During this celebratory year, The Photographic Society of Philadelphia will draw attention to its longevity (the third oldest in the world – founded in 1862) and illustrious history.  Documentary, artistic and scientific works by many of its members have featured prominently in the history of American photography.  Changes in technology have moved forward dramatically and no longer dictate that photographers must grind their own lenses, or make their own cameras.  The digital era and instant have become the norm.

President of PSoPEileen Eckstein, noted that “The object of the Society, as stated in the constitution, was “to increase and diffuse knowledge of the natural laws which relate to the action of light, and particularly to promote improvements in the art of photography”. And, she added, rhetoric aside, the philosophy, developed one hundred and fifty years ago, is as fresh today”.

Since its inception, The Photographic Society of Philadelphia has been a haven for both amateur and professional photographers who come together for photographic outings, educational lectures and lively discussions on techniques, style and the art of photography.

The Photographic Society of Philadelphia is a not-for-profit and tax-exempt organization 501c3 on the Internal Revenue Code.  Open to all film and digital photographers, from enthusiasts to professionals, from all over the world.  www.phillyphotosociety.com.

President:  Ms. Eileen Eckstein

Vice President:  Mr. Morris Klein

 

Photographic Society of Philadelphia 150th Anniversary

Photographic Society of Philadelphia 150th Anniversary exhibition dates and times.

 

A brief look at the history of The Photographic Society of Philadelphia

Note from the Archives of The Library Company

Philadelphia, Nov. 27th, 1860

The Amateur Photographers of this city have long felt the want of opportunity for full and free interchange of views relative to their favorite pursuit. Under the conviction that we might readily form an association whose “re-unions” would be agreeable and beneficial, I have made bold to take the initiative step, and to ask the favor of your attendance at a preliminary (and unceremonious) meeting at my laboratory, on Tuesday evening, December 4th, at half-past seven o’clock.

Constant Guillou

Entrance on the west side of Swanwick Street (rear of 615 Walnut Street), the lamp post at the door.

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Written and Edited by Maggi Burnett and DoN BrewerDoNArTNeWs Philadelphia Art News Blog

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Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Painter, Robert Bohne has exhibited his oil paintings at Artists’ House Gallery in Old City, Philadelphia four times now. His collection of recent and quite exquisite plein air paintings is a subtle yet sublime interpretation of landscapes and still life subjects. Each of the paintings has an immediacy and atmospheric naturalism that identifies the artist’s painting style. The small scale oils are richly narrative with information design and skilled brushwork. The artist’s eye is apparent in each piece especially with technical virtuosity of color and depth of field, drawing the viewer deep into the landscape or experiencing the delightful wetness of an object with expert application of paint.

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne described the group of paintings above to DoNArTNeWs, “On this wall are some plein air work, one piece, the middle piece, of the fountain was done in Majorca Spain. The original sketch was done in Majorca and I transferred the sketch into an oil painting. The one above that is strictly out of my head, it’s a fictitious cloud, The one on the bottom is one of the piers on the Delaware River.”

“I’m always looking for the light in a painting, a good focal point, and after I find that it’s almost like a leading actor in a movie or a play, that focal point. And then after that I look for the supporting actors, which are less significant pieces of the painting, but, they lead your eye to that focal point.”

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

DoN thought this lobster painting looked familiar? The artist explained, “This is not the same as the one at The Plastic Club, this is the second. Actually it’s the same lobster, it’s spent a couple of months in my freezer and it came back out again and re-emmeged in another painting.”

Like impressionist masters, Bohne knows to return to his subjects repeatedly to gain the sense of realism he desires with less and less detail but infinitely more important visual information.

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery, photo courtesy of the artist

“This is a painting that sat around for close to a year, I wasn’t quite sure what I didn’t like about it. And then after looking at the George Bellows show just recently, I realized that what this painting needed were a couple of areas of really dramatic contrast. And it was just a matter of putting a small dot of orange and a small dot of white for highlight. And, of course, increasing the shadow area to the left of that and it made the painting pop. And it made it work”

The sense of realism yet obvious impressionism almost makes the plate of shrimp look abstract. The oil painting displays Robert Bohne‘s mastery of the medium and certainly is desirable as a work of art, at once decorative yet with a sense of narrative liveness. Working oil on board, oil on paper or academy board, each painting delights the senses with the artist’s appreciation of artistic appropriateness and style. One aspect of Robert Bohnes paintings is that they look really finished, professional and accessible. The paintings are not overwhelmed by a fancy frame instead complemented by surround offering a lovely collaboration of image and frame.

Debbie West is my framer, West End Frame Shop, she’s in Media PA. Debbie and I spend a lot of time trying to find the frames that won’t overwhelm a painting. It will just become part of the painting. Presentation is a very important aspect of showing work. Presentation and editing. What I mean by editing, there’s a certain painting on the far end which was twice the size it is now. After looking at it for quite a while, I realized that if I cropped this painting in half it would be a much more dynamic composition. And would work much better. And so, this is what I ended up with and I was very pleased with that. I’m sure I’m not the first artist to do that.”, said Robert Bohne.

Robert Bohne at Artists’ House Gallery

Robert Bohne at Artists’ House Gallery, photo courtesy of the artist

DoN asked the artist how he knows when a painting is finished? “I don’t know. I try not to have too much of a finished look to my paintings. I want that spontaneity to remain when the piece is finished. One of the things I really dislike is photo-realism, so I want people to see the abstract qualities and some of the spontaneity in my work. I want more of my work to have a degree of life, I want it to breathe. A good example of this is the Marigolds, this is a painting that won Best Still Life in The Philadelphia Sketch Club Small Oils show last year. As you can see, it’s not a lot of detail, very quickly painted, very spontaneous, and yet you know what it is and actually has a quality of life to it.”

Robert Bohne at Artists’ House Gallery, 57 North 2nd Street, Philadelphia, PA, through October 28th, 2012.

Written and Photographed by DoN Brewer

except where noted.

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