Tag Archives: Art News Blog

Picket

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

ART GALLERY AT WILLIAM WAY LGBT CENTER DEBUTS

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

Solo Exhibition  Features 26 Works on Paper through April 28, 2017

Picket Fences,” a solo exhibition by textual artist Gerard Silva, made its debut at the Art Gallery at the William Way Center on March 10 and runs through April 28, 2017.

Each of the exhibition’s 26 works on paper has been hand-printed by Silva and culled from a larger group in his “Picket Fences” series, serving a symbol of the way we choose what parts of ourselves to present to a society that makes judgements of approval or disapproval, of acceptance or rejection. While Silva strives for perfection, the hand-printing process produces slight variations that he can’t help but leave for the viewer to pass their judgements on.

“These screen prints relate to our daily lives in which we strive for acceptance; we are selective and we seek some kind of perfection in ourselves and in others,” Silva explains. “And it is this search for perfection in the many roles we all play that leads to insecurities that we have a difficult time admitting to or sharing with someone: insecurities that I’m acknowledging here.  But ultimately, I am who I am.  We are who we are.”

This project originated from the artist’s own frustrations and discouragement while working in his studio, often resulting in insecurities and self-doubt that spilled over into the many other roles in his life: a son, a friend, a gay man, a minority, a citizen, an outcast, a non-white, a non-black, a punk, a skeptic, a sinner, a foreigner, an American.

When pondering how he measures up, Silva’s collective work asks, “Is there a perfect state of being out there? Is the grass greener on the other side? Where is my white picket fence?”

Silva is a Philadelphia-based artist who has studied in New York, London and Arizona. His work has been shown in the Meyerson Gallery at the University of Pennsylvania, at the Kingston Gallery in Boston, at the San Diego Art Institute and at the Museo de Arte Contemporáneo de Puerto Rico. He was also included twice in the Arizona Biennial.

The William Way Center is open Monday through Friday from 11:00am -10:00pm and on Saturdays and Sundays from 12:00pm – 5:00pm.  Admission to the main floor gallery is free.

The William Way LGBT Center is located at: 1315 Spruce Street, Philadelphia, PA 19107

215-732-2220

PICKET FENCES” is showing the following 15” x 22” works on paper:

PERFECT

WHITE

LATINO

PRETTY

PHONY

LUCKY

ESTABLISHED

PREEMINENT

COMMERCIAL

IMPORTANT

RICH

PROMISCUOUS

OLD

EMERGING

POOR

SERIOUS

WILD

BLACK

YOUNG

MAN

FABULOUS

QUEER

FUCKED-UP

BUTCH

CONNECTED

ANGRY

Thank you to Jolyn for the content of this post.

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Food

How Food Moves: Edible LogisticsImage: Amber Art and Design, Corner Store Project

How Food Moves: Edible Logistics

Amber Art & Design / Ryan Griffis & Sarah Ross
Brian Holmes / Otabenga Jones & Associates / Cynthia Main
Claire PentecostPhilly Stake / Stephanie Rothenberg
Candice Smith with Freedom Arts / Kristen Neville Taylor

Daniel Tucker, Guest Curator, Graduate Program Director in Social and Studio Practices at Moore College of Art and Design
March 27 – May 27, 2017
Public Program and Reception: Thursday, March 30, 2017, 6:00 – 8:30pm
Our public program begins at 6:00 pm followed by the reception
Rowan University Art Gallery, 301 High Street West, First Floor, Glassboro, NJ 08028
Admission to the gallery and reception is free and open to the public.
The public program begins at 6:00 pm, led by guest curator Daniel Tucker in dialogue on art, geography, and agricultural planning with Professor Megan Bucknum Ferrigno from Rowan University’s School of Geography and Environment, and with exhibiting artists.

Artists explore the US food supply chain and its complex patterns of distribution in between the point of origin (the farm) and its point of consumption (the plate). The exhibition aims to highlight the work of contemporary artists grappling with the complexity of this movement through multi-media, research-based, and participatory practices that focus a lens on the social and industrial impacts of migrant workers, food justice movements, immigration, multiculturalism, and economic disparities. This project builds upon Tucker’s event series, Moving Units: Where Food & Economy Converge. A companion booklet, produced by Rowan University Art Gallery, serves to provide a general overview of US food supply chains. It includes descriptions of the artist contributions to the exhibition that relate to each step on the chain. Throughout this booklet you read about an approach to geographic education that values connecting with the world outside the classroom. The booklet was researched and written by Megan Bucknum Ferrigno, part-time faculty member of Rowan University’s Department of Geography, Planning and Sustainability. Additional contributions made by Dr. Chuck McGlynn, Dr. Jennifer Kitson and Makenzie Franco.

