DoNArTNeWs

Jessica Barber, Bonifacio, monotype/oil pastels @ Gallery Twenty-Two’s Making An Impression show featuring prints by Jessica Barber & Alison Altergott.  Prints is a bit of a misnomer in this show, both artists use printing as part of their process but expand the barriers into writing, drawing, collage and painting.  DoN LoVeS this print which looks very much like a Star Trek Ferengi.

DoN asked Jessica if she created this piece in Madrid because it feels so immediate and plein air, as if she set up her plates & inks right there in the cafe.  Actually the artist worked from a photo she took while on a trip to Alice’s annual painting retreat in Majorca with friends from the Plastic Club.  Jessica said club president, Bob Jackson allowed her to work late at night in the wonderful print shop “down stairs”, allowing her to create these rich, saturated images which she had framed at Liberty Art & Framing with non-glare glass.  Immediacy, tension and vitality exude from the paper with a fresh, active style only the rigorous lithograph process produces.

Jessica Barber explained to DoN she uses a new non-toxic form lithographic process using plastic sheets which the artist applies different resists for the ink, Jessica used non-conventional mark-making tools to develop her images including Sharpies, she said, “ink loves the donor”.

Jessica Barber @ the opening of her collaborative show @ Gallery Twenty-Two.  Second Friday for people in cars was frustratingly frantic, west Center City traffic was snarled because of the snow and the South Street bridge being out but DoN walked, easily strolling past cars with “Bad Romance” blasting in his iPod; Jessica was stuck on a bus trying to get to her own opening, arriving safely - fashionably late!

Alison Altergott @ Twenty-Two Gallery.  DoN asked about the girls in Alison’s prints, old dress patterns from the 50s & 20s because of the resonance of the strong feminine ideal of the home-maker.  DoN thought a feminist home-maker is a contradiction in terms but Alison defended the mystique as a commentary on what we’ve lost compared to the way families live now.  Alison Altergott combines handwriting, collage, paint and printing to develop these densely signified images about the ideals of growing up.

Alison Altergott, Heartstrings, 1 of 2 prints @ Gallery Twenty-Two.

 

Photos by DoNBrewerMultimedia Photography.

Eileen Eckstein, Balloons, photograph, DoN Brewer, light being (Mama Cass), photograph, Laura Pritchard, Portrait, mixed media, Dorothy Roschen, Red, White and Green, relief tiles and Alan Klawans, Milan, archival pigment print @ The Plastic Club’s Red, White and Green exhibit.

DoN Brewer Photography

light being (Mama Cass) $150.00 light being (Kurt Cobain) $150.00

light being (Kurt Cobain), digital photograph, DoN Brewer @ The Plastic Club.

Michael Guinn, 12th Street Still Life, oil.

3rd Honorable Mention Lois Schlachter, My Brother’s Keeper, acrylic, Alden Cole, Good Vibrations, mixed media and Honorable Mention Morris Klein, Love Park, photograph.  Juror Rich Harrington has a great eye and excellent taste considering that the theme was ambiguous in that the three title colors had to be used but not exclusively; Harrington chose works who fully met the criteria such as Dorothy Roschen’s wall sculpture in blatant red, white and green squares for 2nd prize and Peter Petraglia’s trippy undersea fantasy in a subtle palette for First Prize to Lois Schlachter’s wildly imaginative abstraction with what seems like millions of colors.

Tracy Landman, Reflections on Stewart, oil, Patricia Wilson-Schmid, Catching the Light, and Lucy Roehm, Radish Trio, color pencil @ The Plastic Club’s Red White & Green exhibit.

The theme is Red, White & Green which one would think should conjure Holiday Cheer but @ The Plastic Club the art is edgy, sarcastic, goth, even scary like Hunter Thompson meets Charles Addams meets Salvador Dali.  Some of the work is literal and literate like Roehm’s Radish Trio and some is out and out transcendental like Jake Smith’s Merry Fish Mess.  Above: Anders Hansen, Shiva, ink, graphite & charcoal, First Prize Peter Petraglia, Tubulars, pen & ink, Marie Davis Samohod, Funerary Portrait, mixed media and Karen Frank, Totem and Taboo, Acrylic.

