Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage
Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage 1901b Washington Ave, Philadelphia, PA. Sept 29, 5pm – 9pm. Curated by Rebeca Martell and Devin Cohen.
Shoutflower Four Poetry reading event happening featuring: Heather Houde Samantha,PiousJohn Pinto,Myene Yanu and more.
Eric Weeks is an artist using photography and video, a curator, and Chair of the Photography & Video Department at the Pennsylvania College of Art and Design in Lancaster, Pennsylvania, USA. He has exhibited his photographs and short films nationally and internationally, including in Australia, China, Egypt, France, Germany, Italy, Morocco, Singapore, South Korea, Spain and the United States. His work is in the permanent collections of the Los Angeles County Museum of Art, The Art Institute of Chicago, Museum of Contemporary Photography, Maison Européene de la Photographie, Bibliothèque Nationale, Yale University Art Gallery and the Sir Elton John Collection, among others. He is the author of two monographs, World Was in the Face of the Beloved and A Rose By Any Other Name. Portfolios have appeared in FotoNostrum, Dodho, Zoom, Photo +, Fahrenheit and Dear Dave. Awards include a City Corps Artist Grant from the New York Foundation for the Arts; an Individual Creative Artist Fellowship Grant from the Pennsylvania Council on the Arts; Open Call Winner, Art Speaks Out, ikonoTV, Berlin; Finalist, Black Maria Film Festival, Jersey City; and Semi-Finalist, G2 Green Earth Film Festival, Los Angeles. Weeks received a MFA from Yale University, and a BFA from the School of Visual Arts. His work is represented by Galerie Catherine & André Hug in Paris.
Twentysix Wawa Stores examines the Pennsylvania-based convenience store and gas purveyor Wawa. Wawa means wild goose in the indigenous American language of the Ojibwe. The Wawa business started in 1902 as a dairy farm located in Wawa, Pennsylvania, an area first named as such by land owner Edward Worth. The film, photo exhibition, and discussion follows the Lincoln Highway, starting in Lancaster, Pennsylvania and culminating at the farthest north Wawa store in Elizabeth, New Jersey.Made in reference to Edward Ruscha’s Twentysix Gasoline Stations, Twentysix Wawa Stores unobtrusively observes the phenomenon of automobile culture in America in the 2020’s.
Thank you to Devon Cohen for the content of this post.
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Transcending the limitations of the photographic medium, John Singletary creates multidisciplinary installation experiences. His work graces The Gallery at Penn College through March 22. Singletary’s Through Lines/Fault Lines is the first exhibition of multimedia work on screens in the gallery’s history. Located on the third floor of The Madigan Library at Pennsylvania College of Technology, the gallery is in its 17th season.
The exhibition includes two installations: Traces and Anahata.
“John’s new series, Traces, was created specifically for his solo exhibition in The Gallery at Penn College,” said Penny Griffin Lutz, gallery director. “Visitors will be immersed in an audiovisual experience that explores culture, beliefs and the human connection.”
Traces uses video, digital and stop-motion animation, historical footage, and audio. “Anahata” is photography-based and presented as an immersive installation on organic LED electronic canvases.
A photographer and multimedia artist based in Philadelphia, Singletary received a Bachelor of Fine Arts in photography from The University of the Arts. His work has been collected by the Philadelphia Museum of Art and The Center for Fine Art Photography, as well as other institutional and private collections.
The artist says the imagery and vignettes in Traces, an ongoing multimedia work, depict “the extraordinary light and darkness in the human condition and life events such as the genesis of our existence and the purpose we serve to each other and ourselves.”
The audio component of the installation consists of a series of anonymously conducted interviews with a range of participants. The perspectives highlighted reveal the universality and individuality of values, the intersectionality of symbolism across cultures and lineages, and the perpetual cycles of life.
“Surveying the myriad and disjointed experiences that make up a life, ‘Traces’ explores the way we construct our internal narratives and create meaning from experience,” Singletary said.
Anahata explores human relationships and their connection to the divine. Choreographed movement was captured with an open-spectrum camera in a purpose-built, ultraviolet light studio where dancers performed in handcrafted costumes. The resulting dreamlike images are steeped in archetypal symbolism, mythology and mysticism.
A long-term collaboration between the artist and dancers, costume designers, makeup artists, choreographers and other artists, Anahata unveils a “frenetic tribe” that feels of another place and time.
The Gallery at Penn College is open 2 to 8 p.m. Tuesdays, Wednesdays and Thursdays; 10 a.m. to 4 p.m. Fridays; and 1 to 5 p.m. Sundays. (The gallery is closed on Mondays and Saturdays and will also be closed March 5-12 during Spring Break.)