About the Artists and Projects

With Corner Store, Amber Art & Design – a team of Philadelphia-based artists that work on public art within marginalized communities that have little or no access to art – explores the contemporary sociological and psychological intersection between pan-ethnic Black and Asian communities in Philadelphia and how relationships are shaped based on which side of the counter we stand. (image top)

Illinois-based artists Ryan Griffis and Sarah Ross are represented by Between the Bottomlands and the World, a video (combining photographs, narrative writing, and moving images) exploring the rural Midwestern town of Beardstown, IL, a place of global exchange and international mobility, inscribed by post-NAFTA (North American Free Trade Agreement) realities.

Brian Holmes, an art and cultural critic with a Ph.D. in Romance Languages has a long-standing interest in neoliberal globalization and a taste for on-the-ground intervention. His online atlas, Living Rivers, is devoted to the Mississippi and Great Lakes watersheds and shows these fluid ecosystems as they are inhabited by a multitude of creatures and radically altered by human enterprise.

Otabenga Jones & Associates, a Houston-based educational art organization, documents a collaborative art project and public health program addressing the ongoing crisis of obesity and its related risks with “The People’s Plate.” Inspired by the Black Panther Free Breakfast for School Children Program, this art project includes a public mural in Houston and programs to kick off a year-long commitment to health education.

Cynthia Main, a multidisciplinary artist from Missouri focuses on relating to the land as part of an integral view of a more sustainable society. She shares her hand-made buckets and barrels created using traditional techniques to readdress storage as one of the current dilemmas of localizing production.

Chicago’s Claire Pentecost uses photography to show how industrial agriculture is only partly about supplying food and how it is structured to meet the problem of expense and excess capital accumulation when considering the cost of complex machinery, brand name chemical herbicides, pesticides, fungicides, fertilizers, and patented seeds.

How Food Moves: Edible Logistics

Philly Stake is a locally-sourced, recurring dinner that raises funds for creative and relevant community engaged projects that contributes to the well-being of Philadelphia’s neighborhoods through community arts, urban agriculture, social services, and activist work.

Stephanie Rothenberg’s Reversal of Fortune: The Garden of Virtual Kinship is a garden in the form of a global map that explores the question of what it means to be charitable through the click of a button and examines the cultural phenomena of online crowd-funded charity and how the flow of money impacts the project, positively and negatively.

How Food Moves: Edible LogisticsStephanie Rothenberg

Candice Smith runs Freedom Arts, an after school collaborative art program at Camden’s Freedom Prep Middle School, which is creating an installation responding to the idea that Camden is a “food desert” and examining the movement of food at their school and in their community.

Philadelphia-based Kristen Neville Taylor’s installation – a globe depicting routes of oranges and actual oranges outfitted with a QR code that links to music, articles, folk tales, and art – was inspired by a lyric from Leonard Cohen’s “Suzanne” (“and she feeds you tea and oranges that come all the way from China”) which she associated with the market place and the movement of food but also romance and exotic foreign cultures.

Admission to the gallery and reception is free and open to the public. 
Free parking is now available in the parking garage on Mick Drive directly across from the gallery. For visitor information go to our website: www.rowan.edu/artgallery.

Thank you to Mary Salvante, Rowan University Art Gallery for the content of this post.

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Report

The Tau Ceti Report, Tyler Kline

The Tau Ceti Report: recent works by Tyler Kline at Jed Williams Gallery

Artist Statement

Tau Ceti is a possibly habitable exoplanet, and I use painting as a type of remote sensing, a speculative visual report of phenomenon that is difficult or out of reach to data visualization. I am mining the possible clairvoyant properties to the visual art processes that are yet unnamed.

I come out of skateboarding and street art/graff culture.  A tremendous portion of the fecund subconscious and outer consciousness I pull from was formed by an urban spelunking of Atlanta in the late 80’s and early 90’s. What I am going for is a subterranean, under bridge type of abstraction, geological, mine shaft and reservoir influenced.  I contemplate this language of cartography I am constructing; map-making as a visual model of information at a macro/micro human scale.