DoN is honored to be exhibited along with such wonderful artists as those in the Plastic Club, their shows are always challenging, pushing the envelop, breaking rules yet there’s no stress, the only expectation is making art.  And when the art is all hanging together it feels really good to be an artist rubbing shoulders with some of the best in town.  A cool thing about writing this blog is that when DoN took the photos he didn’t know that he was shooting the work of some of his best friends, the Plastic Club uses a number system for labeling, it’s kind of like doing your own blind jury-ing and then finding out you picked only your friends such as Lois, Pat, Mike, Alan, Alden, Eileen, Dorothy, Morris, Anders…

Jake Smith, Merry Fish Mess, acrylic and Theodore J. Amick, Untitled, oil.

Merry Fish Mess, everybody!

Judy Engle @ Da Vinci Art Alliance.  If Eileen Tognini says packing tape art is in - then DoN says listen to her!  If you can’t afford a Mark Khaisman before his packing tape drawings increase in value, then buy Engles layered clear tape collage @ Da Vinci Art Alliance for under $200.00 - in real life this small piece is 3D and deep, with layers and layers of tiny bits of color.  Another great steal-able idea.

Judy Engles, photograph.

DoN LoVeS how DVAA displays art - Judy Engle’s photo paired with DoN’s digital print is so elegant and thoughtful, the pieces really work together.  DoN was inspired to print “Autum Oak“, a digital photograph from a few years ago after seeing Amie Potsic’s tree photos @ Area 919 - the most expensive of DoN’s Under $200.00 entries is $129.00.

Lilliana Didovic, Alden Cole & Karl Johnson @ Da Vinci Art Alliance’s Under $200 show.  The DVAA always has such terrific, fun events, even though it was a snowy night, plenty of artists showed up to party - the board is to be commended on their careful attention to detail and making everyone comfortable and welcome.

Francine Strauss @ Da Vinci Art Alliance’s Under $200.00

Gerard Di Falco, etching @ Da Vinci Art Alliance.

Leon Rainbow @ DVAA - he not only produces these funky paintings, Rainbow provides web design services to the esteemed organization.  DoN is grateful for the publicity the links provide, the slide-show of member’s art on the website is cool.

Karen McDonnell & Tony Cortosi collaborate on these stencil & spray-paint images replete with peeling paint, drippy spray, coarse edges and mashed up cultural icons - the Carmen has such a skate punk sneer mixed with Hollywood glamor - Grrrl!.

 Karen McDonnell, Tony Cortosi & Ray Costello @ Da Vinci Art Alliance’s Under $200.00 opening party.

Photographer, Bill Myers @ Da Vinci Art Alliance.  Bill is also an active member of the Photographic Society of Philadelphia; Myers creates photo montage with clashing images mushed into contextual morphs - incredible.There are some really great art bargains for sale at the Da Vinci Art Alliance’s Under $200.00 show.  You can own a David Foss for $100, an Art Ostroff for a Benjamin or so…the Lee Muslin prints are gorgeous, an incredible Dexiang Qian for exactly $200.00!?!  The art show itself is amazing - all the participating members really put in memorable, desirable pieces and James Warhola signed his book Uncle Andy’s Cats;  he took a moment with each autograph to draw a kitty in the front pages and engaged everyone in a personal way - Warhola signed books for 3 hours!  He was still signing books when DoN left.

David Guinn & Jim Hinz, Hairy Chinese Landscape @ University City Arts League Gallery.

David Guinn & Jim Hinz both painted on the huge paper scroll simultaneously; according to Guinn the idea was to make a mess, not worry, not think about it or make it look good.  Working with big brushes they flowed with their stream of consciousness and let each other paint through and over each others contribution, fearlessly resulting in an abstract expressionist pan-cultural tour de force spanning an entire wall of the gallery.  Jim Hinz told DoN it’s rewarding to work with David Guinn because he’s so easy, willing to mix aesthetics, brings lots of collaborative enthusiasm and let him, “do whatever I wanted to do.”

Recovery, Psychedelic Birthday @ Facing the Void, works on paper @ University City Arts League Gallery, Jim Hinz & David Guinn.

Purple Sandpiper, David Guinn.  David is famous for his bird paintings whether you know it or not; as one of the most popular muralist in Philly he almost always includes birds in his wall paintings such as the Four Seasons series, the Morris Animal Refuge Mural and the dual mural @ 34th & Baltimore Streets.

Jim Hinz, Because You Have To Say It, digital print.

Jim Hinz, The Big Man, digital print from brush & ink on paper.

Mythical Mountain Fountain by David Guinn & Jim Hinz echoes the collaborative paintings the duo created including architectural elements, blobby swirls and real liquid dribbling wetly over the ceramic bowl as if one of their paintings materialized fully formed out of their imaginations.

Jim Hinz & David Guinn @ the opening of their collaborative exhibit, Meadowlark, @ University City Arts League.  The team worked well together because they made no mistakes, felt free to experiment and fail - a lesson we can all learn from.