Thank you to John Singletary for the content of this post.
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Paradigm Gallery is pleased to announce Be Kind Rewind, an immersive solo exhibition of new works by Contemporary artist, Charles Clary, opening* on June 26, 2020 and remaining on view through August 8, 2020. Presented as an immersive video store installation, Be Kind Rewind is comprised of 1,000 new paper relief works from Clary’s ongoing VHS series, making it the largest showing of VHS since its inception in 2016, and explores the cathartic power of shared nostalgia.
VHS is a reactionary body of work to the passing of Clary’s parents, both of whom he had a complicated relationship with growing up. As they were often absent during his childhood, movies acted as a surrogate babysitter. Clary began thinking about how his nostalgia for a happier childhood could be translated through his work and used as a way to channel his grief. A pop culture fanatic, Clary began to notice cheap, 50 cent VHS tape copies of his favorite movies at his local thrift stores. Analog and carelessly discarded, these films held a lot of emotional significance to Clary, who saw them as “beautiful scarifications”, a traumatic moment healed by a film.
Clary sourced every one of Be Kind Rewind’s massive number of works at thrift stores or garage sales, with a large number being old copies of horror movies. A self described ‘horror nut’, Clary always felt a kindred spirit to the final person standing in a scary movie – surviving through the trauma. Not wanting to take away from the cover’s imagery, Clary will design around what he feels is important and then will carefully cut and layer 15 pieces of paper into the slipcase, salvaging and elevating the artifact with a newfound intricacy and depth. Viewers will recognize old favorites like Tron, Labyrinth and Dark Crystal, movies that have become synonymous with Clary’s childhood cinematic history. Lovingly handmade, Be Kind Rewind reimagines a mom and pop video store where visitors can take coordinating tabs to the register to “rent” a tape, making it an immersive and joyful experience. From a first date to the surprise twist ending of a thriller, watching movies has become a communal human experience. Be Kind Rewind reminds us of our collective human spirit through the power of nostalgic connection and in doing so, brings us all a little bit closer.
*Due to COVID-19, “Be Kind Rewind” will be available for viewing by appointment only or on https://www.paradigmarts.org/ until further notice. These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email firstname.lastname@example.org.
About Charles Clary Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has shown in exhibitions at Galerie EVOLUTION-Pierre Cardin in Paris, France, Pierogi Gallery and Nancy Margolis Gallery in New York, Spoke art in San Francisco, and museum shows at Mesa Contemporary Art Museum, Gadsten Museum of Art, and Cornell Museum of Art. He has also completed a three week residency in Lacoste France, completed a painting assistantship with Joe Amrhein of Pierogi Gallery in Brooklyn NYC, and had work acquired by fashion designer Pierre Cardin and gallery owner James Cohan.
Clary has been featured in numerous print and Internet interviews including, This is Colossal, WIRED magazine (US and UK), Hi Fructose, Beautifuldecay.com, Bluecanvas Magazine, and This Is Colossal as well as a recent feature in American Craft Magazine. He was also featured in the Art On Paper Art Fair with Kenise Barnes Fine Art. He has also been featured in publications including 500 Paper Objects, Paper Works, Paper Art, Papercraft 2, PUSH: Paper, and The New Twenties. Charles has exhibited regionally, nationally, and internationally in numerous solo and group shows. Clary currently lives and works in Conway SC.
About Paradigm Gallery Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. Now open 10 years, the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
Location: 746 S 4th St Philadelphia, PA 19147 Media Contact: Lainya Magaña, A&O PR 347 395 4155 email@example.com
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The Levoy Theatre‘s renovation took many years and was finally accomplished in 2012. The story of how the town of Millville New Jersey brought this theater back to prominence after years of neglect involves the heroic efforts of dedicated citizens, theater people, artists, and public officials. It is a story that may inspire other American towns struggling with a poor economy. The Levoy Theatre sends out the message that art can indeed make life better, for individuals as well as communities. – John Thornton
“The story of the Levoy is the story of the people who built it, owned it, worked in it and patronized it. It is a story filled with triumph and defeat, happiness and sadness. It is exactly the story you might expect from an historic icon that’s commanded Millville’s High Street for over a century.
The first Levoy Theatre filled a ten year void left in Millville after the 1898 fire that destroyed the Wilson Opera House (once at High and Sassafras Sts.), Millville’s largest theatre of the 19th century. By 1908 Millville needed a new source of entertainment, and William “Pop” Somers of Atlantic City and Somers Point fame came to Millville seeing the opportunity for his Levoy.” – The Levoy Theatre website