Time marks the movement of the hand, light marks the movements of the body, maps show us were we are and were we are headed. These tools help us explore or surroundings. The mind moves the flesh through a labyrinth of possibilities.” – Tyler Kline

About Tyler Kline

Tyler Kline received his BA in Anthropology and Sculpture from Portland State University and a MFA in Installation and Sculpture from The Pennsylvania Academy of The Fine Arts. Kline’s has exhibited solo at Moving Spirits and Youngblood in Atlanta, Zeitgeist in Portland, OR and Reload, Rebekah Templeton, The University of the Arts, Crane Arts, and Jed Williams Gallery in Philadelphia.

He is also the curator of the Hamilton Hall Public Art initiative at The University of the Arts in Philadelphia and has curated shows at: Atlanta’s Moving Spirits Gallery, Portland’s Martial Arts Gallery, Zeitgeist and Disjecta, as well as Philadelphia’s Pennsylvania Academy of the Fine Arts and Little Berlin. A strong believer in the power of Art to revitalize communities and bring about social change; he is fascinated by playing with the porous boundaries between painting, video, sculpture, performance, and printmaking.

About Jed Williams Gallery

Named one of the top art galleries in Bella Vista and Queen Village by Philadelphia Magazine (March 2015), Jed Williams Gallery is a unique art space owned and operated since 2010 by artist Jed WilliamsJed Williams Gallery showcases up-and-coming and inspiring artists from the Philadelphia area. Artists featured are from all backgrounds including classically trained as well as self-taught outsider artists. The gallery shows a variety of thoughtful, cutting edge high quality works ranging from 2D, mixed media and painting, to video, installation and sculpture.

http://www.jedwilliamsgallery.com

Jed Williams Gallery 615 Bainbridge Street,Philadelphia PA 19147-2111

Opening Reception: Saturday March 4th, 5:00pm – 7:00pm

Thank you to Jed Williams for the content of this post.

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Worlds

Small Worlds Explored at The Plastic Club

Small Worlds Explored at The Plastic Club

The Plastic Club will hold its annual open entry show dedicated to small art works in March. The show, entitled “Small Worlds,” accepts original artwork in all media, including sculpture and small-screen video, as long as the entry is 13 x 13 inches or smaller, including frame.  Entries in past shows have been as tiny as one inch square.

Entry is open to the public. Prizes will be awarded, ranging from a $125 first prize down to $25 Honorable Mentions. Awards will be presented at the Opening Reception, March 5, at 3:30 PM. The prize juror will be Philadelphia artist Miriam Singer.

Admission is free. The works are on display in The Plastic Club and can be viewed during the Opening and by appointment. The show runs from March 5 to March 24.

Click here for Prospectus

After the Small World show ends, The Plastic Club‘s next show, scheduled for April, will have the theme of “Daily Life and Community.” The announcements for each show can be found on the Plastic Club website at www.plasticclub.org.

The Plastic Club, located on quaint, historic Camac Street, was founded in 1897 to promote the visual “plastic” arts through workshops,  exhibitions, and community programs.

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DC>3D

Dave Carrow, DC>3D at Marginal Utility

Dave Carrow, DC>3D at Marginal Utility, Philadelphia

Opening Reception: First Friday, February 3rd from 6:00 – 10:00pm. If you cannot make it to the opening this Friday, you can catch it again on the following First Friday on March 3rd, same times.

Marginal Utility, 319 North 11th Street, 2nd Floor, Philadelphia, PA 19107. Marginal Utility is a non-profit gallery that presents the work of locally and internationally recognized emerging and established artists.

Hours: By Appointment, Saturday + Sunday 12:00 – 5:00pm

Marginal Utility is proud to present DC>3D, a solo exhibition by the New Jersey based artist Dave Carrow.

Dave Carrow has been a friend of MU and its’ predecessors since the beginning, and has exhibited with the curators previously. This is an opportunity to keep that relationship current. Included will be sculpture, hybrids of sculpture/ furniture, related objects, accessories, and photographs.

Artist’s Statement
“I am using a combination of elements; formed/fabricated assemblies which contain kinetic and interactive components, found objects- curiosities and collectibles of various shapes, colors, origins and materials- which are designed and constructed to invite participation, display a sense of humor, and play with the notions of scale and time.” – Dave Carrow

Subscribe to Marginal Utility electronic mail list at: www.marginalutility.org/contact
Follow @mu_inc on Twitter: twitter.com/mu_inc
Facebook: www.facebook.com/marginal.utility

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