 Ralph “Ren” Dillard, PAC, oil @ Smile Gallery curated by Lilliana Didovic.

Ren Dillard, Blue Smoke, oil.  Ren explained to DoN that he is finally finding his voice in painting, a spoken word artist (he has promised to perform at the show’s closing on 12/7), his art is about meditation, human commonality, promoting nationalism and personal pride.  Dillard’s work has a defined narrative concerning urban life and cultural icons but is also searching inward to find peace through meditation, introspection and transcendental non-judgmental.

Ralph “Ren” Dillard, We Are One, oil.  From hip-hop heroes like 2Pac to inner dream-scapes, Ren’s painting seems to be searching for truth, justice and the New American Way.  The trans-cultural tribalism of the city and the struggle to remain calm in the face of the storm is certainly reflected in the dichotomy between thug life and the art of living well.

 Ren Dillard, Ren’s Labyrinth, oil.

Vichaya “Win” Mukdamanee & Ralph “Ren” Dillard - Mysterious Lines @ Smile Gallery.  The tableau of two artists from opposite sides of the world bouncing ideas back and forth with the urban pop aesthetic of Ren’s paintings and the abstract expressionism of Win’s prints is a synopsis of contemporary culture.  Win’s bold, architectural black and white prints are a striking counterpoint to Ren’s wildly colorful meditations yet the conflicting styles reflect a youthful, modern perspective of the world.

Win Mukdamanee, City Element # 4, print 3 of 8.

Win Mukdamanee studied art at Suankularb Wittayalai School in Bangkok Thailand (with Smile Gallery’s owner, Ken Tutjamnong’s, former professor) and is now pursuing his Master’s degree at Pratt Institute in NYC.  Primarily a sculptor, Win’s prints certainly exude an architectonic flavor yet are painterly, vibrant and fluid.  Mukdamanee quickly applies ink in splashy yet controlled strokes on plastic film then runs in through a press on beautiful papers, then frames the resulting image in quiet white mats.

Vichaya “Win” Mukdamanee @ Smile Gallery, 22nd & Chestnut Streets.

Frankly, it was difficult for DoN to get good photos of Win’s work since the black under glass reflects back the photographer, all the more reason to visit Smile and contemplate the juxtaposition of styles which curator Lilliana Didovic has so capably displayed to both artists advantage.

The American Color Print Society is celebrating their 70th anniversary with their 70th member exhibition at The Plastic Club which is coincidentally 70 years old.  The exhibition includes not just color prints (the group came together because many galleries only allowed black and white prints) but many excellent examples of black and white prints.  Like many other art forms, the boundaries have expanded to include mixed media, collage, textile and more.  With works submitted by artists from all over the country this show is a mixture of styles, tastes, techniques and ideas from abstract expressionism to atmospheric naturalism to impressionism to pop incorporating every type of printmaking imaginable.

Marlene Grolnic, Ancestral Headgear, collagraph/collage.

Elaine B. Rothwell, Poker Cross. 4 plate color etching.

Ron Wyffels, Untitled, etching/drypoint/drawing.

Carole J. Meyers, Check It Out, monotype.  Meyers explained to DoN how she paints an image on thin plastic sheets with water-based inks then pulls them through a roller to produce her expressionistic prints.

 

American Color Print Society 70th exhibition @ The Plastic Club on the Avenue of the Artists.

Carole J. Meyers, Holding Court, monotype.

Thelma Grobes, Acrobat And Horses, etching.

Lois M. Johnson, (The Cowgirl in the City), was awarded the lifetime achievement award by The American Color Print Society.  Johnson has taught printmaking at The University of the Arts for 40 years and is preparing to retire.  A native of North Dakota she has made a great impact on the art scene in Philadelphia by helping aspiring print-makers realize their potential.  DoN asked Lois how she reacts to the popular skate-punk esthetic so prominent with today’s youth and she responds that she doesn’t judge but reacts to what is put before her, helping her students improve technique and style, the substance is up to the artist.  The American Color Print Society sponsors a printmaking scholarship for students attending UArts, DoN’s sure the school is going to miss Lois Johnson’s influence and tenacity.

Lois M. Johnson was honored with a solo exhibition in the Board Room of the Plastic Club; Johnson’s prints mix photography, drawing, scribbles and metaphorical references to her western roots and metropolitan style.

The American Color Print Society was awarded with a certificate of appreciation from Philadelphia City Council on their 70th anniversary and exhibition.  Congratulations!

 

FOR IMMEDIATE RELEASE

Contact: ANN KOIVUNEN

The Center for Emerging Visual Artists

Studio Tours and Exhibitions  Manager

215-546-7775 x 13, ann@cfeva.org

 

 

 

This October,

 

Find the Visual Artists

in Center City West!

 

 

 

Artwork by Don Brewer and Kevin Broad (L to R)

 

Philadelphia Open Studio Tours 2009

 

Featuring:

 

24 Artists in Center City West

 

Studio Tours on October 10-11, 2009

…

 

Blowout Birthday Party on Friday September 25

 

Friends of CFEVA Guided Tour on Sunday October 4

 

Selections from The Studio Opening Reception on Thursday October 8

 

Citywide Studio Tours during the first two weekends in October

Over 300 participating artists and community partners

…

 

Philadelphia, PA – This October, The Center for Emerging Visual Artists™ is pleased to bring you the 10^th Annual Philadelphia Open Studio Tours. Join over 300 professional visual artists, local businesses, arts organizations and galleries to celebrate 10 years of studio art!  Artists and event partners in every neighborhood from Chestnut Hill to South Philly will open their doors free to public in the largest event of its kind in Philadelphia.

 

This year, the Open Studio Tours is happy to feature the following artists in the Center City West neighborhood:

Madeline Adams

Betsy Alexander

DoN Brewer

Kevin Broad

Mark Bullen

Estelle Carraz-Bernabei                                                                                                                                           Carraz-Bernabei

Elizabeth Core

Deborah Deery

Jerry-Gerard Di Falco

Eric Frantz

Katherine Fraser

Carolyn George / CRG Studios                                                                                                                                George / CRG Studios

Thomas Kohlmann

Melanie Miller

Ted Mosher

Maria Nevelson

Nicole Pellegrini

Paul Rider

Carlo Russo

Jane Steinsnyder

Lauren Sweeney

Aleksandra Vasic-Lalovic

Angela Victor

Ernest Villareal

Burnell Yow!

In addition, we are working with Heavy Bubble, Icon Magazine, PhillySide Arts, The Center for Emerging Visual Artists, Tsirkus Fotografika, and Utrecht as Community Partners to provide support and information about the event. Visit philaopenstudios.org for detailed information about participating artists and community partners.

 

The 10^th Anniversary Festivities are just around the corner! For details on the comprehensive schedule of POST-related activities, including artist workshops, receptions, exhibitions, neighborhood parties, and more, visit philaopenstudios.com/Events.aspx. Following is a schedule of this year’s official events:

 

Blowout Birthday Party
Friday September 25, 5 – 10pm

The Institute of Contemporary Art at 36th and Sansom

Kick off the POST season with a party at  the ICA: Cake, candles, drinks, entertainment by Jasa Li, Tsirkus Fotografika, and projected video installation of and by participating artists. This is one you don’t’ want to miss!

Artist Studios EAST of Broad Street
The weekend of October 3-4, 2009, noon-6pm
All tours are self-guided and free
Visit artists working in South Philly, Bella Vista, Queen Village, South Street, Center City, Old City, Northern Liberties, Kensington, Fishtown, and Port Richmond

Artist Studios West of Broad Street
The weekend of October 10-11, 2009, noon-6pm
All tours are self-guided and free
Visit artists working in Germantown, Mt. Airy, Chestnut Hill, East Falls, Manayunk, Roxborough, West Philly,  North Philly, Fairmount, Center City, and Graduate Hospital 

POST Guided Tour
Sunday October 4, 1 – 4 pm
Meet at 1521 Locust Street
Want to visit artist studios, but not sure where to start? Join us for the Friends of CFEVA Guided Tour, and enjoy select artist studios with transportation and refreshments provided. Tickets are $75 each; reservations required. To reserve a space or for more information, contact the Center for Emerging Visual Artists at 215-546-7775 x16 or holly@cfeva.org.

Selections From The Studio
Opening Reception, Thursday October 8, 5 – 7 pm
Exhibition runs from Monday September 28 to Friday October 16, 2009
Group exhibition featuring POST artists selected by Julien Robson, PAFA Curator of Contemporary Art. The Gallery at the Center for Emerging Visual Artists is located at 1521 Locust Street, Lower Level, and the Gallery Hours are noon to 4pm M-F.

…

For a full list of artists; high resolution images; profiles of specific artists;
or more details on events, promotions or sponsorship,
please contact Ann at 215-546-7775 x13 or ann@cfeva.org

…

 

Curator Alan Clawens insisted all entries must be work created outside of the historic art club on Avenue of the Artists, Camac Street, the theme being still life in any media; the Plastic Club artists reached deep into creative reserves to bring work that represents they’re own style yet meet the criterion of the show.  There’s nothing like listening to an artist explain how they’re work meets the rules - it would make a great reality show but in this case everyone seems sincere in bringing their best.

Marie Davis Samohod, Parting of Ways, acrylic.

Elizabeth H. MacDonald, Tin Can, relief print.

Michael Kuncevich, Facets, monotype.  Kuncevich took first prize in the Philadelphia Sketch Club’s Miniatures Show.  The delicate coloration and high concept of this print is a master class in composition, technique, style and skill.

Debra Campbell Goodyear, Lemon Aid, photograph, Veronica Schmude, Wheel, digital print and Alden Cole, …And Delicious, mixed media.  Isn’t this a beautiful tableau?  DoN LoVeS that Veronica & Alden are hanging together since they’re both DoN faves.  DoN’s looking for Ms. Goodyear.

Mina Smith-Segal, Terracotta Head, watercolor.

Anders Hansen, Wild Onions, ink & graphite.

E.S. Holmes, Pipes, acrylic, Thelma Segal, Mexican Paper Flowers, watercolor, Paul Perez, Artist, photograph and Dom Loschiavo, Lunch at Le Magnolie, color print.

DoN Brewer, light being (David Arneson), digital photo.

The Plastic Club is an oasis of creativity, friendship, camaraderie and support; not just a club, it’s a think tank, a hide-out, a studio, a gallery, a place to learn and experiment without fear.  Fear is the mind-killer.

“Tiffany Wallops the Drome” by Bridgette Riversmith won an honorable mention award; DoN LoVeS the idea of whacking a monster with a frying pan, demonstrating the strength, fearlessness and determination of people living with disabilities.

ArtFirst is an artshow in it’s 7th year, developed with the intention of promoting artists living and working with disabilites; the show in the University of Princeton Medical Center was well attended by patrons resulting in sales and support for talented artists using art to express themselves whether they have to paint holding a brush with their mouth, reach out from a wheelchair or struggle with pain. The term disabled seems to be a misnomer when the quality of the art stands on it’s own - DoN is honored to be included in this outstanding cadre of talented artists.

Musician Adam Parker-Lavine entertained the crowd with beautiful, unobtrusive music -if you need a musician for an event, this artist has a wide repertoire sure to entertain your guests.

The ArtFirst team put together an outstanding party, drawing patrons to the medical center to enjoy an open bar, fabulous food and dedicated volunteers who helped to make sure that the art sells.

Philadelphia artist Clifton Anderson’s still life paintings are brilliantly colored, expertly painted and visually captivating. Clif is an art teacher in Philly, a member of the Philadelphia Sketch Club and a cello player with the Jefferson orchestra - this is one brilliant artist who doesn’t let a wheelchair keep him from doing anything. DoN was so pleased to see a friend at the show and to hear that he was explaining to patron’s that DoN’s photos are award-winners, surely helping to make some sales. Thanks, Clif!

Elayna Alexandra is a self taught artist working in digital media; her work incorporates drawings, photographs, digital manipulation and her own x-rays. Elayna won 2nd prize; DoN is inspired by her mixed media works and her willingness to expose the inner beauty of a disabling physical problem. The two of us kept high-fiving as sales, prizes and compliments came our way.

“Girl with a Mirror“, sculpture by Arnie Segal. DoN & Arnie are developing a website for Philadelphia area artists with disabilities called NUVISIONS for Disabled Artists. Arnie encouraged DoN to participate in the show; it’s difficult to “out” oneself as a disabled person but this show is such high quality, so well managed and supported by kind and understanding leaders and patrons, it’s easier to deal with the stigma and continue to create art.

Etching, “Each to it’s Own Kind” by Michael Jameson.

DoN chatted with a patron about the symbiotic relationship between crows & wolves, how they are totem animals and work together to find food. DoN advised her to buy it; at first she said she couldn’t afford it but all of a sudden she decided she couldn’t leave without this fine, expressive etching. The first rule of sales? Ask for the sale!

DoN Brewer’s “light beings (Dora & Pablo), light being (Leo Seeger) & light being (Barbara Gittings)” @ ArtFirst, University of Princeton Medical Center.

 

 

DoN Brewer Photographic Society of Philadelphia @ City Hall

 

Download the pdf for the upcoming exhibit of the Photographic Society of Philadelphia @ City Hall.